tag:blogger.com,1999:blog-32739351914542889172024-03-13T20:39:00.927+00:00do Porto e não só...ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.comBlogger54125tag:blogger.com,1999:blog-3273935191454288917.post-22599932667015840252024-03-09T09:43:00.000+00:002024-03-09T09:43:18.610+00:00poemas recuperados 12<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY2gv_yxb6JaE5uiuZypkem9qByywsQzZaeYVmXuw7CiMpqw3JZjP4i7z6kcKV9p-eD2qnT-6PFN3OIClL82mqRnSAiW7pt89m39sHIXoK96XKjGVPC5ZvHniaC4MenlDvpUGjx2SXRscAxjfIfaq85P7e8WCnpkPANcMl9ZZ6Yv1Sd9H31ggTM-2_j00/s1814/eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJpbSI6WyJcL2FydHdvcmtcL2ltYWdlRmlsZVwvNjQ4ZDc0NDI0NmQ1MS5qcGciLCJyZXNpemUsMjAwMCwyMDAwIl19.ZV67hyAfYUsJmk7iNHEjfLziHCzsjezLUDB9U4hL3_k.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="1814" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY2gv_yxb6JaE5uiuZypkem9qByywsQzZaeYVmXuw7CiMpqw3JZjP4i7z6kcKV9p-eD2qnT-6PFN3OIClL82mqRnSAiW7pt89m39sHIXoK96XKjGVPC5ZvHniaC4MenlDvpUGjx2SXRscAxjfIfaq85P7e8WCnpkPANcMl9ZZ6Yv1Sd9H31ggTM-2_j00/w640-h500/eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJpbSI6WyJcL2FydHdvcmtcL2ltYWdlRmlsZVwvNjQ4ZDc0NDI0NmQ1MS5qcGciLCJyZXNpemUsMjAwMCwyMDAwIl19.ZV67hyAfYUsJmk7iNHEjfLziHCzsjezLUDB9U4hL3_k.jpg" width="640" /></a></div><p class="MsoNormalCxSpFirst"><span style="color: black;"><span style="font-family: arial; font-size: x-small;">René Magritte
(1898-1967), Les merveilles de la Nature 1953. Óleo s/tela 77,5 x 98,1cm. Museum
of Contemporary Art Chicago USA.</span><span style="font-size: 11pt;"><o:p></o:p></span></span></p><h4><span style="font-family: arial;"><span style="font-size: large;">mar onde mergulhar é coisa incerta</span></span></h4><h4><span style="font-family: arial; font-size: x-small; font-weight: normal;">Sobre uma pintura de Magritte</span></h4>
<p class="MsoNormalCxSpFirst"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">Na praia de airoso vento e suave mar<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">um rochedo sem retrato ou identidade <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">que pintou compondo como escultura<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">perfeita no gesto que o é de liberdade<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">Trabalhados nessa tão verdenta rocha <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">os amantes se dizem pedra enlaçados<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">como num desviado inverso de sereias <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">nessa paixão em peixes transformados<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">Ao fundo no tempo azul a nave avança<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;">tétrico espectro qual </span><span style="mso-bidi-font-family: Arial;">navio de ninguém</span><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">sequer um vulto mareando na coberta<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">Nesse extenso areal que o azul amansa<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">não se sabe em que ondas se banharam<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">nesse mar onde mergulhar é coisa incerta. </span><o:p></o:p></span></p><br /><p></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-55170173123874942482024-03-05T10:17:00.000+00:002024-03-05T10:17:15.115+00:00poemas recuperados 11<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiADktjVbPPKt9c2p3cjJz5I2s3GCP2xXI7W1i6eiea75khb94jdJbvqxpybZfDwW1ShyphenhyphenLpQo6z9pGEfmWsKGjbfeEEI56VfAUaw4YzKYJM6nd_ChHJesSMW5IXSEL8ft1HGMOR_cxkp4xWOFPYA1f7mSxz7pqMs4YSdNXlHl6EfxGQVbq2NVqFDIoMXgo/s650/18-530852.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="650" data-original-width="527" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiADktjVbPPKt9c2p3cjJz5I2s3GCP2xXI7W1i6eiea75khb94jdJbvqxpybZfDwW1ShyphenhyphenLpQo6z9pGEfmWsKGjbfeEEI56VfAUaw4YzKYJM6nd_ChHJesSMW5IXSEL8ft1HGMOR_cxkp4xWOFPYA1f7mSxz7pqMs4YSdNXlHl6EfxGQVbq2NVqFDIoMXgo/w324-h400/18-530852.jpg" width="324" /></a></div><p></p><p class="MsoNormalCxSpFirst"><span style="font-size: 10.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-family: arial;">Fernand Léger (1881-1955). Le réveille-matin 1914óleo s/tela 100 x 81
cm. Centre Pompidou. Musée national d'art moderne Paris,</span></span><span style="font-size: 18.0pt; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></p><h4><span style="font-family: arial; font-size: large;">Leve e suave sopra em mim<o:p></o:p></span></h4><p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial; font-size: large;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">De forma leve suave sopra em mim<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">silenciosa melodia que nem escuto<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">são restos dos sons quase sem cor <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">tiquetaques lambendo o tempo curto.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Imagino-me
a despertar em flagelo,<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">névoa nascente de modo repentino,<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">difícil acordar de perplexo pesadelo<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">tropel de ideias em delírio peregrino.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Espio-me em vulto astuto na cidade,<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">fiapos de suaves árias em sol maior<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">crescendo na constante fútil vontade <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">de ir compondo pelo espaço aberto,<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">descartado o sonho quiçá reparador, <o:p></o:p></span></p><p>
</p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">matinal melodia, quando eu desperto. </span><o:p></o:p></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"></div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-21545408686035285442024-02-26T09:51:00.004+00:002024-02-26T09:51:59.498+00:00poemas recuperados 11<p> </p><h4><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXLeE05-rg_OHkeQRu0hHgR-5o0TcoEequwpqSFZcHOhDaMe__LR1lju7-lb2pJYgE1Fnn3R7mbEQooKM1nBS8-nlBgCQQPE1DBRbpF9q_50x3ftvb_7qYQoAYbTew74JHdF2kC7spbHxjsu1eEo3f7RrHo1M4okr5u-_Sk01eEC-pl57-SD93LJsqhCY/s2807/magritte-book-8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2807" data-original-width="2232" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXLeE05-rg_OHkeQRu0hHgR-5o0TcoEequwpqSFZcHOhDaMe__LR1lju7-lb2pJYgE1Fnn3R7mbEQooKM1nBS8-nlBgCQQPE1DBRbpF9q_50x3ftvb_7qYQoAYbTew74JHdF2kC7spbHxjsu1eEo3f7RrHo1M4okr5u-_Sk01eEC-pl57-SD93LJsqhCY/s320/magritte-book-8.jpg" width="254" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjF3aQQvmiGO0sk8kGkvjbbWMvaONShDJ9umFFH4OGB9vd5g1jegjZOVyC73Uy5sbKxPmcIV33ZMf8RB-LKSBgPPj8UDIAW1CjlF8cuk84Glmsvba6dueNClUuZTebweN8lksNpDI2878cobGPnc4CZXGBukWDVdQjpMd-8L5A1NNDZYYAjpfbxGp5ddA/s507/aventures%20arthurgordonpym%20edgarpoe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="324" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjF3aQQvmiGO0sk8kGkvjbbWMvaONShDJ9umFFH4OGB9vd5g1jegjZOVyC73Uy5sbKxPmcIV33ZMf8RB-LKSBgPPj8UDIAW1CjlF8cuk84Glmsvba6dueNClUuZTebweN8lksNpDI2878cobGPnc4CZXGBukWDVdQjpMd-8L5A1NNDZYYAjpfbxGp5ddA/s320/aventures%20arthurgordonpym%20edgarpoe.jpg" width="204" /></a></span></div></div><span style="font-family: arial; font-size: x-small; font-weight: normal;">René Magritte (1898-1967) La reproduction interdite, 1937. Óleo s/tela 79 × 65 cm. musée Boijmans Van Beuningen Roterdão.</span></h4><h4><p class="MsoNormalCxSpMiddle" style="font-weight: 400;"><span style="font-family: arial;"><span style="font-size: x-small;">Nota -O livro pousado na prateleira “Aventures d’Arthur Gordon Pym” é de Edgar Poe (1809-1849), na tradução de Charles Baudelaire (1821-1867). Michel Levy Frères Libraires – Éditeurs Paris 1858.</span></span></p></h4><h4><span style="font-family: arial;"><span style="font-size: large;">aquele que já sou e que serei não sendo</span><o:p></o:p></span></h4>
<p class="MsoNormalCxSpFirst"><span style="background: white; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 11.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span><span style="background-color: white; font-family: arial; font-size: 10pt;">“</span><em style="background-color: white; font-family: arial; font-size: 10pt;">Sed fugit
interea fugit irreparabile tempus</em><span style="background-color: white; font-family: arial; font-size: 10pt;">” Virgílio*</span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">No mar amargo e vento incerto onde navego<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">reaparecem receios que ficaram escondidos<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;">tempo curto para que se mudem as certezas</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">lugar onde moram tantos medos clandestinos.<span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"> <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;">O enigma da tarde que aparece</span><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"> </span><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;">nos espelhos </span><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">imagens da verdadeira verdade ou da fingida<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">com sonhos enevoados e pesados pesadelos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">que se mais duram menos tempo são na vida.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">Estas rudes mãos que apenas um nada tendo<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">com que se traçam vários círculos imperfeitos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">que no mar se criam e se esfumam pelo vento.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Nunca pareça e não pereça que o modo lento<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial; font-size: medium;">de receitar escondidos remédios sem defeitos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;"><span style="font-size: medium;">para aquele que já sou e que serei não sendo.</span><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;">*</span><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt;">“Mas entretanto o irreparavel tempo / Nos vae fugindo”<o:p></o:p></span></i></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="background: white; font-size: 10.0pt; mso-bidi-font-family: Arial;">Publius Vergilius Maro ( 70 -19 a.C.) </span><span style="font-size: 10.0pt;">As Georgicas de Virgilio. Traduzidas do original em
verso endegasyllabo com anotações exclusivamente agronómicas e zootechnicas por
João Felix Pereira. Agronomo, medico, emgenheiro civìl e professor jubilado do
Lyceo Nacional de Lisboa.</span></span><span style="font-family: arial; font-size: 10pt;">Typographia
Universal Lisboa 1875</span><span style="background: white; font-family: arial; font-size: 10pt;"> (vs. 283 pág. 53).</span></p>
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<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-1306234157220594072024-02-19T16:54:00.000+00:002024-02-19T16:54:44.298+00:00poemas recuperados 10<p> </p><h4><span style="font-family: arial;"><br /></span></h4><h4><span style="font-family: arial;"><br /></span></h4><h4><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfJg0hfT5fgqqaLogUU6KIT4_29D_HLyvReLEwp2jX4iNTAvhhTmykjk0kGGxdCyinDfUkgajbif_EAKiyZoLCVBQcNaapEo-p6h4K5aXqymNWNvacocaP2mLL1WTWbtRDLM8MiVURFo8SVoYfb7YWKBizI-6CFJECUAolBgpb8Obv1XGQjam-x402gQM/s5409/Thomas_Eakins.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3703" data-original-width="5409" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfJg0hfT5fgqqaLogUU6KIT4_29D_HLyvReLEwp2jX4iNTAvhhTmykjk0kGGxdCyinDfUkgajbif_EAKiyZoLCVBQcNaapEo-p6h4K5aXqymNWNvacocaP2mLL1WTWbtRDLM8MiVURFo8SVoYfb7YWKBizI-6CFJECUAolBgpb8Obv1XGQjam-x402gQM/w640-h438/Thomas_Eakins.jpg" width="640" /></a></div><span style="font-weight: normal;"><div style="text-align: center;"><span style="font-family: arial; font-size: small;">Thomas Eakins (1844-1916) Sailing c.1875. óleo s/tela 81 x 117,5 cm. Philadelphia Museum of Art.</span></div></span></h4><h4><br /></h4><h4><span style="font-family: arial;"><span style="font-size: large;">o mar é da liberdade o grito mais fecundo</span><o:p></o:p></span></h4>
<p class="MsoNormal"><i><span style="font-size: 10.0pt; mso-bidi-font-family: "Times New Roman\,Italic";"><span style="font-family: arial;">Homme
libre, toujours tu chériras la mer! </span></span></i><span style="font-family: arial; font-size: 10pt;">Charles Baudelaire *</span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Aparelhar o barco, a mão firme no leme<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">medir o sol, caçar a vela, asa levantada. <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">Pelo vento azul na luz pálida que treme <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">partir com a vela grande toda enfunada.<span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Ir mapeando mares, mareando tempos. <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Onda saltando à proa a talhar as águas,<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">inefável paz desses seguros momentos,</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">ao zarpar</span> e esquecer todas as mágoas.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-style: italic;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-style: italic;">Saber se
o sol encobre a dourada maré</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">ao virar de bordo sem receio nem medo<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">qual vento venta vagueando</span><span style="mso-bidi-font-family: Arial;">
</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">pelo
mundo.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial;">Que</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"> horizonte ousar
para sem o alcançar <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">revelar o mais escondido do seu segredo:<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-size: 12.0pt;">o mar é da
liberdade o grito mais </span>fecundo.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-size: 10.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-family: arial;">*Charles Baudelaire (1821-1867), L’Homme et la mer XIV in Les Fleurs du
Mal 2ª ed. Poulet-Malassis et de Broise Éditeurs, Paris 1861. (pág.35 e 36).</span></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-82819028098267722782024-02-14T15:33:00.001+00:002024-02-14T15:33:44.885+00:00poemas recuperados 9<p> </p><h4><p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="background: white; color: #050505; font-family: "Segoe UI Historic", sans-serif; font-size: 10pt; font-weight: normal;"><br /></span></p><p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4ZfNdj5QZxEofaLpejxHZxL4dd2IdP8B5gUxKQuKKPeThF3mctVsYCn7LJj30DX0xkcnPIfouSMplG-r3Oddst0waqkFAR3QIr36KER0_kwIXXuCmdmzHuW4mX42g_7cfZyEAgc1b1yLcXK6ERFv0Tw86K0kU7Xur44_bo969KpwbfXfgAC6kVBLwWiU/s1000/demagogo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4ZfNdj5QZxEofaLpejxHZxL4dd2IdP8B5gUxKQuKKPeThF3mctVsYCn7LJj30DX0xkcnPIfouSMplG-r3Oddst0waqkFAR3QIr36KER0_kwIXXuCmdmzHuW4mX42g_7cfZyEAgc1b1yLcXK6ERFv0Tw86K0kU7Xur44_bo969KpwbfXfgAC6kVBLwWiU/w400-h400/demagogo.jpg" width="400" /></a></div><p></p><p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="background: white; color: #050505; font-family: "Segoe UI Historic", sans-serif; font-size: 10pt; font-weight: normal;">Adolfo Bellocq</span><span style="color: #050505; font-family: "Segoe UI Historic",sans-serif; font-size: 10.0pt; mso-bidi-font-size: 11.5pt;"><span style="font-weight: normal;"> (1899-1972). <span style="background: white;">El demagogo, 1925.</span>
</span><span style="background: white;"><span style="font-weight: normal;">Zincografia. 23 x 26 cm. Museu de Artes
Plásticas Eduardo Sívori. Museu de arte de Buenos Aires.</span><o:p></o:p></span></span></p></h4><h4><span style="font-family: arial;"><span style="font-size: large;">longe é tempo incerto. Perto está a ânsia de mandar</span></span></h4>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; font-weight: normal;"><span style="font-family: arial;">“- Ó glória de mandar, ó vã cobiça<o:p></o:p></span></span></i></p>
<p class="MsoNormalCxSpLast"><span style="font-family: arial;"><span style="font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt; mso-bidi-font-family: Arial;">Desta vaidade a quem
chamamos fama!” </span></i><span style="font-size: 10.0pt; mso-bidi-font-family: Arial;">Camões *</span></span><span style="font-size: 10.0pt; mso-bidi-font-family: Arial; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium; font-weight: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Para aí andam muitos com barbas bem crescidas</span><span style="mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">fazendo restolhos de promessas juízos e opiniões</span><span style="mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span style="font-family: arial; font-size: medium;">discursos
parecendo limpos, eruditos, eloquentes,<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">filigranas de palavras escorreitas e belas
citações.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium; font-weight: normal;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">Mas se são tão elaborados, eficazes e insinuantes <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">falta-lhes a modesta verdade grave e a pertinência,<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-weight: normal;"><span style="font-family: arial; font-size: medium;">já que falam
muito, pouco dizem, nada convencem<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">e não se conseguem afirmar na sua independência.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span style="font-family: arial; font-size: medium;">Ainda assim
há quem procure alcançar no imediato, <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">no teatro do mundo um papel tão desejado e imune,<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">um poder mesmo que modesto, pequeno, particular.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium; font-weight: normal;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">Para o que tudo vale, seja a intriga ou o vicioso pacto<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">não prevendo nem o longo e médio, só o tempo curto.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium; font-weight: normal;">Longe é tempo incerto. Perto está a ânsia de
mandar.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium; font-weight: normal;"> </span></o:p></p>
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</span></span><span style="font-size: 10pt; font-weight: normal;"><span style="font-family: arial;">*Luís de Camões
(1524-1580), Os Lusíadas Canto III est. CXV. Lello & Irmão Editores Porto
1970. (pág. 1236).</span><o:p></o:p></span></p><br />ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-64716187415208185012024-02-10T06:21:00.000+00:002024-02-10T06:21:40.573+00:00poemas recuperados 8<p> </p><h4><span style="font-family: arial;"><br /></span></h4><h4><span style="font-family: arial;"><br /></span></h4><h4><span style="font-family: arial;"><br /></span></h4><div><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><br clear="ALL" /><o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: 16.5pt; margin-bottom: 7.5pt;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDK3oN1920xIb675z-wymf7uH2X6dzJvVGDLg-yx9hMbhvP4XCTIeWdtXDeyiExQasXJ5b4PY9SqLDnBNaJ73N2o2KPG-dUnugb38jCwagVfa1lblc-CKL2jBXjkR2XGwtgvDk7qrWlEQuKPc-APmQ90Mu64tdr08Jb9D2NRjOf30qaYakjLKSDP4uRzc/s637/Schiele%20-%20Embrace%20-%201917.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="376" data-original-width="637" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDK3oN1920xIb675z-wymf7uH2X6dzJvVGDLg-yx9hMbhvP4XCTIeWdtXDeyiExQasXJ5b4PY9SqLDnBNaJ73N2o2KPG-dUnugb38jCwagVfa1lblc-CKL2jBXjkR2XGwtgvDk7qrWlEQuKPc-APmQ90Mu64tdr08Jb9D2NRjOf30qaYakjLKSDP4uRzc/w400-h236/Schiele%20-%20Embrace%20-%201917.jpg" width="400" /></a></span></div><p></p><p class="MsoNormal" style="background: white; line-height: 16.5pt; margin-bottom: 7.5pt;"><span style="font-family: arial;"><span style="font-size: 10pt;">Ergon Schiele (1890-1918). O Abraço 1917. Óleo s/tela </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 10pt;">100 x 170 cm, Belvedere Palace Museum Vienna</span></span></p></div><h4><span style="font-family: arial;">nova jogada<o:p></o:p></span></h4>
<p class="MsoNormalCxSpFirst"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">O fogo
lento que é permanente nos amores<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">dura mais
tempo e as chamas não magoam.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">O fogo
curto da paixão em ápice se extingue<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">na cinza
de rubras brasas que nos queimam.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">De noite o
misterioso escuro nunca distingue<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">o que é amor
o que é paixão o que é espanto.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">Dois
corpos acesos que enlaçados em desejo<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">um
cobrindo o outro em suave e morno manto.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">Mas a maior paixão,
a mais audaz cedo acaba, <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">roída nos enganos e nas virtudes que apregoa,<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">em enfeites amáveis, sentimentos que exagera.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;"><span style="font-family: arial;">Se como teimosos ousamos tentar nova jogada <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">é
indiferente como se acaba, sempre se perdoa.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">Importa é
sentir de novo o prazer que assevera.</span></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-1603161972316700372024-02-05T10:27:00.000+00:002024-02-05T10:27:00.263+00:00poemas recuperados 7<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI2A0fScp2luBu6y_UlA6Tryao-ELWc32iLqd1tj_iP8OsyOsrIdzgRDXWWAK99Iz87Fo0f32EVKCN8Ce1vJ1jfnZ_G4Mwec8GWQ9BLlmVM64UYK0lyXjuT3PuSKM1LOtR2s-Us7aeQ0aY5dnsFsjqNF0L1x5iWPHE2O9FqWCkJca7LWVY-KRWlHTigcA/s2559/Edvard_Munch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1928" data-original-width="2559" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI2A0fScp2luBu6y_UlA6Tryao-ELWc32iLqd1tj_iP8OsyOsrIdzgRDXWWAK99Iz87Fo0f32EVKCN8Ce1vJ1jfnZ_G4Mwec8GWQ9BLlmVM64UYK0lyXjuT3PuSKM1LOtR2s-Us7aeQ0aY5dnsFsjqNF0L1x5iWPHE2O9FqWCkJca7LWVY-KRWlHTigcA/w400-h301/Edvard_Munch.jpg" width="400" /></a></div><br /><p></p><h4><span style="font-family: arial; font-size: x-small; font-weight: normal;"><span style="mso-bidi-font-size: 14.0pt;"><o:p></o:p></span>Edward Munch (1863-1944).<span style="color: #202122;"> </span><span style="color: #202122;">Separação 1896 óleo s/tela 96 x 127 cm. Museu Munch,</span><span style="background: rgb(240, 240, 255); color: #202122;"> </span><span style="color: #202122;">Oslo. Google Art Project</span></span></h4>
<p class="MsoNormalCxSpFirst"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><h4><span style="font-family: arial;">Comovidos dias esquecidos</span></h4>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">Quando ainda sonhava nesses cabelos de vento<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">e a luz sustinha o peso da sombra que esperava<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">não era um engano ou invenção do pensamento<o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">mas o epítome e o
fim da paixão que se acabava.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Em todo o abandono
se </span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: HiddenHorzOCR;">descalça uma despedida</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">a qual torna
necessário saber perder a esperança <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">só nos resta esperar que essa esperança perdida<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">o tempo a acalme depois, e além dessa mudança. <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Na monótona chuva que belisca a janela pequena<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">onde tremem finas gotas fugidias que, encerradas<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">e passageiras, escorrem fazendo cantar os vidros,<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Os ébrios lamentos dessa presença d’água serena<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">em tantos sonhos de pausa amarga desencontrada <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">só os recordaremos em comovidos dias esquecidos.</span><o:p></o:p></p>
<p class="MsoNormalCxSpMiddle"><o:p> </o:p></p>
<p class="MsoNormalCxSpMiddle"><o:p> </o:p></p>
<p class="MsoNormalCxSpMiddle"><o:p> </o:p></p>
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<p align="center" class="MsoNormal" style="background: white; text-align: center;"><span style="color: #050505; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p> </o:p></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-43520615690631876202024-01-30T09:02:00.000+00:002024-01-30T09:02:20.739+00:00poemas recuperados 6<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL6QI2jULA2QW-b9KyqezDEsVXmV2dTZSzek7kBylWc4BK3EcGDuQmXQfx0LJz3YvrQQ4IUaEo3M6hlw2GcVhcuz_rXcdpAjleHFNkSUxUsbxePHjhEtreNSgYr1WISdAYI_MMPEzIBsneCuNyL3fbsKaZ_7cD97P-TKJFpsZKOQLWA-E-sY_NRPzexa4/s598/pomba-paz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="470" data-original-width="598" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL6QI2jULA2QW-b9KyqezDEsVXmV2dTZSzek7kBylWc4BK3EcGDuQmXQfx0LJz3YvrQQ4IUaEo3M6hlw2GcVhcuz_rXcdpAjleHFNkSUxUsbxePHjhEtreNSgYr1WISdAYI_MMPEzIBsneCuNyL3fbsKaZ_7cD97P-TKJFpsZKOQLWA-E-sY_NRPzexa4/w400-h315/pomba-paz.jpg" width="400" /></a></div><p class="MsoNormalCxSpFirst"><span style="color: #161616; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;"><span style="font-family: arial;">Pablo Picasso (1881-1973). “Pomba da Paz”, 28. 12. 61. litografia s/papel
48 x 60 cm. coleção particular.</span><o:p></o:p></span></p><p class="MsoNormalCxSpFirst"><span style="color: #161616; font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;"><span style="font-family: arial;"><br /></span></span></p><h4><span style="font-family: arial;"><span style="font-size: medium;">tudo se acaba em versos em quase nada</span><o:p></o:p></span></h4><p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">A floresta iluminada suaviza a
sombra<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">no rumor distante do declinar da tarde.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Só o brando murmúrio daquela pomba<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">me eleva o quotidiano até à eternidade.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Vagueio com esse outro eu, um inimigo<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">a quem desafio neste tempo tão incerto.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Tropeço caindo em mim como o castigo<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">de longe ir buscar o que se abriga perto.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Desse diálogo comigo, sempre consigo,<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">na seara da alma descobrir algo perdido<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">aquele meu outro eu que foi um inimigo<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">com quem me batia em combate antigo.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Travei com esse avesso lutas esquecidas<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">de onde restaram ruínas, terra queimada<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">por fim já cansados lambendo as feridas<o:p></o:p></span></p><p class="MsoNormalCxSpFirst">
</p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">tudo se acaba em versos em quase nada.</span><o:p></o:p></p><p></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-47723614092235378102024-01-24T09:53:00.000+00:002024-01-24T09:53:10.418+00:00poemas recuperados 5<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigtCrts8Y492dphbIzltYVDLG5uH-AaHD6f4-1Dz45KidrKmubCZyrVuUwbOvJbL9kkeEjUgpU4bIGx4YWNFPisTu42e1M5XJqsJNFBS8hKYcwLIamdQHaL1k3bSLbIIbclPTlXz5vB5UclkyUgLB0mN1BEBZiLwpMMbZWvpgtkJL8w6lF_J_TsRbin6M/s1053/descarregar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1053" data-original-width="832" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigtCrts8Y492dphbIzltYVDLG5uH-AaHD6f4-1Dz45KidrKmubCZyrVuUwbOvJbL9kkeEjUgpU4bIGx4YWNFPisTu42e1M5XJqsJNFBS8hKYcwLIamdQHaL1k3bSLbIIbclPTlXz5vB5UclkyUgLB0mN1BEBZiLwpMMbZWvpgtkJL8w6lF_J_TsRbin6M/w316-h400/descarregar.jpg" width="316" /></a></div><p></p><p class="MsoNormalCxSpFirst"><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-family: arial;">José de Ribera (1591-1652), Filósofo com um espelho 1ª metade do século
XVII. Óleo s/tela 113 x 89 cm. Rijksmuseum Amesterdão.<o:p></o:p></span></span></p><p class="MsoNormalCxSpFirst"><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoNormalCxSpFirst"></p><h2 style="text-align: left;"><span style="mso-fareast-font-family: "Times New Roman";"><span style="font-family: arial;">Espelho</span></span></h2>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">"Para
hum homem se ver a si mesmo, saõ necessarias tres cousas: olhos, espelho &
luz. Se tem espelho, & é cego, não se póde ver por falta de olhos; se tem
espelho & olhos, & he de noyte, não se pode ver por falta de luz. Logo
há mister luz, ha mister espelho & ha mister olhos." <span style="mso-spacerun: yes;"> </span></span></i><span style="font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Padre António Vieira *</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><br /></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">Nesse
espelho em que me vejo esquecido<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">está esse
outro eu, um quase semelhante. <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">É outro
eu, o negativo, simétrico de sentido,<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">a
vigiar-me fixo nesse espaço equidistante. <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">Sou eu ou
apenas quem eu penso que sou?<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">Sou eu ou
apenas minha figura mal-olhada?<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Ou é o
amável sussurro</span> em que se esconde<span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">o cansaço do olhar em lágrima tão salgada?</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">Esqueço
que nesse espelho como em janela <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">onde,
como amigo que não sou, ele espreita.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">Desconfio-me
da invertida visão, porque nela<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">sempre se
vai trocando esquerda com direita. <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">Pesando o
que me vejo e o que me fui vendo<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">no outro
eu com quem sempre me confundo,<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">o que fui,
o que senti, em tudo o que fui sendo,<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;">patética intimidade em que sempre me afundo.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial;">Podes tu? –
diz o outro eu, em tom assaz duro,<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-fareast-language: PT;">aprender esses
ocultos mistérios e os segredos</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">que só eu
guardo como teu eco. O íntimo escuro, </span><span style="mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;">dos
restos já gastos de murmurantes pesadelos?<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Farto de me ver em tais andanças não respondo.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Olhos nos olhos, eu e o outro, qual o mais velho,<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">não tendo como lhe responder, assim de pronto, <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">apago a luz. logo se vai o eu-<span style="mso-bidi-font-family: Arial;">maldito do </span>espelho.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">* <span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;">Padre Antônio Vieira (1608-1697), Semam da
Sexagesima Prégado na Capella Real 1655 in Sermoens do P. Antonio Vieira da
Companhia de Jesus. Prégador de Sua Alteza Primeyra parte dedicada ao Principe
N.S. Na Officina de Ioam da Costa, Lisboa MDCLXXIX. (pág. 18).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"> <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"></span><p></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-57394821306657195752024-01-22T09:32:00.000+00:002024-01-22T09:32:17.811+00:00poemas recuperados 4<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix1MydES3V4jMLd8s-HAuBRSb3ddMbWsfRbse0PbSQ9eXykvhuI-dWraGLSo3ZRm_JGBiPIDXZHxPe66hrG_Ykoe6hQcjyYHoxn2hO81vEXGagb16pCRHHfWNuuxvcghqqyCbNUPHaPztpq16qZ6PZOLnGV5DvkWAJqpX1-Rz6aZ-HVoVRYkUdsENVPuY/s497/17523410_131149964085935_1095146294308269363_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="497" data-original-width="375" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix1MydES3V4jMLd8s-HAuBRSb3ddMbWsfRbse0PbSQ9eXykvhuI-dWraGLSo3ZRm_JGBiPIDXZHxPe66hrG_Ykoe6hQcjyYHoxn2hO81vEXGagb16pCRHHfWNuuxvcghqqyCbNUPHaPztpq16qZ6PZOLnGV5DvkWAJqpX1-Rz6aZ-HVoVRYkUdsENVPuY/w301-h400/17523410_131149964085935_1095146294308269363_n.jpg" width="301" /></a></div><p></p><h4><span style="font-family: arial; font-weight: normal;"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 48.0pt; mso-bidi-theme-font: major-bidi;">Fernando
Lanhas (1923-2012). Cais 44 1944, óleo s/tela</span></span> <span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 48.0pt; mso-bidi-theme-font: major-bidi;">31 x 45
cm. Museu Nacional de Arte Contemporânea. Museu do Chiado. Lisboa.</span></span></span></h4><h4><span style="font-family: arial; font-size: medium;">porto seguro</span></h4>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">Vai-se a
frescura a sombra o perfume e o abrigo <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">se as árvores esquecerem os frutos que pariram<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;">e se </span><span style="mso-bidi-font-size: 14.0pt;">todas elas no seu conjunto correrem perigo<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">dê-se-lhes
descanso de tudo isso que passaram.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">No mundo que vivemos de prazeres e dissabores
<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">somos nós que os queremos e que os desejamos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">é por finos corredores que as mercedes e
favores <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">só em nós acharemos mais aquilo que buscamos.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">Pois é tão grande toda a carga e a vida trabalhosa<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">planos, intervalos, quebras, saltos, o que se
quiser<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">se a plena luz nos dilui e nos faz exatos no
escuro.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">Não se faça mais amarga toda a batalha temerosa<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">que de ano a</span><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 10.0pt;"> ano vamos elaborando
para perceber <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;"><b>só com um bom vento se pode arribar porto seguro. </b></span><o:p></o:p></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-14652330187194602542024-01-17T10:52:00.003+00:002024-01-17T10:52:44.678+00:00poemas recuperados 3<p><br /></p><h2><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Q__I20l1-2EK8zD-rw9ymH2VzbnRbX0531THsja3wqAVuSd_ZKc8MSxOZZRqR8bp9ZwqVNLzCgYAO98Ke7oWPs7chVUOJnwwaJ2GEbnMBm2d8wYy52INYgSo60eSjD_RTRTElRwvliWZaZgWoJB1ljcVbH1VkN3IvzLjzECoYmCCRCFW5imfHJOX0Q4/s1024/Aleksei_Gavrilovich_Venetsianov_-_Garcon_berger_endormi_(Sleeping_Sheperd_boy)_-_Peinture_de_Alexei_Gavrilovich_Ve_-_(MeisterDrucke-1317982)%20(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="767" data-original-width="1024" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Q__I20l1-2EK8zD-rw9ymH2VzbnRbX0531THsja3wqAVuSd_ZKc8MSxOZZRqR8bp9ZwqVNLzCgYAO98Ke7oWPs7chVUOJnwwaJ2GEbnMBm2d8wYy52INYgSo60eSjD_RTRTElRwvliWZaZgWoJB1ljcVbH1VkN3IvzLjzECoYmCCRCFW5imfHJOX0Q4/w640-h480/Aleksei_Gavrilovich_Venetsianov_-_Garcon_berger_endormi_(Sleeping_Sheperd_boy)_-_Peinture_de_Alexei_Gavrilovich_Ve_-_(MeisterDrucke-1317982)%20(1).jpg" width="640" /></a></div></h2><h2><span style="font-family: arial; font-size: x-small; font-weight: normal;">Alexey Gavrilovich Venetsianov (1780-1847). O pastor adormecido 1823/26. Óleo
s/tela <span style="color: #393939;">s/d.</span>San Pietroburgo, Gosudarstvennyj
Russkij Muzej . State Russian Museum, St. Petersburg, Russia.</span><o:p></o:p></h2><p><span style="font-family: arial; font-size: large;"><b>sonho bonito</b></span></p><p></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial;">Naquele sonho que nunca aconteceu<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">onde sonhei que sonhava a realidade<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">dele acordei cansado de tal descanso <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">sonhando antever a ilusória liberdade. <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Perdida aquela mão simétrica da arte <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">fosse pela intuição fosse pela ciência<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">tudo o que sabia no todo ou em parte <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">desfez-se no silêncio ruiu a inocência.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Agora nem breves sonhos consigo ter<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">e na cabeça oca nem um brilho nasce<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">clarão ardente, inefável,
quase infinito.</span></span></p><p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;"><br /></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">Sono de pedra
nunca dará para se ver<o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">o que nunca
quisera ver e o que não vi. <o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial;">Sonhei que não
sonhei. Sonho bonito.</span></span><o:wrapblock><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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<span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></p><span style="font-family: arial; font-size: large;"><b></b></span><p></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-84152539535247497582024-01-14T10:46:00.000+00:002024-01-14T10:46:18.772+00:00Poemas recuperados 2<h3 style="text-align: left;"><span style="font-family: arial;"><b><br /></b></span></h3><h3 style="text-align: left;"><span style="font-family: arial;"><b><br /></b></span></h3><div style="text-align: left;"><span style="font-family: arial; font-size: x-small; font-weight: normal;"><br /></span></div><div style="text-align: left;"><span style="font-family: arial; font-size: x-small; font-weight: normal;"><br /></span></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVjyRnVjNo9X_EmUvyXoTw4ztOQPn9U7jpxdZ8wJK5-OeTzAWNPu8-GrneDG0x9UBjQm-7UJA1XAzpSi0Jjp7-WWv91P9WOGWpXltWGH-oxwxf3s8mey-g0eInVDjkACU8yT6kYwGaYSrVHUu8_2odAPY9QHOzYZMureCvG5P_QPi4mT3YyCICj1qvrQ/s1614/a%20cruz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1270" data-original-width="1614" height="504" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVjyRnVjNo9X_EmUvyXoTw4ztOQPn9U7jpxdZ8wJK5-OeTzAWNPu8-GrneDG0x9UBjQm-7UJA1XAzpSi0Jjp7-WWv91P9WOGWpXltWGH-oxwxf3s8mey-g0eInVDjkACU8yT6kYwGaYSrVHUu8_2odAPY9QHOzYZMureCvG5P_QPi4mT3YyCICj1qvrQ/w640-h504/a%20cruz.jpg" width="640" /></a></div><span style="font-family: arial; font-size: x-small; font-weight: normal;"><br /></span></div><div style="text-align: left;"><span style="font-family: arial; font-size: x-small; font-weight: normal;">António Cruz (1907-2007). Paisagem.Aguarela 1945. Cat. da Exposição 2007-2008 Museu </span><span style="font-weight: normal;"><span style="font-family: arial; font-size: x-small;">Nacional Soares dos Reis. Ed. Coop. Árvore CRL.</span></span></div><h3 style="text-align: left;"><span style="font-family: arial;"><b><br /></b></span></h3><h3 style="text-align: left;"><span style="font-family: arial; font-size: large;"><b>ventos livres passando devagar</b></span></h3><div><span style="font-family: arial; font-size: large;"><b><br /></b></span></div><p><span style="font-family: arial;"><b>Ouço um silêncio como um hino sem um canto</b></span></p><p><span style="font-family: arial;"><b>há uma ténue dor que adivinho e que não sinto</b></span></p><p><span style="font-family: arial;"><b>já tempo foi que pelas faces me corria o pranto</b></span></p><p></p><p><span style="font-family: arial;"><b>o dolente desencanto recantos do meu labirinto</b></span></p><p><span style="font-family: arial;"><b><br /></b></span></p><p><span style="font-family: arial;"><b>Havia então esse olhar que de puro e excelente</b></span></p><p><span style="font-family: arial;"><b>quase entrevia a rápida mudança de momentos</b></span></p><p><span style="font-family: arial;"><b>a pureza inatingível das imagens que na mente</b></span></p><p></p><p><span style="font-family: arial;"><b>são como as verdades só duram curtos tempos</b></span></p><p><span style="font-family: arial;"><b><br /></b></span></p><p><span style="font-family: arial;"><b>O furor febril de tantos espinhosos desenganos</b></span></p><p><span style="font-family: arial;"><b>que dão sombras indecisas vagas e dormentes</b></span></p><p></p><p><span style="font-family: arial;"><b>das ilusões criadas que acabamos por lamentar</b></span></p><p><span style="font-family: arial;"><b><br /></b></span></p><p><span style="font-family: arial;"><b>Só o que nos faz ser então demasiado humanos</b></span></p><p><span style="font-family: arial;"><b>é um fresco incontinente frio que vem do oriente</b></span></p><p></p><p><span style="font-family: arial;"><b>soprando esses ventos livres passando devagar.</b></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-3288175815623838182024-01-13T14:25:00.001+00:002024-01-13T14:38:08.799+00:00 alguns poemas recuperados <h1 style="text-align: left;"><br /></h1><div><span style="font-family: arial;"><br /></span></div><div><h2><p class="MsoNormalCxSpFirst"><span style="font-size: 9pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 11.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA6OqaPcJJTYfw5mpfKv_P8_ZKnraYcAMTFvQMbWoW6ZyxLJ89kB1qAKfC0JH3j_rsHkqYFXwqpC7h0xZlkMgdoKrucTbeRpypinqnXi4hqI0G4frnRVnDM7bABkciH7g0OCm-riQ3DP-pz6FY6jzCVhYJofZoFFHsg5KTz3fMIy-fQH_ctERMVVpzzPI/s450/luz%20nas%20%C3%A1guas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="371" data-original-width="450" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA6OqaPcJJTYfw5mpfKv_P8_ZKnraYcAMTFvQMbWoW6ZyxLJ89kB1qAKfC0JH3j_rsHkqYFXwqpC7h0xZlkMgdoKrucTbeRpypinqnXi4hqI0G4frnRVnDM7bABkciH7g0OCm-riQ3DP-pz6FY6jzCVhYJofZoFFHsg5KTz3fMIy-fQH_ctERMVVpzzPI/s320/luz%20nas%20%C3%A1guas.jpg" width="320" /></a></div><span style="font-size: 9pt; font-weight: normal;">(Adriano) Sousa Lopes (1879-1944). Luz nas
águas óleo s/madeira 39 x 47 cm. Museu do Chiado- Museu de Arte Contemporânea</span><p></p></h2><h2><span style="font-family: arial;">grisalhos me vão ficando os cabelos</span><o:p></o:p></h2>
<p class="MsoNormalCxSpFirst" style="text-align: left;"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt; mso-bidi-font-family: Arial;"><span style="font-family: arial;">“Talvolta ritorna <o:p></o:p></span></span></i></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt; mso-bidi-font-family: Arial;"><span style="font-family: arial;">nell'immobile calma del
giorno il ricordo <o:p></o:p></span></span></i></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt; mso-bidi-font-family: Arial;">di quel vivere assorto,
nella luce stupita.” </span></i><span style="mso-bidi-font-family: Arial;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;"><span style="font-size: 11pt; mso-bidi-font-family: Arial;">Cesare Pavese <a href="file:///C:/Users/ricardo/Desktop/livro%20de%20poemas.docx#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 11pt;">[1]</span></span><!--[endif]--></span></span></a></span><span style="font-size: 11pt; mso-bidi-font-family: Garamond;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpLast" style="text-align: left;"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpFirst" style="text-align: left;"><span style="font-family: arial;">Agora que vão ficando tão grisalhos os cabelos<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">tornando-me
na vida mais sábio do que sabido<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">meditando
no que sou, uma manta nos joelhos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial;">sou já menos
</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">áspero
e rugoso que liso e polido.</span></span></p><p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><br /></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">Aquelas
árvores belas e esguias como colmos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">coando a
bela luz de âmbar tão fina e delicada<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">lembram o
que já fomos e o que já não somos<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">trocando artifícios
pela simplicidade rebuscada.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">Se nada
invento transformo apenas o inventado<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;">falida a <span style="mso-bidi-font-family: Arial;">vontade
de escalar o cimo da montanha<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;">procurando ar puro para um mais suave respirar<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;">Assente a urbana poeira em calma e sossegado<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial;">é na
remota praia que o mar suavemente banha</span> <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: left;"><span style="font-family: arial;">que o dourado da manhã me permite descansar.</span><o:p></o:p></p>
<p class="MsoNormalCxSpMiddle"><o:p> </o:p></p>
<div style="mso-element: footnote-list;"><!--[if !supportFootnotes]--><br clear="all" />
<hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal" style="background: white;"><a href="file:///C:/Users/ricardo/Desktop/livro%20de%20poemas.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="font-size: 10pt; mso-bidi-font-family: Arial;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face=""Arial",sans-serif" style="font-size: 10pt; mso-ansi-language: PT; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-size: 10pt; mso-bidi-font-family: Arial;"> </span><span style="color: #050505; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Cesare Pavese (1908-1950), La
Notte (1938) in Lavorare stanca. 1943 Giulio Einaudi Milano. <o:p></o:p></span></p>
<p class="MsoNormal" style="background: white;"><i style="mso-bidi-font-style: normal;"><span style="color: #050505; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">"E por vezes volta<o:p></o:p></span></i></p>
<p class="MsoNormal" style="background: white;"><i style="mso-bidi-font-style: normal;"><span style="color: #050505; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">na calma imóvel do dia a
recordação<o:p></o:p></span></i></p>
<p class="MsoNormal" style="background: white;"><i style="mso-bidi-font-style: normal;"><span style="color: #050505; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">daquele viver absorto, na
espantosa luz."<o:p></o:p></span></i></p><p class="MsoNormal" style="background: white;"><i style="mso-bidi-font-style: normal;"><span style="color: #050505; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><br /></span></i></p><p class="MsoNormal" style="background: white;"><span style="color: #050505; font-family: arial; font-size: medium;"><b>II</b></span></p><h2><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhYDyJ2zGcaovuXJE7cFxTkQGBCRCbyVx2aBGG2DKdPYeo-_qt0tq-J0_Rv074ZHxbajZf2bSAZh46LpJHwCmJDlbdhgxBPTAQqkqMdBC5Bqh25XPuwSOLwZOMoJsTEyygI_9g2ZAvBoKbLJEPKFGDwZ0kDCfR0epUEm55xfjiv9qaUB2qHtOoz0mjwEc/s1224/413800563_1572414686626115_2646775074285780260_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="648" data-original-width="1224" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhYDyJ2zGcaovuXJE7cFxTkQGBCRCbyVx2aBGG2DKdPYeo-_qt0tq-J0_Rv074ZHxbajZf2bSAZh46LpJHwCmJDlbdhgxBPTAQqkqMdBC5Bqh25XPuwSOLwZOMoJsTEyygI_9g2ZAvBoKbLJEPKFGDwZ0kDCfR0epUEm55xfjiv9qaUB2qHtOoz0mjwEc/w640-h338/413800563_1572414686626115_2646775074285780260_n.jpg" width="640" /></a></div><span style="font-family: arial;">aquela fotografia pálida</span></h2><p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><span style="font-size: x-small;">Aos meus irmãos já desaparecidos</span><span style="font-size: 11pt;"><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">As folhas dos plátanos cobrem os longos braços da
cidade<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">pelas alamedas douradas um rumor se ouve e se
entende<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">é apenas um leve sopro das almas, um sussurro da
idade <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">suavemente cai o vento no tempo de água que se
estende.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Aquela fotografia pálida lembra o reino tão doce
da infância<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">quando no fácil despertar das coisas simples se
amadurece. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Retrato sereno e calmo, quase esquecido, como em
criança <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">se vê a vida e com a idade em espessa neblina desaparece.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Vejo-me diferente do que era e revejo-me no que agora
sou <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">O sol e a lua, o dia e a noite, eram então o
equilíbrio perfeito <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">nessa louca inocência como se loucura não fosse
sabedoria.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">somando qualidades e malefícios de agora ser no
que estou<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">o que já fui, o que estou sendo, o que virei a
ser, por defeito<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">este é o meu retrato quando a alma se passeia em
nostalgia. </span><o:p></o:p></p><p class="MsoNormal" style="background: white;">
</p><p class="MsoNormalCxSpMiddle"><o:p> </o:p></p><p class="MsoNormal" style="background: white;"><i style="mso-bidi-font-style: normal;"><span style="color: #050505; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><br /></span></i></p>
<div style="text-align: left;"><o:p> </o:p></div>
</div>
</div><span style="font-family: arial;"></span></div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-9442353795759669162023-10-20T11:17:00.001+01:002023-10-20T11:17:12.660+01:00<p> Colocando uma nova e actualizada foto, aproveito para dizer que,ocupado em muitas outras actividades, tenho deixado este blogue muito abandonado. Poderei voltar em breve.</p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-8768682805077114662022-05-09T14:52:00.003+01:002022-05-09T14:52:47.105+01:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (11) 2<p> </p><h1 style="text-align: left;"><span style="font-family: arial;"> </span><span style="font-family: arial;">Os navios no Tejo</span></h1><h2 style="text-align: left;"><span style="font-family: arial;">Breve referência aos navios nas imagens de Lisboa no século XVI</span></h2>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">“<b style="mso-bidi-font-weight: normal;">Lá onde o Tejo lava a grã cidade,<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Qu’em toda a Christandade espanta, &
soa,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Eu digo a alta Lisboa do Occidente<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: medium;">Raynha, & do oriente:”</span> </i></b><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a> </span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Na análise
destas vistas, comecemos pelo Tejo e palas embarcações que nele estão
representadas.</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">De facto, em todas estas vistas de Lisboa é
destacado o rio Tejo onde numerosas e diversas embarcações, procuram afirmar a
cidade como o grande (o maior?) porto peninsular e a sua importância para a
navegação atlântica.</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">Camões
descreve os barcos que no Tejo navegam.</span></span></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">“Vejo o puro, suave e brando Tejo, <o:p></o:p></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">com as côncovas barcas,
que, nadando, <o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">vão pondo em doce efeito seu desejo. <o:p></o:p></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Uas co’ brando vento
navegando,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">outras cos leves remos,
brandamente <o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">as cristalinas águas
apartando.</span></span></i></b><span style="color: black;"><span style="font-size: medium; font-style: italic;">”<span style="mso-spacerun: yes;"> </span></span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: black; font-size: 14pt;">[2]</span></span><!--[endif]--></span></a> </span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">E Sá de Miranda sublinha que:</span></span></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">“Vereis barcos ir à
vella,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Huns que vão outros que
vem,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Como que se desavem,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Com hua viração singela<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">Tanta força, & arte
tem.”</span></span></i></b><span style="color: black;"><span style="font-size: medium; font-style: italic;"> </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: black; font-size: 14pt;">[3]</span></span></span></a></span></span></p>
<p class="MsoNormalCxSpLast"><span style="font-family: arial; font-size: medium;"><span style="color: black; mso-bidi-font-family: NMJKIK+TimesNewRoman; mso-bidi-font-size: 14.0pt;">Do lado de Espanha é assinalada a importância
de Lisboa como cidade portuária e a diversidade das embarcações que no Tejo
navegam.</span></span></p>
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><span style="font-size: medium;">Pedro de Medina (c.1493-c.1567) no seu livro <i style="mso-bidi-font-style: normal;">Grandezas y cosas memorables de Espa</i><i style="mso-bidi-font-style: normal;">ña</i>
de 1548, refere: <i style="mso-bidi-font-style: normal;">“En el puerto
desta ciudad ay sempre<b style="mso-bidi-font-weight: normal;"> grãde numero de
naos, y otros muchos navios, vasos de todas suertes</b>, y gête de todas
naciones, <b style="mso-bidi-font-weight: normal;">por ser el mas principal
puerto de Espa</b></i><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: #4d4d4d;">ñ</span>a</i></b></span><span style="font-size: medium; font-style: italic;">, y
aun uno de los principales del mundo, al qual concurre gran multitude de
navios. Es puerto muy seguro hecho de la misma boca del rio Tajo, que tiene
três léguas de ancho.” </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><o:p><span style="font-family: arial;"> </span></o:p></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">E Bartholomé de Villalba y Esta<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ña
(1548-1605?), em </span><i style="mso-bidi-font-style: normal;">El Pelegrino
curioso y Grandezas de España </i>descreve a diversidade de embarcações, entre as quais destaca as
grandes naus que vêm da Índia e as actividades ligadas à navegação e ao
comércio dos produtos (e escravos) da Ilha da Madeira e da Índia, na Ribeira de Lisboa.</span></p>
<p class="MsoNormalCxSpLast"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“(…) ansi la falda
del rio adelante fué viendo las naves tan ordinarias en aquel puerto<b style="mso-bidi-font-weight: normal;">, galeras, bateles, caravelas, bergantines,
barcas, fustas, esquifes</b>, que os da gusto ver tanto genero de navíos. Vió
en su presencia llegar cinco <b style="mso-bidi-font-weight: normal;">naves de
las Indias Ocidentales </b>con gran cantidad de especias, de clavos, canela,
pimienta, que esto es la mayor grandeza de su rey. Verdad es que de la Isla de
la Madera le traen gran suma de pipotes, de todas conservas y otras cosas muy
delicadas, de más de <b>los negros que allí aportan de Marigongo y otras
provincias.</b> Hay, pues, en este espacio gran numero de maestros, unos haziendo
vageles, otros calafateando; unos despalman, otros ensevan; más adelante hazen pipas,
botas, toneles.”</span> <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span></p>
<div style="mso-element: footnote-list;"><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> António
Ferreira (1528-1569), <i>Archigamia Egloga I, Poemas Luzitanos do Doutor Antonio
Ferreira. Dedicados por seu filho Miguel Leite Ferreira, ao Principe D. Philippe
nosso senhor.</i> Impresso com licença, Por Pedro Crasbeeck. Em Lisboa M. D.
XCVIII. (pág. 71 v.).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luís de
Camões, <i>Elegia III. Obras de Luís de Camões</i>. Lello & Irmão, Editores. Porto
1970. (pág.406).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Francisco
de Sá de Miranda (1481-1558), <i>Carta II a António Pereira senhor de Basto in As
Obras do Doutor Francisco de Saa de Miranda, </i>a custa de Antonio leite, Mercador
de livros, na rua nova. Lisboa M DC LXXXVII. (pág. 215).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Pedro
de Medina (c.1493-c.1567), <i style="mso-bidi-font-style: normal;">Libro
d[e] grandezas y cosas memorables de España. Agora de nuevo hecho y copilado
por el Maestro Pedro de Medina vezino de Sevilla.</i> Dirigido al Serenissimo y
muy esclarecido Señor D. Filipe Principe de España.e Nuestro Señor. En casa de
Dominico d[e] Robertis. Sevilla. M D XL VIII. (pág. 24).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn5" style="mso-element: footnote;">
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;">
Bartholome de Villalba y Estaña (1548-1605?),</span></span><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><span style="color: #3d3d3d; font-size: 9pt;"><i>El
pelegrino curioso y grandezas de España 1577, por Bartholomé Villalba y Estañá.</i>
publícalo la Sociedad de Bibliófilos Españoles; Imprenta de Miguel Ginesta
Madrid 1886-1889. Biblioteca Digital Hispánica<span style="background-color: #f8f8f8;"> </span></span></span><span style="font-family: arial; font-size: 9pt;">(Tomo II, pág.90).</span></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: 9pt;"><br /></span></p><h2 style="text-align: left;"><span style="font-family: arial;">A <i>nau d’amores</i>. O valor simbólico da nau.</span></h2><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Em Janeiro de 1527, Gil Vicente, com o intuito de
celebrar regresso que D. João III e Dona Catarina, na sua chegada solene à
cidade de Lisboa, produziu “<i>A
tragicomedia seguinte he chamada </i><b style="font-style: italic;">Nao
damores</b><i>. Representouse ao muyto poderoso Rey dom Ioam o terceyro aa entrada
da esclarecida & muy catholica Raynha Dona Caterina nossa Senhora, em a cidade
de Lixboa. Era de M. D. XXVII.” </i><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[1]</span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Na peça, a personagem <i>Príncipe da Normandia</i> pede uma<i>
</i>embarcação a <b><i>“uma princesa em figura da Cidade de Lixboa”</i>. <o:p></o:p></b></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Esta responde que a embarcação disponível, é a nau
de São Vicente, que pertence à Coroa:</span></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">“Pera o que mereceis<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">senhor pouco me pedis,<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">inda que a Nao que quereis<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">val mais que todo Paris<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">como vós sey que sabeis.<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Porem eu fora contente<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">mas essa Nao nam he minha<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><b><i><span style="font-family: arial; font-size: medium;">porque
foy de sam Vicente<o:p></o:p></span></i></b></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><b><i><span style="font-size: medium;">&
he del Rey & da Raynha</span></i></b><span style="font-size: medium; font-weight: bold;">…” </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span></p><p class="MsoNormalCxSpMiddle"><span style="font-size: medium;"><span style="font-family: arial;">O Príncipe da Normandia pede então para construir
uma nau, que se chamará </span><b style="font-family: arial;"><i>nau d’amores</i></b><span style="font-family: arial;">, nos estaleiros de
Lisboa que então são conhecidos por fabricar os melhores navios.</span></span></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">“Por remedio
de mis Dolores<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">dadme
licencia entera<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">que se haga
uma <b>Nao damores</b><o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><b><i><span style="font-family: arial; font-size: medium;">aqui en vuestra Ribera<o:p></o:p></span></i></b></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><b><i><span style="font-size: medium;">Dose hazen las mejores</span></i></b><span style="font-size: medium; font-style: italic;">.” </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span></span></a></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">A nau que se chamará <b><i>Nau d’amores</i></b>, é então descrita
pelo Príncipe numa longa fala, em que se enumeram os materiais e as componentes
da nau identificadas com os encantos e desencantos do amor.</span></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">“Ha de ser
desta manera<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Para navegar
segura,<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">La voluntad <b>la madera</b><o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Y la razon <b>plegadura</b><o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Dorada toda
de fuera.</span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Las <b>estopas</b> de recelos<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Bincados de
diez en diez<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Y los <b>castillos</b> de celos<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Y la
tristeza la <b>pez</b><o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Tanta que
cubran los cielos.<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">El <b>mastel</b> de fee segura<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">Y la <b>vela </b>desperança,<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">La <b>gavea</b> de hermosura<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><i><span style="font-family: arial; font-size: medium;">El <b>traquete</b> de lembrança,<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">La <b>mezena </b>de dulçura.” </span> <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormalCxSpFirst">
</p><div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Vicente(c.1465-c.1536), <i>Naodamores</i>,in
Copilaçam de todalas obras de Gil Vicente, a qual se reparte em cinco Livros.
Empremiose em a muy nobre, & sempre leal Cidade de Lixboa, em casa de Ioam
Alvarez impressor del Rey nosso senhor. Anno de M. D. LXII. (Livro terceiro,
pág. CLXV).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Vicente(c.1465-c.1536), <i>Naodamores,</i>in
Copilaçam de todalas obras de Gil Vicente, a qual se reparte em cinco Livros.
Empremiose em a muy nobre, & sempre leal Cidade de Lixboa, em casa de Ioam
Alvarez impressor del Rey nosso senhor. Anno de M. D. LXII. (Livro terceiro,
pág. CLXVII).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Vicente (c.1465-c.1536), <i>Não damores,</i> in Copilaçam de todalas obras de Gil
Vicente, a qual se reparte em cinco Livros. Empremiose em a muy nobre, &
sempre leal Cidade de Lixboa, em casa de Ioam Alvarez impressor del Rey nosso
senhor. Anno de M. D. LXII. (Livro terceiro, pág. CLXVII). <o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormalCxSpLast"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Vicente (c.1465-c.1536), <i>Não damores,</i>
in Copilaçam de todalas obras de Gil Vicente, a qual se reparte em cinco
Livros. Empremiose em a muy nobre, & sempre leal Cidade de Lixboa, em casa
de Ioam Alvarez impressor del Rey nosso senhor. Anno de M. D. LXII. (Livro
terceiro, pág. CLXVII).</span></span></span><span style="font-size: 9pt; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></p><p class="MsoNormalCxSpLast"><br /></p><h2 style="text-align: left;"><span style="font-family: arial;">As embarcações na Crónica de D. Afonso Henriques</span></h2><p class="MsoNormalCxSpFirst"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">Nas imagens de Lisboa, por entre diversos tipos de embarcações, são salientadas as naus e galeões de longo curso.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">As naus dos finais do século XVI eram navios de grande calado, de três e quatro mastros, com aparelhos redondos e velas latinas, altos castelos de popa, aptos para transporte de grandes cargas, mas, simultaneamente, prontos para combates navais.</span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Na imagem do início de Quinhentos, da Crónica de
D. Afonso Henriques, entre duas naus navegam 3 caravelas latinas de dois mastros,
utilizadas em viagens de médio curso ou como apoio a armadas de naus ou
galeões. Estão representadas duas sétias (galés) e diversos bergantins.</span></span><i style="text-align: center;"><span style="font-family: arial;"> </span></i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAyfzYYojyMD6TjQrfDAjAl0QpB_ooOHYd15oqnFqa_aduIg0o4OxpO1rs4BRy2IhY0xQsaLDXrzhK39cSp8EEGN7Sze3t79qjNSEmnvjU28fpUSrWU9BVOS_WYWFLs8P_jAOw0Pxj981HGJc8dgChq5hRT17P9lflPTPdP52pZ9pFQ2fUqzfyLgGm/s1601/lx9.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="599" data-original-width="1601" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAyfzYYojyMD6TjQrfDAjAl0QpB_ooOHYd15oqnFqa_aduIg0o4OxpO1rs4BRy2IhY0xQsaLDXrzhK39cSp8EEGN7Sze3t79qjNSEmnvjU28fpUSrWU9BVOS_WYWFLs8P_jAOw0Pxj981HGJc8dgChq5hRT17P9lflPTPdP52pZ9pFQ2fUqzfyLgGm/w640-h240/lx9.jpg" width="640" /></a></span></i></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><i><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->11<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Pormenor do frontispício da Chronica do Muito Alto e Muito Esclarecido
Príncipe D. Afonso Henriques, Primeiro Rey de Portugal. 1508.</span><o:p></o:p></p><h2 style="text-align: left;"><span style="font-family: arial;">Na <i>Genealogia dos Reis de Portugal</i></span> </h2><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoqYwW1JDehjO3tUd922isw_szvyGW7XyPLX5iILYsfAvC_4flrGGlfsLvgedmD3X3mMWlLCKpH3rNBgLQXOw-8jFjdvXPy59tgZ9RfQBQlXmAfUhSyZODAnwSmnWae2f3QhYNRa02FMbNlkbLs4SJqSdm8EOEiZlp0uFSFUdozyFI4N0pefnh6vGa/s1518/lx10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="1518" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoqYwW1JDehjO3tUd922isw_szvyGW7XyPLX5iILYsfAvC_4flrGGlfsLvgedmD3X3mMWlLCKpH3rNBgLQXOw-8jFjdvXPy59tgZ9RfQBQlXmAfUhSyZODAnwSmnWae2f3QhYNRa02FMbNlkbLs4SJqSdm8EOEiZlp0uFSFUdozyFI4N0pefnh6vGa/w640-h134/lx10.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->12<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Simon Bening (1483 – 1561) e António d’Olanda (1480-c.1558?), Pormenor de <i><span style="color: #252525; mso-bidi-font-size: 12.0pt;">Tavoa </span></i><i>Primeira
dos Reys, Tronco do conde D. Anrique,</i><span style="color: #202122;"> 1530/34, Fólio 7r da "Genealogia dos Reis de
Portugal", MS. 12531, British Library.</span></span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">À esquerda, duas naus vistas de proa e de popa, as
velas enfunadas.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Duas galés.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Três naus com o velame recolhido.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Uma embarcação com um só mastro.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Duas caravelas com duas latinas e uma com apenas
uma latina.</span><o:p></o:p></span></p><p class="MsoNormalCxSpLast"><o:p><span style="font-family: arial;"> </span></o:p></p><h2 style="text-align: left;"><span style="font-family: arial;">As embarcações no <i>Prospecto de Lisboa</i> da Biblioteca de Leiden</span></h2><p class="MsoCaption">
</p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">No <i>Prospecto
de Lisboa </i>o anónimo autor desenha, com minuciosos detalhes, as naus que
navegam ou estão ancoradas no Tejo, por entre outras embarcações menores.</span><span style="text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiha8_MCGjOOJMgIPU52WbKlZJrc3dtnFiSGhxGlwRp58x98jU0gu5s5Hc0zOyVmhFNOb3tGmsxUAaYIdQLEWSp8DL4YE9_SmmxmBilI-RDdsWimOGyoRoZcnsUh5p0uQr6vWPs-OvBZ-ugvYGVdisyqeYcN79DCexpQyk3ttMokyoieKeMOrBPfVTr/s1227/lx11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="378" data-original-width="1227" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiha8_MCGjOOJMgIPU52WbKlZJrc3dtnFiSGhxGlwRp58x98jU0gu5s5Hc0zOyVmhFNOb3tGmsxUAaYIdQLEWSp8DL4YE9_SmmxmBilI-RDdsWimOGyoRoZcnsUh5p0uQr6vWPs-OvBZ-ugvYGVdisyqeYcN79DCexpQyk3ttMokyoieKeMOrBPfVTr/w640-h198/lx11.jpg" width="640" /></a></div><p></p><p class="MsoCaptionCxSpFirst"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></p><p class="MsoCaptionCxSpLast" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:
field-begin'></span><span style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span
style='mso-element:field-separator'></span><![endif]-->13<!--[if supportFields]><span style='mso-no-proof:yes'><span
style='mso-element:field-end'></span></span><![endif]--> – Anónimo. <i>Prospecto de Lisboa</i> c.1530, com as
embarcações numeradas de 1 a 9, sobre o desenho em 17 folhas, pena e aguada,
cor, 75 x 245 cm. Leiden University Libraries.</span><span style="font-family: arial;"> </span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">As embarcações da esquerda para a direita:</span></p><p class="MsoNormalCxSpMiddle" style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: medium;">1 - Uma nau, vista de bombordo, ancorada e com o
velame recolhido.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5amwCURD5kISuus9vhV7F3_UA-BTzQaRs9vlLoyruxXbnQQjbI-ZGCZl1rYyQni_8QksNpYXVoA7QRcbM-lWifI77kPewCotDbkpVvO6FT9gG530SZmMewbWvQ7t2ptTNGGuAArTqyeafBOceYQtw6ouXr_xHiXmiO3Ti7Q6qlo5Hecpxv6m5MdDO/s1227/lx12.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="1227" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5amwCURD5kISuus9vhV7F3_UA-BTzQaRs9vlLoyruxXbnQQjbI-ZGCZl1rYyQni_8QksNpYXVoA7QRcbM-lWifI77kPewCotDbkpVvO6FT9gG530SZmMewbWvQ7t2ptTNGGuAArTqyeafBOceYQtw6ouXr_xHiXmiO3Ti7Q6qlo5Hecpxv6m5MdDO/w640-h326/lx12.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_91" o:spid="_x0000_i1033" style="height: 267pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->14<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><p class="MsoNormalCxSpMiddle" style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: medium;">2 – Uma nau ancorada
vista pela proa.</span></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifr9W2uCVvlejoLLJhXrZO7TZGewm7uqc6o1ZwbfzEq1idJl-NNTWiwrBpMmMN6YeUfXqXVSNGuu_N1Yl5aFiSZ37k88Eq7how4xKNYbFI-m0sQQV9CoM3uZOj0E0RUBiLqZdITWEqDYAuUHk0ru2Nzq7MKknkCV2cVn6gLvySBEyBWgSjXp14IPSJ/s733/lx13.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="733" height="546" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifr9W2uCVvlejoLLJhXrZO7TZGewm7uqc6o1ZwbfzEq1idJl-NNTWiwrBpMmMN6YeUfXqXVSNGuu_N1Yl5aFiSZ37k88Eq7how4xKNYbFI-m0sQQV9CoM3uZOj0E0RUBiLqZdITWEqDYAuUHk0ru2Nzq7MKknkCV2cVn6gLvySBEyBWgSjXp14IPSJ/w640-h546/lx13.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_92" o:spid="_x0000_i1032" style="height: 446.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="nau leiden2" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->15<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">3 – Outra nau, vista de bombordo, com o velame
recolhido.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfLjmE6uUlbZxd7oWyfP7WLyJwRt8dnh1OzKxHjLcY7MPDs6SVrkYgqcZbksmwxK53FrD4VchYLYm8csq8DJEqy8GrzrkoWytqZ24Ax06OyQ_ExHiA8wD_P7Y8e3cDuas8rNonwRm6EGf_knf4LUqSPj3WTC-FxjO9tcx00vSpfZ9iQ_Q46do4PuZ/s637/lx14.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="516" data-original-width="637" height="518" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfLjmE6uUlbZxd7oWyfP7WLyJwRt8dnh1OzKxHjLcY7MPDs6SVrkYgqcZbksmwxK53FrD4VchYLYm8csq8DJEqy8GrzrkoWytqZ24Ax06OyQ_ExHiA8wD_P7Y8e3cDuas8rNonwRm6EGf_knf4LUqSPj3WTC-FxjO9tcx00vSpfZ9iQ_Q46do4PuZ/w640-h518/lx14.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_93" o:spid="_x0000_i1031" style="height: 387pt; mso-wrap-style: square; visibility: visible; width: 478.2pt;" type="#_x0000_t75">
<v:imagedata o:title="nau numero 3" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.png">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->16<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">4 – Uma nau navegando a todo o pano, na direcção
do espectador.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjct3F8M9iaH6YfiMI0QeDPk_7XCu_j8q51RLG6ypKvPYcG7PrLRWHAOranZaEF0CUgdGQNyJddcqBhJv_K8iAbOiXDD526C7LRx3AocHYSm8zogad1HMRMs7NcTr2ICSjv6jGoZKpK0e3dbEaTRquSw1bdGYLjYsdmPGip4HMHiDH7y_tuWU6LvUQP/s742/lx15.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="742" height="540" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjct3F8M9iaH6YfiMI0QeDPk_7XCu_j8q51RLG6ypKvPYcG7PrLRWHAOranZaEF0CUgdGQNyJddcqBhJv_K8iAbOiXDD526C7LRx3AocHYSm8zogad1HMRMs7NcTr2ICSjv6jGoZKpK0e3dbEaTRquSw1bdGYLjYsdmPGip4HMHiDH7y_tuWU6LvUQP/w640-h540/lx15.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_94" o:spid="_x0000_i1030" style="height: 440.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="nau leiden 5" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->17<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">5 – Uma nau ancorada vista de perfil e onde
marinheiros se ocupam da sua manutenção.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsm-aXpwK0uFlNi5Q_TWeo0KUlHtxkPxx5HOUKtqxHc6ZjflSOOcd_c1ryMyUhpqrbU2zsbalDyWolLDKCz2GJN4VlH4yjnKRh4UQLEug29FboqyxsUV8m4-rA7n-G60JQ6iSmF4hBypui1I_PSMc5b9s-sFr_yIYPyw5eJGPSp7Ezu0iqLuB5TsOS/s819/lx16.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="587" data-original-width="819" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsm-aXpwK0uFlNi5Q_TWeo0KUlHtxkPxx5HOUKtqxHc6ZjflSOOcd_c1ryMyUhpqrbU2zsbalDyWolLDKCz2GJN4VlH4yjnKRh4UQLEug29FboqyxsUV8m4-rA7n-G60JQ6iSmF4hBypui1I_PSMc5b9s-sFr_yIYPyw5eJGPSp7Ezu0iqLuB5TsOS/w640-h458/lx16.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_95" o:spid="_x0000_i1029" style="height: 374.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="navio5" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.png">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->18<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span><o:p></o:p></span></p><p class="MsoCaptionCxSpLast"><br /></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">6 – Uma nau navegando, a todo o pano, rumo ao sul.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimyy7GW8K-9B8SgdZAEJYvGZP8qlpDi72A1CLkPnk0elbuKfGJWXppiYWmoHYLdwduXNI7mwyU0uHobxssXonRmMBKNAjX8HGMkrxDt7ZWA0HpWLpbhYzjjWzvSvrLNT2DgiiiRi288tNz91jPuzFkb27ir59QiuW2mJyhUKPGbxPrAN2wv5Taqv_E/s623/lx17.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="623" data-original-width="541" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimyy7GW8K-9B8SgdZAEJYvGZP8qlpDi72A1CLkPnk0elbuKfGJWXppiYWmoHYLdwduXNI7mwyU0uHobxssXonRmMBKNAjX8HGMkrxDt7ZWA0HpWLpbhYzjjWzvSvrLNT2DgiiiRi288tNz91jPuzFkb27ir59QiuW2mJyhUKPGbxPrAN2wv5Taqv_E/w556-h640/lx17.jpg" width="556" /></a></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_96" o:spid="_x0000_i1028" style="height: 467.4pt; mso-wrap-style: square; visibility: visible; width: 406.2pt;" type="#_x0000_t75">
<v:imagedata o:title="navio6" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.png">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->19<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">7 – Uma nau, fortemente armada, vista de bombordo
e navegando, a todo o pano, para poente.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQqrjvLvY_Rl42bKWkkuqXh2qH6WPNfw0ERhihaVtZi9dSXYWgSHCPCurtzuFRbrhEwVKVsdFr5vGGaP83WdYtwEEo6v8Q7ADQyABCSZgy1-uSIzB88IQmMkAXGLnPv7r7Zx8XCPAX9i_VMjzKINKN9gAx_aUqFGVjRZYzlPAyVgSgQ-Yu1z0NFY1n/s942/lx18.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="942" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQqrjvLvY_Rl42bKWkkuqXh2qH6WPNfw0ERhihaVtZi9dSXYWgSHCPCurtzuFRbrhEwVKVsdFr5vGGaP83WdYtwEEo6v8Q7ADQyABCSZgy1-uSIzB88IQmMkAXGLnPv7r7Zx8XCPAX9i_VMjzKINKN9gAx_aUqFGVjRZYzlPAyVgSgQ-Yu1z0NFY1n/w640-h424/lx18.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_97" o:spid="_x0000_i1027" style="height: 347.4pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="nau leiden 4" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image008.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->20<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">8 – Outra nau, onde também se notam os canhões, navegando
a todo o pano, hasteando a bandeira portuguesa.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3sGFj5NNkXBXR4iCvVyyyNtnTp5GGzYsugV7m54kIlcWJyAZiOxtKK0WG4NuV0x7B_iK35m3iubF8CCJihKO9mYlIxtQ0CfZBDtqD4wVYu3_baYjwDU5X-kMu5L0G9ChBSeM_0hxtzUFgDa2Q9HIGKyV0yjq0ib1SJ3Am6d36_Z6olauDtD5IZ3AD/s778/lx19.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="778" height="514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3sGFj5NNkXBXR4iCvVyyyNtnTp5GGzYsugV7m54kIlcWJyAZiOxtKK0WG4NuV0x7B_iK35m3iubF8CCJihKO9mYlIxtQ0CfZBDtqD4wVYu3_baYjwDU5X-kMu5L0G9ChBSeM_0hxtzUFgDa2Q9HIGKyV0yjq0ib1SJ3Am6d36_Z6olauDtD5IZ3AD/w640-h514/lx19.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_98" o:spid="_x0000_i1026" style="height: 420.6pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="nau leiden 3" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image009.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->21<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">9 – A Vista de lisboa da Biblioteca de Leiden
mostra ainda uma caravela latina de três mastros, armada com peças de fogo.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr_SO20uyD_bGCzZciY0Y8PNtKR52Mzn_FPGmeNC8v4U59Nn9ZoC4kkpHSZciDei6MQQOoWGfqqmsC60pE4X75T0URprEHRnMNmf18-Hms4ddMD3g7bsU-5JIwvL7sE-kDVcCHjeZRVXh_fSFszEFNcVVaKCRr4s8sX_Bdg2h9c6VX2rq04qWM6H5i/s644/lx20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="644" height="622" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr_SO20uyD_bGCzZciY0Y8PNtKR52Mzn_FPGmeNC8v4U59Nn9ZoC4kkpHSZciDei6MQQOoWGfqqmsC60pE4X75T0URprEHRnMNmf18-Hms4ddMD3g7bsU-5JIwvL7sE-kDVcCHjeZRVXh_fSFszEFNcVVaKCRr4s8sX_Bdg2h9c6VX2rq04qWM6H5i/w640-h622/lx20.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_99" o:spid="_x0000_i1025" style="height: 424.2pt; mso-wrap-style: square; visibility: visible; width: 437.4pt;" type="#_x0000_t75">
<v:imagedata o:title="transferir0000corrigido" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image010.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle">
</p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->22<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor do desenho da Biblioteca da Universidade de Leiden.</span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">A nau<span class="LegendaCarter"><span style="font-size: 14pt; mso-bidi-font-size: 9.0pt;"> </span></span><span style="background: white;">Santa
Catarina de Monte Sinai</span></span></h2>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;"><span class="LegendaCarter">Para melhor se compreender os navios desta época, </span><span style="background: white;">uma conhecida pintura de Joachim Patinir </span>(c.1480-1524),</span><span style="background: white;"><span style="font-size: medium;"> em que se vê, em primeiro plano, à popa e em
pormenor, uma nau dos finais do século XV e início do século XVI, com todo seu
velame.</span></span></span><span style="background-color: white; font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_9C6FAkFp_FMbw5lHYbuq9J5Inhd2Yh3EOZOt68zUJ6OcwX7tu7f53daK0W-5brT7Bx7N7bNsYGhf8GrQuFQJ98phLZ8dlivjucUxdsuFl0CkzsL4HLOezzsmu66zBSIQScOcWH-DYjiQ9tC5eyQ1RaQi9NYwQSBnisWuk13VafcyhKLIg22af4Cr/s951/lx21.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="951" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_9C6FAkFp_FMbw5lHYbuq9J5Inhd2Yh3EOZOt68zUJ6OcwX7tu7f53daK0W-5brT7Bx7N7bNsYGhf8GrQuFQJ98phLZ8dlivjucUxdsuFl0CkzsL4HLOezzsmu66zBSIQScOcWH-DYjiQ9tC5eyQ1RaQi9NYwQSBnisWuk13VafcyhKLIg22af4Cr/w640-h332/lx21.jpg" width="640" /></a></span></div><p></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->23<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Joachim Patinir (c.1480-1524),<i> </i><i><span style="color: #202122;">Portuguese carracks off a rocky coast </span></i><span style="color: #202122;">c. 1540</span> National
Maritime Museum Greenwich London.</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="background: white;"><span style="font-family: arial;"><span style="font-size: medium;">Esta nau das Índias
seria a <i>Santa Catarina de Monte Sinai</i>,
rodeada por três outras naus e uma galé, no que se julga ser o desembarque em
Nizza (Nice), em 1521, da princesa Beatriz de Portugal (1504-1538) filha de D.
Manuel I, que embarcou no Santa Catarina do Monte Sinai para o seu casamento
com Carlos III o Bom, (1486-1553), Duque de Sabóia de 1504 a 1553.</span></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="background: white;"><span style="font-family: arial;"><span style="font-size: medium;">Garcia de Resende
refere e situa no tempo a partida de D. Beatriz, em 1521.</span></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="color: #333333;"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“E ao sabado polla manhã dia de sam Lourenço
dez dias do dito mes dagosto do dito anno de mil & quinhentos & vinte
hum ãnos a senhora iffante com toda a frota de sua armada partio & sayo de
foz em fora& fez sua viagem. Que prazeraa a nosso senhor Deos ser tâto por
seu bem & descanso quanto elrey seu pay & a senhora raynha o principe &
hos iffantes seus irmãos & ela mesma desejã & todos desejamos. Amê.” </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #333333; font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></span></p>
<p class="MsoNormalCxSpMiddle"><i><span style="color: #333333; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"> </span></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">E Gil Vicente (c.1465-c.1536), entre os diversos
festejos então organizados, escreve uma peça “<i>Cortes de Jupiter” </i>que o próprio autor refere ter sido </span><span style="font-size: medium; font-style: italic;">“feyta ao muyto alto & poderoso Rey dom
Manoel o primeyro em Portugal deste nome, aa partida da illustríssima <b>senhora infante dona Beatriz duquesa de
Saboya</b>, da qual sua invenção he, que o senhor deos querendo fazer merce aa
dita senhora, mandou sua providencia por mensageira a Iupiter rey dos
elementos, que fizesse cortes em que se concertassem planetas sinos em favor de
sua viagem. Foy representada nos paços da ribeyra na cidade de Lixboa. Era de
M.D.XIX.” </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Garcia de
Resende, (1470?-1536), <i>Ida da iffante Dona Beatriz pera Saboya</i> no Livro das
obras de Garcia de Resêde que tracta da vida & grandissimas virtudes:
bõdades: magnanimo esforço: excelêtes costumes & manhas & muy craros
feitos do christianissimo: muito alto & muyto poderoso.. el rey dom João o
segundo deste nome: & dos Reys de Portugal o trezeno de gloriosa memoria:
começado de seu nascimêto & toda sua vida ate ora de sua morte: cõ outras
obras que adiante se seguem. Manoel da Costa o fez em Evora a XXVI dias do mes
de Janeiro de mil quinhento & trinta & seys annos.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Vicente (c.1465-c.1536), <i>Cortes de Júpiter, </i>no Livro Terceyro da Copilaçam de
toda las obras de Gil Vicente, a qual se reparte em cinco livros. Foy impresso em
a muy nobre, & sempre leal cidade de Lisboa, por Andres Lobato. Anno M.D.
LXXXVI. BND. (pág. 193).</span></span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">As embarcações na imagem de Lisboa do Civitates de 1572</span> </h2><p class="MsoNormalCxSpFirst" style="text-align: center;"><span style="color: #333333; font-size: 12pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEoLyY7kgJ1EKlQ4hg8tuPTU0j1Oyk_NDy0gsA9LcXE5hN_jheRyk63f4lTO_mArhnDALTItBrEu3bS9j1e4yv-aWi7IodOaUJNk-9h4bnJWuZRVdPY-9kdPUj9DPJjuLmd1Zjzflht3jmoZLXe2kVYt8-BF44SHaAJiUesr1aWN2iAvsYZHfVy2XB/s1476/lx22.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="417" data-original-width="1476" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEoLyY7kgJ1EKlQ4hg8tuPTU0j1Oyk_NDy0gsA9LcXE5hN_jheRyk63f4lTO_mArhnDALTItBrEu3bS9j1e4yv-aWi7IodOaUJNk-9h4bnJWuZRVdPY-9kdPUj9DPJjuLmd1Zjzflht3jmoZLXe2kVYt8-BF44SHaAJiUesr1aWN2iAvsYZHfVy2XB/w640-h180/lx22.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><i><o:p></o:p></i></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->24<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Navios no Tejo. Pormenor de </span><span class="LegendaCarter"><span style="font-size: x-small;">Georg Braun (1542-1622) e Franz Hogenberg (1535-1590) Olisipo, sive ut
persetustae lapidum inscriptiones habent, Ulysipo, vulgo Lisbona Florentissimum
Portugalliae Emporiv 1572. Civitates Orbis Terrarum Vol. I 1572.</span></span></span></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;">No centro da
imagem destacam-se duas naus e, junto ao cais, uma galé.</span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">A nau da
esquerda, de três cobertas, tem apenas arvorada a vela redonda do traquete (o
mastro pequeno), e a gávea do mastro de proa recolhida. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">No mastro
grande estão recolhidas as redondas: a vela grande e a gávea. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Estão também
recolhidas a latina da mezena (o mastro de popa) e a cevadeira (no mastro
horizontal da proa. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Um escaler
está junto da nau enquanto outros remam para terra, no que parece ser um
desembarque.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQlLaCXBlNaPbe_tsUCfaRLWu9aYiXja72medFr28hQnzkz6zERmFfzQvPMphYRQUtlI02wXDeKCpcu6dmeMaUFV4uJe3s-hSSZ6rCxJEyR2UeBqM_i50mtkWQOswN6HMOa7ZA3okSLsmRgOIAKNCWUjf9VcK2nu_fzhDFHlXmS0KwTo3YWQ0QW3tn/s474/lx23.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="325" data-original-width="474" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQlLaCXBlNaPbe_tsUCfaRLWu9aYiXja72medFr28hQnzkz6zERmFfzQvPMphYRQUtlI02wXDeKCpcu6dmeMaUFV4uJe3s-hSSZ6rCxJEyR2UeBqM_i50mtkWQOswN6HMOa7ZA3okSLsmRgOIAKNCWUjf9VcK2nu_fzhDFHlXmS0KwTo3YWQ0QW3tn/w640-h438/lx23.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span class="LegendaCarter"><span style="font-size: 9pt; mso-bidi-font-weight: normal; mso-no-proof: yes;"><v:shape id="Imagem_x0020_103" o:spid="_x0000_i1030" style="height: 267pt; mso-wrap-style: square; visibility: visible; width: 389.4pt;" type="#_x0000_t75">
<v:imagedata o:title="braun 1572 corrigida terreiro do paçonau 1" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape></span></span><span class="LegendaCarter"><span style="font-size: 9pt;"><o:p></o:p></span></span></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->25<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– <span class="LegendaCarter">Uma nau
de 3 mastros. </span>Pormenor de </span><span class="LegendaCarter"><span style="font-size: x-small;">Georg Braun (1542-1622) e Franz Hogenberg
(1535-1590) Olisipo, sive ut persetustae lapidum inscriptiones habent, Ulysipo,
vulgo Lisbona Florentissimum Portugalliae Emporiv 1572. Civitates Orbis
Terrarum Vol. I 1572.</span></span></span></p><p class="MsoNormalCxSpMiddle"><span class="LegendaCarter"><span style="font-family: arial; font-size: medium;">A outra nau com 3 cobertas, com dois mastros à popa (mezena e
contra-mezena), e por isso, por muitos chamada de galeão.<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle"><span class="LegendaCarter"><span style="font-family: arial; font-size: medium;">Apresenta uma espécie de esporão de ataque na proa, e está fundeado e
ancorado, aparentemente sem ninguém a bordo.</span></span><span style="font-family: arial; font-size: large; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxS92RNbpO2iqxTLA3o67Qt9ZgoQPsSnc9gokLgdtpa7y0tjclQP87RZpVLstFYJ8e3qAA8p3OaHZo1-KxlMQHlAzls04XAsXcNPhwYdlNmfXL-XOcbuYs0C7_4I6-C_gSpVTGVuxarn5y10B4kTqin4pIWsbdIE4kEuOfU3vBDJOwLMTuyAQaKFT/s446/lx24.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="393" data-original-width="446" height="564" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxS92RNbpO2iqxTLA3o67Qt9ZgoQPsSnc9gokLgdtpa7y0tjclQP87RZpVLstFYJ8e3qAA8p3OaHZo1-KxlMQHlAzls04XAsXcNPhwYdlNmfXL-XOcbuYs0C7_4I6-C_gSpVTGVuxarn5y10B4kTqin4pIWsbdIE4kEuOfU3vBDJOwLMTuyAQaKFT/w640-h564/lx24.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span class="LegendaCarter"><span style="font-size: 9pt; mso-bidi-font-weight: normal; mso-no-proof: yes;"><v:shape id="Imagem_x0020_104" o:spid="_x0000_i1029" style="height: 264.6pt; mso-wrap-style: square; visibility: visible; width: 300.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span></span><span class="LegendaCarter"><span style="font-size: 9pt;"><o:p></o:p></span></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->26<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- <span class="LegendaCarter">Uma outra
nau com dois mastros de mezena. </span>Pormenor de </span><span class="LegendaCarter"><span style="font-size: x-small;">Georg Braun
(1542-1622) e Franz Hogenberg (1535-1590) Olisipo, sive ut persetustae lapidum
inscriptiones habent, Ulysipo, vulgo Lisbona Florentissimum Portugalliae
Emporiv 1572. Civitates Orbis Terrarum Vol. I 1572.</span></span></span><span style="font-family: arial;"> </span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Um escaler
com quatro remadores transporta para terra três personalidades, com um desenho
mais detalhado na versão da gravura de Sebastien Münster.</span><span style="font-family: arial; text-align: center;"> </span></p><p align="center" class="MsoNormalCxSpMiddle" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRiZMjhP8HXoGHTwBpmlDyRMALI9-wn3gY5eBf-SlBBKgrOGWxWN93PARF9Al0OsontG_cn_Ai3HL_V1y-Mdxs1MordDXs-pXe-PFjQEi7cYp-t6xnJhkUYPq1WgNVXSv8XLhSXFxBKQ9Fpg00tyGDVcPlhdVY1wdL7Bu-vjw0G5MmxXzvPTM8ynAS/s959/lx25.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="429" data-original-width="959" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRiZMjhP8HXoGHTwBpmlDyRMALI9-wn3gY5eBf-SlBBKgrOGWxWN93PARF9Al0OsontG_cn_Ai3HL_V1y-Mdxs1MordDXs-pXe-PFjQEi7cYp-t6xnJhkUYPq1WgNVXSv8XLhSXFxBKQ9Fpg00tyGDVcPlhdVY1wdL7Bu-vjw0G5MmxXzvPTM8ynAS/w640-h286/lx25.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_105" o:spid="_x0000_i1028" style="height: 168pt; mso-wrap-style: square; visibility: visible; width: 375pt;" type="#_x0000_t75">
<v:imagedata o:title="lisb 4F" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->27<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Sebastien Münster, Pormenor de
<i>Lisbona. </i>Xilogravura 26 x 33 cm. </span></span><span style="font-size: x-small;"><em style="font-family: arial;"><span style="color: #36435a;">Cosmographey oder beschreibung aller Länder</span></em><span style="font-family: arial;">"
1598 Basel. BND.</span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">Os navios no Tejo na <i>Lissabon</i>
do Civitates de 1598.</span> </h2><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6WkD576BfmpLu4CMwLo16KnsnsvuCUEvehLsE43ZcnXET37wG4yxBO6pZ1rRdzivrUGL5H65UgJRlQR7Mp47UBMPhZOjCNiM1OvKj8XLKpq9PiWicQijlvx056EAT-8ApYVmOiCmp4upqqsJidnHbtcp9seR5IBDPhDhrjZf2Vj0DEAs5yo61Ta4j/s1755/lx26.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="589" data-original-width="1755" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6WkD576BfmpLu4CMwLo16KnsnsvuCUEvehLsE43ZcnXET37wG4yxBO6pZ1rRdzivrUGL5H65UgJRlQR7Mp47UBMPhZOjCNiM1OvKj8XLKpq9PiWicQijlvx056EAT-8ApYVmOiCmp4upqqsJidnHbtcp9seR5IBDPhDhrjZf2Vj0DEAs5yo61Ta4j/w640-h214/lx26.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_106" o:spid="_x0000_i1027" style="height: 175.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="fg18" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->28<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O Tejo e a zona ribeirinha de Lisboa. Pormenor de Georg Braun (1542-1622) e
Franz Hogenberg (1535-1590), <i>Lissabon </i>in <i>Civitates Orbis Terrarum </i>1598.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Dos vários navios escolhemos os dois do primeiro
plano.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Uma nau e um galeão fundeados com o velame recolhido.</span></p><p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfcBfYvABkNms4s6Xx0KaoiIuj4AAXV72YX7gv8F--4dh-Kw-v04ymQjExaalcLIikXIAT3rJ4a_AWapwi2MfkYHle-JqdIFc6Y2NT1z2eq1PJKN-JQID2H5ezx1jFa59IpADiWOuDL39AxreSFCT0k2jSiyvw41_EI0whCHsgszH_D7lOzR562yk_/s470/lx27.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="328" data-original-width="470" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfcBfYvABkNms4s6Xx0KaoiIuj4AAXV72YX7gv8F--4dh-Kw-v04ymQjExaalcLIikXIAT3rJ4a_AWapwi2MfkYHle-JqdIFc6Y2NT1z2eq1PJKN-JQID2H5ezx1jFa59IpADiWOuDL39AxreSFCT0k2jSiyvw41_EI0whCHsgszH_D7lOzR562yk_/w640-h446/lx27.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: 11pt; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_107" o:spid="_x0000_i1026" style="height: 328.2pt; mso-wrap-style: square; visibility: visible; width: 469.8pt;" type="#_x0000_t75">
<v:imagedata o:title="3ap 4navio2" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape></span><span style="font-size: 11pt;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->29<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– </span></span><span style="font-family: arial; font-size: small;">Pormenor de Georg Braun (1542-1622) e Franz Hogenberg (1535-1590), <i>Lissabon </i>in </span><i style="font-family: arial; font-size: small;">Civitates Orbis Terrarum </i><span style="font-family: arial; font-size: small;">1598.</span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">E uma outra
nau com quatro mastros (como se disse, que alguns chamam de galeão), também
fundeada e toda embandeirada.</span></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn1jvVWe3MDGHJbbJNCiViiYWE23msliROz78W7tsKDhbJMuZ5u0Af5NS2kd6CBHQP6h8oOSsinGupk7o8GBvLttU9s-G_8WPSAAdKF7uSVjFjAz1o95pfcQHb9LzFmNsJ8EPK6WMtYIxCDQwv67d-Vo9r8Q2-7P-AdknkyUItr0LKMRJtsSkNofai/s540/lx28.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="540" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn1jvVWe3MDGHJbbJNCiViiYWE23msliROz78W7tsKDhbJMuZ5u0Af5NS2kd6CBHQP6h8oOSsinGupk7o8GBvLttU9s-G_8WPSAAdKF7uSVjFjAz1o95pfcQHb9LzFmNsJ8EPK6WMtYIxCDQwv67d-Vo9r8Q2-7P-AdknkyUItr0LKMRJtsSkNofai/w640-h466/lx28.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: 11pt; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_108" o:spid="_x0000_i1025" style="height: 382.2pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="3ap 4navio1" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape></span><span style="font-size: 11pt;"><o:p></o:p></span></span></p><p class="MsoNormal">
</p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->30<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- </span><span style="font-size: 11pt; mso-bidi-font-size: 9.0pt;"><o:p></o:p></span><span style="font-family: arial; font-size: small;">Pormenor de Georg Braun (1542-1622) e Franz Hogenberg (1535-1590), <i>Lissabon </i>in </span><i style="font-family: arial; font-size: small;">Civitates Orbis Terrarum </i><span style="font-family: arial; font-size: small;">1598.</span></p>
</div>
</div>
</div>
</div>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com21tag:blogger.com,1999:blog-3273935191454288917.post-52249069148428390412022-05-05T10:33:00.000+01:002022-05-05T10:33:52.156+01:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (11)<p> </p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoTitle"><span style="font-family: arial;"><span style="font-size: large;"><b>Apontamento 11 – Um percurso pelas imagens e escritos sobre Lisboa
do século XVI.</b></span><o:p></o:p></span></p>
<p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Nota inicial – Na continuidade destes Apontamentos
sobre o século XVI, depois de Sevilha irei ocupar-me de Lisboa.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Não se trata de fazer a história da capital. É
apenas uma procura através das representações iconográficas e de alguns textos
da época, como se representava, em imagens e pela escrita, a cidade de Lisboa
entre os reinados de D. Manuel I (1495-1521) e D. Felipe II de Espanha e
primeiro de Portugal (1580-1598).</span></p>
<p class="MsoNormalCxSpLast"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoTitle"><span style="font-family: arial;"><span style="font-size: large;"><b>As “Vistas de Lisboa” no século XVI</b></span><o:p></o:p></span></p>
<p class="MsoNormalCxSpFirst"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">As “Vistas de Lisboa” são imagens que, não pretendem um rigoroso realismo, mas que pretendia servir para mostrar e salientar a grandeza da cidade e dos seus valores arquitectónicos.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Por isso, são produzidas vistas que pretendiam afirmar Lisboa como o mais importante porto da Europa.</span></p><p class="MsoNormalCxSpMiddle"><span style="font-size: medium;"><span style="font-family: arial;">Assim ao longo do século XVI e serão </span><span style="font-family: arial;">produzidas diversas “Vistas de Lisboa”, vistas de sul para norte, a partir do Tejo e reflectindo o crescimento e desenvolvimento de Lisboa como grande cidade portuária.</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: large;"><b>Os poetas</b></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Afirmava
Diogo Velho (c.1491- 157?), sobre Lisboa e o país que crescia e enriquecia com os descobrimentos e a Expansão.</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>“<i style="mso-bidi-font-style: normal;">Ouro. Alijofar pedraria<o:p></o:p></i></b></span></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Gomas & espeçearya<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Toda outra drogarya<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Serrecolhe em portugal.</b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Onças liões alifantes<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Monstros & aves falantes<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Porcelanas. Diamantes<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;"><b>He já tudo. Muy geral.”</b> </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><span style="mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">E Diogo
Velho termina o seu longo poema com</span></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>“As novas cousas presentes<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Sam danos tam evydentes<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;"><b>Como nunqua outras jentes<o:p></o:p></b></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;"><b>Já mays vyrom mundo real.”</b> </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><br /></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Mas,
contemporaneamente, constatando este enriquecimento de Lisboa, alguns poetas
lembram as consequências que os Descobrimentos trazem ao país e á cidade.</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Francisco Sá
de Miranda (1481-1558) refere, no início de um longo poema dirigido a António
Pereira, Senhor de Basto (1497-1566), assinala estas consequências, num poema
que se inicia: <o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">“Não
me temo de Castella<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Onde
guerra inda não soa,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Mas
temome de Lisboa<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Que ao
cheiro desta canella<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;">O
Reyno nos despovoa.”</span></i></b> <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[3]</span><!--[endif]--></span></a><span style="mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><span style="mso-fareast-language: PT;">Este</span>
crescimento urbano de Lisboa, e as consequentes alterações sociais são também
apontadas <span style="mso-fareast-language: PT;">pelo </span>poeta e humanista
António Ferreira (1528-1569) - o autor de <i style="mso-bidi-font-style: normal;">“A
Castro”</i> - em <i style="mso-bidi-font-style: normal;">“Poemas Luzitanos”</i>
mostrando: <span style="mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>“Esta
Cidade, em que nasci, fermosa,<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>Esta nobre,
esta chea, esta Lisboa<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><b><i style="mso-bidi-font-style: normal;">Em Africa, Asia, Europa tam famosa</i><i style="mso-bidi-font-style: normal;">,<o:p></o:p></i></b></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>Quam
differente em meus ouvidos soa,<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>Quam
diferente a vejo, do que a vê<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><b style="font-style: italic;">O sprito
enganado, que no ar voa!”</b><b style="font-style: italic;"> </b> <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">E o seu contemporâneo, Pedro de Andrade Caminha (c.1520-1589),
em forma de carta a Francisco Sá de Miranda (1481-1558), elogia a cidade de
Lisboa, mas refere as consequências sociais e morais que esse enriquecimento
acarreta.</span></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">“Louvarão muitos esta gram Cidade,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Esta nobre Lisboa,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Caro
Francisco<b style="mso-bidi-font-weight: normal;">, esta que do Occidente<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Com grande nome em toda parte soa,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">E soará com graõ nome em toda idade,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Que dá Leis ó Meio dia, e ó Oriente.<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Seus espantos verão, suas grandezas,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Seus nobres edifícios<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">D'obra antiga e moderna, as variedades<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Dos estados, das obras, dos officios,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Dos negócios, dos tratos, das riquezas,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Dos costumes, das Leis, e das vontades.<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Com alegre louvor veraõ partidas<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Daqui armadas nossas,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Prosperas as veraõ depois entradas<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Cheas de mil despojos, presas grossas,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Com bandeiras triumphaes ó Ceo erguidas,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Com bandeiras d'immigos derribadas.</span></i></b></p><p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><br /></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Tributos
verão vir todos os annos<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">D'Indos,
Arabes, Persas,<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">E d'outras
mil regiões, d'outras mil gentes<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">De vários
nomes, e de Leis diversas,<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Conquistadas
per nós, nom com enganos,<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Com justas
armas, com rezoês prudentes.<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Veraõ ricos retornos, grossos ganhos<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">De ricas mercancias,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Qu'esta terra a outras dá, e d'outras
acceita.<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Novidades veraõ todos os dias<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Em que os sentidos e olhos s'achem
estranhos,<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Inda que o appetito nada engeita.<o:p></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><br /></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Tudo
isto louvaraõ muitos, e a vida<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Toda
aqui passariam<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Neste
inutil cuidado, e gosto vão,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Só
d'estas vaidades penderiaõ,<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Desprezada
de todo e esquecida<o:p></o:p></span></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">Toda
outra mais alta occupaçaõ.”</span></span></i></b><span style="font-size: medium; font-style: italic;"> </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[5]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<h4><span style="font-family: arial;"><span style="font-size: large;">Lisboa no início do século XVI</span><o:p></o:p></span></h4>
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><span style="font-size: medium;">Uma das primeiras imagens, datada de 1505 e do
tempo de D. Manuel I (-1521), é a que abre o códice “<i style="mso-bidi-font-style: normal;">Chronica do Muito Alto e Muito esclarecido Princípe D. Afonso
Henriques. Primeiro Rey de Portugal</i>” de Duarte Galvão (1446-1517).</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdvdLi-8_54RCulLQXd5XQDor7F-GHQIqxuCqjnxaN87Z7RGCwpRLop05FMGzxMrsqCutaOftv44KfjEAxzQjhW46o_qdcPXUiGgDvt3TusVOGbIijgz2KFQ1x5nJp2XQqxbFXopKEvL7f_IdjR7Irvu9CgC-vHA-6BPpupL7lFe3jJ3gUv29_o-De/s696/lx1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="696" data-original-width="493" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdvdLi-8_54RCulLQXd5XQDor7F-GHQIqxuCqjnxaN87Z7RGCwpRLop05FMGzxMrsqCutaOftv44KfjEAxzQjhW46o_qdcPXUiGgDvt3TusVOGbIijgz2KFQ1x5nJp2XQqxbFXopKEvL7f_IdjR7Irvu9CgC-vHA-6BPpupL7lFe3jJ3gUv29_o-De/w454-h640/lx1.jpg" width="454" /></a></span></div><p></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">1</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Duarte Galvão (1446-1517),"Chronica do Muito Alto e Muito Esclarecido
Príncipe D. Afonso Henriques, Primeiro Rey de Portugal" 1505. códice
manuscrito. Museu Conde Castro de Guimarães, em Cascais.</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpFirst" style="text-align: center;"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEwaQw4myxcWe23QhZq8e5lq9U1YbNR9Yd3QiFxI9uVOsIvFSRdxDMYVXP3_WgViQ9a8FHgZRjKF2iIqRDBm5bVckMhHVsjv8D6CDVWeDxUFi8N5cujTvtEPJ5yxW73itC4jEmAi-iHvtTl_TVdTEZhtcIyBs1AgJoIs62To4meGX0JqYx_kjdsLDX/s3614/lx2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2828" data-original-width="3614" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEwaQw4myxcWe23QhZq8e5lq9U1YbNR9Yd3QiFxI9uVOsIvFSRdxDMYVXP3_WgViQ9a8FHgZRjKF2iIqRDBm5bVckMhHVsjv8D6CDVWeDxUFi8N5cujTvtEPJ5yxW73itC4jEmAi-iHvtTl_TVdTEZhtcIyBs1AgJoIs62To4meGX0JqYx_kjdsLDX/w640-h500/lx2.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_29" o:spid="_x0000_i1033" style="height: 409.2pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">2</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Duarte Galvão (1446-1517), Vista de Lisboa. Pormenor de "Chronica do
Muito Alto e Muito Esclarecido Príncipe D. Afonso Henriques, Primeiro Rey de
Portugal" 1505. códice manuscrito. Museu Conde Castro de Guimarães, em
Cascais.</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpFirst"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Debruçada
sobre o Tejo, onde navegam embarcações dos séculos XV e XVI, Lisboa, contida
pela muralha, apresenta uma edificação compacta, onde sobressaem a Sé, a
Alcáçova e a igreja do Carmo.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Junto ao
rio, onde está edificado o novo Paço da Ribeira, abre-se o Terreiro do Paço,
com o Cais das Pedras e o Pelourinho.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">A cidade
está cercada por tropas, numa anacrónica representação da Tomada de Lisboa aos
Mouros, que segundo o próprio Duarte Galvão, estacionavam a oriente o exército
de D. Afonso Henriques e a ocidente os exércitos estrangeiros, que participavam
na IV Cruzada, vindos por mar e que se dirigiam para Jerusalém.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><br /></p>
<h4><span style="mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: large;">Lisboa por volta de 1530</span></span></span></h4>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;"><span style="mso-fareast-language: PT;">Na </span>Biblioteca
da Universidade de Leiden, existe um notável desenho, em 17 folhas, <i style="mso-bidi-font-style: normal;">Prospecto de Lisboa, </i>de um autor
desconhecido representando Lisboa.</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="text-align: center;"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcYkKZWUk9KKgNimPjsZrbgz0xrSRSFmH0902maUM9SZ0o303Mgr9Om8HZQGmOgTFkzPCrS2qq7iTOJ8UUFfYENsznjNeCzvuaIZIQ-OGPRZeqaJIteLE-en6NeoKNQwByWYlB3hTXGHGIrd6ZkGkgq7S7YpO-cP06EX13Xv4VTXs2LAKX8dK9zh1W/s1227/lx3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="376" data-original-width="1227" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcYkKZWUk9KKgNimPjsZrbgz0xrSRSFmH0902maUM9SZ0o303Mgr9Om8HZQGmOgTFkzPCrS2qq7iTOJ8UUFfYENsznjNeCzvuaIZIQ-OGPRZeqaJIteLE-en6NeoKNQwByWYlB3hTXGHGIrd6ZkGkgq7S7YpO-cP06EX13Xv4VTXs2LAKX8dK9zh1W/w640-h196/lx3.jpg" width="640" /></a></span></div><p></p>
<p class="MsoCaptionCxSpFirst"><span style="font-family: arial;"><span style="mso-no-proof: yes;"><v:shape id="Imagem_x0020_37" o:spid="_x0000_i1032" style="height: 160.2pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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<p class="MsoCaptionCxSpMiddle" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">3</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Anónimo. <i style="mso-bidi-font-style: normal;">Prospecto de Lisboa</i>
c.1530, desenho em 17 folhas, pena e aguada, cor, 75 x 245 cm. Leiden
University Libraries.<o:p></o:p></span></p>
<p class="MsoCaptionCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><span style="mso-spacerun: yes;"> </span><a href="http://hdl.handle.net/1887.1/item:291826">http://hdl.handle.net/1887.1/item:291826</a></span></span></p><p class="MsoCaptionCxSpLast" style="text-align: center;"><span style="font-family: arial;"><br /></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><span style="color: #252525; mso-bidi-font-size: 12.0pt;">Ainda
por volta de 1530, </span><span style="mso-bidi-font-size: 8.0pt;">D. Fernando
(1507-1534) filho de D. João III (1502-1557) encarrega o iluminista </span>Simon
Bening (1483 – 1561), de<span class="MsoSubtleReference"> </span><span style="mso-bidi-font-size: 8.0pt;">desenhar a </span><i style="mso-bidi-font-style: normal;"><span style="color: #252525; mso-bidi-font-size: 12.0pt;">Tavoa </span></i><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 12.0pt;">Primeira
dos Reys</span></i>. <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;"><span style="mso-bidi-font-size: 8.0pt;">Segundo
esclarece Damião de Góis <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn6" name="_ftnref6" style="mso-footnote-id: ftn6;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[6]</span><!--[endif]--></span></span></a> <i style="mso-bidi-font-style: normal;">“(…) </i></span><strong><i style="mso-bidi-font-style: normal;">& mandou a mî hum debuxo da arvore, &
tronco de toda esta progenia, desno tempo de Noe, atte ho delrei dom Emanuel
seu pai, pera lho mandar fazer de iluminura, pelo mor homem daquella arte que
havia em toda Europa, per nome Simão, morador ê Bruges no condado de Flandres.
(…)</i></strong></span><strong><span style="font-size: medium;">”</span> </strong><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn7" name="_ftnref7" style="mso-footnote-id: ftn7;" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[7]</span></span><!--[endif]--></span></a><strong><o:p></o:p></strong></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Nessa
publicação “Genealogia dos Reis de Portugal” colaborou ainda António d’Olanda (1480-c.1558?),</span><strong><span style="background: rgb(249, 249, 249); color: #252525; font-weight: normal;"><o:p></o:p></span></strong></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyvq14ckaoSDMuO6Y0RxptN8AxMemLRugQ6JxnRVxO2RnWKBUk9EQn_ldnEYJ3wct0WADrfYPFl8r4LV5PNyQzh9Dn-b-9OR4TvtSxCifQLUiemSyUyBlPlPfIEwRluCVWXWTdj3Jfsvc85ArfJx5CZpnA4b4RYBZrA-WUAHVWxseGQcs9tjLLBOr4/s1489/lx4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1489" data-original-width="1021" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyvq14ckaoSDMuO6Y0RxptN8AxMemLRugQ6JxnRVxO2RnWKBUk9EQn_ldnEYJ3wct0WADrfYPFl8r4LV5PNyQzh9Dn-b-9OR4TvtSxCifQLUiemSyUyBlPlPfIEwRluCVWXWTdj3Jfsvc85ArfJx5CZpnA4b4RYBZrA-WUAHVWxseGQcs9tjLLBOr4/w438-h640/lx4.jpg" width="438" /></a></span></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_79" o:spid="_x0000_i1031" style="height: 283.8pt; mso-wrap-style: square; visibility: visible; width: 194.4pt;" type="#_x0000_t75">
<v:imagedata o:title="Genealogia_dos_Reis_de_Portugal_-_Tavoa_Primeira_dos_Reys_-_Tronco_do_Conde_Dom_Anrique" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaptionCxSpFirst" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">4</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Simon Bening (1483 – 1561) e António d’Olanda (1480-c.1558?),<span style="mso-bidi-font-size: 8.0pt;"> </span><i style="mso-bidi-font-style: normal;"><span style="color: #252525; mso-bidi-font-size: 12.0pt;">Tavoa </span></i><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 12.0pt;">Primeira
dos Reys, Tronco do conde D. Anrique,</span></i><span style="color: #202122;"> 1530/34, Fólio 7r da "Genealogia dos Reis de
Portugal", MS. 12531, British Library.</span></span><o:p></o:p></span></p>
<p class="MsoCaptionCxSpLast"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;">A imagem para além da árvore genealógica a partir
de D. Afonso Henriques, apresenta na parte inferior uma vista da zona
ribeirinha de Lisboa, desde Xabregas a Alcântara e que se prolonga pelo lado
esquerda da página, mostrando a margem direita do Tejo até Sintra.</span><o:p style="text-align: center;"><span style="font-family: arial; font-size: medium;"> </span></o:p><span style="font-family: arial; text-align: center;"> </span></p>
<h4><span style="font-family: arial;"><span style="font-size: large;">Lisboa em 1571</span></span></h4>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Em 1571, Francisco d’Olanda (1517-1585), filho de
António d’Olanda, publica o conhecido “<i style="mso-bidi-font-style: normal;">Da
Fabrica que falece ha cidade de Lysboa”.<o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">A publicação abre, significativamente, com uma
imagem “<i style="mso-bidi-font-style: normal;">Figura de Lysboa”, </i>mostrando</span><span style="font-size: medium; font-style: italic;"> “uma princesa em figura da Cidade de Lixboa”.
</span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[8]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqj2V_7R92HpUOpyUPl2dwdrP1t2leEDv0HfT-rOlS9vLlwfTnBShN0co2RYe5Yk-569qMORVuwDFDJWmma0W8k4ts-gZqWULdlmQeiIs0ZJbKvgG9ORBIX0ea5NNrz8vGaWfTbeyxsaawaq9FiXWRbkr6odr7vdEUHtyjxXqT578quCmJceu0syhZ/s708/lx5.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="708" data-original-width="494" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqj2V_7R92HpUOpyUPl2dwdrP1t2leEDv0HfT-rOlS9vLlwfTnBShN0co2RYe5Yk-569qMORVuwDFDJWmma0W8k4ts-gZqWULdlmQeiIs0ZJbKvgG9ORBIX0ea5NNrz8vGaWfTbeyxsaawaq9FiXWRbkr6odr7vdEUHtyjxXqT578quCmJceu0syhZ/w446-h640/lx5.png" width="446" /></a></div>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_58" o:spid="_x0000_i1030" style="height: 255pt; mso-wrap-style: square; visibility: visible; width: 177.6pt;" type="#_x0000_t75">
<v:imagedata o:title="lisboa holanda" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.png">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">5</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Francisco d’Olanda, Figura de Lysboa 176 x 121 cm. 1571 <i style="mso-bidi-font-style: normal;">Da Fabrica que falece há Cidade de Lixboa.</i> (fol. 2v). Biblioteca da
Ajuda.</span><o:p></o:p></span></p>
<p align="center" class="MsoNormalCxSpFirst" style="text-align: center;"><br /></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Uma jovem com uma coroa de 3 torres, saindo do
mar, com um corvo no ombro esquerdo, e transportando nos braços uma caravela
onde o outro corvo repousa na popa da embarcação. Uma representação das armas
de Lisboa com a barca de S. Vicente e os dois corvos.</span></p>
<h4><span style="font-family: arial; font-size: medium;">São Vicente<o:p></o:p></span></h4>
<p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;">Para
se compreender as armas de Lisboa refira-se que André de Resende, publica em
1545, <i>Vincentius,
Levita et Martyr</i>, um longo poema em latim que se estende por dois livros.
O primeiro sobre o martírio de S. Vicente e o segundo sobre a trasladação dos
seus restos mortais para Lisboa.</span></p>
<p class="MsoNormalCxSpLast"><span style="font-family: arial;"><span style="font-size: medium;">Segundo Gil Clemente Teixeira na sua Dissertação</span> <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn9" name="_ftnref9" style="mso-footnote-id: ftn9;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[9]</span></span><!--[endif]--></span></span></a> <span style="font-size: medium;">o poema
termina com os seguintes versos:<o:p></o:p></span></span></p>
<p class="Default"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpFirst"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>(…) Por isso,
o senado da nossa<o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>cidade, a ti
e à barca santa que transportou Vicente, <o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><b>tomará por
armas, em memória do feito há pouco ocorrido <o:p></o:p></b></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;"><b>em Olissipo:
o barco e os dois corvos usará como insígnias.”</b></span> <a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn10" name="_ftnref10" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[10]</span></span></span></a></span></p><p class="MsoNormalCxSpMiddle"><br /></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Tradução de<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">“Te namque
senatus <o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">nostrae
urbis, pupimque sacram quae numina uexit <o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">signa sibi
faciet, gestat modo Olisipo facti <o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Mnemosynon,
puppem atque pareis insignia corvos.” </span><span class="MsoFootnoteReference"><span style="font-style: italic;"><span style="font-size: medium;"> </span></span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn11" name="_ftnref11" title=""><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[11]</span></span><!--[endif]--></a></span><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><o:p><span style="font-family: arial;"> </span></o:p></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Na edição de 1545 do <i style="mso-bidi-font-style: normal;">Vincentius Leuita et Martyr, </i>existente na Biblioteca Nacional os
versos em latim dizem:</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">“91Gestat
modo Olisipo facti Urbs Oli-<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">sipo im
memoriam translationis Divi Vicentij, insi<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">guia sibi
fecit navem, & duos corvos, quórum unus<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">in puppi
residet, alter in prora, esq bodie gestat.<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">92 Haec
signa fidem facient. Nempe in sigilo. Se<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Natum enim,
& curiae Olisiponen disfcita, his insigni<o:p></o:p></span></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Bus cera
impressis ad fidem faciendam muniuntur.”</span><span class="MsoFootnoteReference"><span style="font-size: medium; font-style: italic;"> </span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn12" name="_ftnref12" title=""><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[12]</span></span><!--[endif]--></a></span><i><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><o:p><span style="font-family: arial;"> </span></o:p></i></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Numa folha dupla (8v e 9) da <i>Fabrica que falece...</i> está representada a
cidade de Lisboa, tendo na <span style="mso-fareast-language: PT;">parte superior
“<i style="mso-bidi-font-style: normal;">Lembrãça dos </i></span><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">muros e bastiães que falecem ha cidade de Lysboa da
pa.<sup>te</sup> da terra”,</span></i><span style="mso-fareast-language: PT;"> e </span>n<span style="mso-fareast-language: PT;">a parte inferior </span><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">“Doutros
baluartes e bastiães da parte do Mar”.</span></i><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUYfdk2uS7VRQcpW6VZqOFWHx9HlOHvx0yIoGIKxjKkrJfmjCfl5FDAzaGpK8-uOzJTLk2lbT2YD4pXuuQ-eDXSs5szB9oG6pE_bzfrwLbu_GUVViqMYcxeaWonnFqZy4pRPBaOOC5MSr5RROldmuRrwgKNUpVIJOtOFwU869y3Lqfe1PeWLxIIrB9/s1825/lx6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="816" data-original-width="1825" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUYfdk2uS7VRQcpW6VZqOFWHx9HlOHvx0yIoGIKxjKkrJfmjCfl5FDAzaGpK8-uOzJTLk2lbT2YD4pXuuQ-eDXSs5szB9oG6pE_bzfrwLbu_GUVViqMYcxeaWonnFqZy4pRPBaOOC5MSr5RROldmuRrwgKNUpVIJOtOFwU869y3Lqfe1PeWLxIIrB9/w640-h286/lx6.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_39" o:spid="_x0000_i1029" style="height: 234.6pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="dolanda" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">6</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Francisco de Holanda, Lysboa. Da fabrica que Falece a Cidade de Lisboa 1571.
Biblioteca da Ajuda. (Fol. 8v e 9.)</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">E Francisco d’Olanda dirigindo-se a D. Sebastião
(1554-1578), evoca as realizações do tempo de D. Manuel I e D. João III, e
propõe a renovação da cidade, primeiro espiritualmente, e de seguida em três
aspectos práticos: defesa da cidade (“<i style="mso-bidi-font-style: normal;">Do
castelo e bastiães e muros que convem a Lisboa</i>”); monumentalização (“<i style="mso-bidi-font-style: normal;">Dos paços de Enxobregas e parque”</i> e
outros) e abastecimento de águas (“<i style="mso-bidi-font-style: normal;">D’agoa
livre</i>”)</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormalCxSpMiddle" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial; font-size: medium;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">E
evoca </span><b><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;">“o felicissimo Rei, vosso bisavô, El Rei Dom Manoel, que com o triunfo
e victoria da India quasi a renovou de todo, cercando-a da parte do mar com o
cais que a</span></i><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"> </span><i>rodea, e paços, muito milhor do que pola terra a tinha cercado El Rei
Dom Fernando com o seu muro de argamassa que foi uma grande obra, e assi mesmo
com o sumptuoso mosteiro de Belem e Torre e com a Misericordia. Ora El Rei</i> </b></span><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;"><b>vosso avô*, de gloriosa memória, quem duvida,
que, se o não atalhara a morte, que houvera de fazer grandissimas obras em Lisboa…”
</b></span><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftn13" name="_ftnref13" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[13]</span></span></span></a> </span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-size: 11.0pt;"><span style="font-family: arial;">[*D. João III
(1502-1557), O Piedoso, reinou desde 1521 até à sua morte em 1557.]<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-size: 11.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2QKDIaqL8CiGOZLs2Ep0vtrN4JdTyT0pqDwIw1uTN4kCn1AtPeUheZVO1OlkEIAepPs5oBchna2wajOx5NkaIhuFicpy45vVyWfGpsZBIgSTksplakrrWFurZGwJqd_x_YfnYvjLQWVmghHUqaMAMS4-amJkMm33vGz2M3tN5g-vRpRFwL9kLWszI/s1825/lx6A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="323" data-original-width="1825" height="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2QKDIaqL8CiGOZLs2Ep0vtrN4JdTyT0pqDwIw1uTN4kCn1AtPeUheZVO1OlkEIAepPs5oBchna2wajOx5NkaIhuFicpy45vVyWfGpsZBIgSTksplakrrWFurZGwJqd_x_YfnYvjLQWVmghHUqaMAMS4-amJkMm33vGz2M3tN5g-vRpRFwL9kLWszI/w640-h114/lx6A.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_62" o:spid="_x0000_i1028" style="height: 93pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="dolanda1" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">7</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Francisco d’Olanda, <i style="mso-bidi-font-style: normal;">Lysboa.</i>
Pormenor central da figura anterior.</span><o:p></o:p></span></p>
<p class="MsoNormalCxSpFirst"><span style="font-size: 11.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<h4><span style="font-family: arial; font-size: medium;">O desenho de Simão de Miranda de 1575</span></h4>
<p class="MsoNormalCxSpMiddle"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">No <i style="mso-bidi-font-style: normal;">Archivo di Stato di Torino</i> existe um
desenho, datado de 1575, com o título de <i style="mso-bidi-font-style: normal;">“Ulibone
Pars” </i>da autoria de Simão de Miranda, que representa Lisboa vista do Tejo.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial; font-size: medium;"></span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRyl3LVQv9fIsOssxjxmHtxDU7ZWvBSqMJZRUD_cyjXYLoKzc5LCRPCHZCNIrzLDHnTfQWfGGarhHwDWuMl996AJvHD5o6pxY0vqEQiGqU2S434l67-CVoVSiMnjd_BU0g40YhxbOZb-dRWfdbz0mghbdODtdQBZVD1CMsHZ-9MtG367QJwvsDtK5m/s1476/lx6B.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="355" data-original-width="1476" height="154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRyl3LVQv9fIsOssxjxmHtxDU7ZWvBSqMJZRUD_cyjXYLoKzc5LCRPCHZCNIrzLDHnTfQWfGGarhHwDWuMl996AJvHD5o6pxY0vqEQiGqU2S434l67-CVoVSiMnjd_BU0g40YhxbOZb-dRWfdbz0mghbdODtdQBZVD1CMsHZ-9MtG367QJwvsDtK5m/w640-h154/lx6B.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial; font-size: medium;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_10" o:spid="_x0000_i1027" style="height: 126pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="img19" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image008.jpg">
</v:imagedata></v:shape></span><span style="mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->8<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Simão de Miranda “Ulibone Pars” Desenho à pena e aguarelado. In U lisibonae
Pars, vol. II, fls. 75,1575 Archivio di Stato di Torino.</span><span style="font-size: medium;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<h4><span style="font-family: arial; font-size: large;">As vistas de Lisboa publicadas no
Civitates Orbis Terrarum de Georg Braun (1542-1622) e Franz Hogenberg
(1535-1590)</span></h4>
<h4><span style="mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: large;">A Vista de Lisboa publicada em 1572</span></span></span></h4>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">No reinado
de D. Sebastião (1557 a 1578) na edição de 1572 do <i>Civitates Orbis Terrarum</i> de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590), surge uma vista de Lisboa intitulada<i> <b style="mso-bidi-font-weight: normal;">Lisbona</b></i><b>,</b> com uma inscrição <i>“Olisipo, sive ut persetustae lapidum
inscriptiones habent, Ulysipo, vulgo Lisbona Florentissimum Portugalliae
Emporiv</i>[m]<i>, </i>(<i>Olissipo</i>, ou como em inscrições de antigas pedras, <i>Ulysippo</i>, mais conhecida como <i>Lisboa</i>, do Florescente Império de
Portugal.)</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Esta vista de Lisboa (<i>Olisipo nunc Lisbona</i>),
elaborada nos meados do século, é acompanhada por uma outra vista intitulada <i>Cascale
</i></span><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt; mso-fareast-language: PT;">Lusitaniae opp </span></i><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-font-style: italic;">(Cascais</span></span><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">), onde está desenhada a
margem direita do Tejo na entrada da barra.</span><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCuiho1PbyEYXvjnf4A1Wc6wIQ1cOBx6O9izMSVBGNXY1g6h0pymqeVnorTCWlZI6f8ZXgzmD19U15MxX8D1Ult0VzhNtd1b8vc9cYnMB4nECSYneXXVVBk1OC-YJrGSyRFns_J3neWzFeC7UZZlXakBRNAPdxUORvib2cQM_gYiZjmfXtKvQMpAlu/s2048/lx7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1480" data-original-width="2048" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCuiho1PbyEYXvjnf4A1Wc6wIQ1cOBx6O9izMSVBGNXY1g6h0pymqeVnorTCWlZI6f8ZXgzmD19U15MxX8D1Ult0VzhNtd1b8vc9cYnMB4nECSYneXXVVBk1OC-YJrGSyRFns_J3neWzFeC7UZZlXakBRNAPdxUORvib2cQM_gYiZjmfXtKvQMpAlu/w640-h462/lx7.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_31" o:spid="_x0000_i1026" style="height: 378.6pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="3ap 2" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image009.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></i></p>
<p class="MsoCaption"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">9</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Georg Braun (1542-1622) e Franz Hogenberg (1535-1590) Olisipo, sive ut
persetustae lapidum inscriptiones habent, Ulysipo, vulgo Lisbona Florentissimum
Portugalliae Emporiv 1572. Civitates Orbis Terrarum Vol. I 1572.</span></span></p>
<h4><span style="background: white;"><span style="font-family: arial; font-size: medium;">A Vista de Lisboa publicada em 1598</span></span></h4>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Finalmente publicada </span><span style="mso-bidi-font-size: 14.0pt;">no ano de 1598, em que morre Felipe II de Espanha (I Primeiro de
Portugal), é publicado no Volume V do <i style="mso-bidi-font-style: normal;">Civitates
Orbis Terrarum</i>, onde figura uma vista de Lisboa <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">“OLISSIPO quae nunc Lisboa
civitas amplissima Lusitaniae ad Tagum. Toti Orienttis, et multarum Insularum
Aphricaeque et Americae emporium nobilissimum”.<o:p></o:p></i></b></span></span></p>
<p class="MsoNormalCxSpMiddle"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></i></b></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">Lisboa é
desenhada por volta dos anos 70, de um ponto de vista superior, para além de
mostrar os principais edifícios numerados numa legenda em Latim, permite
reconhecer o tecido urbano (ruas, praças, cais).</span></span><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="text-align: center;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt; mso-bidi-font-size: 11.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></i></p><div class="separator" style="clear: both; text-align: center;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwIppH8ghrgYRzvnXrv2m1kFpr-BfeL3DQH3fwL8iNjSXZrIDKD4LcaQKaG7UcwJDbJVMpiCVVVp6tQUWJmg6Bi8ifHbj7tqi5OIn6ZJTzAkFUmMz9YERjCep9bctiCXNctFb1cZ_YoDjskzzdnSpt4HyMU4VS9-FmlzKQBTEsKZCT4HiUKOnDfkQ-/s1224/lx8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="829" data-original-width="1224" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwIppH8ghrgYRzvnXrv2m1kFpr-BfeL3DQH3fwL8iNjSXZrIDKD4LcaQKaG7UcwJDbJVMpiCVVVp6tQUWJmg6Bi8ifHbj7tqi5OIn6ZJTzAkFUmMz9YERjCep9bctiCXNctFb1cZ_YoDjskzzdnSpt4HyMU4VS9-FmlzKQBTEsKZCT4HiUKOnDfkQ-/w640-h434/lx8.jpg" width="640" /></a></span></i></div><p></p>
<p align="center" class="MsoNormalCxSpLast" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_120" o:spid="_x0000_i1025" style="height: 354.6pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="img1" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image010.jpg">
</v:imagedata></v:shape></span><span style="mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">10</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Georg Braun (1542-1622) e Franz Hogenberg (1535-1590), Lissabon in <i>Civitates
Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">1598. </span>(a
versão em latim do volume I foi publicada em 1572).</span></span></p><div style="mso-element: footnote-list;"><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Diogo
Velho, in Cancioneiro Geral de Garcia de Resende. Impresso por Hermã de Campos,
Lisboa,1516. (pág. CCI). BND.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Idem
(pág. CCIv)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Francisco
de Sá de Miranda (1481-1558), Carta II a António Pereira senhor de Basto in As
Obras do Doutor Francisco de Saa de Miranda, a custa de Antonio leite, Mercador
de livros, na rua nova. Lisboa M DC LXXXVII. (pág.203).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4" style="mso-element: footnote;">
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> António
Ferreira (1528-1569), A Manoel Sampayo em Coimbra. Carta X Livro I Poemas
Luzitanos do Doutor Antonio Ferreira. Dedicados por seu filho Miguel Leite
Ferreira, ao Principe D. Philippe nosso senhor. Impresso com licença, Por Pedro
Crasbeeck. Em Lisboa M. D. XCVIII. (pág. 152).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn5" style="mso-element: footnote;">
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Pedro
de Andrade Caminha (c.1520-1589), A Francisco Sá de Miranda in Poezias de Pedro
de Andrade Caminha, mandadas publicar pela Academia Real das Sciências de Lisboa.
Na Officina da mesma Academia Lisboa MDCC XCI. (pág. 203 e 204).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn6" style="mso-element: footnote;">
<p class="MsoNormalCxSpLast"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref6" name="_ftn6" style="mso-footnote-id: ftn6;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> Damião
de Góis Chronica do Felicissimo Rei Dom Emanvel, composta per Damiam de Goes,
dividida em Qvatro Partes, Em Lisboa em casa de Françsco correa, impressor do
serenissimo Cardeal Infante, aos xvij dias do mês de Iulho de 1566. Segunda
parte da Chronica. Capitu. XIX. Do nascimento do Infante dom Fernando & das
qualidades de sua real pessoa. Fol.33 vs.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn7" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref7" name="_ftn7" style="mso-footnote-id: ftn7;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> O Simão
morador em Bruges a que alude Damião de Góis é Simon Bening (1483 –
1561), de facto considerado o melhor iluminista da época. O manuscrito que
Simon Bening executa em colaboração com António de Holanda, da Árvore com a
genealogia dos Reis de Portugal, nunca foi acabado e muitas das armas e brasões
não se encontram realizadas. Nas margens algumas cenas de batalhas, torneios,
peregrinações e cidades associadas aos diversos reis e rainhas. Encontra-se na
British Library, em Londres.</span></span><span style="font-size: 8.0pt;"> </span><o:p></o:p></span></p>
</div>
<div id="ftn8" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref8" name="_ftn8" style="mso-footnote-id: ftn8;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Vicente (c.1465-c.1536),<i style="mso-bidi-font-style: normal;"> Nao damores</i>,
in Copilaçam de todalas obras de Gil Vicente, a qual se reparte em cinco
Livros. Empremiose em a muy nobre, & sempre leal Cidade de Lixboa, em casa
de Ioam Alvarez impressor del Rey nosso senhor. Anno de M. D. LXII. (Ver
adiante).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn9" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref9" name="_ftn9" style="mso-footnote-id: ftn9;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Gil
Clemente Teixeira, <i style="mso-bidi-font-style: normal;">Entre textos: da
epopeia Vincentius Leuita et Martyr de André de Resende a Os Lusíadas de Camões</i>.
Dissertação realizada no âmbito do Mestrado em Estudos Literários, Culturais e
Interartes, orientada pelo Professor Doutor Belmiro Fernandes Pereira. Faculdade
de Letras da Universidade do Porto. Porto 2018.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn10" style="mso-element: footnote;">
<p class="Default"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref10" name="_ftn10" style="mso-footnote-id: ftn10;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"> Tradução de Gil Clemente Teixeira, <i style="mso-bidi-font-style: normal;">Entre textos: da epopeia Vincentius Leuita
et Martyr de André de Resende a Os Lusíadas de Camões</i>. Dissertação
realizada no âmbito do Mestrado em Estudos Literários, Culturais e Interartes,
orientada pelo Professor Doutor Belmiro Fernandes Pereira. Faculdade de Letras
da Universidade do Porto. Porto 2018. (pág. 191).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn11" style="mso-element: footnote;">
<p class="Default"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref11" name="_ftn11" style="mso-footnote-id: ftn11;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[11]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"> Gil Clemente Teixeira, <i style="mso-bidi-font-style: normal;">Entre textos: da epopeia Vincentius Leuita
et Martyr de André de Resende a Os Lusíadas de Camões</i>. Dissertação
realizada no âmbito do Mestrado em Estudos Literários, Culturais e Interartes,
orientada pelo Professor Doutor Belmiro Fernandes Pereira. Faculdade de Letras
da Universidade do Porto. Porto 2018. (pág. 190).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn12" style="mso-element: footnote;">
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref12" name="_ftn12" style="mso-footnote-id: ftn12;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[12]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"> André
de Resende. L. Andreas Resendivs. <i style="mso-bidi-font-style: normal;">Vincentius,
Leuita et martyr,</i> Impressum in adibus<span style="mso-spacerun: yes;">
</span>Ludovicum Rhotboigum <o:p></o:p></span></span></span></p>
<p class="MsoNormalCxSpLast"><span style="font-family: arial;"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;">typographum ac bibliopolae regij. Olisipone
M.D.XLV. (pág. 60). BND </span></span><span lang="DE" style="color: #000042; font-size: 11pt;"> </span><a href="http://purl.pt/15168"><span lang="DE" style="font-size: 11pt;">http://purl.pt/15168</span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></span></span></p>
</div>
<div id="ftn13" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/lisboa%20sec%2016.docx#_ftnref13" name="_ftn13" style="mso-footnote-id: ftn13;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[13]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">
Francisco d’Olanda, <i style="mso-bidi-font-style: normal;">Da Fabrica que falece
ha Cidade de Lysboa.</i> Por frãçisco dolãda Anno de 1571 </span></span>Biblioteca
da Ajuda</span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> (fol.
4) in Joaquim de Vasconcellos, Renascença Portugueza IV Imprensa Portugueza
Porto MDCCCLXXIX</span><o:p></o:p></span></span></p>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com1tag:blogger.com,1999:blog-3273935191454288917.post-83370435725268820962022-02-01T11:22:00.000+00:002022-02-01T11:22:09.304+00:00Labirintos da memória (2)<p><span style="font-family: arial;"><i><span style="font-size: medium;"><br /></span></i></span></p><p><span style="font-family: arial;"><i><span style="font-size: medium;"><br /></span></i></span></p><p><span style="font-family: arial; font-size: large;"><b>Nos Labirintos da Memória </b></span></p><p class="MsoNormal" style="text-align: right;"><i><span style="font-family: arial;">Passado é o labirinto:
seus jardins afloram<o:p></o:p></span></i></p><p class="MsoNormal" style="text-align: right;"><i><span style="font-family: arial;">Ε do fundo da memória
sobem as escadas </span></i><a href="file:///C:/Users/ricardo/Desktop/0s%20labirintos%20da%20mem%C3%B3ria/preambulo.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: x-small;"><span style="font-family: arial;">[</span><span style="font-family: Arial, sans-serif;">1]</span></span></span></span></a></p><p class="MsoNormal" style="text-align: right;"><span style="font-family: arial;">Sophia de Mello Breyner Andresen</span></p><p class="MsoNormal"><br /></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: large;"><b>Fevereiro de 1962</b></span></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;"><span style="mso-bidi-font-style: italic;">No
contexto da agitação política que marcou o final da década de 50 (com a
campanha de Humberto Delgado) e durante o ano de 1961 (o desvio do Santa Maria,
o início da Guerra colonial, o golpe fracassado de Botelho Moniz, o desvio do
avião da TAP, a ocupação indiana dos territórios de Goa, Damão e Diu e
finalmente o assalto ao quartel de Beja no último dia de 1961) e já no 31 de
Janeiro de 1962, as grandes manifestações no Porto e em Lisboa, </span>contra o
regime e a guerra colonial, <span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 7.5pt;">constituíram factores de mobilização dos estudantes do secundário e do
ensino superior na luta contra o regime.</span></span></p>
<p align="center" class="MsoNormalCxSpMiddle" style="text-align: center;"><o:p><span style="font-family: arial; font-size: medium;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgGOJ-L7ZenhnJ8YchkoBHZWX-H738WXaUIICHqkmbeIxgnlRlQDSY7cmGGEv9RurgvdVRam6JRsyyXCGq4JFAZeDaLIm7y7dgauZFgtMqnwrVTHuFklkp3fc_BJK2bkJiCmCZ7WVWXjEJGZtssmCiR9bgNWCc6FUfPVe0qs8iP9K5tD8QZp0X8ii6Z=s1200" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="1200" height="374" src="https://blogger.googleusercontent.com/img/a/AVvXsEgGOJ-L7ZenhnJ8YchkoBHZWX-H738WXaUIICHqkmbeIxgnlRlQDSY7cmGGEv9RurgvdVRam6JRsyyXCGq4JFAZeDaLIm7y7dgauZFgtMqnwrVTHuFklkp3fc_BJK2bkJiCmCZ7WVWXjEJGZtssmCiR9bgNWCc6FUfPVe0qs8iP9K5tD8QZp0X8ii6Z=w640-h374" width="640" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Foto Domingos Alvão. CMP.</span></div><p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Assim, em Fevereiro de 1962, na minha efémera
passagem pelo curso de engenharia, a então constituída <b style="mso-bidi-font-weight: normal;">Comissão Organizadora da Pró-Associação de Ciências do Porto</b>, - da
qual eu fazia parte – elaborou um longo documento intitulado <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">“Comunicado
aos Professores e Alunos da Faculdade de Ciências do Porto”.</i></b></span></p><div class="separator" style="clear: both; text-align: center;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjG_EEGHH60709o4lociji6JNwtc9ptXwxlKBl7Jwoi9duwLaj8X9ksdPgxrILLx8Qe3r12xV6SwyXR-3VEo3cypCGOYmoSni4YggJHXjz08UuSQQK3rIvMJJYlQMbqg0PwRelOZRsqB8S9d7OMFgS8hJbInzUU1y6AQebK5vWmy20I1lrN6g4Pvl6H=s870" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="870" data-original-width="644" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEjG_EEGHH60709o4lociji6JNwtc9ptXwxlKBl7Jwoi9duwLaj8X9ksdPgxrILLx8Qe3r12xV6SwyXR-3VEo3cypCGOYmoSni4YggJHXjz08UuSQQK3rIvMJJYlQMbqg0PwRelOZRsqB8S9d7OMFgS8hJbInzUU1y6AQebK5vWmy20I1lrN6g4Pvl6H=w296-h400" width="296" /></a></span></i></div><p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Este Comunicado inicia-se por um primeiro ponto “<i style="mso-bidi-font-style: normal;">O que é uma Associação de Estudantes” </i>em
que se constata <i style="mso-bidi-font-style: normal;">que <b style="mso-bidi-font-weight: normal;">“o estudante de hoje encontra-se ainda, desprovido, na sua esmagadora
maioria, de um espírito verdadeiramente universitário” </b></i>e revelando uma
verdadeira intenção política o documento prossegue <i style="mso-bidi-font-style: normal;">“<b style="mso-bidi-font-weight: normal;">É uma verdade amarga que o estudante
não cuida da sua preparação integral, como homem que na realidade é: os
aspectos artísticos, filosóficos, sociais, etc. da vida, são-lhe completamente
alheios”.</b><o:p></o:p></i></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">E insiste que, só com as Associações de
Estudantes, democráticas e representando os estudantes, se poderá resolver os
problemas especificamente estudantis e em colaboração com os professores, criar
um ambiente universitário de cultura e cidadania.</span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">O Documento prossegue<i style="mso-bidi-font-style: normal;"> </i>especificando <b style="mso-bidi-font-weight: normal;">“<i style="mso-bidi-font-style: normal;">O que é a Comissão Organizadora da
Pró-Associação de Ciências do Porto”</i></b><i style="mso-bidi-font-style: normal;">
</i>com vista à criação de uma Pró-Associação que poderia contribuir para a
solução de um conjunto de problemas da Faculdade de Ciências do Porto
(instalações, número de docentes e aumento dos estudantes, reforma dos cursos,
etc.).<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Segue-se uma carta dirigida ao <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Exmo.
Senhor Director da Faculdade de Ciências do Porto</i></b><i style="mso-bidi-font-style: normal;">, </i>em que se resumem os problemas atrás expostos e se contesta o
C.U.P. (Centro Universitário do Porto) na sua pretensão de representar os
estudantes da Universidade do Porto.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Seguem-se as assinaturas dos 340 Alunos que
subscreveram o documento, o qual no fim é assinado pelos 25 membros da Comissão
Organizadora.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhdN-t0SubyRgbF2FjGxW3KhPssa-3NkVo03uEDbuDW6rgHsZ24Otfquo5EXHq-BNBrAVp7bt_QUSV7GJM-o2y4pHgQwOkKzyUPwd1A14wql_v9Rdi6Eg6EpixQL3B8sUMIeoMh_m09SYs5natqtGGp6xriOEluRe-tOp3_y85gDvllD2KAGG7uc864=s1720" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1720" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhdN-t0SubyRgbF2FjGxW3KhPssa-3NkVo03uEDbuDW6rgHsZ24Otfquo5EXHq-BNBrAVp7bt_QUSV7GJM-o2y4pHgQwOkKzyUPwd1A14wql_v9Rdi6Eg6EpixQL3B8sUMIeoMh_m09SYs5natqtGGp6xriOEluRe-tOp3_y85gDvllD2KAGG7uc864=w298-h400" width="298" /></a></div><p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">A Comissão pretendeu ainda organizar para a
Quarta-feira dia 28, uma Reunião Geral de Estudantes, <b>tendo em vista o Dia do Estudante
(23 de Março</b>). Esta reunião que foi inicialmente autorizada, veio a ser <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">“por
ordem superior cancelada”</i> </b>na véspera, dia 27 de Fevereiro.</span><o:p></o:p></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><a href="file:///C:/Users/ricardo/Desktop/0s%20labirintos%20da%20mem%C3%B3ria/preambulo.docx#_ftnref1" name="_ftn1" style="font-size: small;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference">[1]</span></span></a><span style="font-size: small;"> Sophia de Mello Breyner Andresen, Obra Poética Assírio & Alvim (pág.611)</span></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;"><br /></span></p>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-75660184362896068032022-01-27T14:17:00.000+00:002022-01-27T14:17:14.729+00:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 7ª parte<p><span style="font-family: arial;"> </span></p>
<h1 style="text-align: left;"><span style="font-family: arial;"><span class="TtuloCarter">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span>
1588<br /></span><o:p><span style="font-family: arial;"> <br /></span></o:p><span style="font-family: arial;">Sevilha extramuros (continuação)</span></h1>
<p class="MsoNormal" style="background: white; margin-bottom: 11.25pt;"><span style="color: #474e5c; font-size: 13.5pt; letter-spacing: 0.4pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<h2 style="text-align: left;"><span style="font-family: arial;">Cap.<span style="mso-spacerun: yes;">
</span>32<br /></span><span style="font-family: arial;">Os Arredores a Nascente na parte
superior da imagem do <i>Civitates</i></span></h2>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Entre os Canos de Carmona e o Guadalquivivir situavam-se, no
sentido contrário aos ponteiros do relógio, as Portas:</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Porta do Ossario (32)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Porta do Sol (31)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Porta de Cordova (30)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Porta de Macarena (29)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Porta de Almenilla (28)</span></span></p><p class="MsoNormal" style="text-align: center;"><o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhUsmpP8fYYwoCXzcNMcwCjcj2Sy3JqRoPS_kKzTjRuBanaEYKyLNhIrekI4-_hMXIaTA9B9YB2BnDDUWz-tDiHV7utZehdq9gcSJSEZFS0jOk4SLKYlpSYoUdhNP65jvWg6BwIALxt-Gis06N8wlyvR0MgXDnFxSd2U-RzDxKtMA3HYPMtsFvW-J0W=s6008" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1385" data-original-width="6008" height="148" src="https://blogger.googleusercontent.com/img/a/AVvXsEhUsmpP8fYYwoCXzcNMcwCjcj2Sy3JqRoPS_kKzTjRuBanaEYKyLNhIrekI4-_hMXIaTA9B9YB2BnDDUWz-tDiHV7utZehdq9gcSJSEZFS0jOk4SLKYlpSYoUdhNP65jvWg6BwIALxt-Gis06N8wlyvR0MgXDnFxSd2U-RzDxKtMA3HYPMtsFvW-J0W=w640-h148" width="640" /></a></div><p></p>
<p class="MsoCaption"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; color: black; font-size: 0pt; padding: 0cm;"><span style="mso-spacerun: yes;"> </span></span></span><span style="font-family: arial; font-size: small; text-align: center;">fig. </span><span style="font-family: arial; font-size: small; text-align: center;">26</span><span style="font-family: arial; font-size: small; text-align: center;"> - Pormenor de </span><span style="font-family: arial; font-size: small; text-align: center;">Sevilha 1588 no </span><i style="font-family: arial; font-size: small; text-align: center;">Civitates
Orbis Terrarum </i><span style="font-family: arial; font-size: small; text-align: center;">de </span><span style="font-family: arial; font-size: small; text-align: center;">Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p>
<h2><o:p><span style="font-family: arial;"> </span></o:p><span style="font-weight: normal;"><span style="font-family: arial; font-size: medium;">Entre as
portas de Carmona e do Ossário situavam-se o Mosteiro de Santo Agostinho e o
Arrabalde da Porta de Carmona.</span></span></h2>
<h2><span style="font-family: arial;"><i>Monasterio de S. Agustin </i></span><span style="font-family: arial; font-weight: normal;">(inscrito na imagem)</span> </h2><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjhyrZ_1RvDc_aT8pkhJmrFsqOGoHc1HczrySrHCOhpy4p1LmeeIuv5eeDtvIobB6QKUQlX9LxeAEzfbsOYaqFSsdkUe7_3LkQPPopcKHjHAJzQ87YLFrpSxObuBxnmULOY7bPIhN9UsVFBwEFqBHaUwHtkE0-uw68jMfR70z6CsQYp5SJWjjLmqJ3C=s977" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="541" data-original-width="977" height="354" src="https://blogger.googleusercontent.com/img/a/AVvXsEjhyrZ_1RvDc_aT8pkhJmrFsqOGoHc1HczrySrHCOhpy4p1LmeeIuv5eeDtvIobB6QKUQlX9LxeAEzfbsOYaqFSsdkUe7_3LkQPPopcKHjHAJzQ87YLFrpSxObuBxnmULOY7bPIhN9UsVFBwEFqBHaUwHtkE0-uw68jMfR70z6CsQYp5SJWjjLmqJ3C=w640-h354" width="640" /></a></span></div><p></p>
<p class="MsoNoSpacing"><span style="font-family: arial;"><span style="mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_182" o:spid="_x0000_i1027" style="height: 289.8pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">27</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Mosteiro de santo Agostinho. <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha
1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de
</span>Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p>
<p class="MsoNormal"><span style="mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Alonso Morgado situa o
mosteiro.</span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Luego alli cerca del Monasterio
de san Benito de Silos está el <b style="mso-bidi-font-weight: normal;">Monasterio
de San Augustin </b>mas llegado a la Puerta de Carmona, en cuyo sitio uvo
primero una casa en forma de Monasterio con titulo de Sancti Spiritus de mugeres
Religiosas, sin que se acabe de entender, si hazian profession como Monjas, no
obstante que guardavan la misma clausura, y recogimiento.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><p class="MsoNormal" style="text-align: center;"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"></span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh1YxPcdquWLys9BnKF4WKX2qtIezdg4rySWtnmXmLO0ebwq3DUTwaxLewgS11B5Pj3ciI6KQB89oC89WWxwxtNq6go9G6amBskc1WSOkeiLp8d3cGycbuo-kgBAkYQrNCdQIjflxYnt6NJx4T_n50gMg8uKvPRC4DewJG3LvM_X6q9DrakSGBlc6r8=s260" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="229" data-original-width="260" height="564" src="https://blogger.googleusercontent.com/img/a/AVvXsEh1YxPcdquWLys9BnKF4WKX2qtIezdg4rySWtnmXmLO0ebwq3DUTwaxLewgS11B5Pj3ciI6KQB89oC89WWxwxtNq6go9G6amBskc1WSOkeiLp8d3cGycbuo-kgBAkYQrNCdQIjflxYnt6NJx4T_n50gMg8uKvPRC4DewJG3LvM_X6q9DrakSGBlc6r8=w640-h564" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_183" o:spid="_x0000_i1026" style="height: 171.6pt; mso-wrap-style: square; visibility: visible; width: 195pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><span style="mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">28</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Torres de São Francisco e Santo Agostinho. Pormenor da pintura de Sanchez
Coello. Século XVI, antes de 1588..</span></span></p>
<h2 style="text-align: left;"><span style="font-family: arial;"><i>Arraval dela puerta de Carmona</i> <span style="font-style: normal;">(I)</span></span></h2><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg2iUP-13kAweJefrYRBlK__VI5xmCxKFLbNtu_qAm1OB6FwXPgoj2R5WpY4nDuZxqCi2f9yby0bBGJDYJnE8He436adungjIix8XR8GctVc530TdCRYYdtdYzkqU5YLFxPVf0_KASJWniEKxCSPqhuNhpMhU8a9txylnMWqPvwrSl7FPOwXSs5GYhu=s1555" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="708" data-original-width="1555" height="292" src="https://blogger.googleusercontent.com/img/a/AVvXsEg2iUP-13kAweJefrYRBlK__VI5xmCxKFLbNtu_qAm1OB6FwXPgoj2R5WpY4nDuZxqCi2f9yby0bBGJDYJnE8He436adungjIix8XR8GctVc530TdCRYYdtdYzkqU5YLFxPVf0_KASJWniEKxCSPqhuNhpMhU8a9txylnMWqPvwrSl7FPOwXSs5GYhu=w640-h292" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_35" o:spid="_x0000_i1025" style="height: 238.8pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si135" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape></span><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">29</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Arrabalde e Porta de Carmona. <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha
1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de
</span>Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><div style="mso-element: footnote-list;"><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (pág. 393).</span><o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">Cap. 33<br /></span><span style="font-family: arial;">As Portas a nascente </span></h2><h3 style="text-align: left;"><span style="font-family: arial;">Porta do Ossario (32)<br /></span><span style="font-family: arial;">Porta do Sol (31)<br /></span><span style="font-family: arial;">Porta de Cordova (30)<br /></span><span style="font-family: arial;">Porta de Macarena (29)</span></h3><h3 style="text-align: left;"><b style="font-family: arial; font-size: large;">Porta de Almenilla (28)</b></h3><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgdU9thsfi-KRig48TsHpDTbSkC-_2lNTF_XeuwlA_RCPsl6U40MSCEVhZDr29td1BTCiCZstUJH7KknbLwMEb-S6J4ZuiKxDGBFg8p2WB4cwttEMftVSBZaTKIxTuspyxgf7sy7X6Ihemz3KpkKxTUeTw7pHwliipwi59DhaE4ZlMdLlg2EFvXDvjv=s6008" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1385" data-original-width="6008" height="148" src="https://blogger.googleusercontent.com/img/a/AVvXsEgdU9thsfi-KRig48TsHpDTbSkC-_2lNTF_XeuwlA_RCPsl6U40MSCEVhZDr29td1BTCiCZstUJH7KknbLwMEb-S6J4ZuiKxDGBFg8p2WB4cwttEMftVSBZaTKIxTuspyxgf7sy7X6Ihemz3KpkKxTUeTw7pHwliipwi59DhaE4ZlMdLlg2EFvXDvjv=w640-h148" width="640" /></a></span></div><p></p><p class="MsoCaption"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->30<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> - Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span><span style="font-family: arial;"> </span></p><h3><span style="font-family: arial;"><span style="font-size: large;">(32) Puerta del Osario</span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Porta do Ossário assim chamada pelo cemitério árabe que se
situava nas proximidades, como aponta Alonso Morgado:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“La Puerta del Ossario, porque
siendo Sevilla de Moros, tenían ellos por aquella parte fuera de la ciudad sus enterramientos,
y sacavan por ella los muertos.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj1jtSvhEp1D9RLPmNUpMMhWR5fm2fTb6-l8lnM7AaNXkNXKkKihyl2coGw3bThQBFbQeiVHKxq0WxlGc3XZ1SW5CJP7jEXZdkbnnvPdF0tomq55WLliUkUdMYd1bLBXIUxhtN1cvQ4bUawBZitqcHC_TMXjCQZWsMlLybGtFGZyl3811exrTp--JWj=s801" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="727" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEj1jtSvhEp1D9RLPmNUpMMhWR5fm2fTb6-l8lnM7AaNXkNXKkKihyl2coGw3bThQBFbQeiVHKxq0WxlGc3XZ1SW5CJP7jEXZdkbnnvPdF0tomq55WLliUkUdMYd1bLBXIUxhtN1cvQ4bUawBZitqcHC_TMXjCQZWsMlLybGtFGZyl3811exrTp--JWj=w580-h640" width="580" /></a></span></i></div><p></p><p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="font-family: arial;"><i><v:shape id="Imagem_x0020_50" o:spid="_x0000_i1036" style="height: 232.8pt; mso-wrap-style: square; visibility: visible; width: 241.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></i><i><o:p></o:p></i></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->31<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Puerta del Ossario. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Rodrigo Caro adianta ainda uma outra explicação para o nome
da Porta, cujo nome provinha de ser ali que se pesava a farinha que vinha dos
moínhos das redondezas.</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>“La puerta del Ossario parece conserva el
antiguo nombre Latino; porque dizen, que por alli sacavan a enterrar los
muertos. Otros le llaman puerta del Onçario; y este es nõbre que retiene el
vulgo (que a vezes conserva mejor el origen delas vozes, que los demasiadamente
cultos) por ventura se llamó assi de la voz Uncíario, porque allí de muy
antiguo estuvo el peso de la harina</i>.</span>” <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span></p><p class="MsoNormal"><br /></p><h3 style="text-align: left;"><span style="font-family: arial;"><span style="font-size: large;"> (<span class="Cabealho3Carter">31) Puerta del Sol</span></span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Nas muralhas medievais a Porta do Sol situava-se a nascente. Por isso
Alonso Morgado assim a refere ao descrever as portas da muralha de Sevilha.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“La Puerta del Sol, porque
esta a la parte del Oriente.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Tinha um Sol representado no lintel da porta.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjsj25R1YXqJ3huV8PbJqneGqgAxMe8OWm5r5sgfKpu84I91imxKXhKDobqKwEcO0lbtLHfbxhuUQ_1OUOPBmC7O6ky6eCYMqzuyCCvh0KS8tEFM3g6scxYQTgu6r1nLUbrHx9DG4DrIjiFo_Ew93OmGJn09-yGQPHKJRcAw_0NwwluGLojhUjJPk_s=s1044" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1044" data-original-width="937" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjsj25R1YXqJ3huV8PbJqneGqgAxMe8OWm5r5sgfKpu84I91imxKXhKDobqKwEcO0lbtLHfbxhuUQ_1OUOPBmC7O6ky6eCYMqzuyCCvh0KS8tEFM3g6scxYQTgu6r1nLUbrHx9DG4DrIjiFo_Ew93OmGJn09-yGQPHKJRcAw_0NwwluGLojhUjJPk_s=w574-h640" width="574" /></a></div></span></div><p></p><p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="font-family: arial;"><i><v:shape id="Imagem_x0020_36" o:spid="_x0000_i1035" style="height: 176.4pt; mso-wrap-style: square; visibility: visible; width: 197.4pt;" type="#_x0000_t75">
<v:imagedata o:title="si101" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape></i><i><o:p></o:p></i></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->32<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Porta do Sol. Pormenor de Sevilha 1588
no <i>Civitates Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></p><h2 style="text-align: left;"><span style="font-family: arial;"><span class="Cabealho3Carter"><i>Monasterio
dela trinitad.</i></span> <span style="font-weight: normal;">(inscrito na imagem).</span></span></h2><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Junto da Porta do Sol situava-se o Mosteiro da Santíssima
Trindade.</span></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjzwUvwqpwjtGrrRpKa6RqhWmtzwK6aM-RHsHtyB_97q0AKm5w-Oh970x2z2rJfbdCsPcnhIAho67Lx-Jg7MxggEpSSXaTylhw2U2i9Nxvx9o-giytmJYAYthTQZWukkjY2DUlFYrWJDJbmfs4nVFwYjzWMs6eEelvumT1DNysXes4kTznSh72CoiKi=s940" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="940" height="406" src="https://blogger.googleusercontent.com/img/a/AVvXsEjzwUvwqpwjtGrrRpKa6RqhWmtzwK6aM-RHsHtyB_97q0AKm5w-Oh970x2z2rJfbdCsPcnhIAho67Lx-Jg7MxggEpSSXaTylhw2U2i9Nxvx9o-giytmJYAYthTQZWukkjY2DUlFYrWJDJbmfs4nVFwYjzWMs6eEelvumT1DNysXes4kTznSh72CoiKi=w640-h406" width="640" /></a></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->33<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Mosteiro da Trindade. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Alonso Morgado refere que <i>“El <b>Monasterio
dé la Sanctissima Trinidad</b> es uno dé los primeros, que se fundaron en</i>
</span><span style="font-size: medium; font-style: italic;">Sevilla, despües que los
Moros fueron echados della como parece por este Previlegio, que concedió a sus
Frayles Trinitarios el Rey Don Alonso el Sabio…”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span></span></a></span></p><h2 style="text-align: left;"><span style="font-family: arial;">(30) <i>Puerta de Cordoba</i>. Porta de
Cordoba</span></h2><p class="MsoNormal"><span style="font-family: arial; font-size: large;">Situava-se entre a Porta do Sol e a Porta da Macarena. </span><span style="font-family: arial;"><span style="font-size: medium;">Alo</span></span><span style="font-family: arial; font-size: large;">nso
Morgado na sua descrição das portas da muralha de Sevilha refere:</span></p><p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: medium;">“La de Cordova, porque se sale de
Sevilla derechamente para Cordova.”</span></i></b> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span><span style="font-family: arial; text-align: center;"> </span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgCOyMqSAY-Ay5Ko2pSSfPuiK4CjIu6DFFDxAEyKpXcVqW60ThjGOfdlXpQhu6uCW8x_nZZzuHiknIGgPGQG7XUuGjqvxmJsi-_Cn_sMYGNYJvRNCOp8_ARupOgu6585PNYQ1j4iKA3BBDLtxJ4Iy5Mn57Em1DX8seCzXvR6yltjrhCZ0DVI9folYps=s1027" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="941" data-original-width="1027" height="586" src="https://blogger.googleusercontent.com/img/a/AVvXsEgCOyMqSAY-Ay5Ko2pSSfPuiK4CjIu6DFFDxAEyKpXcVqW60ThjGOfdlXpQhu6uCW8x_nZZzuHiknIGgPGQG7XUuGjqvxmJsi-_Cn_sMYGNYJvRNCOp8_ARupOgu6585PNYQ1j4iKA3BBDLtxJ4Iy5Mn57Em1DX8seCzXvR6yltjrhCZ0DVI9folYps=w640-h586" width="640" /></a></div></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_51" o:spid="_x0000_i1033" style="height: 307.8pt; mso-wrap-style: square; visibility: visible; width: 336pt;" type="#_x0000_t75">
<v:imagedata o:title="si120" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->34<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Porta de Córdova. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><h2><span style="font-family: arial;"><i>Hermita de S. Iusta i S. Rufina.</i> <span style="font-weight: normal;">(inscrito na imagem).</span><o:p></o:p></span></h2><h2><o:p><span style="font-family: arial; font-size: medium; font-weight: normal;"> Junto da Porta de Córdova situava-se a </span></o:p><span style="font-family: arial; font-size: medium;">Ermida de Santa Justa e Santa Rufina.</span></h2><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado refere a ermida das duas santas no local onde
houvera existido o mosteiro de São Leandro. <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“(…) a fuera déla Ciudad a
la puerta de Cordova, que ya nos podría dar que pensar, si estuvo el Monasterio
donde agora es (ala misma puerta de Cordova<b>)
la hermita de las dos sanctas hermanas Iusta y Rufina</b>: como quiera que
entorno déla misma hermita parecen cimientos y vestigios de antíguo y mayor
edificio, y juntamente cõ esto son del Monasterio de San Leandro unas haças de
pan que alindan con la misma hermita, y esto de tiempo inmemorial.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[6]</span></span></span></a></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgyq6EC2449QDbpC-t8lycLDUWxvn3e0ppKny1cOvSgxr4DWLnGDhEXhOtluMhtRquPWa2DvETLO6wrl9gow_XmBwsgZomLJ7wG9DkzMO6oJqMakCAHAcKMKUZQ6ox-ayWUvEsoJyXIoNg7re1gf0bS6aDwuIEUm0Ew-2oT2YyddXgdqlTI-MJr3anH=s834" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="834" height="434" src="https://blogger.googleusercontent.com/img/a/AVvXsEgyq6EC2449QDbpC-t8lycLDUWxvn3e0ppKny1cOvSgxr4DWLnGDhEXhOtluMhtRquPWa2DvETLO6wrl9gow_XmBwsgZomLJ7wG9DkzMO6oJqMakCAHAcKMKUZQ6ox-ayWUvEsoJyXIoNg7re1gf0bS6aDwuIEUm0Ew-2oT2YyddXgdqlTI-MJr3anH=w640-h434" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_185" o:spid="_x0000_i1032" style="height: 354.6pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si100" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->35<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Ermida de santa Justa e santa Rufina. Pormenor de Sevilha 1588 no <i>Civitates Orbis
Terrarum </i>de Georg Braun
(1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><h2 style="text-align: left;"><span style="font-family: arial;"> (29)
<i>Puerta de Macarena</i></span></h2><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Alonso Morgado explica: </span><span style="font-size: medium; font-style: italic;">“Como es que <b>la Puerta de Macaren</b>a
tomó su nombre de un Moro principal llamado Macarena por quanto salia el por
esta Puerta para una su heredad media légua de Sevilla, donde hasta oy
permanece una Torrezilla llamada Macarena del nombre dette Moro, que la edificó
en aquella su pertenencia. Y por la mifma razón se llama oy también aquel
Collado la Cabeca de Macarena en el camino de la Rinconada pueblo de aquel
tiempo una legua de Sevilla.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[7]</span></span></span></a></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjOmmw6BN3OcFFy0epyIe13G07exGxzItfrJ8lnzFRgccChkyvX-TmP2IfIQX9VpjMR9QPRjxPkeoaggMJ2eKbk63d9PwMjCU-Q7aQ6-QJhYVmpwEwIrU4RYxmDmoB2pPjYU4zPAVPWSZ0eggfwtArcJhdjQEqddW_XyLwaFYz4mUBYp7eT6ZL1TluO=s1702" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1086" data-original-width="1702" height="408" src="https://blogger.googleusercontent.com/img/a/AVvXsEjOmmw6BN3OcFFy0epyIe13G07exGxzItfrJ8lnzFRgccChkyvX-TmP2IfIQX9VpjMR9QPRjxPkeoaggMJ2eKbk63d9PwMjCU-Q7aQ6-QJhYVmpwEwIrU4RYxmDmoB2pPjYU4zPAVPWSZ0eggfwtArcJhdjQEqddW_XyLwaFYz4mUBYp7eT6ZL1TluO=w640-h408" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_24" o:spid="_x0000_i1031" style="height: 264.6pt; mso-wrap-style: square; visibility: visible; width: 414pt;" type="#_x0000_t75">
<v:imagedata o:title="si121" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->36<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Porta de Macarena. Pormenor de Sevilha 1588 no <i>Civitates Orbis
Terrarum </i>de Georg Braun
(1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> <span style="font-size: medium;">E Peraza assinala a importância da rua que parte da Porta de Marcarena:</span></span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Es pues la principal
calle de Sevilla la de la <b>Puerta
Macarena</b>, la qual es tan larga que atraviesa a toda Sevilla por la mitad</span><i>” </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[8]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: arial;">E o poeta Lope de Vega, refere a Porta de Macarena na comédia </span><i style="font-family: arial;">El Amante agradecido</i><span style="font-family: arial;">.</span></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Ora es de partirme
yo,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Que me aguarda, y
tengo pena<o:p></o:p></span></i></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">En la puerta de Macarena<o:p></o:p></span></i></b></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Un hombre que ayer me
hablò,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Que es de la tierra, y
no es bien<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Perder en viaje largo,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">La companhia no
encargo<o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Lo que vos sabyens
tanbien.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn9" name="_ftnref9" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[9]</span></span></span></a></span></p><h2><span style="font-family: arial;"><i>Hospital del Duq de Alcalá </i><span style="font-weight: normal;">(inscrito na imagem)</span></span></h2><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">No Arrabal da Macarena, junto à porta da Macarena (29), o
<i>Hospital do Duque de Alcalà </i>ou <i>Hospital de Sangre,</i> sobretudo conhecido como <i>Hospital
de las Cinco Chagas de Nuestro Redentor</i>. </span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhs3x09cDNlZO8TNRscovKwkChJWUQjDz6BzzcP7lxApI1ArV80iebx2LdnldKOJUH7KM5hEHRP0u0cR1-2hEVOKNdV5EI81uiOjKcqF_IRZBhkrSvhOr_rbMKU171sytvSkTSnpfGFREt2LkhtRBHL5CwDSoWj85U3XUslg36teJGWhVJUCCZaL4Lv=s624" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="622" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhs3x09cDNlZO8TNRscovKwkChJWUQjDz6BzzcP7lxApI1ArV80iebx2LdnldKOJUH7KM5hEHRP0u0cR1-2hEVOKNdV5EI81uiOjKcqF_IRZBhkrSvhOr_rbMKU171sytvSkTSnpfGFREt2LkhtRBHL5CwDSoWj85U3XUslg36teJGWhVJUCCZaL4Lv=w638-h640" width="638" /></a></span></div><p></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-size: x-small;"><span style="font-family: arial;">fig. </span><span style="font-family: arial;">37</span><span style="font-family: arial;"> – Hospital do Duque de Alcalá. Pormenor de Sevilha 1588 no </span><i style="font-family: arial;">Civitates Orbis Terrarum </i><span style="font-family: arial;">de Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Diego de Zuñiga aponta a sua fundação:</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i><span style="background: white; mso-bidi-font-weight: bold;">“El Hospital de la Sangre, ò</span></i>
<i><span style="background: white; mso-bidi-font-weight: bold;">de las cinco Llagas, obra de la grandeza de Do</span></i><i>ñ<span style="background: white; mso-bidi-font-weight: bold;">a Catalina de Ribera*,
esclarecida Matrona, y fu su hijo el insigne Marquês de Tarifa Don Fadrique
Henriquez de Ribera**, es en la Hospitalidad el mayor ornamento de Sevilla,
começado el a</span></i><i>ñ<span style="background: white; mso-bidi-font-weight: bold;">o de
1500 </span></i><i>por<span style="background: white; mso-bidi-font-weight: bold;"> </span></i><i>Doña
Catalina, en<b> </b>las casas
que oy estã</i> </span><i><span style="font-family: arial; font-size: medium;">el de<b>
</b>las Bubas, y engrandecido con la herencia, y dotación de el<b> </b>Marqués, á que </span></i><i><span style="font-family: arial; font-size: medium;">ninguna particularidad falta, de quantas a hazer
grandiosas las semejantes, pueden </span></i><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">desearse, sumptuosidade de edificio, cuya
exterior fachada, es el primer semblante de su excelencia, su Templo, sus
enfermerias, pieças en que se pierde de vista su fin, a este<b> </b>parangón su riqueza, y al de uno, y otro su puntualidad;
de su primera institucion, unicamente para mugeres, aunque ya tiene dotaciones
para hombres.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn10" name="_ftnref10" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[10]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; font-size: 12pt; mso-bidi-font-weight: bold;">[*Catalina de Ribera</span><span style="background: white; font-size: 12pt;"> y
Mendoza (1447-1505)</span><span style="font-size: 12pt;"><o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; font-size: 12pt;">**Fadrique
Enríquez de Ribera (1476-1539) I Marquês de Taifa e VI Adelantado maior de
Sevillha.]</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O novo edifício do Hospital, executado segundo um projecto
de <span style="background: white; color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Martín de Gainza (1505-1556),</span> foi
iniciado com a colocação da primeira pedra em 12 de Maio de 1546, prosseguindo
as obras até à morte do arquitecto. <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Em 1558 é nomeado para dirigir as obras Herman Ruiz
(c.1514-1569).<span style="background: white; color: #222222;"> </span></span><span style="background: white; color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">Entre 1569 e 1584, foi
o irmão de Hermán Ruiz, Francisco Sánchez, que dirigiu os trabalhos.</span></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">Já no século XVII o Hospital vai consolidando a sua arquitectura.</span></span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjWuKEtJwc_xDPFdSnlZGJ45458GxMQWo493U9TT56adg0cErI-H9iLo-zTahDq0FHmCS4DkA7qkdpnDcCFEPrgWoYi7QYYf9nWMLm2CvSjaM5yDaC2Soy4KPhIrEv-catEW4eGwW_uwW0_zuXdw55QMijCoPjb-c4C7aR1b-Wj2tBtvu3Ac0KdQ6IU=s740" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="515" data-original-width="740" height="446" src="https://blogger.googleusercontent.com/img/a/AVvXsEjWuKEtJwc_xDPFdSnlZGJ45458GxMQWo493U9TT56adg0cErI-H9iLo-zTahDq0FHmCS4DkA7qkdpnDcCFEPrgWoYi7QYYf9nWMLm2CvSjaM5yDaC2Soy4KPhIrEv-catEW4eGwW_uwW0_zuXdw55QMijCoPjb-c4C7aR1b-Wj2tBtvu3Ac0KdQ6IU=w640-h446" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_31" o:spid="_x0000_i1029" style="height: 203.4pt; mso-wrap-style: square; visibility: visible; width: 292.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si150" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image009.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->38<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Anónimo, O hospital na peste de 1649.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> <span style="font-size: medium;">E e</span></span></o:p><span style="font-size: medium;"><span style="font-family: arial;">m 1668-1669 o italiano Pier Maria
Baldi (1630-1686), artista que acompanhou, o príncipe Cosimo III (1642-1723),
Grand-Duque da Toscania na sua viagem por Espanha e Portugal, (e ainda </span><span style="background: white; font-family: arial;">França, Bélgica
e Holanda),</span><span style="font-family: arial;"> produz uma série de desenhos
de vistas de cidades ibéricas, entre as quais Sevilha. </span></span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn11" name="_ftnref11" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[11]</span></span></span></a></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white;"><span style="font-size: medium;">Entre esses desenhos um do monumental Hospital das Cinco
Chagas no século XVII.</span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiYMrKrgfIhT6FWyHUDrixCOjnSASqCNYTNa-FWiYEFbm3Nkz4U3ss-KLHG7ZjIMn8_pRvcrZgC3ew2KnVYraQUhpVTT38ZmCBYH098NSvlNo1DQ5gbVKfnvW3bD8sanaLzwOEgZf7S7bYBlt-jtbySyY14Iz9MxlPfhjHWHCG48vm1k6ZP2x5-Y4CY=s1600" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="433" data-original-width="1600" height="174" src="https://blogger.googleusercontent.com/img/a/AVvXsEiYMrKrgfIhT6FWyHUDrixCOjnSASqCNYTNa-FWiYEFbm3Nkz4U3ss-KLHG7ZjIMn8_pRvcrZgC3ew2KnVYraQUhpVTT38ZmCBYH098NSvlNo1DQ5gbVKfnvW3bD8sanaLzwOEgZf7S7bYBlt-jtbySyY14Iz9MxlPfhjHWHCG48vm1k6ZP2x5-Y4CY=w640-h174" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span><v:shape id="Imagem_x0020_102" o:spid="_x0000_i1028" style="height: 141.6pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="baldi viage de cosimo-45" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image010.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->39<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pier Maria Baldi (1630-1686), hospital das Cinco Chagas 1668, aguarela in<span lang="ES-TRAD"> Lorenzo
Magalotti (1637-1712 - Viaje de Cosme de Médicis por España y Portugal
(1668-1669) - edicion y notas por Angel
Sánchez Rivero y Angela Mariutti de Sánchez Rivero. Madrid : Sucesores de
Rivadeneyra, [1933]. - XXVI, 347 p. + 1 pasta (3 f., 71 estampas) ; 25 cm,
51x67 cm. (pág. LXI). </span></span><span style="font-family: arial;">http://purl.pt/12926
BND.</span></span></p><h2><span style="font-family: arial;"><span class="Cabealho3Carter">(2) <i>Arraval dela Puerta de Macarena</i></span><i>. </i></span> </h2><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgE1Vx7pBKz6-AMIiWXrjOoEJsMmO6UtPOr_8huw0Ad5CRz_PJm9zdfPDofkeEV3ImSQc8e-TsBedgfhP70D0cSA72CzyLmv0XJGBZhvW9mlNq1fbNCdDbsKq6keoz1tPcqFE0xYf5FFO1BchEt02urRBinjVXyYxK77kTdflk36abEIaguFc3Dtrvk=s1030" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="1030" height="398" src="https://blogger.googleusercontent.com/img/a/AVvXsEgE1Vx7pBKz6-AMIiWXrjOoEJsMmO6UtPOr_8huw0Ad5CRz_PJm9zdfPDofkeEV3ImSQc8e-TsBedgfhP70D0cSA72CzyLmv0XJGBZhvW9mlNq1fbNCdDbsKq6keoz1tPcqFE0xYf5FFO1BchEt02urRBinjVXyYxK77kTdflk36abEIaguFc3Dtrvk=w640-h398" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_188" o:spid="_x0000_i1027" style="height: 326.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si103" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image011.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->40<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Arrabalde da Porta de Macarena. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O arrabalde de Macarena terá sido o mais antigo de Sevilha. <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Teve nova importância no século XVI sobretudo pela criação
de alojamentos para os trabalhadores que estavam a construir o Hospital das
Cinco Chagas, como se pode ver na vista de Pier Maria Baldi (fig. 118).</span></p><h2><span style="font-family: arial;"><i>La Rinconada</i> <span style="font-weight: normal;">(inscrito na imagem)</span></span></h2><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgiLpUrzDY0sBPi3flcKH5XCXcCvzl0KwpLDzgY1kchkuF4L9-hRVe6y3FyYMDKvrOO94u-JVbS_l9u4e6GOs4bB5EY8UJT_TqVEwqpW1Sp1cxATO1naFyJ9Fr2LQGE5yAAOpS2H8UplOTU2DDYQZ0pwDDDBw4TJqvRkPghYBtAaulHZxoK7W22fLVm=s1296" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="794" data-original-width="1296" height="392" src="https://blogger.googleusercontent.com/img/a/AVvXsEgiLpUrzDY0sBPi3flcKH5XCXcCvzl0KwpLDzgY1kchkuF4L9-hRVe6y3FyYMDKvrOO94u-JVbS_l9u4e6GOs4bB5EY8UJT_TqVEwqpW1Sp1cxATO1naFyJ9Fr2LQGE5yAAOpS2H8UplOTU2DDYQZ0pwDDDBw4TJqvRkPghYBtAaulHZxoK7W22fLVm=w640-h392" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_61" o:spid="_x0000_i1026" style="height: 135pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si142" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image012.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->41<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– La Rinconada. Pormenor de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>La Rinconada, </i>afirma Rodrigo Caro é um <i>“</i><i>pueblo de aquel tiempo una legua de Sevilla”</i> .</span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn12" name="_ftnref12" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[12]</span></span><!--[endif]--></span></a> </span></p><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: arial;">A</span><span style="font-family: arial;"> povoação situava-se na margem esquerda do Guadalquivir, e o seu nome - </span><i style="font-family: arial;">La Rinconada</i><span style="font-family: arial;"> - deriva de “rincon” (canto) pelo ângulo ou “cotovelo”
que o rio forma junto a ela.</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Mal Lara assinala que Felipe II, na sua visita a Sevilha, em 1570, esteve</span><span style="font-size: medium; font-style: italic;"> “en la <b>Rinconada</b>, pueblo pequeño, casi a la ribera de Guadalquiuír junto a
Alcala del rio…”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn13" name="_ftnref13" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[13]</span></span></span></a></span><i><span style="font-family: arial; font-size: medium;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E ainda no mesmo texto prossegue afirmando:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“De allí a media legua en
el camino de Sevilla, está <b>la Rinconada</b>,
que es de su jurifdicion, junto al Rio, que llaman Guadalquivir, con un Braço
que entra por su tierra y es Collación, de Sevilla, tiene Privilegio de meter
sus vinos en ella, y si las puertas estuvieren cerradas, lo puede meter por
encima de las cercas.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn14" name="_ftnref14" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[14]</span></span></span></a></span></p><h2 style="text-align: left;"><span style="font-family: arial;"> (28)
<i>Puert[a] de almenilla</i></span> </h2><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjs6nf-FzmNcbkl81eS6xy4ofHVmkKuqviCXDvlnda9PCImsevydOz70DXy3GAbEwqLyI0c383MoU132OLrDtc9tpZHBU_wje-FH2mdQ_Op3xyLCHNFl4ci_z5j4U0Q8s9s-H_3dz8d5S9dA5pJa2PjW1gM0KqZhdvtgbRDS5hpeWSHzq2Lt3t2Nbbk=s1933" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1077" data-original-width="1933" height="356" src="https://blogger.googleusercontent.com/img/a/AVvXsEjs6nf-FzmNcbkl81eS6xy4ofHVmkKuqviCXDvlnda9PCImsevydOz70DXy3GAbEwqLyI0c383MoU132OLrDtc9tpZHBU_wje-FH2mdQ_Op3xyLCHNFl4ci_z5j4U0Q8s9s-H_3dz8d5S9dA5pJa2PjW1gM0KqZhdvtgbRDS5hpeWSHzq2Lt3t2Nbbk=w640-h356" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_25" o:spid="_x0000_i1025" style="height: 291.6pt; mso-wrap-style: square; visibility: visible; width: 522.6pt;" type="#_x0000_t75">
<v:imagedata o:title="si122" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image013.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->42<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Porta de Almenilla. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-size: medium;"><span style="font-family: arial;">A Porta de </span><i style="font-family: arial;">Almenilla</i><span style="font-family: arial;">, também chamada de </span><i style="font-family: arial;">la Barqueta</i><span style="font-family: arial;">, por se situar junto do
Guadalquivir, e no local havia uma embarcação que permitia a travessia do rio
dando acesso a </span><i style="font-family: arial;">Santiponce</i><span style="font-family: arial;">.</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Essa proximidade do
Guadalquivir tornava-a sensível às frequentes inundações provocadas pela subida
das águas do rio.</span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de Andrea
Perscioni y Ioan de Leon Sevilla 1587 (libro segundo pág.134).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro (1573-1647), Antiguedades y Principiado de la Ilustrissima Ciudad de
Sevilla. Y Chorographia de su Convento Iuridico, o antigua Chancilleria. En
Sevilla, por Andres grande. Impressor de Libros. Sevilla Año 1634. (Libro
primero, pág. 21). <o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado Historia de Sevilla en la cual se contienen sus antigüedades, grandezas
y cosas memorables en ella acontecidas desde su fundación hasta nuestros
tiempos, Compuesta y ordenada por Afonso Morgado, indigno Sacerdote,
natural de la villa de Alcantara, en Estremadura. En la Imprenta de Andrea
Perscioni y Ioan de Leon Sevilla 15 (pág. 133).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (libro quinto pág. 129).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn5">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (pág. 133).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn6">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (libro quinto pág. 151).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn7">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref7" name="_ftn7" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (libro segundo pág.133).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn8">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref8" name="_ftn8" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza, La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae Baeticae,
nº 6, 1978 (pág. 76 a 174). (pág. 163).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn9">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref9" name="_ftn9" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></a>
<span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">Lope
de Vega (1562-1635), <i>El amante agradecido</i>
in Decima parte de las Comedias de Lope de Veja Carpio, Familiar del Santo
Oficio. Sacadas de sus originales. Com privilegio Por Diego Flamennco Madrid
Ano 1621. (pág. 112).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn10">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref10" name="_ftn10" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz Zuñiga (1636-1680) Annales eclesiasticos, y seculares de la muy noble,
y muy leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid: en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid 1677.
(Libro XV, pág. 571).</span></span></span></p>
</div>
<div id="ftn11">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref11" name="_ftn11" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[11]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Os
originais encontram-se na Biblioteca Laurenciana de Florença e foram publicados
pelo Centro de Estudos Históricos de Madrid “Viagem de Cosme de Medicis por
España y Portugal (1668-1669). Edicion y notas de Angel Sanches Rivero, Madrid.”
existente na Biblioteca Nacional de Portugal.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn12">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref12" name="_ftn12" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[12]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla, en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprensa de
Andrea Fescioni y Iuan de Leon Sevilla 1587. (pág. 133)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn13">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref13" name="_ftn13" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[13]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570 (pág.11).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn14">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref14" name="_ftn14" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[14]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570. (pág. 140v).</span></span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">Cap. 34</span></h2><h2 style="text-align: left;"><span style="font-family: arial;">Arredores a Norte</span></h2><h3 style="text-align: left;"><span style="font-family: arial;"><b><i>Puerta de S. Juan, Sevilla la vieia, Santiponce,</i></b> e <b><i>Camas.</i></b></span></h3><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: 16pt;"><span style="font-family: arial;"></span></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjV3fwxMVv6dmJF6XtVyq-SUUWw0s4BCzESssPWKoDyGVNapNZN8JuWYOTkRsFu_wb_YBMTm8pE-pFJInA6gj1UHIGYqwgt3Z4WHR848avCkDYzXNY1pz1GNiQQGyO0IPc5qSmSix75PcF2SntPaY11tlvSZo35qmN_GgbqJq-DD8gTbKCHrTNAi2PS=s3093" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2241" data-original-width="3093" height="464" src="https://blogger.googleusercontent.com/img/a/AVvXsEjV3fwxMVv6dmJF6XtVyq-SUUWw0s4BCzESssPWKoDyGVNapNZN8JuWYOTkRsFu_wb_YBMTm8pE-pFJInA6gj1UHIGYqwgt3Z4WHR848avCkDYzXNY1pz1GNiQQGyO0IPc5qSmSix75PcF2SntPaY11tlvSZo35qmN_GgbqJq-DD8gTbKCHrTNAi2PS=w640-h464" width="640" /></a></span></b></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->43<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> - Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;"> (27)
<i>Puerta de S. Juan</i></span></span><i> </i></h3><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEid31QS_1veXw6BOIdkk9PUV2JQFDIanAAhdnRuWV219kZtBDbFmXLtfTvHPizjgkNsKBb5i-Vn9Jey2ErDdnZhnMgOcLd8klkJ-8qHvbCsHVUdfpAl2NeC0ac4-eLlIeuBmslPM0_c2Y9dL3g8fV_Cz_JA9rlTuhr36WxQhI_DgaMWOkZItLNSPiED=s876" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="456" data-original-width="876" height="334" src="https://blogger.googleusercontent.com/img/a/AVvXsEid31QS_1veXw6BOIdkk9PUV2JQFDIanAAhdnRuWV219kZtBDbFmXLtfTvHPizjgkNsKBb5i-Vn9Jey2ErDdnZhnMgOcLd8klkJ-8qHvbCsHVUdfpAl2NeC0ac4-eLlIeuBmslPM0_c2Y9dL3g8fV_Cz_JA9rlTuhr36WxQhI_DgaMWOkZItLNSPiED=w640-h334" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_195" o:spid="_x0000_i1030" style="height: 272.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si107" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->44<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><span style="font-family: arial; font-size: small;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjQFCuS3pDMqF6wTGPrwmpMdHu7saQ3yI94ivZDN_Z2kecR55E4eqIrd16M2hC6tBHCWNz4s_nCGp9836I4Vdh5nvsjpxmbPOnkgCdOWDmzp-ecouBUCpmir2QAz5v9LrqcnilJvkkLjD07SczTStsgbbaH9S4GrP85NtC_O8CluuMlNIzF8fvGy0AQ=s2205" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="2205" height="274" src="https://blogger.googleusercontent.com/img/a/AVvXsEjQFCuS3pDMqF6wTGPrwmpMdHu7saQ3yI94ivZDN_Z2kecR55E4eqIrd16M2hC6tBHCWNz4s_nCGp9836I4Vdh5nvsjpxmbPOnkgCdOWDmzp-ecouBUCpmir2QAz5v9LrqcnilJvkkLjD07SczTStsgbbaH9S4GrP85NtC_O8CluuMlNIzF8fvGy0AQ=w640-h274" width="640" /></a></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><v:shape id="Imagem_x0020_54" o:spid="_x0000_i1029" style="height: 224.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si139" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape>fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->45<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><div style="text-align: left;"><strong><span style="background: white; border: 1pt none windowtext; color: #2b2b2b; font-weight: normal; padding: 0cm;"><span style="font-family: arial;"><span style="font-size: medium;">A Porta de S.
João, assim chamada pela proximidade da Igreja de S. João d’Acre, teve
inicialmente uma grua para carga e descarga das mercadorias que chegavam pelo
Guadalquivir. Em 1574 a grua foi substituída pela da Torre del Oro.</span></span></span></strong></div><h2><span style="font-family: arial;"><i>Sevilla la Vieia</i> <span style="font-weight: normal;">(inscrito na imagem)</span></span></h2><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A antiga cidade romana de Itálica a cerca de meia milla da
cidade, <span style="background: white;">fundada em 206 a. C. por Publio Cornelio
Cipião o Africano, após a vitória sobre os cartagineses em Alcalá del Rio.<o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Na imagem está
representado o grande anfiteatro com 160 metros no eixo maior.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white;"><span style="font-size: medium;">Em Italica nasceram os
imperadores Trajano, (Marcus Ulpius Traianus 53-117) imperador de 98 a 117,
sucedendo-lhe o sobrinho Adriano (Publius Aelius Hadrianus 76-138) imperador de
117 a 138.</span></span></span></p><h2 style="text-align: center;"><span style="background: white;"><o:p><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi5en1U1lre_Omm66q72dK6S0hhkcpfvZNqFUUYR0c__5W2AIWqXjKqbpFhYO1RQuRWvqGO6lfEECGRLR7kqbAUpfi-g9Oj7ga6-hHV2RVOBexJod_WlClGMRgsOfxE5jFdEj7WW-sGXDDp9gLtsl7eQqj3wj0ipPvkLVbKnopw-B9J-kCPCR_T4MZA=s782" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="519" data-original-width="782" height="424" src="https://blogger.googleusercontent.com/img/a/AVvXsEi5en1U1lre_Omm66q72dK6S0hhkcpfvZNqFUUYR0c__5W2AIWqXjKqbpFhYO1RQuRWvqGO6lfEECGRLR7kqbAUpfi-g9Oj7ga6-hHV2RVOBexJod_WlClGMRgsOfxE5jFdEj7WW-sGXDDp9gLtsl7eQqj3wj0ipPvkLVbKnopw-B9J-kCPCR_T4MZA=w640-h424" width="640" /></a></div></span></o:p></span></h2><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_201" o:spid="_x0000_i1028" style="height: 347.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si111" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->46<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Andrea Navagero surpreende-se por este anfitetatro:</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Tra quele vi è un
Amphiteatro non molto grande, il quale serva, per fino al dì d’hoggi, ancor
tutta la forma, & i suoi gradi, ma anche molte parte son ruinate, &
tutti i marmori, & pietre vive che vi erano sono levate via, se vi vedino
ancho i vestigy di un tempio, & di Therme, secondo che si puo comprendere,
ma nessuna cosa è si inteira, come l’amphiteatro, tutto il resto è confuso,
& solamente pien di ruine, che non mostrano quel che erano le cose.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: 11pt; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">[Entre
elas está um anfiteatro não muito grande, que ainda serve, até hoje, com toda a
forma, e degraus, embora muitas partes estejam arruinadas, e todos os mármores
e pedras que ali estavam foram removidas. Vê-se também os vestígios de um
templo e de umas Termas, mas nada está tão inteiro, como o anfiteatro, tudo o
resto é confuso, e apenas cheio de ruínas, que mostram como as coisas teriam
sido.]</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Alonso Morgado situa <i>Italica</i> e refere também o Anfiteatro.<o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“La ciudad llamada <b>Italica </b>cuyo sitio quieren,
los que mejor lo entienden, que sea el mismo, a que llaman <b>Sevilla la Vieja,</b>
muy cerca del Monasterio de San Isidro vna legua pequeña de Sevilla, de aquella
vanda de Guadalquivir; donde se veen oy en dia grandes destroços y vestigios de
sobervios edificios Romanos con todo el circuyto de su muy estendido muro todo
arrasado, y en medio mas levantados lienços de paredes, y pedaços de un<b>
Amphiteatro </b>muy sumptuoso. Llama el vulgo á esta ciudad por este nombre Sevilla
la Vieja, sin otro fundamento de razon por verla assi arruynada, y a estotra
verdadera Sevilla en pie ilustrada y fuerte.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span></p><h2 style="text-align: left;"><span style="font-family: arial;">Santiponce<span style="font-weight: normal;"> (inscrito na imagem)</span></span></h2><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Rodrigo Caro escreve: </span><i><span style="font-family: arial; font-size: medium;">“(…) las tierras de <b>Santiponce</b>, que está tres quartos de
legua de Sevilla rio arriba, </span></i><span style="font-family: arial; font-size: medium; font-style: italic;">inmediatamente nombra a
Itálica, y oy día se llaman aquellas vegas, y campos, los campos de Talca.”</span><span style="font-family: arial;"> </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn3" name="_ftnref3" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span></span></a><span style="font-family: arial;"> </span><i style="font-family: arial;"> </i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEig35zHTUc8k_7GPFkP63LfIl9o4zYcMJE1LPxcn-ZBJWniyQExJfHCpWnfKJ9kCzQRf6N5dZXWt61zrj94XZeTc_Xan-5LulbzD25_m2bC1jdn3OUnuLerfUDjXNvx-lPkZPQ2cP4RTZJ3s3rMITueYgh4HrFoaIdjkxf_7q6NFjyNsLsI7OMhvh-D=s923" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="586" data-original-width="923" height="406" src="https://blogger.googleusercontent.com/img/a/AVvXsEig35zHTUc8k_7GPFkP63LfIl9o4zYcMJE1LPxcn-ZBJWniyQExJfHCpWnfKJ9kCzQRf6N5dZXWt61zrj94XZeTc_Xan-5LulbzD25_m2bC1jdn3OUnuLerfUDjXNvx-lPkZPQ2cP4RTZJ3s3rMITueYgh4HrFoaIdjkxf_7q6NFjyNsLsI7OMhvh-D=w640-h406" width="640" /></a></span></i></div><p></p><h2><span style="font-family: arial;"><v:shape id="Imagem_x0020_5" o:spid="_x0000_i1027" style="height: 332.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si114" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></h2><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->47<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Santiponce estava então na margem do Guadalquivir e sofria
de constantes inundações pelo que em 1603, foi quase toda de novo edificada
sobre a cidade romana de Italica, em terrenos cedidos pelo vizinho mosteiro de
Santo Isidro.</span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">(7) <i>Camas</i></span></h2><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado refere que:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>“Pequeña media legua por
cima de Triana se vee </i><b style="font-style: italic;">Camas</b><i> en las
Vegas de Guadalquivir Alcaria en la qual dize el repartimiento; que avia quinze
mil pies de Olivar, y de Higueral, y por medida de tierra mil y seyscientas arançadas.”</i>
</span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span></span></a></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgFe9HJa2ONQK3oGHturLyd8YtxxnQhvihLdaDq0ASFiO5ZVqIgQ8pFRjpW_JnY0AYQGr_H7FT4mIYAcqiAgng8hO6Ce0vnAhe9dZ1Hi3qTBJTnQSwtIT_rFznc6LAgZi1lnGFXwLTw8QtmzS5CKBiPlbQNfvVdZ5n-hWr9B929xb7WijHvK7VKMxWH=s2140" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="650" data-original-width="2140" height="194" src="https://blogger.googleusercontent.com/img/a/AVvXsEgFe9HJa2ONQK3oGHturLyd8YtxxnQhvihLdaDq0ASFiO5ZVqIgQ8pFRjpW_JnY0AYQGr_H7FT4mIYAcqiAgng8hO6Ce0vnAhe9dZ1Hi3qTBJTnQSwtIT_rFznc6LAgZi1lnGFXwLTw8QtmzS5CKBiPlbQNfvVdZ5n-hWr9B929xb7WijHvK7VKMxWH=w640-h194" width="640" /></a></span></div><p></p><p class="MsoNoSpacing"><span style="font-family: arial;"><v:shape id="Imagem_x0020_57" o:spid="_x0000_i1026" style="height: 159pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si115" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->48<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Camas. Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea
Navagero (1483-1529), <i>Il Viaggio fatto in
Spagna, et in Francia,</i> dal Magnifico M. Andrea Navagiero, fu oratore
dell’Ilustrissimo Senato Veneto, alla Cesarea Maesta di Carlo V. Com la
descrittione particolare delli luochi, & costumi delli popoli di quele
Provincie. In Vinegia apresso Domenico Farri. 1563. (pág. ).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (Libro primero pág.25)</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn3">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro (1573-1647), Antiguedades y Principiado de la Ilustrissima Ciudad de
Sevilla. Y Chorographia de su Convento Iuridico, o antigua Chancilleria. En
Sevilla, por Andres grande. Impressor de Libros. Sevilla Año 1634.<o:p></o:p></span></span></span></p>
<p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">Antiguidades y principado 1634 Libro III (pág.
102v)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (libro segundo pág.121).</span></span></span></p></div></div><h2 style="text-align: left;"><span style="font-family: arial;">Cap. 35</span></h2>
<h2><span style="font-family: arial;"><i>Monasterio de S. Ysidro</i> e <i>Santa brigita</i></span><o:p></o:p></h2><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEizdcf00gBmDphQx4TQayQRc-3jBHnQo_WN93b4itEFI6nyuLxb43E1yCTkQlBexmORuE2MjexOLdCPUg0AtX8zkRq5uxj36ledYIDgULoqJUz4pGINv3uodljT4PCk1LrU0wgKAgIKZcwM4yhFsSyvyxfvS2UczmRmy7vnA7ZyORLSR7ZHB8V2t1rw=s956" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="878" data-original-width="956" height="588" src="https://blogger.googleusercontent.com/img/a/AVvXsEizdcf00gBmDphQx4TQayQRc-3jBHnQo_WN93b4itEFI6nyuLxb43E1yCTkQlBexmORuE2MjexOLdCPUg0AtX8zkRq5uxj36ledYIDgULoqJUz4pGINv3uodljT4PCk1LrU0wgKAgIKZcwM4yhFsSyvyxfvS2UczmRmy7vnA7ZyORLSR7ZHB8V2t1rw=w640-h588" width="640" /></a></div></span></div><p align="center" class="MsoNormal" style="text-align: center;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><h2><span style="font-family: arial;"><i>Monasterio de S. Ysidro</i></span></h2><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEizXRR5-PPVXBcqmStYv-DJOXOZIz3LapSpilyFwnk_oPnzAyeheMlFlkJi7EHBUhl_sIIrWCxuiwHYg8jkyOd65849GF_FeBC5DtrHgXYSGs1P1mBOQkJCaVTnFjNznaNFmAmyL5SWpjkAquGcoNcoODDAcfxYkPFjnSw9qBz7dY1O_Xrbu0Ms4HKg=s551" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="359" data-original-width="551" height="416" src="https://blogger.googleusercontent.com/img/a/AVvXsEizXRR5-PPVXBcqmStYv-DJOXOZIz3LapSpilyFwnk_oPnzAyeheMlFlkJi7EHBUhl_sIIrWCxuiwHYg8jkyOd65849GF_FeBC5DtrHgXYSGs1P1mBOQkJCaVTnFjNznaNFmAmyL5SWpjkAquGcoNcoODDAcfxYkPFjnSw9qBz7dY1O_Xrbu0Ms4HKg=w640-h416" width="640" /></a></div></span></div><div><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->50A<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Mosteiro de Santo Isidro. Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></p></div><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Afirma Navagero:</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Passata la Certosa a
una lega, o poco più da Sevilla vi è <b>un’altro
monasterio bellissimo detto Santo Isidoro,</b> dove dicono, che era Sevilla
anticamente, ma è falso, perche Sevilla era dove è. Il monanasterio è assai
bello (come ho deto) ancho lui, ma quel che è piu bello è, che vi si vedeno
infinite rovine antique.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: 11pt; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">[Depois
de passar a Cartuxa a uma légua, ou um pouco mais além de Sevilla, existe um
outro belíssimo mosteiro chamado Santo Isidoro, onde dizem que era Sevilla nos
tempos antigos, mas é falso, porque Sevilla era onde está. O mosteiro é
bastante belo (como já disse), mas o mais bonito é a vista sobre infinitas
ruínas antigas.]</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Alonso Morgado apresenta o <i>“Insigne monasterio de San Isidro
de Frayles Hieronymos”.</i><o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“El Nobilissimo, Y Magnanimo Don Alonso Perez
de Guzman (Cognominado por su singular bondad el Bueno) fundador de la Casa de
los Duques de Medina Sidonia , cuya era toda aquella tierra, y pertinência de
alrededor de Sevilla la vieja, teniendo a merced del Cielo tener dentro della el
sancto Sepulchro, y Relicario, donde (segun diversas vezes se ha repetido)
aparecio el cuerpo del glorioso San Isidro, quando fue llevado a Leon, se
determinó, en fundar alli un Monasterio de Frayles com Invocacion, y Titulo del
mismo San Isidro.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span><span style="font-family: arial; text-align: center;"> </span></p><h2 style="text-align: left;"><span style="font-family: arial;"><i>Santa brigita</i> <span style="font-weight: normal;">(inscrito na imagem)</span></span></h2><h3 style="text-align: center;"><o:p><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgzpVzBvEa751N4VtK_g7WY3TZMqr0CpMCE9FxJQL3MbSZiMpJvDY5k664IHV5LN0nrHYKTSyGABhuq32qRjVbcpSvhguLFBIAKPNibdsyerZjAm0Kb4npf8Y0qib0VJe9TxJTnHg8yHzZ1x4AnTTK0BWKqwd0nROfnoqaEOiWn-jqX_0wVYzzzWtqW=s482" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="482" height="516" src="https://blogger.googleusercontent.com/img/a/AVvXsEgzpVzBvEa751N4VtK_g7WY3TZMqr0CpMCE9FxJQL3MbSZiMpJvDY5k664IHV5LN0nrHYKTSyGABhuq32qRjVbcpSvhguLFBIAKPNibdsyerZjAm0Kb4npf8Y0qib0VJe9TxJTnHg8yHzZ1x4AnTTK0BWKqwd0nROfnoqaEOiWn-jqX_0wVYzzzWtqW=w640-h516" width="640" /></a></div></span></o:p></h3><h2><span style="font-family: arial;"><v:shape id="Imagem_x0020_56" o:spid="_x0000_i1032" style="height: 388.2pt; mso-wrap-style: square; visibility: visible; width: 481.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></h2><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->51<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Santa Brigida. Pormenor de Sevilha 1588
no <i>Civitates Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Na vista do <i>Civitates </i>a ermida de <i>Santa Brígita</i> está representada sobre
uma elevação de terreno denominada <i>Cerro
de Santa Brrígida</i>.</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Juan Mal Lara refere
que Felipe II na sua visita a Sevilha, visitou em Camas<i> </i>o <i><span style="background: white; color: #222222; mso-bidi-font-family: Arial;">Cerro de
Santa Brígida</span></i><i><span style="background: white; color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"> </span></i><span style="background: white; color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">(</span>Santa Brígida da Irlanda<span style="background: white; color: #4d5156; mso-bidi-font-family: Arial;"> </span>(453 - 524) e a
pequena ermida que então alí existia.</span></p><p class="MsoNormal" style="background: white; text-align: justify;"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Descubrióse luego
a Su Majestad <b>el cerro de Santa Brígida</b>,
con toda aquella verde montaña que va hasta adelante de Gelvés, por donde se da
principio al Aljarafe, mostrando un paño hermosísimo de verduras con sus
extendidos prados y casas blancas, llevando a la mano siniestra los muros de la
ciudad, desde la puerta de Bibaragel y San Juan, hasta dar en la parte del río
que hace las islas enfrente las Cuevas” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: black; font-size: 14pt;">[3]</span></span></span></a></span></p><h2 style="text-align: left;"><span style="font-family: arial;">Cap. 36<br /></span><span style="font-family: arial;">Povoações na parte superior da imagem</span></h2><p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: medium;">El
Algaba, Castilleja de Guzman, </span></i></b><b><span style="font-size: medium;">e</span><i><span style="font-size: medium;"> Castilleja de la Cuesta.</span></i></b></span><span style="background-color: white; color: #222222; font-family: arial; font-size: 10pt; text-align: center;"> </span></p><p align="center" class="MsoNormal" style="background: white; text-align: center;"><span style="font-family: arial;"><span style="color: #222222; font-size: 10pt;"><v:shape id="Imagem_x0020_58" o:spid="_x0000_i1031" style="height: 91.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->52<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span><p></p><h2><span style="font-family: arial;">(12<span class="Cabealho3Carter"><span style="font-weight: normal;">) </span></span><i>El
Algaba</i></span></h2><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“A la <b>Villa del Algava</b>, que da titulo de Marques, al Señor cuya es, por
cima de Sevilla una legua en la Ribera de Guadalquivir, tomò el Rey para su
Almazen.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Em Algava (Algaba do árabe Al-gabba = o bosque) destaca-se a <i>Torre de los Guzmanes </i>mandada construir
por <span style="background: white;">Juan de Guzmán y Torres, primeiro
senhor de La Algaba, concluída por volta do ano de 1446 como indica a lápide na
porta de entrada.</span></span></p><p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Em 1556 Felipe II atribui a
Francisco de Guzman y Manique o título de Marquês de Algaba.<o:p></o:p></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="background: white;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="background: white;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhw5Zo-g6X_gDaUjXnKCO1FuQ-FluC3KFIiMe23jHamdNNSg0J-9NSqLq7Jeru6Ix80f8SBAhyGFyAa864g3DKM0uoBmvl-KzEbBzL-vZSwiJQ-VtYLUscZRjeHEombmYPZVVmg5f1X6POG2j2rs31qDAOvauEeIFD0c1pn_iXLICjvjWzsOMKm32fo=s801" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="801" height="368" src="https://blogger.googleusercontent.com/img/a/AVvXsEhw5Zo-g6X_gDaUjXnKCO1FuQ-FluC3KFIiMe23jHamdNNSg0J-9NSqLq7Jeru6Ix80f8SBAhyGFyAa864g3DKM0uoBmvl-KzEbBzL-vZSwiJQ-VtYLUscZRjeHEombmYPZVVmg5f1X6POG2j2rs31qDAOvauEeIFD0c1pn_iXLICjvjWzsOMKm32fo=w640-h368" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="font-family: arial; font-size: medium;"><i><v:shape id="Imagem_x0020_7" o:spid="_x0000_i1030" style="height: 300.6pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></i><i><o:p></o:p></i></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->53<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– El Algaba. Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">(5) <i>Castilleia de Guzmán (Castilleja
de Guzman)</i></span></h2><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEivr6mGYbyVlmNddvoMeyy4CqDV7-kfB79Gq0_gPZRnFJlZmARM7t2pS1O8D3KnwKwbKqCiHZszdWc7XbTWAxhxvakFO4qtE4TBODKhtVULprY9c8d7cRistgwxvaNXLNltc0_H1W6KOVCxJVYEdE5XuHnhaRdyKDAibxK3hSBPJIUIWulyeQ0RITLe=s928" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="493" data-original-width="928" height="340" src="https://blogger.googleusercontent.com/img/a/AVvXsEivr6mGYbyVlmNddvoMeyy4CqDV7-kfB79Gq0_gPZRnFJlZmARM7t2pS1O8D3KnwKwbKqCiHZszdWc7XbTWAxhxvakFO4qtE4TBODKhtVULprY9c8d7cRistgwxvaNXLNltc0_H1W6KOVCxJVYEdE5XuHnhaRdyKDAibxK3hSBPJIUIWulyeQ0RITLe=w640-h340" width="640" /></a></span></div><p></p><p class="MsoCaption"><span style="font-family: arial;"><v:shape id="Imagem_x0020_22" o:spid="_x0000_i1029" style="height: 277.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si109" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"> fig. <!--[if supportFields]><span
style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->54<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Castilleja de Guzman. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Antiga <i>Castilleja de
Alcântara</i> modificou o nome quando os Guzman a passaram a administrar.</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: large;">Alonso Morgado</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“la Villa de <b>Castilleja de Guzman</b>, llamada assi del
Apellido del Ilustrissimo Don Henrique de Guzman Conde de Olivares* Embaxador
de su Magestad en Roma, que la compró por este nuestro tiempo, aviendo
conservado hasta entonces su antiguo titulo, y nombre, de Castilleja de
Alcantara, con la otra villa de Heliche. La Castilleja una legua de Sevilla, y
Heliche dos mas adelante en su Axaraphe…”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span></p><p class="MsoNormal"><span style="background: white; color: #202122; font-size: 12pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">[*Enrique de Guzman
(1540-1607), filho do 1º Conde de Olivares Pedro Pérez de Guzmán, título
atribuído por Carlos V em 1539.]</span></span></p><h2 style="text-align: left;"><span style="font-family: arial;">(6) <i>Castilleia dela Cuesta
(Castilleja de la Cuesta)</i></span></h2><h3 style="text-align: center;"><o:p><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgTkOq9eYUUo7UJ6yKc9uEqqJRd5tzcshesSXd1fxQtOxMVDU1b341R_f17D7SLqALkw3I6Va82HoEpl94QaswFtmZJNvQb_qvcwJdDXetSeNF8JH70Icpph7xI-_UR8P8hR6ZCWsKyBWEmvUlY8l3X7yIB_kFZRuYcsOw_w279SghBk9YT0EQ4fzbZ=s960" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="884" data-original-width="960" height="590" src="https://blogger.googleusercontent.com/img/a/AVvXsEgTkOq9eYUUo7UJ6yKc9uEqqJRd5tzcshesSXd1fxQtOxMVDU1b341R_f17D7SLqALkw3I6Va82HoEpl94QaswFtmZJNvQb_qvcwJdDXetSeNF8JH70Icpph7xI-_UR8P8hR6ZCWsKyBWEmvUlY8l3X7yIB_kFZRuYcsOw_w279SghBk9YT0EQ4fzbZ=w640-h590" width="640" /></a></div></span></o:p></h3><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_43" o:spid="_x0000_i1028" style="height: 481.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si110" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->55<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Castilleja de la Cuesta. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><span style="background: white; color: #202122; font-size: 10.5pt; mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span><span style="background: white; color: #202122; font-family: arial; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">C<span style="font-size: medium;">astilleja de la Cuesta a cerca de uma
légua de Sevilha e assim chamada quando o Conde de Olivares, entre os anos de
1538 e 1540, adquiriu Heliche, </span></span><span style="font-family: arial; font-size: medium;"><span style="color: #333333; mso-bidi-font-size: 14.0pt;">Castilleja de Alcántara (Castilleja de Guzman) e Castilleja de
la Cuesta.</span></span></p><p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;"> </span></span><span style="background: white; color: #202122; font-family: arial; font-size: large; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Em 1547 num palacete de Castilleja de la
Cuesta de D. Alonso Rodríguez, morreu Herman Cortés </span><span style="background: rgb(249, 249, 249); font-family: arial; font-size: large;">de Monroy y Pizarro Altamirano (1485-1547), o conquistador
do México.</span></p><h2 style="text-align: left;"><span style="font-family: arial;">Cap. 37</span></h2><h2><span style="font-family: arial;"><i>Monasterio de las Cuebas</i> <span style="font-weight: normal;">(inscrito na imagem)</span></span></h2><h2 style="text-align: center;"><o:p><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiLLrIsaekPMW-92TZW7T79H4gEdG4flT6rZ2y4ISzEj-R6-cuUjyk3E7dLOgswUtnilLpUv4KPxne8g2MEkosGiD-U9EKw2EQKLfFnk8-b0yh4hlXYcIsmv5XZ53hGz753ZXUrKEhgD6HEd6vmoy8yCpKqMB1KmNp5uRaWixy9CZT6FXXrqMo8ugx1=s1420" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="1420" height="268" src="https://blogger.googleusercontent.com/img/a/AVvXsEiLLrIsaekPMW-92TZW7T79H4gEdG4flT6rZ2y4ISzEj-R6-cuUjyk3E7dLOgswUtnilLpUv4KPxne8g2MEkosGiD-U9EKw2EQKLfFnk8-b0yh4hlXYcIsmv5XZ53hGz753ZXUrKEhgD6HEd6vmoy8yCpKqMB1KmNp5uRaWixy9CZT6FXXrqMo8ugx1=w640-h268" width="640" /></a></div></span></o:p></h2><p class="MsoCaption"><span style="font-family: arial;"><v:shape id="Imagem_x0020_238" o:spid="_x0000_i1027" style="height: 219.6pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si116" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->56<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> – Mosteiro de las Cuevas. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Ainda no século XV, Jerónimo Munzer, na sua <i>Viaje por España y Portugal, </i>refere o mosteiro: <o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> “Extramuros de Sevilla, al otro lado del Betis
y al occidente, hay un célebre monasterio de cartujos llamado de <b>Nuestra Señora
de las Cuevas</b>, cuya fábrica es verdaderamente admirable. </span></i><i><span style="font-family: arial; font-size: medium;">Tiene un refectorio con
mesas de mármol blanco, bellísima capilla, buenas celdas, con sus dormitorios
en un piso superior y sus respectivos vestíbulos con mucho primor construidos;
lindos jardines y uno amenísimo en el centro del edificio, plantado de jazmines
y naranjos, en el que han hecho con arrayán caprichosas l</span></i><span style="font-family: arial; font-size: medium; font-style: italic;">abores. En el cementerio,
vi un árbol de enormes hojas que medían dos pies de anchura por cuatro de
longitud; dijéronme que era un plátano, pero a mí no me lo pareció, porque su copa
no es abierta como la de esa clase de árboles, y me aseguraron también que no
habían visto en él ni fruto ni simiente ; el color de las hojas es sumamente
verde y su forma semejante a la del malvavisco.”</span><span style="font-family: arial;"> </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn6" name="_ftnref6" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[6]</span></span></span></a></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Navagero relata
que </span><span style="font-size: medium; font-style: italic;">“Dal l’altra parte del rio vi
è il <b>monasterio de las Cuevas </b>di
Certosini, che è posto in bellissimo sito, & è abondantissimo di Boschi, di
naranzi, & limoni, & xedei, & mirti senza fine, il fiume che li
corre appresso le mure del giardino, li da grandíssima gratia, & fa una
loggia che há sopra l’acqua, bellissima, han poi una acqua viva di forte che
par che non li manca cosa alcuna a quella compita bellezza, che puo haver un
loco, bom grado hanno i frati che vivono li à montar de li al Paradiso.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[7]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: 12pt;"><span style="font-family: arial;">[Do outro lado do rio está o
mosteiro de las Cuevas dos Cartuxos, que está situado em um belíssimo local,
muito abundante de bosques, laranjais e limões, e xedei e murtas sem fim, o rio
que corre junto aos muros do jardim, dá-lhes uma enorme graça e faz uma loggia
acima da água, belíssima, têm, pois, uma água forte e viva e porque não lhe
falta nada nessa consumada beleza, não pode existir um lugar, bom grado têm os
frades que ali vivem para subir ao Paraíso.]</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Por seu lado, Alonso Morgado refere que o convento </span><span style="font-size: medium; font-style: italic;">“se acabo de edificar en breve tiempo en lá forma que agora lo vemos.
Cuya sumptuosidad, en lo que es edificio, y fabrica en todo particular de
curiosidad y limpieza, es cosa admirable, y manjar dela vista, y espiritu.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[8]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E em 1570 escreve Mal
Lara: <b><span>“</span></b><i>a mano derecha, donde se desembarcó Su Magestad, y fue recibido del
prior don Fernãdo de Pantoja, y los monjes y frayles de aquel religioso monesterio
de </i><b style="font-style: italic;">Santa María de las cuevas</b></span><i><span style="font-size: medium;">, que es
uno de los monesterios de magnificencia, religión y grandeza mayor que hay de
la cartuxa, así en rentas y en edificios suptuosos, como en cuydado del culto
divino, y loable recogimiento, que por no hacer demasiado volumen, y ocupar lo
q se hizo de servicio subitamente adereçado, a lo que es perpetuo para los ojos
de todos, lo dexo.”</span> </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn9" name="_ftnref9" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: black; font-size: 14pt;">[9]</span></span></span></a></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: 11pt; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;"><span style="font-family: arial;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: 11pt; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiwdtfvY37YQq7841oHIb84NeqbvOalbpD3Hpc4Td_gvsJ0FjUyEJ8XP-IpqRsqCCExsP1kTzsw1EbfFpob7ArgcqL9tDBOpyI0ejL0RiTpzefNMHnGYkWWUTVT-nbzm0vTkgkE50qio8VljEzi2dBgXI0-QxTTLmMHBr0KxdBdDI27ezT6zOX8NNyA=s611" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="367" data-original-width="611" height="384" src="https://blogger.googleusercontent.com/img/a/AVvXsEiwdtfvY37YQq7841oHIb84NeqbvOalbpD3Hpc4Td_gvsJ0FjUyEJ8XP-IpqRsqCCExsP1kTzsw1EbfFpob7ArgcqL9tDBOpyI0ejL0RiTpzefNMHnGYkWWUTVT-nbzm0vTkgkE50qio8VljEzi2dBgXI0-QxTTLmMHBr0KxdBdDI27ezT6zOX8NNyA=w640-h384" width="640" /></a></span></span></div><p></p><p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="font-family: arial;"><i><v:shape id="Imagem_x0020_239" o:spid="_x0000_i1026" style="height: 314.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></i><i><o:p></o:p></i></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->57<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->- O Mosteiro de las Cuevas. Pormenor da pintura de
Sanchez Coello. Sec. XVI, antes de 1588.</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Finalmente Rodrigo
Caro (1573-1647) descreve </span><span style="font-size: medium; font-style: italic;">“<b>El Convento religiosissimo de
las Cuevas,</b> que es de la Orden de la Cartuja, y </span><b style="font-style: italic;"><span style="font-size: medium;">uno de los insignes de España, y raro exemplo de aquella Religion
santa, esta situado sobre el Rio Guadalquivir, a la parte Occidental desta
ciudad, ala vanda deTriana, fue fundación de don Gonzalo de Mena *, Arçobispo
della: y tienen alli suntuosissimo entierro los señores Duques de Alcala.”</span> </b><i> </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn10" name="_ftnref10" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[10]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: 11pt; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;"><span style="font-family: arial;">[<i>*</i>Don
Gonzalo de Mena y Roelas (?- 1401), arcebispo de Sevilha entre 1394 e 1401.]<o:p></o:p></span></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> <span style="font-size: medium;">Uma imagem do Mosteiro de las Cuevas vista de noroeste.</span></span></o:p></p><p class="MsoFootnoteText" style="text-align: center;"><span class="MsoSubtleReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><span style="font-size: medium;">
</span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span class="MsoSubtleReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgk0dX37WXpi-dJmYFaQG4WVwDwEPKV5H4W1zaY3FaeooREE8MIDtK7C_9uSSvbJjIVh9mQe9V3nVSOvg5Rq2SWNr3FrUceYH4BMPwmQT0htJ9NT6BBE8upI-kn77OOXJ9jlB5AuKmOKxrYGlQCAts-onA427Hg6IxkDncw8iywGYG0mbRLn-nN7HB-=s1024" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="692" data-original-width="1024" height="433" src="https://blogger.googleusercontent.com/img/a/AVvXsEgk0dX37WXpi-dJmYFaQG4WVwDwEPKV5H4W1zaY3FaeooREE8MIDtK7C_9uSSvbJjIVh9mQe9V3nVSOvg5Rq2SWNr3FrUceYH4BMPwmQT0htJ9NT6BBE8upI-kn77OOXJ9jlB5AuKmOKxrYGlQCAts-onA427Hg6IxkDncw8iywGYG0mbRLn-nN7HB-=w640-h433" width="640" /></a></span></span></span></div><span class="MsoSubtleReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">
</span></span></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><v:shape id="Imagem_x0020_240" o:spid="_x0000_i1025" style="height: 353.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->58<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Mosteiro de Santa Maria de las Cuevas. Cartuxa de Sevilha.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: left;"><o:p><span style="font-family: arial;"> [Nota - Todos os sublinhados a negrito (bold) são da minha autoria.]</span></o:p></p><h1 style="text-align: center;"><span class="MsoSubtleReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><span style="font-size: large;">Fim do Apontamento 10</span></span></span></span></h1><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea
Navagero (1483-1529), Il Viaggio fatto in Spagna, et in Francia, dal Magnifico
M. Andrea Navagiero, fu oratore dell’Ilustrissimo Senato Veneto, alla Cesarea
Maesta di Carlo V. Com la descrittione particolare delli luochi, & costumi
delli popoli di quele Provincie. In Vinegia apresso Domenico Farri. 1563. (pág.
14).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (pág.411).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570. (pág.15)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (Libro segundo pág.119).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado Historia de Sevilla, en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprensa de
Andrea Fescioni y Iuan de Leon Sevilla 1587. (Libro Quinto, pág. 120v e 121).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn6">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Jerónimo
Münzer (1437-1508), Itinerarium siue peregrinatio excellentissimi viri artium
ac vtriusque medicine doctoris Hieronimi Monetarii de Feldkirchen ciuis
Nurembergensis (1495) in J. PUYOL, Jerónimo Münzer, Viaje por España y Portugal
en los años de<o:p></o:p></span></span></span></p>
<p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">1494 y 1495, in «Boletín de la Real Academia de la Historia», 84.
Madrid 1924. (pág. 201)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn7">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref7" name="_ftn7" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea Navagero
(1483-1529), Il Viaggio fatto in Spagna, et in Francia, dal Magnifico M. Andrea
Navagiero, fu oratore dell’Ilustrissimo Senato Veneto, alla Cesarea Maesta di Carlo
V. Com la descrittione particolare delli luochi, & costumi delli popoli di
quele Provincie. In Vinegia apresso Domenico Farri. 1563. (pág. 14).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn8">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref8" name="_ftn8" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (Libro V, pág.422).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn9">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref9" name="_ftn9" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570. (pág. 15V).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn10">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref10" name="_ftn10" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Rodrigo
Caro (1573-1647), Antiguedades, y Principado de la Ilustrissima Ciudad de
Sevilla y Chorographia de su Convento Iuridico, o Antigua Chancilleria.Por
Andres Grande Impressor de Libros. Sevilla 1634. (Segunda parte pág. 69). </span><o:p></o:p></span></span></p>
</div>
</div>
</div>
</div>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-26108795292616537452022-01-25T15:13:00.009+00:002022-01-25T15:13:48.473+00:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 6ª parte<p> </p><p class="MsoTitle"><br /></p>
<p class="MsoTitle"><span style="font-size: large;"><b><span class="TtuloCarter" style="font-family: arial;">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span><span style="font-family: arial;">
1588</span></b></span></p>
<p class="MsoNormal"><b><o:p><span style="font-family: arial; font-size: large;"> </span></o:p><span style="font-family: arial; font-size: x-large;">Sevilha extramuros (continuação)</span></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Para além de Triana, Sevilha estendia-se para fora das muralhas.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Faremos um percurso através da Vista de Sevilha do
Civitates, contornado a muralha no sentido contrário aos ponteiros do relógio,
desde a Torre del Oro até ao mosteiro de las Cuevas.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj24bmK3dWmcPaDwJ9n5fWiZYs67AxHcLJE34zPY6NVus7_83qU0D8EQcVNnSLzzQP0pIOqcdZ2suzrwkMf6pwlQFK1Q2NAs1Yx8pWpySXvZbbJicRdTjqZf_B2X96CNOuvrlV0cMtJqj-qp0MuIGdNmMFAfw-A-mLym-vJlgH_kEyU_RgmZJneVczm=s1294" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="955" data-original-width="1294" height="472" src="https://blogger.googleusercontent.com/img/a/AVvXsEj24bmK3dWmcPaDwJ9n5fWiZYs67AxHcLJE34zPY6NVus7_83qU0D8EQcVNnSLzzQP0pIOqcdZ2suzrwkMf6pwlQFK1Q2NAs1Yx8pWpySXvZbbJicRdTjqZf_B2X96CNOuvrlV0cMtJqj-qp0MuIGdNmMFAfw-A-mLym-vJlgH_kEyU_RgmZJneVczm=w640-h472" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">1</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Sevilha 1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg Braun (1542-1622) e Franz Hogenberg(1535-1590).</span></span></p>
<h4><span style="font-family: arial;"><span style="font-size: large;">Cap. 26</span><o:p></o:p></span></h4>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large;">Na</span><span style="font-family: arial; font-size: large;"> </span><span style="font-family: arial; font-size: large;">zona extramuros a sul, entre a Torre del Oro (36) e a
Porta de Carmona (33), está figurada a componente fluvial de Sevilha e um
caminho sinuoso (<span style="color: red;">A</span>) que liga diversos equipamentos, mosteiros e arrabaldes até
San Bernardo (<span style="color: red;">H</span>).</span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiCh4LUJotrTNbnDZ1upawqWv4Oakjh-uD356JGksrwZBsX4t4dnHDww10uwvSD9kHyKsXIeU3AghJZFwhNdQqrp5ChK4MAP4gZqUxl2iNwhRvJPI7hKLz80f0kdRDNi_4HafB8ToX7WGVcX6ZigWSc7vsqscz0oerGCM3K3z9mo4FQva8UpI07QT11=s1036" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1036" data-original-width="806" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiCh4LUJotrTNbnDZ1upawqWv4Oakjh-uD356JGksrwZBsX4t4dnHDww10uwvSD9kHyKsXIeU3AghJZFwhNdQqrp5ChK4MAP4gZqUxl2iNwhRvJPI7hKLz80f0kdRDNi_4HafB8ToX7WGVcX6ZigWSc7vsqscz0oerGCM3K3z9mo4FQva8UpI07QT11=w498-h640" width="498" /></a></span></div><span style="font-family: arial;"> <span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_169" o:spid="_x0000_i1029" style="height: 460.8pt; mso-wrap-style: square; visibility: visible; width: 358.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><o:p></o:p></span><p></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">2</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Arrabalde sul (legendado). <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha 1588
no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg
Braun (1542-1622) e Franz Hogenberg(1535-1590).</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">De facto, na imagem, a cidade está rodeada pelo
Guadalquivir, pelo seu afluente o rio Tagarete, correndo junto à muralha e
atravessado por duas pequenas pontes, uma pequena ponte (<i style="mso-bidi-font-style: normal;">alcantarilla)</i> (<span style="color: red;">B</span>) junto à Porta de Xerez (35) e outra (<span style="color: red;">C</span>) junto à
Torre del Oro (36). E aparece representado por um pequeno tramo na extremidade
direita da imagem o outro afluente o Tamarguillo (<span style="color: red;">D</span>).</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhXES9GFfwYAAo82iX-ueqz7PfIsRSTAlbCihNkPt_ryDqjB6G6sCzprlo99wLNXfUuwTRvERz1ISccOl2rA7Bz9a_sAOIZ3m2VEPrZg7O0QgKjsGdD1_1YwmNZwuwNaPQNq3IC36mdCwe_5dOKp7mFTCKReDnSrFg1Wcf2IB0wGGQmKn6A4Is3nPGH=s1065" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="666" data-original-width="1065" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhXES9GFfwYAAo82iX-ueqz7PfIsRSTAlbCihNkPt_ryDqjB6G6sCzprlo99wLNXfUuwTRvERz1ISccOl2rA7Bz9a_sAOIZ3m2VEPrZg7O0QgKjsGdD1_1YwmNZwuwNaPQNq3IC36mdCwe_5dOKp7mFTCKReDnSrFg1Wcf2IB0wGGQmKn6A4Is3nPGH=w640-h400" width="640" /></a></span></div><p></p>
<p class="MsoCaption"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-no-proof: yes;"><v:shape id="Imagem_x0020_29" o:spid="_x0000_i1028" style="height: 217.8pt; mso-wrap-style: square; visibility: visible; width: 348pt;" type="#_x0000_t75">
<v:imagedata o:title="si126" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">3</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha 1588 no <i>Civitates
Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg
Braun (1542-1622) e Franz Hogenberg(1535-1590).</span></span></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">(35) Porta de Xerez</span></span></h3>
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial; font-size: medium;"><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Como já se afirmou no Apontamento 8, segundo Rodrigo Caro, na
sua <i>Antiguedades y Principiado de la Ilustrissima Ciudad de
Sevilla, </i>publicada já em 1634, na porta de Xerez<i> “en una tabla
de marmol blanco se vem estas letras.”</i></span><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">“Hercules me
edificò</span></i></b><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Iulio Cesar
me cercò</span></i></b><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">De muros y
torres altas,</span></i></b><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Y el Rey
Santo me ganò</span></i></b><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial;"><span style="font-size: medium;"><b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Com Garcia
Perez de Vargas</span></i></b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">.” </span></i></span><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #444444; font-size: 14pt;">[1]</span></span></span></span></a></span></span></p>
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial;"><span style="color: #444444; font-size: 12pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">[nota - O Rei
Santo era Fernando III (1201-1252) que conquistou a cidade aos mouros. E </span><span style="background: white; color: #202122; font-size: 12pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Garcia Pérez de
Vargas foi um dos 24 cavaleiros que acompanhou Fernando III na sua campanha da
Reconquista em Andaluzia.] </span><span style="color: #444444; font-size: 10pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial; font-size: medium;"><span style="background: white; color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Sevilha, fundada por Hércules e povoada por Júlio
César, já era cantada por Alfonso Villasandino no século XIV.</span><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">“<b>Hércoles
que hedificó</b></span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">La cibdat muy
poderosa,</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Su alma ssea
gozossa</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Que tal
cibdat ordenó.</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Por Sevilla
demostró</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">En su muy
alto ssaber</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Que se avie
de noblezer</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Por Julio que
la pobló.</span></i></b><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Con ssaber é
poderío</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Estos dos la
ordenaron,</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">E los que en
ella poblaron</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Fué proeza é
muy grant brío,</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Vigío é prez
é amoryo,</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Lealtanca é
lindo amor:</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle" style="background: white;"><span style="font-family: arial; font-size: medium;"><i><span style="color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Syenpre byve
syn pavor</span></i><span style="color: #444444;"><o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="color: #444444;"><span style="font-size: medium; font-style: italic;">Bryberas del su grant rryo.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #444444;"><span style="font-size: medium;">[</span></span><span style="color: #444444; font-size: 14pt;">2]</span></span><!--[endif]--></span></a></span><span style="font-size: 16pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white; color: #202122; font-size: 12pt; mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<h4><span style="font-family: arial;"><span style="font-size: large;">O Arrabalde de São Bernardo</span></span></h4>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-family: arial;"><span style="font-size: medium;">Na parte superior direita da
imagem, o Arrabalde de São Bernardo com os campos e as povoações que pertenciam
aos Condes de Olivares. Está desenhado o Mosteiro de Santo Telmo (<span style="color: red;">E</span>), e ainda
um conjunto de edifícios funcionais que, embora perto da cidade, não era
conveniente estarem no seu interior.</span></span></p>
<h4><span style="font-family: arial;"><span style="font-size: large;">(E) O mosteiro de <span class="Cabealho3Carter">Santelmo</span></span></span></h4><p class="MsoNormal" style="text-align: center;"><b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi-hZOkgQ752jHfzHsLUOPVI3n72BSmrvDsB2Z71jYGcOBG9mqcLKc4wHDm02c6pKV8cJOVr_vx-4odZN-D_hE7QaMDeCq-F6IrbiLgfXI_nk4_eYhQN32DE-LqfAq1aOEyEVItrC5puQpIxXJBAIDtajnNB4EPfrDYrohnd5Gu7X3lUJPw-ankUNeJ=s1764" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="1764" height="288" src="https://blogger.googleusercontent.com/img/a/AVvXsEi-hZOkgQ752jHfzHsLUOPVI3n72BSmrvDsB2Z71jYGcOBG9mqcLKc4wHDm02c6pKV8cJOVr_vx-4odZN-D_hE7QaMDeCq-F6IrbiLgfXI_nk4_eYhQN32DE-LqfAq1aOEyEVItrC5puQpIxXJBAIDtajnNB4EPfrDYrohnd5Gu7X3lUJPw-ankUNeJ=w640-h288" width="640" /></a></b></p><p></p>
<p align="center" class="MsoNormal" style="tab-stops: 46.5pt; text-align: center;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_30" o:spid="_x0000_i1027" style="height: 234.6pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si127" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></b></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">4</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha 1588 no <i>Civitates
Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjULtDxNzrF_PUzSR4FwwhE7sINokqvkt4jK5A3WJx_pcD687B2X3KDkASMH8rm4s6-9wEmNwDVyNQoo2kLcBJMDHSySJ2sDw4dyahz1u0ptXgO1uETK7eHFC_xNDQ11w7iO3F0qerfumd7j4ve8vZ3nxkOAYFizwPd_qlJ3zIWCeyCzb5ofbXKuffM=s840" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="840" height="342" src="https://blogger.googleusercontent.com/img/a/AVvXsEjULtDxNzrF_PUzSR4FwwhE7sINokqvkt4jK5A3WJx_pcD687B2X3KDkASMH8rm4s6-9wEmNwDVyNQoo2kLcBJMDHSySJ2sDw4dyahz1u0ptXgO1uETK7eHFC_xNDQ11w7iO3F0qerfumd7j4ve8vZ3nxkOAYFizwPd_qlJ3zIWCeyCzb5ofbXKuffM=w640-h342" width="640" /></a></div><p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: x-small;"><span style="background: white; color: #2c2c2c;"><o:p><span style="font-family: arial;"> </span></o:p></span><span style="font-family: arial;">fig. </span><span style="font-family: arial;">5</span><span style="font-family: arial;">
– Santelmo. </span><span style="font-family: arial;">Pormenor de </span><span style="font-family: arial;">Sevilha 1588 no </span><i style="font-family: arial;">Civitates
Orbis Terrarum </i><span style="font-family: arial;">de </span><span style="font-family: arial;">Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-language: PT;"><span style="font-size: medium;">Rodrigo Caro ao
descrever as campanhas de Cesar refere</span></span><span style="font-size: medium; font-style: italic;"> “en aquella parte del rio, que ay desde laTorre del
oro por el rio abaxo, donde oy estan edificadas algunas casas que llaman <b style="mso-bidi-font-weight: normal;">S. Telmo</b>;”</span><span style="font-style: italic;"> </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Santelmo refere-se ao dominicano Pedro Gonçalves
Telmo (Pedro González Telmo) (c.1190-1246), que acompanhou Fernando III (</span>1201-1252)<span style="background: white; color: #4d5156;"> </span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">na conquista de Cordova e Sevilha. Foi nomeado
prior do Convento de Guimarães. </span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 10.5pt;">É o santo padroeiro
dos homens do mar e dos barqueiros.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-size: medium;">Em 1569, com estatutos aprovados por Felipe II foi criada a Universidade
dos Mareantes. Em 1682, foi iniciada a construção do palácio de
Santelmo. </span></span><span style="font-size: 16pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-family: arial;"><span style="font-size: large;"><b><span class="Cabealho3Carter">(11) <i>El Quemadero</i>. </span><span class="Cabealho4Carter">O
Crematório da Inquisição.</span></b></span></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgelRI0nsoTkdZGxbEAWfKZLOziS23WGLcjhM8wMHEALzzotMzjcLNBrn1zqQeh8tQVd-Ea0YVHu-tnCRGLrBDm2Xp4xD9AUPhWLG1Fnfita0Zb1qPWTY5pvi-lk12LLEF2Nlyi82TMTK7rBBoaPN-DSr1VLsQW27ymrFYyaBn40EZq9TA6AcKYBaIh=s764" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="764" height="330" src="https://blogger.googleusercontent.com/img/a/AVvXsEgelRI0nsoTkdZGxbEAWfKZLOziS23WGLcjhM8wMHEALzzotMzjcLNBrn1zqQeh8tQVd-Ea0YVHu-tnCRGLrBDm2Xp4xD9AUPhWLG1Fnfita0Zb1qPWTY5pvi-lk12LLEF2Nlyi82TMTK7rBBoaPN-DSr1VLsQW27ymrFYyaBn40EZq9TA6AcKYBaIh=w640-h330" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="tab-stops: 46.5pt; text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_171" o:spid="_x0000_i1025" style="height: 270pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">6</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Crematório. <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha 1588 no
<i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p>
<p class="MsoNormal"><span style="mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">O <i style="mso-bidi-font-style: normal;"><b>Quemadero de San Diego</b></i>, assim chamado pela proximidade do convento
franciscano, era onde se realizavam os autos de fé, queimando os que a
Inquisição declarava hereges. Iniciou a sua actividade em 1481.</span></span></span></p><div style="mso-element: footnote-list;"><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguedades y Principiado de la Ilustrissima Ciudad de
Sevilla. Y Chorographia de su Convento Iuridico, o antigua Chancilleria.
En Sevilla, por Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 6).</span></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> </span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: PT;">Alfonso Alvares de Villasandino
(c.1345- c. 1424) in antologia de poetas líricos castelhanos, ordenada por D.
Marcelino Menendez Pelayo [1856-1912] Madrid 1890. (pág. 94).</span></span></span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 10pt;">[3]</span></span><!--[endif]--></span></span></a> </span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">Rodrigo
Caro (1573-1647), Antiguedades y Principiado de la Ilustrissima Ciudad de
Sevilla. Y Chorographia de su Convento Iuridico, o antigua Chancilleria. En
Sevilla, por Andres grande. Impressor </span>de Libros. Sevilla Año 1634. (Libro
primero, pág. 31 e 31v.)</span></span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><h2><span style="font-family: arial;">Cap. 27<o:p></o:p></span></h2>
<h2><span style="font-family: arial;">Vista de Sevilha Execution de Justitia
de los cornudos patientes<o:p></o:p></span></h2>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><o:p> </o:p>No volume V do
Civitates surge uma curiosa <i>Vista de
Sevilla </i>de Joris Hoefnagel (1542-1600), também denominada <i>Execution de Justitia
de los cornudos patientes.</i></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhh-UViL7ZO38__MAyupjJx3Y9ozzQAQLu9aybUD8Ud9qJcTBC05AfGXz6UQTGRJXgT2jquMbxRNx6ahpR_iOQFh-mggo39WEC0h39ga8ES5nRcWAIOxHPdSS58zFNUve1LrpAOdXD8-zeEWlWkLkj5OWi-rAa_9hFRd1vIjHlKWeS3PRcz6EOVFBuT=s2031" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1498" data-original-width="2031" height="472" src="https://blogger.googleusercontent.com/img/a/AVvXsEhh-UViL7ZO38__MAyupjJx3Y9ozzQAQLu9aybUD8Ud9qJcTBC05AfGXz6UQTGRJXgT2jquMbxRNx6ahpR_iOQFh-mggo39WEC0h39ga8ES5nRcWAIOxHPdSS58zFNUve1LrpAOdXD8-zeEWlWkLkj5OWi-rAa_9hFRd1vIjHlKWeS3PRcz6EOVFBuT=w640-h472" width="640" /></a></span></div><p></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->7<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Joris Hoefnagel (1542-1600). Vista de Sevilha no Civitates orbis terrarum de Georg Braun y Frans Hogemberg. Vol. V 1598.</span><o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large; text-align: left;">Na parte superior
SEVILLA, com <i>“Qui non há visto - non há
visto maravilla”</i> e ainda </span><span style="font-family: arial; font-size: large; text-align: left;">HISPALIS.</span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEivoNlxwWRBZTMRIXJVaH28gJ7VKKa_D_C2Jh3wjSzhbFDTIIaxZRq3lDNknKnGAe2UbCyIn3tur7h21FT3XgPKPLjd5YJ9zIQB6byh4dRDzQPnB7pC8h6_tiNkuHaBjPnb6W8Fv-B8laAdbFM1HAwMiee_qlEtIXFr1_n8j4lkh2u242R46Y-3GOuw=s1243" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="307" data-original-width="1243" height="158" src="https://blogger.googleusercontent.com/img/a/AVvXsEivoNlxwWRBZTMRIXJVaH28gJ7VKKa_D_C2Jh3wjSzhbFDTIIaxZRq3lDNknKnGAe2UbCyIn3tur7h21FT3XgPKPLjd5YJ9zIQB6byh4dRDzQPnB7pC8h6_tiNkuHaBjPnb6W8Fv-B8laAdbFM1HAwMiee_qlEtIXFr1_n8j4lkh2u242R46Y-3GOuw=w640-h158" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_4" o:spid="_x0000_i1027" style="height: 110.4pt; mso-wrap-style: square; visibility: visible; width: 448.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->8<!--[if supportFields]><span
style='mso-element:field-end'></span><![endif]--> – Pormenor de Joris Hoefnagel
(1542-1600). Vista de Sevilha no Civitates orbis terrarum de Georg Braun y Frans Hogemberg. Vol. V 1598.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Sevilha é vista ao
longe, de sudeste, a partir do arrabalde de São Bernardo.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Na margem inferior: </span></span><span style="font-family: arial;">“D. NICOLAO MALEPART AMICO VETERI ET CONGERRONI HISPALENSI
LEPIDISSIMO GEORGIVS HOVFNAGLIVS AMICITIE, MONVMENTVM D. ANNO M D XCIII.
FRANCOF. AD MOENVM”</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Em cada canto os
pontos cardeais.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">No
canto superior esquerdo, correspondendo a <i>Occidens</i>,
o <b><i>Quemadero
</i></b>assinalado com a letra <span style="color: red;">A </span>(realçada a vermelho).</span></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgDQhSAr1rQXF3HiJDrqU7LzCArXNQmngH0Vpc7c0yzZ9ILGsPcTTkC3KlU6c8trYWhYOF-Lq7C0-Cy3TX_XEjdoex1YP-HydCLmWBx-c6oZ-MKBPcz2sf4-dzsK2L4uGCoNmhXI1Kf_ol430xyEoQrnMrNNeMdB3OFuaV3tXRu9NKE0hUNew2shsU2=s516" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="452" data-original-width="516" height="560" src="https://blogger.googleusercontent.com/img/a/AVvXsEgDQhSAr1rQXF3HiJDrqU7LzCArXNQmngH0Vpc7c0yzZ9ILGsPcTTkC3KlU6c8trYWhYOF-Lq7C0-Cy3TX_XEjdoex1YP-HydCLmWBx-c6oZ-MKBPcz2sf4-dzsK2L4uGCoNmhXI1Kf_ol430xyEoQrnMrNNeMdB3OFuaV3tXRu9NKE0hUNew2shsU2=w640-h560" width="640" /></a></span></div><p></p>
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</v:imagedata></v:shape><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->9<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Joris Hoefnagel (1542-1600). Vista de Sevilha no Civitates orbis
terrarum de Georg Braun y Frans Hogemberg.
Vol. V 1598.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Estão
ainda legendados neste pormenor da imagem <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;">B
– <i>Nuestra Signora de abondan<sup>za</sup></i><sup> </sup></span><span style="font-family: arial;">C
- </span><i style="font-family: arial;">St. Elmo. CC Rio Tagarette </i><span style="font-family: arial;">D-
</span><i style="font-family: arial;">Fuente de Calderon </i><span style="font-family: arial;">E
- </span><i style="font-family: arial;">Rio guadalquivir. </i><span style="font-family: arial;">F – <i>S.</i></span><sup style="font-family: arial;"><i>t </i></sup><span style="font-family: arial;"><i>Juan
del foratcc</i> </span><span style="font-family: arial;">G – <i>Torre del oro</i> </span><span style="font-family: arial;">H - <i>El Real Alcaçer casi Real </i> </span><span style="font-family: arial;">KK - <i>quartos </i></span><span style="font-family: arial;">(cc) - <i>El arroyo Tagaret</i></span></p>
<p class="MsoNormal"><br /></p>
<p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: large;">Execution de Justitia
de los cornudos patientes</span></i></b><i><span style="font-size: large;">.</span></i></span><i style="text-align: center;"><span style="font-family: arial;"> </span></i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjUoe8XIwrx9MuQtZXVXpDuJA16N1vuPD3xtDg8TnqErp5je1gDdtxDxojsS9IP0usUk-zOwEqVLmbamoJ_Ya5H1ksNlbIjRi3Y7XqfAmeQlgu-mHAGKCQlVoSostxPhWvt6D-ahcOw7EiEQpiw-_t4caUkes2r2Ad5U094zQeCKr5c-7MlKuyNf5ih=s1449" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="637" data-original-width="1449" height="282" src="https://blogger.googleusercontent.com/img/a/AVvXsEjUoe8XIwrx9MuQtZXVXpDuJA16N1vuPD3xtDg8TnqErp5je1gDdtxDxojsS9IP0usUk-zOwEqVLmbamoJ_Ya5H1ksNlbIjRi3Y7XqfAmeQlgu-mHAGKCQlVoSostxPhWvt6D-ahcOw7EiEQpiw-_t4caUkes2r2Ad5U094zQeCKr5c-7MlKuyNf5ih=w640-h282" width="640" /></a></span></i></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><i><v:shape id="Imagem_x0020_3" o:spid="_x0000_i1025" style="height: 229.2pt; mso-wrap-style: square; visibility: visible; width: 521.4pt;" type="#_x0000_t75">
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->10<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O cortejo do cornudo. Pormenor de Joris Hoefnagel (1542-1600). Vista de
Sevilha no Civitates orbis terrarum de Georg
Braun y Frans Hogemberg. Vol. V 1598.</span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: left;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large; text-align: left;">A imagem procura ilustrar o castigo, a que estava
condenada a mulher adúltera e o marido que a tal consentiam, submetidos à
humilhação de publicamente se dirigir às instalações do Santo Ofício no meio do
escárnio público.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Assim
a figura central da imagem é um homem cavalgando um muar, de mãos atadas e com
umas enormes hastes encimadas por bandeirinhas e campainhas.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">À sua frente montada também sobre um
burro a mulher adúltera, nua da cintura para cima, rodeada de moscas já que os
populares vão-lhe lançando lama e excrementos.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Ao lado do “<i>cornudo
patiente</i>” cavalga uma mulher com a cabeça tapada por uma touca e pelos
próprios cabelos fustigando-o com um feixe cheio de espinhos.<span style="background: white;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Segue-se o pregoeiro, identificado pela sua
trombeta e que também fustiga o cornudo. E finalmente a autoridade, um
cavaleiro com uma vara, possivelmente um vereador.</span><o:p></o:p></p><h4><span style="font-family: arial; font-size: large;">Cap. 28<o:p></o:p></span></h4><h3><span style="font-family: arial;"><span style="font-size: large;">(34) Puerta de la Carne. El Matadero (10).</span><o:p></o:p></span></h3><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgoh8MZP2QpD0Vnn6MUJ-l-ZhQM-4AowHrZmG287U6rxMc8PQvIjgrld_KX6ORRGZHeU2Rg2vY8hpD2MZ3n59LWYIr-nxXQX1_dnV-aC-wtb85ljFAYGgW74cxk7KG01SXFTsE4_rNpCSvS_2KMnd9C54nKLDbdhExaUC_LPc_DqnGhcgvSfE-utEnl=s828" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="522" data-original-width="828" height="404" src="https://blogger.googleusercontent.com/img/a/AVvXsEgoh8MZP2QpD0Vnn6MUJ-l-ZhQM-4AowHrZmG287U6rxMc8PQvIjgrld_KX6ORRGZHeU2Rg2vY8hpD2MZ3n59LWYIr-nxXQX1_dnV-aC-wtb85ljFAYGgW74cxk7KG01SXFTsE4_rNpCSvS_2KMnd9C54nKLDbdhExaUC_LPc_DqnGhcgvSfE-utEnl=w640-h404" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="tab-stops: 46.5pt; text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><span lang="X-NONE" style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->11<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Porta da Carne e Matadouro. Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><h3><span style="font-family: arial;"><span style="font-size: large;">(34) Puerta de la Carne</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Alonso Morgado refere, entre as portas de
Sevilha, <i>“</i><b style="font-style: italic;">La de la Carne</b><i>, porque entra por ella toda la carne del </i><b style="font-style: italic;">Matadero </b><i>para las Carnecerias de
Sevilla, llamada assi por esta causa, por la misma razón que el repartimienta
la nombra de luderia, porq se entrava y se entra tambien agora por ella
primero, y forçosamente a las Collaciones de Sancta Cruz y de San Bartholome,
que fueron Iuderia antiguamente.” </i></span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span><b style="text-align: center;"><i><span style="font-family: arial;"> </span></i></b></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Diego de Zu<span style="color: #4d4d4d;">ñ</span>iga,<span class="MsoSubtleReference"> </span>indica uma inscrição em latim, na <b><i>Puerta
de la Carne</i></b>, que o autor dos Annales traduz por: <i>“O fausto y feliz suceda:
el varon clarísimo Don Francisco Zapata, Conde ilustrísimo, Asistente de
Sevilla, cuidó de restaurar á mejor forma </i><b style="font-style: italic;">la
puerta de la Carne</b></span><i><span style="font-size: medium;">, arruinada de la antigüedad en el año de 1577.”</span> </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: 11.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">[Francisco Zapata y
Cisneros (1520-1594), 1º Conde de Barajas em 1572 e Assistente de Sevilha entre
1573 e 1579.]</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Miguel de Cervantes no <i>Coloquio de
Perros</i> das Novelas Ejemplares, a sua personagem Berganza também refere, de
passagem, o <i>Matadero</i> e a </span><i><span style="font-size: medium;">Puerta de la Carne.</span></i></span></p><p class="MsoNormal"><span style="font-family: arial;"><i><span style="font-size: medium;">“Berg. </span></i><span style="font-size: medium; font-style: italic;">Paréceme q la primera vez q vi el Sol, fue en Sevilla,
y en <b>su matadero</b>, q está fuera de <b>la puerta de la carne</b>;” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span></span></a></span></p><h4><span style="font-family: arial;"><span style="font-size: large;">(10) <i>El Mattadero</i>. O Matadouro.</span><o:p></o:p></span></h4><p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large;">Um pouco mais acima o </span><i style="font-family: arial; font-size: large;">Matadero</i><span style="font-family: arial; font-size: large;"> (10) (Matadouro), obviamente
junto à Porta da Carne (34).</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">No <i>Matadero</i>
matavam-se bois, cordeiros e outros animais cuja carne era depois distribuída
pela porta da Carne para consumo dos sevilhanos, das populações dos arredores e
para abastecimento das naus.</span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEirFrSj1k8xLLinptkBZXG8riVJ4r6TsD_RAquthBpN2qFVwZIjZz1zwv3XVQKm_t8f0NzDQaoGGHkwpooME7xkVDWgum9pULHdXYf62ftjQBQR8IxIs3J8-8gsWZV1GkpXVICDkFI_9q0osH1NbdTfhfIayFTl8hgCJSe-4ALron9thrH5F0U9p65H=s708" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="291" data-original-width="708" height="264" src="https://blogger.googleusercontent.com/img/a/AVvXsEirFrSj1k8xLLinptkBZXG8riVJ4r6TsD_RAquthBpN2qFVwZIjZz1zwv3XVQKm_t8f0NzDQaoGGHkwpooME7xkVDWgum9pULHdXYf62ftjQBQR8IxIs3J8-8gsWZV1GkpXVICDkFI_9q0osH1NbdTfhfIayFTl8hgCJSe-4ALron9thrH5F0U9p65H=w640-h264" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="tab-stops: 46.5pt; text-align: center;"><span style="font-family: arial; font-size: small;">fig. </span><span style="font-family: arial; font-size: small;">12</span><span style="font-family: arial; font-size: small;">
– Matadouro. </span><span style="font-family: arial; font-size: small;">Pormenor de </span><span style="font-family: arial; font-size: small;">Sevilha 1588 no </span><i style="font-family: arial; font-size: small;">Civitates
Orbis Terrarum </i><span style="font-family: arial; font-size: small;">de </span><span style="font-family: arial; font-size: small;">Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p><p align="center" class="MsoNormal" style="tab-stops: 46.5pt; text-align: center;"><span lang="X-NONE" style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Afirma Alonso Morgado: <i>“Y por
aquella misma parte del Mediodía, fuera de la ciudad a la <b>Puerta de la Carne</b> está <b>el
Matadero</b> en forma de gran Caseria con sus Corrales, y Naves, y todas
pertenencias. Y unos Miradores que descubren una buena Plaça, donde se corren,
y alancean Toros de verano ordinariamente.”</i></span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Na vista de Hoefnagel o <i>Matadero</i>, assinalado com a letra K, ocupa uma
posição central.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhdSlJeGoO9qjIcfDcG4SwxU-9VMx_YQrKh8wyof-9-hAFgwNHBlTQJEhRi2WQBGxg_WgupSWUTCP2Mdj2oKF0nF0LxbhSNe8qij5HsW1iu4RXq73zE-nlu11mgI5-k1PoiuntxsRSgnTn--0V53ExP6_S-9C4tn-6xQtNTQSmhj13HDVU0Ml258qyX=s574" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="271" data-original-width="574" height="302" src="https://blogger.googleusercontent.com/img/a/AVvXsEhdSlJeGoO9qjIcfDcG4SwxU-9VMx_YQrKh8wyof-9-hAFgwNHBlTQJEhRi2WQBGxg_WgupSWUTCP2Mdj2oKF0nF0LxbhSNe8qij5HsW1iu4RXq73zE-nlu11mgI5-k1PoiuntxsRSgnTn--0V53ExP6_S-9C4tn-6xQtNTQSmhj13HDVU0Ml258qyX=w640-h302" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_209" o:spid="_x0000_i1025" style="height: 207.6pt; mso-wrap-style: square; visibility: visible; width: 438.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->13<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O Matadero (K). Pormenor de Joris Hoefnagel (1542-1600). Vista de Sevilha no
Civitates orbis terrarum de Georg Braun y
Frans Hogemberg. Vol. V 1598.</span></span><span style="font-family: arial; text-align: center;"> </span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Junto ao edifício do <i>Matadero</i>
eram corridos os touros, acirrados por cães, como mostra a imagem.</span></span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.133).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a>
<span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">Diego
de Ortiz de Zu</span></span><span style="color: #4d4d4d;">ñ</span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">iga, Annales eclesiasticos, y seculares de la
muy noble, y muy leal civdad de Seuilla, metropoli de la Andaluzia. Que
contiene sus mas principales memorias desde el año de 1246. En Madrid: en la
Imprenta Real, por Iuan García Infançon. Acosta de Florian Anisson, Mercader de
Libros. Madrid 1677. (libro XVII pág. 329).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn3">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel
de Cervantes, Coloquio que pasó entre Cipión y Berganza perros del hospital de
la Resurrecion, que està en la Ciudad de Valladolid, fuera de la Puerta del Campo,
à quien comunmente llaman los perros de Mahudes. Novelas Ejemplares En Madrid,
Por Iuan de la Cuesta Año 1613. BNE.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.159).</span></span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: large;"><span class="MsoSubtleReference"><br /></span></span></p><h4><span style="font-family: arial; font-size: large;">Cap. 29 <o:p></o:p></span></h4><h4><span style="font-family: arial;"><span style="font-size: large;">A Forca e o Moinho de vento</span></span></h4><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Um pouco mais acima na imagem encontra-se uma forca,
assinalada com a letra (<span style="color: red;">F</span>).</span><o:p></o:p></span></p><h2 style="text-align: center;"><o:p><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgt4Yasu4xA3z50F2HfTNs42wJjOzxA4itptmMl-iAoh3q_-m6QNvplBysDAa-QmFY13pXDy7Yty2iUnidsl9RiLEV35DJ5eLACO_D-6cgT74IIa2DxjZiz-pF_ZJQ7BDLpgfKJFnDoX07j4PQRa7S7vd10iXTXLFuU2pEAu_O3zmCRrZpFfW18Z5o5=s1393" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="627" data-original-width="1393" height="288" src="https://blogger.googleusercontent.com/img/a/AVvXsEgt4Yasu4xA3z50F2HfTNs42wJjOzxA4itptmMl-iAoh3q_-m6QNvplBysDAa-QmFY13pXDy7Yty2iUnidsl9RiLEV35DJ5eLACO_D-6cgT74IIa2DxjZiz-pF_ZJQ7BDLpgfKJFnDoX07j4PQRa7S7vd10iXTXLFuU2pEAu_O3zmCRrZpFfW18Z5o5=w640-h288" width="640" /></a><span style="font-weight: normal;"> <span style="font-size: small;">fig. </span><span style="font-size: small;">14</span><span style="font-size: small;">
– A Forca. Pormenor de Sevilha 1588 no </span><i style="font-size: small;">Civitates
Orbis Terrarum </i></span><span style="font-size: small;"><span style="font-weight: normal;">de Georg Braun
(1542-1622) e</span> <span style="font-weight: normal;">Franz Hogenberg (1535-1590).</span></span></div></span></o:p></h2><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p><span style="background: white; font-family: arial; font-size: large;">Talvez o mais famoso
enforcamento em Sevilha terá sido o do poeta Alonso Álvarez de Soria </span><span style="background: white; font-family: arial; font-size: large;">(</span><span style="background: white; color: #202122; font-family: arial; font-size: large;">1573-1603), </span><span style="background: white; font-family: arial; font-size: large;">em 1603,
que foi condenado à forca </span><span style="background: white; color: #202122; font-family: arial; font-size: large;">por </span><span style="background: white; font-family: arial; font-size: large;">Bernardino González Delgadillo y Avellaneda</span><span style="font-family: arial; font-size: large;"> (1544-1629),
presidente da Casa da Contratação e então Assistente de Sevilha, o qual tinha
sido ridicularizado e humilhado em versos de Alonso Soria.</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O poeta Juan de la Cueva (1543-1612), pediu pela vida do sentenciado num
poema <i><span lang="ES">“</span></i><i>A don Bernardino
de Avellaneda, asistente de Sevilla, queriendo ahorcar a Alonso Álvarez de
Soria”:</i></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i><span lang="ES">“No des al febeo Alvarez la muerte,</span></i></span></p><p class="MsoNormal"><i style="font-family: arial; font-size: large;"><span lang="ES">Oh gran don Bernardino, así te veas</span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i><span lang="ES">Conseguir todo aquello que desea</span></i><i><o:p></o:p></i></span></p><p class="MsoNormal"><i><span lang="ES"><span style="font-family: arial;"><span style="font-size: medium;">En aumento y mejora de tu suerte.</span><o:p></o:p></span></span></i></p><p style="margin-bottom: .0001pt; margin: 0cm;"><span style="font-family: arial;"><i><span lang="ES" style="font-size: 14pt;">El cruel odio en piedad convierte,</span></i><i><span style="font-size: 14pt;"><o:p></o:p></span></i></span></p><p style="margin-bottom: .0001pt; margin: 0cm;"><span style="font-family: arial;"><i><span lang="ES" style="font-size: 14pt;">Qu’en usar del tu calidad afeas:</span></i><i><span style="font-size: 14pt;"><o:p></o:p></span></i></span></p><p style="margin-bottom: .0001pt; margin: 0cm;"><span style="font-family: arial;"><i><span lang="ES" style="font-size: 14pt;">Cierra el oído, ciérrale, no creas</span></i><i><span style="font-size: 14pt;"><o:p></o:p></span></i></span></p><p style="margin-bottom: .0001pt; margin: 0cm;"><i><span lang="ES" style="font-size: 14pt;"><span style="font-family: arial;">Al vano adulador que te divierte.<o:p></o:p></span></span></i></p><p style="margin-bottom: .0001pt; margin: 0cm;"><i><span lang="ES" style="font-size: 14pt;"><span style="font-family: arial;">De ese que tienes preso, el dios Apolo<o:p></o:p></span></span></i></p><p style="margin-bottom: .0001pt; margin: 0cm;"><i><span lang="ES" style="font-size: 14pt;"><span style="font-family: arial;">Es su juez, no sufraganeo tuyo:<o:p></o:p></span></span></i></p><p style="margin-bottom: .0001pt; margin: 0cm;"><i><span lang="ES" style="font-size: 14pt;"><span style="font-family: arial;">Ponlo en libertad, dalo a su foro<o:p></o:p></span></span></i></p><p style="margin-bottom: .0001pt; margin: 0cm;"><i><span lang="ES" style="font-size: 14pt;"><span style="font-family: arial;">Que de hacelo así, de polo a polo<o:p></o:p></span></span></i></p><p style="margin-bottom: .0001pt; margin: 0cm;"><span style="font-family: arial;"><i><span lang="ES" style="font-size: 14pt;">Irá tu insigne nombre, y en el suyo</span></i><i><span style="font-size: 14pt;"><o:p></o:p></span></i></span></p><p style="margin-bottom: .0001pt; margin: 0cm;"><span lang="ES" style="font-size: 14pt;"><span style="font-family: arial;"><i>Hispalis te pondrá una estatua de oro.” </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="ES" style="font-size: 14pt;">[1]</span></span></span></a></span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgbunrvuRHRXrGx2ZvlhqldSWU-Epp4QCDuZDle17cp_ExyNZL6sL0vXm2p5FwQF8BDolXRB8e0b6BRreV-rdBCougRFyZDBLesEC_WBZgR0_0BZOLAB-cmyE2XMwLlSXhetaIVqMYWIKWDq2aSOl9GT5l2xguEbO7OA9ODOIvbZqUFFfib5LY4hhl_=s356" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="196" data-original-width="356" height="352" src="https://blogger.googleusercontent.com/img/a/AVvXsEgbunrvuRHRXrGx2ZvlhqldSWU-Epp4QCDuZDle17cp_ExyNZL6sL0vXm2p5FwQF8BDolXRB8e0b6BRreV-rdBCougRFyZDBLesEC_WBZgR0_0BZOLAB-cmyE2XMwLlSXhetaIVqMYWIKWDq2aSOl9GT5l2xguEbO7OA9ODOIvbZqUFFfib5LY4hhl_=w640-h352" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_244" o:spid="_x0000_i1026" style="height: 196.2pt; mso-wrap-style: square; visibility: visible; width: 355.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si89" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->15<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> – Forca. Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">O Moinho de vento</span><span style="font-size: 18.72px;"> (<span style="color: red;">G</span>)</span></span> </h3><p class="MsoNoSpacing" style="text-align: center;"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjJorF2Z0E0_aAtmLCN2LWIeHhTFHD6KbuNAIzwQpKUBjutd2LQhN8insmIMYEooMs3O4wTSXTJpY_wsw0CSZJcSqsbsWe4w-Is35QiRiLLNAaxo6kDz-PUfhaEDYYTUbnUp7pfh5sAwTA0QJ4EKKAAlV_2GtpluauWVrq4FaJDKZKBM1b3DsCVirxe=s1212" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="573" data-original-width="1212" height="302" src="https://blogger.googleusercontent.com/img/a/AVvXsEjJorF2Z0E0_aAtmLCN2LWIeHhTFHD6KbuNAIzwQpKUBjutd2LQhN8insmIMYEooMs3O4wTSXTJpY_wsw0CSZJcSqsbsWe4w-Is35QiRiLLNAaxo6kDz-PUfhaEDYYTUbnUp7pfh5sAwTA0QJ4EKKAAlV_2GtpluauWVrq4FaJDKZKBM1b3DsCVirxe=w640-h302" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->16<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> – Moínho de vento. Pormenor de Sevilha 1588 no
<i>Civitates Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p style="margin-bottom: .0001pt; margin: 0cm;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"> Juan de la Cueva de Garoza
(1543-16129, soneto </span></span><i><span lang="ES" style="font-size: 14pt;">“</span></i><span class="MsoSubtleReference"><i><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;">A don Bernardino de Avellaneda,
asistente de Sevilla, queriendo ahorcar a Alonso Álvarez de Soria”, </span></i></span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;">in Ensayo de una Biblioteca Española de
Libros Raros y Curiosos. Formado con los Apuntamientos de Don Bartolomé José
Gallardo, coordinados y aumentados por D. M. R. Zarco del Valle y D. I. Sancho
Rayon. Obra premiada por la Biblioteca Nacional en la junta publica del 5 de
Enero de 1862. E Impresa à Expensas del Gobierno. Tomo Segundo. Imprenta y
Estereotipia de M. Rivadeneyra. Madrid 1866. (pág. 679)<o:p></o:p></span></span></span></p>
</div>
</div>
</div>
</div><h4><span style="font-family: arial; font-size: large;">Cap. 30<o:p></o:p></span></h4><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"></span></p><h3><span style="font-family: arial;"><span style="font-size: large;"><span class="Cabealho4Carter">(H) O arrabalde de São Bernardo</span><span class="Cabealho4Carter"> (<i>Sanbernard</i>o) </span><span class="Cabealho4Carter">e as Hortas do Rei </span><span class="Cabealho4Carter">(<i>Guerta del Rey</i>)</span></span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O Arrabalde de São Bernardo, com os
campos e as povoações, pertencia aos Condes de Olivares.</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiWYw0CvsqOAytmgiYTDFujauiZsDIBLZ8oub0gpDpvzDctqe8-3WNgJ4pLycZOXABV3RP1F7YaQaIAABvLJ8IHkd1pFy1QLKMjnRH9KRRc_8vcfZoULzVtEu7P_EH3Tea_dA_y8mofNlnHqyUPj78DZ1cbSmBn6htmGRCsl_HvW2XSTlY2xwnoGCvF=s1448" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="634" data-original-width="1448" height="280" src="https://blogger.googleusercontent.com/img/a/AVvXsEiWYw0CvsqOAytmgiYTDFujauiZsDIBLZ8oub0gpDpvzDctqe8-3WNgJ4pLycZOXABV3RP1F7YaQaIAABvLJ8IHkd1pFy1QLKMjnRH9KRRc_8vcfZoULzVtEu7P_EH3Tea_dA_y8mofNlnHqyUPj78DZ1cbSmBn6htmGRCsl_HvW2XSTlY2xwnoGCvF=w640-h280" width="640" /></a></span></div><p></p><p class="MsoNormal" style="text-align: left;"><span style="font-family: arial;"><o:p></o:p></span><span style="font-family: arial; font-size: small; text-align: center;">fig. </span><span style="font-family: arial; font-size: small; text-align: center;">17</span><span style="font-family: arial; font-size: small; text-align: center;"> – San Bernardo e Hortas do Rei. </span><span style="font-family: arial; font-size: small; text-align: center;">Pormenor de </span><span style="font-family: arial; font-size: small; text-align: center;">Sevilha 1588 no </span><i style="font-family: arial; font-size: small; text-align: center;">Civitates Orbis Terrarum </i><span style="font-family: arial; font-size: small; text-align: center;">de </span><span style="font-family: arial; font-size: small; text-align: center;">Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Zu<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>iga refere o mosteiro de São Doming</span><span style="font-family: arial; font-size: large;">os a
Horta real e o arrabalde de São Bernardo.</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>“El Convento de Santo Domingo de Portaceli,
extramutos de Sevilla, y segundo de su Religion en ella, junto a <b>la huerta del Rey, y Arrabal de San
bernardo</b>, fue fundado, como dixe en el a</i><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span></i></span><span style="font-size: medium; font-style: italic;">o de mil quatrocientos y cinquenta; es de
buenos edifícios en Templo, y habitacion, y de numerosa Comunidad, de que há
avido muchos hijos loables en todas las prendas de su estado.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span><span style="font-family: arial; text-align: center;"> </span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_175" o:spid="_x0000_i1026" style="height: 229.8pt; mso-wrap-style: square; visibility: visible; width: 522.6pt;" type="#_x0000_t75">
<v:imagedata o:title="si91" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiMpr7P2RXgPvwp917__lsCvwuJmmZC3POOKu7AAgnigmiIL6SY5zYswhSqgpUP2GDkuz0FtAzL5mA19OYy6Z_eh687ipeE51sbMpRLMRQXLNBCVlszb-HbPSPXEMZyRLkscLh5EmKsCxQSFlbWJKMaZVs6INBwhv9Fot71BIkaiHs5PzIV7ztxjZKK=s1108" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="1108" height="216" src="https://blogger.googleusercontent.com/img/a/AVvXsEiMpr7P2RXgPvwp917__lsCvwuJmmZC3POOKu7AAgnigmiIL6SY5zYswhSqgpUP2GDkuz0FtAzL5mA19OYy6Z_eh687ipeE51sbMpRLMRQXLNBCVlszb-HbPSPXEMZyRLkscLh5EmKsCxQSFlbWJKMaZVs6INBwhv9Fot71BIkaiHs5PzIV7ztxjZKK=w640-h216" width="640" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->18<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– San Bernardo. Pormenor de Sevilha 1588
no <i>Civitates Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span><p></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><h4><span class="Cabealho4Carter"><span style="font-family: arial;"><span style="font-size: large;">As Hortas do rei (<i>Guerta del Rei</i>)
(<span style="color: red;">I</span>)</span></span></span></h4><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado também descreve o lugar:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: arial;"><i>“(…) que por aquella parte del Mediodía confina com Tablada, y <b>huertas del Rey</b>, ordeno el mismo
Cabildo de treynta años a esta parte, que tambien alli uviesse outra Iglesia
Parrochial com Titulo de <b>San Bernardo</b>.</i></span><i style="font-family: arial;">”</i><i style="font-family: arial;"> </i></span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEidTK61T6lKJoULyJor23IEFFOHg5me7mTXVG3Y-T_pIEUzVcpMygLSnNHWU8aya1Scvy7oaXn7noMOkWuHWAJQS5Suz2PvaqECtiCPm7wRuQwqOhqlMfXBfRB4bZrvX0yOXkCHsRbDretr2wFq1dWlRU-DmX3udEPBWdDuZftIXbmZfrDSGRLKiY-W=s754" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="318" data-original-width="754" height="270" src="https://blogger.googleusercontent.com/img/a/AVvXsEidTK61T6lKJoULyJor23IEFFOHg5me7mTXVG3Y-T_pIEUzVcpMygLSnNHWU8aya1Scvy7oaXn7noMOkWuHWAJQS5Suz2PvaqECtiCPm7wRuQwqOhqlMfXBfRB4bZrvX0yOXkCHsRbDretr2wFq1dWlRU-DmX3udEPBWdDuZftIXbmZfrDSGRLKiY-W=w640-h270" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_34" o:spid="_x0000_i1025" style="height: 220.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si134" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->19<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– <span class="MsoSubtleReference">Huertas del
Rey. </span>Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zu</span></span><span style="color: #4d4d4d;">ñ</span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">iga, Annales eclesiasticos, y seculares de la
muy noble, y muy leal civdad de Seuilla, metropoli de la Andaluzia. Que
contiene sus mas principales memorias desde el año de 1246. En Madrid: en la
Imprenta Real, por Iuan García Infançon. Acosta de Florian Anisson, Mercader de
Libros. Madrid 1677. (Libro XVII pág. 727).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (libro quarto pág.110).</span></span></span></p></div></div>
<h4><span style="font-family: arial; font-size: large;">Cap. 31</span></h4>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: large;"><b><span class="Cabealho3Carter">Puerta de Carmona, Caños de Carmona </span>(Aqueduto),
<span class="Cabealho3Carter">Cruz</span><span class="Cabealho3Carter"> </span>(Ermida da Cruz
de el Campo) <span class="Cabealho3Carter">e </span><span class="Cabealho4Carter"><i>Casas
del Duq de Alcala</i></span></b></span></span></p>
<h4><span style="font-family: arial;"><span style="font-size: large;">(33) Porta de Carmona</span></span> </h4><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhSAWEhy-UAMn7iSEC84LGJqPdVT-Fu18-kNlTtu9bzce1VQcXxdtDxnxgUyhX3NW9DlDnDWHUs-oc276FsliTgXkCmL_7OpvU2ThTOVn72ujmeqxT6_r6bE77Izm0QWW8Sl2Ogn-08BTiR1akjijP45YI8eT-zYhgXPp5CTO28vvx9VuMFk1Hj_-9J=s666" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="359" data-original-width="666" height="344" src="https://blogger.googleusercontent.com/img/a/AVvXsEhSAWEhy-UAMn7iSEC84LGJqPdVT-Fu18-kNlTtu9bzce1VQcXxdtDxnxgUyhX3NW9DlDnDWHUs-oc276FsliTgXkCmL_7OpvU2ThTOVn72ujmeqxT6_r6bE77Izm0QWW8Sl2Ogn-08BTiR1akjijP45YI8eT-zYhgXPp5CTO28vvx9VuMFk1Hj_-9J=w640-h344" width="640" /></a></span></div><p></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->20<!--[if supportFields]><span
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– Porta de Carmona. </span><o:p></o:p></span><span style="font-family: arial; font-size: small;">Pormenor de </span><span style="font-family: arial; font-size: small;">Sevilha 1588 no </span><i style="font-family: arial; font-size: small;">Civitates Orbis Terrarum </i><span style="font-family: arial; font-size: small;">de </span><span style="font-family: arial; font-size: small;">Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Porta de Carmona,
era uma das portas principais de Sevilha já que por ela a cidade era abastecida
de produtos agrícolas entre os quais se destacava o vinho. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Junto da Porta vê-se
um depósito da água vinda de Alcalá de Guadaira pelos Canos de Carmona, e que
daí era distribuída pela cidade. A Porta de Carmona será reconstruída e
monumentalizada em 1578.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: large;"><b><span class="Cabealho3Carter">(9)</span><span class="Cabealho3Carter">
Caños de Carmona </span><span class="Cabealho3Carter">(Aqueduto)</span></b></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O Aqueduto chamado de <i>Ca</i><i>ños de Carmona</i>, uma das principais construções, é destacado na
imagem do <i>Civitates</i>, como sendo uma
monumental estrutura de abastecimento de água à cidade de Sevilha.</span><o:p></o:p></span></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->21<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> - Caños de Carmona. Pormenor de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590).</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Na Vista de Sevilha, a partir da Porta de Carmona (33) o
caminho que se dirige para essa povoação é acompanhado por um aqueduto. A norte
do aqueduto o Mosteiro de Santo Agostinho e a ermida da Cruz.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">(Hieronymus Monetarius) Jerónimo Münzer (1437-1508), um
austríaco que viajou por Espanha e Portugal entre Setembro de 1494 e Fevereiro
de1495, logo no início do seu texto dedicado a Sevilha, considera que a cidade
vista da <i>“</i><i>altísima torre</i> </span><i style="font-family: arial; font-size: large;">de la catedral”,</i><span style="font-family: arial; font-size: large;"> aparenta uma</span><span style="font-family: arial; font-size: large;"> </span><i style="font-family: arial; font-size: large;">“forma
casi circular</i><span style="font-family: arial; font-size: large;">”.</span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Depois de referir que <i>“al pie de sus murallas, hacia el occidente,
corre el Betis”</i> Münzer destaca que </span><span style="background: white; color: #373737;"><span style="font-size: medium; font-style: italic;">“Hay en Sevilla mucha agua potable y <b>un acueducto de trescientos noventa arcos, </b>algunos
duplicados por un cuerpo superior, para vencer el desnivel del terreno; va por
este artificio gran cantidad de agua y presta muy buen servicio para el riego
de jardines, limpieza de calles y viviendas, etc.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #373737; font-size: 14pt;">[1]</span></span><!--[endif]--></span></a></span><span style="background: white; color: #373737; font-size: 11.5pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white; color: #373737; font-size: 11.5pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Em 1563, também o viajante e embaixador veneziano Andrea
Navagero já se surpreendia pelo aqueduto que abastecia Sevilha.</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>“Da
questa parte del rio, nella strada che va à Carmona, vi </i><b style="font-style: italic;">è un aqueduto, per il quale viene un’acqua da Carmona</b></span><i><span style="font-size: medium;">, i volti del
aqueduto durano circa un miglio, o poco più fora di Sovilla, il resto del
caminho da Carmona fin lì, vien l’acqua per canali, parte sotto terra, &
alle volta di sopra, in capo gli archi verso Carmona si vede un pezzo di
substruttion antiqua rovinata, per laqual si compreende che ancho antiqui
conducevano quell’acqua.”</span> </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">[deste lado do rio, na estrada que vai para Carmona,
existe um aqueduto, que traz a água de Carmona, água que vem em canais, em
parte subterrâneos e por vezes por cima, e no final estão os antigos arcos por
vezes arruinados, os quais nos fazem compreender, que também os antigos assim
transportavam a água.] <o:p></o:p></span></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E no texto que acompanha a estampa de Sevilha do <i>Civitates Orbis Terrarum</i>, de 1572 pode
ler-se: <o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Um dos mais belos
adornos desta cidade é o gracioso aqueduto construído pelos mouros no passado
com um incrível custo, em forma de abóbada, que, através de um canal feito à
mão, percorre meia milha, abastecendo de água os habitantes, algo
extraordinário de se ver. Deste aqueduto derivam várias fontes que atendem às
necessidades da cidade. É maravilhoso ver como, por um caminho tão longo, ou
seja, a seis quilômetros da cidade de Carmona, as águas das nascentes são
canalizadas para o subsolo por essa conduta. Por isso os espanhóis chamam-na de </span></i><b style="font-family: arial;"><i><span style="font-size: medium;">Los Caños de Carmona</span></i></b><i style="font-family: arial;"><span style="font-size: medium;">.”</span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><i><span style="font-size: 12.0pt;">[“Vehementer Hispalensium civitatem commendat aqu</span></i><span style="font-size: 12.0pt;">æ<i>ductus
insignis, à Mauris incredibilibus impensarum sumptibus opere fornicato
cõstructus, qui excavato rivo to di midia miliaris spatio, incundam incolis
aquationem pr</i>æ<i>ber, unde quam plurimi
fontes ad civitatis necessitates derivantur. Mirabile dictu, quanto itinere,
nimirum fex miliarium, per c</i>æ<i>cos
terre meatus à Carmona civitate, scaturientes fontes in hunc aqu</i>æ<i>ductum, deducantur. Unde Los Cannos de
Carmona Hispanis dicitur.”]<o:p></o:p></i></span></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="background: white; color: #111111;">Alonso Morgado dedica um capítulo aos </span><i>Ca</i><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span></i><i>os de
Carmona </i>destacando que<o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Muchos sumptuosos edificios labraron los Moros
(…) Entre los quales se deve contar por demas vtilidad, y provecho en el
particular, que se va prossiguiendo, el de los famosos <b>Caños de Carmona</b>, que los mismos Moros fabricaron a grandissima
costa suya, pudiendo juntamente hazer notable mencion deste Insigne<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><i><span style="font-size: medium;">Aqueducto, y referirle por señalada grandeza de
Sevilla (…) </span></i><span style="font-size: medium; font-style: italic;">tiene su Origen en la Villa de Carmona, siendo la verdad (segun yo he visto)
lo que escrive Iuan de Malalara, de que entre las cosas, que tiene de notar la
Villa de Alcala de Guadayra (distante como ya se dixo dos leguas de Sevilla) es
la Fuente de los Caños, que llaman de Carmona, no porque vengan de Carmona, sino
porque desde Torre Blanca (pequeña legua de Sevilla) vienen por el mismo
camino, y calçada, que va a Carmona.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">De facto, a água vinha de <b>Alcalá de Guadaira</b> pelos <b>Caños
de Carmona</b>, o aqueduto elevado sobre numerosos arcos, de edificação árabe.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Rodrigo Caro salienta que o aqueduto abastece de água as
fontes da cidade: <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><i><span style="background: white; color: #373737; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;">“En toda la ciudad en común, se derivan de los <b>caños de Carmona</b>, y acueductos del
Arzobispado tantas fuentes que casi no hay casa principal que las tenga, con
muchos huertos y jardines: lo cual, con otros reparos, en el mas ardiente
verano, junto con las suaues mareas que correden de ordinario, hazen la ciudad
notablemente apacible, fresca y regalada.”</span></span></i><span style="background: white; color: #373737; font-size: 11.5pt;"><i> </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #373737; font-size: 11.5pt;">[4]</span></span></span></a></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Rodrigo Caro prossegue:</span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Mas aunque Sevilla dentro de si tenia agua bastance, no es creíble, que </span></i><i><span style="font-family: arial; font-size: medium;">creciendo la ciudad en grandeza y policía de vezindad, y edificios,
dexaise de </span></i><i><span style="font-family: arial; font-size: medium;">tener otras fuentes derivadas por aqueductos de fuentes de la parte de
ticria. </span></i><i><span style="font-family: arial; font-size: medium;">Vemos oy el famoso aqueducto de <b>los
caños que llaman de Carmon</b>a, que teniendo su principio en la villa de
Alcala de Guadaira dos leguas de Sevilla, (porque entra en ella por la puerta
de Carmona) toma su nombre, siendo ingrato a la tierra que le dio principio, y
ser. </span></i><i><span style="font-family: arial; font-size: medium;">No se contentaron los que
emprendieron esta gran hazaña con el agua, que espontaneamente las fuentes brotavan,
sino que con trabajo Herculeo taladraron </span></i><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">aquel gran cerro lleno de
peñascos, y hizieron de sus escondidas venas, y mineros un rio artificial
debaxo de la tierra, tan abundante, y impetuoso, que muelen con el seys molinos
de pan, y caminando por varios rodeos; unas vezes por debaxo de tierra, y otras
por cima, liega a una milla poco mas, o menos de Sevilla, a la parte Oriental,
donde lo comiençan a recebir arcos de ladrillo, y canteria, hasta entrar en la
ciudad por cima de las murallas, como que triunfa de tantas dificultades</span><i>. </i><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Alonso Morgado nota que:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>“Tiene sus Acequias, que
duran mas de legua y media. El Maestro Pedro de Medina en su libro de las
grandezas de Espa</i><i><span style="color: #4d4d4d;">ñ</span></i><i>a dize, que viene mas de
quatro léguas por baxo de tierra, por Minas hondas hechas a mano, y como llega
quanto algo mas de una legua de la ciudad, parece el agua sobre la tierra, y de
alli deciende haziendo una buelta casi en arco, donde ay muchos Molinos; que
muelen cõ esta agua. Y luego torna su: corrida hazia la ciudad hasta la Cruz,
que es un Humilladero de mucha devoción en el mismo caminho de Carmona, poco
trecho antes de llegar a Sevilla.<o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Llegada pues el agua a la
ciudad, y subiêdo por cima de la Puerta de Carmona, donde se haze su
repartimiento, va desde alli mucha parte della por los Muros, que </span></i><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">encaminan a la Puerta de la
Carne hasta el Alcaçar Real.” </span><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[6]</span></span></span></a></span></p>
<p class="MsoNormal"><br /></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: large;">Os <b>Caños de Carmona</b>
na Vista de Sevilla de Joris Hoefnagel.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgxgTWqfc0aRlCeLVriDlYgfeaKb4Ur0o48u8Ila4Cbn-U4WALTyrMaiETHKh498s7GIBym8gsnac240Ra4N2cjceRS1C9t7b7jOHZoRccNFJVU0DkIqNCqFS-6HzwHbW9MBz8Z3Noeed3z6s6nWkmZwmxJXnAYJLGTaPVIX0vS6FIT51mWnGXql-SZ=s427" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="423" data-original-width="427" height="634" src="https://blogger.googleusercontent.com/img/a/AVvXsEgxgTWqfc0aRlCeLVriDlYgfeaKb4Ur0o48u8Ila4Cbn-U4WALTyrMaiETHKh498s7GIBym8gsnac240Ra4N2cjceRS1C9t7b7jOHZoRccNFJVU0DkIqNCqFS-6HzwHbW9MBz8Z3Noeed3z6s6nWkmZwmxJXnAYJLGTaPVIX0vS6FIT51mWnGXql-SZ=w640-h634" width="640" /></a></span></div><p></p>
<p class="MsoCaption"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span></span><span style="font-family: arial; font-size: small; text-align: center;">fig. </span><span style="font-family: arial; font-size: small; text-align: center;">22</span><span style="font-family: arial; font-size: small; text-align: center;">
- Pormenor de Joris Hoefnagel (1542-1600). Vista de Sevilha no Civitates orbis
terrarum de </span><span style="font-family: arial; font-size: small; text-align: center;">Georg Braun y Frans Hogemberg.
Vol. V 1598.</span></p>
<p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: medium;">Ainda na imagem está assinalada com a letra (M) - <i>S.<sup>t</sup> Marcos, </i>com a letra (N) -
<i>S.<sup>t </sup>Augustin </i>e com a letra
(Q) - </span><i style="font-family: arial;"><span style="font-size: medium;">S.<sup>ta </sup>Trinidad.</span></i></p><p class="MsoCaption"><i style="font-family: arial;"><span style="font-size: medium;"><br /></span></i></p>
<h2><span style="font-family: arial;"><span style="font-size: large;"><span class="Cabealho3Carter">La Cruz</span> (inscrito na imagem). Ermida da <i>Cruz de el Campo.</i></span></span></h2>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Cruz era um pequeno templo que marcava a aproximação à cidade pelo caminho que, acompanhando os <i>Ca</i><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ños de Carmona,</span></i> levava
até à Porta do mesmo nome. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Segundo
Diego de <span class="MsoSubtleReference">Zuñiga, </span>terá
sido erguido por ordem de Don Diego de Merlo (14??-1482), para assinalar aquele
aqueduto que abastecia de água a cidade de Sevilha. </span><span style="font-family: arial; font-size: large;">Uma</span><i style="font-family: arial; font-size: large;"> “pequeña ermita hay junto a la
Cruz del Campo, único humilladero, pero muy celebre por su gran devocion y
freqüencia, y por su fundador el famoso Asistente </i><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Diego de Merlo, como dixe en el año de 1482.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[7]</span></span></span></a> </span></p>
<p class="MsoNormal"><span style="font-family: arial;">A<span style="font-size: medium;">lonso Morgado assinala a sua localização.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Y luego torna su corrída hazia la ciudad hasta la Cruz, que es un
Humilladero de mucha devoción en el mismo caminho de Carmona, poco trecho antes
de llegar a Sevilla.”</span> <a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[8]</span></span><!--[endif]--></span></a>
<o:p></o:p></span></p>
<p class="MsoNoSpacing" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhwJn1sQhrvng2pc8YnAT6cHEmCFPA6hnhJZu938G5bM1yyG_Yzge6HPXY4GACMRQLf-CGqW_81srOUhz5YEWu77dow4OJIu3R_Xju1SFJU68SdTNUcAgDBUpuHWh5Y_pzr91pEV8ARi0yGwiTqoCI2l7QomM-l27hIJsTgRgY-UhqwC2hubsU7ZZuy=s1554" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1360" data-original-width="1554" height="560" src="https://blogger.googleusercontent.com/img/a/AVvXsEhwJn1sQhrvng2pc8YnAT6cHEmCFPA6hnhJZu938G5bM1yyG_Yzge6HPXY4GACMRQLf-CGqW_81srOUhz5YEWu77dow4OJIu3R_Xju1SFJU68SdTNUcAgDBUpuHWh5Y_pzr91pEV8ARi0yGwiTqoCI2l7QomM-l27hIJsTgRgY-UhqwC2hubsU7ZZuy=w640-h560" width="640" /></a></span></div><p></p>
<p class="MsoCaption"><span style="font-family: arial;"><v:shape id="Imagem_x0020_46" o:spid="_x0000_i1027" style="height: 250.2pt; mso-wrap-style: square; visibility: visible; width: 285.6pt;" type="#_x0000_t75">
<v:imagedata o:title="si92" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->23<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Mosteiro de Santo Agostinho e La Cruz.
Pormenor de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590).</span><o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A sua forma resulta de uma intervenção em 1520. E em 1571
foi erguida uma cruz em mármore com uma imagem da Virgem de um lado e do
Crucificado do outro. Esta Cruz é atribuída a Juan Bautista Vásquez o Velho
(1510 ou 1525-1588).</span></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial;"><span style="font-size: medium;">Para se ter uma ideia da Cruz
e da sua relação com a cidade, socorremo-nos de uma pintura do século XIX, um
quadro de Joaquin Bécquer. O quadro mostra o pequeno templo da Cruz do Campo,
tendo ao fundo a cidade de Sevilha, numa tarde ensoleirada. </span><o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="background: white; color: #222222; font-size: 10pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjYuqr6gsTN2WBZyXI9WfQF0rh3qqFhmBWab_HpBOlw95LYoThx9IQofFc4chwaz31K7fr6v7fPRAy24LDvAxylo_IJn96DQi5XW-9WI_Y7aYi8gldNSVEl2oibH6y2ICs3TqbKDuhEyWLX7YL7JR_eNdLyNuQAmiFUY65N_Zblji0jF_gaeEvHpb2k=s1280" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="767" data-original-width="1280" height="384" src="https://blogger.googleusercontent.com/img/a/AVvXsEjYuqr6gsTN2WBZyXI9WfQF0rh3qqFhmBWab_HpBOlw95LYoThx9IQofFc4chwaz31K7fr6v7fPRAy24LDvAxylo_IJn96DQi5XW-9WI_Y7aYi8gldNSVEl2oibH6y2ICs3TqbKDuhEyWLX7YL7JR_eNdLyNuQAmiFUY65N_Zblji0jF_gaeEvHpb2k=w640-h384" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_47" o:spid="_x0000_i1026" style="height: 273pt; mso-wrap-style: square; visibility: visible; width: 455.4pt;" type="#_x0000_t75">
<v:imagedata o:title="si96" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->24<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Joaquin Dominguez Bécquer (1817-1879), La Cruz del Campo 1854, </span><span style="font-family: arial; font-size: small;">óleo s/tela 60 x 100 cm. Museo San Telmo.</span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<h4><span style="font-family: arial;"><span style="font-size: large;"> (3) </span><i><span style="font-size: large;">Casas del Duq de Alcala</span><o:p></o:p></i></span></h4>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large;">Embora no interior da muralha, junto à Porta de Carmona,
situavam-se as Casas do Duque de Alcalá.</span></p><p class="MsoNormal" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgzjqCnVhcSKG2dKGv_d-iruYbAsvcLZ-wMEXK3ZjoS_2pOIVSLjj2kNtlngENYkF_5nkWHsSnEZ0STg88N2aMpmBqePKt2WyIWcdUC2kiM-wlYUBNWEuNfZLXnH17Lw4jSjRDeEIZzhva2YlNh6E0lSnvDsKCJWG3pNebNZdYD3oNDnNWZl_QKrij9=s888" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="724" data-original-width="888" height="522" src="https://blogger.googleusercontent.com/img/a/AVvXsEgzjqCnVhcSKG2dKGv_d-iruYbAsvcLZ-wMEXK3ZjoS_2pOIVSLjj2kNtlngENYkF_5nkWHsSnEZ0STg88N2aMpmBqePKt2WyIWcdUC2kiM-wlYUBNWEuNfZLXnH17Lw4jSjRDeEIZzhva2YlNh6E0lSnvDsKCJWG3pNebNZdYD3oNDnNWZl_QKrij9=w640-h522" width="640" /></a></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_177" o:spid="_x0000_i1025" style="height: 246.6pt; mso-wrap-style: square; visibility: visible; width: 303pt;" type="#_x0000_t75">
<v:imagedata o:title="si93" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->25<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">De entre as propriedades dos
duques de Alcalá sobressai o Palácio denominado <b>Casa de Pilatos.</b></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="background: white;">Iniciado em 1483 por </span>D.
Pedro Enríquez <span style="letter-spacing: 0.4pt;">de Quiñones</span> (c.1435-1492)<span style="background: white;">, IV </span>Adelantado Mayor de Andalucia<span style="background: white;">, a sua construção prolongou-se até 1571.</span></span></p>
<p class="MsoNormal"><span style="letter-spacing: .4pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Importa assinalar que Fadrique Enríquez de Ribera
(1476-1539), 1º marquês de Taifa e VI Adelantado Mayor de Sevilha, depois de uma
viagem a Jerusalém (1518/19), descobriu que a distância entre o palácio de
Pôncio Pilatos e o monte Gólgota seria a mesma entre a sua casa de Sevilha e o
templeto da Cruz do Campo.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="letter-spacing: .4pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Por isso, na celebração da Semana Santa, iniciou-se
uma <i>Via Crucis</i> entre o seu Palácio -
que a partir de então se chamou Casa de Pilatos - e a Cruz do Campo, procissão
que se crê estar na origem das celebrações da Semana Santa em Sevilha.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Mas foi, Per (Pedro) Afán de
Ribera (c.1508-1571) sobrinho de Fadrique Enriquez de Ribera, e 2º Marquês de
Taifa, que recebeu em 1558 de Felipe II o título de Duque de Alcalá.<o:p></o:p></span></span></p>
<div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">
Jerónimo Münzer (1437-1508), Itinerarium siue peregrinatio excellentissimi viri
artium ac vtriusque medicine doctoris Hieronimi Monetarii de Feldkirchen ciuis
Nurembergensis (1495) in J. PUYOL, Jerónimo Münzer, Viaje por España y Portugal
en los años de<o:p></o:p></span></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">1494 y 1495, in «Boletín de la Real Academia de la Historia», 84.
Madrid 1924. (pág. 14).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea
Navagero (1483-1529), <i>Il Viaggio fatto in
Spagna, et in Francia,</i> dal Magnifico Andrea Navagiero, fu oratore
dell’Ilustrissimo Senato Veneto, alla Cesarea Maesta di Carlo V. Com la
descrittione particolare delli luochi, & costumi delli popoli di quele
Provincie. In Vinegia apresso Domenico Farri. 1563. (pág. 15).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan
Mal Lara, (pág, 132).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro (1573-1647), Antiguedades y Principiado de la Ilustrissima Ciudad de Sevilla.
Y Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634.</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn5">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro (1573-1647), Antiguedades y Principiado de la Ilustrissima Ciudad de
Sevilla. Y Chorographia de su Convento Iuridico, o antigua Chancilleria. En
Sevilla, por Andres grande. Impressor de Libros. Sevilla Año 1634. (libro
primero, pág. 26).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn6">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla, en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprensa de
Andrea Fescioni y Iuan de Leon Sevilla 1587. (pág.50).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn7">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref7" name="_ftn7" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz Zuñiga, Annales eclesiasticos, y seculares de la muy noble, y muy leal
civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas principales
memorias desde el año de 1246. En Madrid: en la Imprenta Real, por Iuan García
Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid 1677. (Libro
XVI. pág. 623).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn8">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/novo%20apontamento%2010.docx#_ftnref8" name="_ftn8" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587 (pág.).</span><o:p></o:p></span></span></p>
<p class="MsoFootnoteText"><o:p> </o:p></p>
</div>
</div>
<p class="MsoNormal"><br /></p><o:p></o:p><p></p>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-25562441853871732282021-12-10T10:49:00.001+00:002021-12-10T10:54:41.478+00:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 5ª parte<p><b style="font-family: arial; font-size: xx-large;"> </b></p>
<p class="MsoTitle"><span style="font-family: arial;"><span style="font-size: x-large;"><b><span class="TtuloCarter">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span>
1588</b></span><o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<h3><span style="font-family: arial; font-size: large;">Cap. 23</span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;">(25) <i style="mso-bidi-font-style: normal;">Puerta de Triana.</i> A Porta de
Triana </span><o:p></o:p></span></h3>
<p class="MsoNormal" style="text-align: center;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 16pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></b></p><div class="separator" style="clear: both; text-align: center;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgvSOAtNqJIfB7LtMstpdjFQdSIkxc1Yx9TUBevyjPz8LOLqUTUw8A5W7tj9tO07XyoGS-BbM-sItOUkJlzBLJk-VUWKCp4UwEoITh3naphKYvz81JWCMgS_zpBenNMtN14f1o8dWl03FFRRlwTBXSiA27aAKhi1AIbZJwWNqN1MIpLHsoLBNJ6wtWn=s1433" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="1433" height="506" src="https://blogger.googleusercontent.com/img/a/AVvXsEgvSOAtNqJIfB7LtMstpdjFQdSIkxc1Yx9TUBevyjPz8LOLqUTUw8A5W7tj9tO07XyoGS-BbM-sItOUkJlzBLJk-VUWKCp4UwEoITh3naphKYvz81JWCMgS_zpBenNMtN14f1o8dWl03FFRRlwTBXSiA27aAKhi1AIbZJwWNqN1MIpLHsoLBNJ6wtWn=w640-h506" width="640" /></a></span></b></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">72</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A Porta de Triana. <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha
1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de
</span>Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">A Porta de Triana, que dava acesso à ponte do mesmo nome,
era apenas um discreto e pequeno acesso à cidade intramuros, mas foi totalmente
reformulada em estilo renascença na segunda metade do século XVI, tornando-se
também uma porta de cerimónia.</span></span></p>
<p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgMya_6TreTGNZu9h5avvkAKEQUn1-dthBZRJD-rVj6cZZp1YThetqfU7XR3c_JMlsZ94gW9hWA_W-iECt-pwdIel-U2LY2TmOYkXHUdLvfgYy68PS8vUR7jShielN49O9eThkD7Ag9-SxPYX0xHNHBgBn-0Yz7nuFJF58QFIdeS0h1FwvLf4huRsfg=s548" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="548" height="316" src="https://blogger.googleusercontent.com/img/a/AVvXsEgMya_6TreTGNZu9h5avvkAKEQUn1-dthBZRJD-rVj6cZZp1YThetqfU7XR3c_JMlsZ94gW9hWA_W-iECt-pwdIel-U2LY2TmOYkXHUdLvfgYy68PS8vUR7jShielN49O9eThkD7Ag9-SxPYX0xHNHBgBn-0Yz7nuFJF58QFIdeS0h1FwvLf4huRsfg=w640-h316" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_155" o:spid="_x0000_i1026" style="height: 202.8pt; mso-wrap-style: square; visibility: visible; width: 411pt;" type="#_x0000_t75">
<v:imagedata o:title="si72" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">73</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Porta de Triana. Pormenor da pintura de Sanchez Coello.</span><o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Afirma Diego de Zu<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>iga:<span style="mso-fareast-language: PT;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“<b style="mso-bidi-font-weight: normal;">La puerta de Triana</b>, obra del ano de mil quinientos y ochenta y
ocho, es entre todas la mas autoriçada, y sumptuosa, com magestuosa altura, y
ornato a una y outra vista, de orden Dorico, com robustíssimas colunnas,
coronanla sobre el ostentoso cornijamento, balcones voleados com igual ornato y
frontispício, rematedo de estatuas; a la parte interior se vè entre escudos de
las armas de el Assistente el de las de la Ciudad, a la exterior en lugar de
ellas en blanco losa esta Inscripcion:</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A inscrição em latim é traduzida pelo autor da seguinte
forma</span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">“Siendo poderosíssimo, y gloriosísimo
Rey de las Españas, y de muchas Provincias por las partes del Orbe Filipo
Segundo, el amplísimo Regimiento de Sevilla, juzgó deber ser adornada esta
nueva puerta de Triana, puesta en nuevo sitio, favorecendo la obra y asistiendo
á su perfeccion Don Iuan Hurtado de<o:p></o:p></span></span></i></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Mendoza y Guzman, Conde de
Orgaz, Superior vigilantíssimo de la misma floreciente Ciudad, en el año de la
salud Christiana 1588.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjDtuWVy-BCqVWqdFu2djwt-zp0N_gx1Ph86idbSwhjzsnUDLxljVKRMSOpaWwpy2pFJBuiuX49S4wV02PZkk1Wo-BC4p0mGUAcDW_Ol7uu7ljPmLhhiz6pqiCgkvpsLHgYwcak-i5-ygIT66PJv4taxV_Jxo5qqTjd8L_ijSA10YkEEoEizYCi0wlf=s502" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="383" data-original-width="502" height="488" src="https://blogger.googleusercontent.com/img/a/AVvXsEjDtuWVy-BCqVWqdFu2djwt-zp0N_gx1Ph86idbSwhjzsnUDLxljVKRMSOpaWwpy2pFJBuiuX49S4wV02PZkk1Wo-BC4p0mGUAcDW_Ol7uu7ljPmLhhiz6pqiCgkvpsLHgYwcak-i5-ygIT66PJv4taxV_Jxo5qqTjd8L_ijSA10YkEEoEizYCi0wlf=w640-h488" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_156" o:spid="_x0000_i1025" style="height: 382.8pt; mso-wrap-style: square; visibility: visible; width: 502.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si73" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">74</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– <span style="mso-spacerun: yes;"> </span>– Porta de Triana. Pormenor da pintura
de Sanchez Coello.</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div style="mso-element: footnote-list;"><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zuniga, Annales eclesiasticos, y seculares de la muy noble, y muy
leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid: en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid
1677. (Libro XVI pág. 653).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zuniga, Annales eclesiasticos, y seculares de la muy noble, y muy
leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid
1677. (Libro XVI pág. 653).<o:p></o:p></span></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><br /></span></span></span></p><h3><span style="font-family: arial; font-size: large;">Cap. 24</span></h3><h3><span style="font-family: arial;"><span style="font-size: large;"> (39) <i>Puente de Triana.</i> A Ponte de Triana</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">No primeiro plano, em frente do Arenal, a Ponte de Triana
(39) uma ponte de 13 barcas sobre as quais um passadiço de madeira, ligando as
duas margens do Guadalquivir, construída em 1171 por ordem de Isbiliya Jucef
Abu Jacub.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; text-align: center;"> </span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiFi37nryAK7WFOO15a7K1ImPtJ0NSaHZ-wj1ba8uAdjHKZjhRLiGlHoc5eU1ABEFPMp9kkuxNS9LMOuzIrJbx7Is1yo72KFek6Jhl35bNDtbqvYOUUYLhEr8olcG3_lqP-Y8Aee-oVzUcjBu_ubC4g2oeG6nZ3DWyhtFXZaApvJNbve3Qll96RZ-ZK=s1789" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1108" data-original-width="1789" height="396" src="https://blogger.googleusercontent.com/img/a/AVvXsEiFi37nryAK7WFOO15a7K1ImPtJ0NSaHZ-wj1ba8uAdjHKZjhRLiGlHoc5eU1ABEFPMp9kkuxNS9LMOuzIrJbx7Is1yo72KFek6Jhl35bNDtbqvYOUUYLhEr8olcG3_lqP-Y8Aee-oVzUcjBu_ubC4g2oeG6nZ3DWyhtFXZaApvJNbve3Qll96RZ-ZK=w640-h396" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->75<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Ponte de Triana. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span class="MsoSubtleReference"><span style="font-size: medium;">Andrea Navagero refere: </span></span><span style="font-size: medium; font-style: italic;">“A quella parte del fiume se vi passa sopra <b>un ponte fatto sopra barche</b>, & passato il ponte si trova una
parte de Sevilla che è bem habitata, & há molte case, ma non há il medesimo
nome, anzi come luoco diverso si chiama Triana.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: 11pt; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">[ Naquela
parte do rio passa-se sobre uma ponte pousada em barcas e passada a ponte
encontramos uma parte de Sevilha bastante habitada e com muitas casas, mas que
não tem o mesmo nome, e como lugar diferente chama-se Triana.]</span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi_uDPXuswf1Zs1w_nlUXc2837byxA3bPAUYJpC3HjxVl9rRi8WjvJc52v5tVwQf8_diMgBMXjG6E3I-pltfO5Dcao9FHJijIxBtGQNEaHzaHHiNFj9gTjWdXlPrcxvFcTv8BGOIKapW3jnEPINGU1irVCj3VIQvW6HyTFMpfc5uUk3DLTeZz56xPu5=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1532" data-original-width="2048" height="478" src="https://blogger.googleusercontent.com/img/a/AVvXsEi_uDPXuswf1Zs1w_nlUXc2837byxA3bPAUYJpC3HjxVl9rRi8WjvJc52v5tVwQf8_diMgBMXjG6E3I-pltfO5Dcao9FHJijIxBtGQNEaHzaHHiNFj9gTjWdXlPrcxvFcTv8BGOIKapW3jnEPINGU1irVCj3VIQvW6HyTFMpfc5uUk3DLTeZz56xPu5=w640-h478" width="640" /></a></span></div><p></p><p class="MsoCaption"><span style="font-family: arial;"><v:shape id="Imagem_x0020_159" o:spid="_x0000_i1026" style="height: 391.8pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->76<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- A Ponte de Triana. Pormenor da Vista de Sevilha de
Ambrosio Brambilla.</span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Alonso Morgado escreve:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Nõ deve de aver
(segundo en esto soy unformado) alguna Puente, ni passo en general, màs
frequentado, ni de tanto concurso de gente, Cavalgaduras, Ganados, Coches y
Carretones como esta Puente de Triana, ni por donde entrê en ninguna outra
ciudad, como en Sevilla, tantas recuas de Azeyte, y de Vino de solo su
Axaraphe, ni que en tan poco trecho, como hasta el passaje de los Barcos,
incluya tantas otras riquezas, y rentas, q por abreviar no digo.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Na pintura de Sanchez Coello, a ponte parece ilustrar a
descrição de Alonso Morgado.</span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiqgAP12SaOwEaI4kwHFfpgcbhp7RT_hcwhMLpMnOIJqOMJ5IsFH0VOehBU-dc3tdOUzoQx6p3BnGriTW3TE0LTH1k8DC2GbTep_GW4FszZc5t5JkTHnytp0mWTEvx4qCRvGrc7-UHm5ER9km4FfAu5RAQWzPCemgj0GgtHRX5TiInH1qRtj44qQkxX=s1320" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1320" height="510" src="https://blogger.googleusercontent.com/img/a/AVvXsEiqgAP12SaOwEaI4kwHFfpgcbhp7RT_hcwhMLpMnOIJqOMJ5IsFH0VOehBU-dc3tdOUzoQx6p3BnGriTW3TE0LTH1k8DC2GbTep_GW4FszZc5t5JkTHnytp0mWTEvx4qCRvGrc7-UHm5ER9km4FfAu5RAQWzPCemgj0GgtHRX5TiInH1qRtj44qQkxX=w640-h510" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_160" o:spid="_x0000_i1025" style="height: 390.6pt; mso-wrap-style: square; visibility: visible; width: 491.4pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->77<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A ponte de Triana. Pormenor da pintura de Sanchez Coello. </span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea
Navagero (1483-1529), Il Viaggio fatto in Spagna, et in Francia, dal Magnifico
M. Andrea Navagiero, fu oratore dell’Ilustrissimo Senato Veneto, alla Cesarea
Maesta di Carlo V. Com la descrittione particolare delli luochi, & costumi
delli popoli di quele Provincie. In Vinegia apresso Domenico Farri. 1563.(pág.
14a)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Alonso
Morgado </span></span></span><span style="font-family: arial;"><span style="font-size: 9pt;">Historia
de Sevilla en la qual se contienen sus antiguidades, grandezas, y cosas
memorables en ella acontecidas, desde su fundacion hasta nuestros tempos. Compuesta
y ordenada por Afonso Morgado, indigno Sacerdote, natural de la villa de
Alcantara, en Estremadura. En la Imprensa de Andrea Fescioni y Iuan de Leon
Sevilla 1587.</span><span style="font-size: 9pt;">(Libro segundo, pág. 57v e 58).</span></span></p>
<p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> </span></span></p><p class="MsoTitle"><span style="font-family: arial;"><span style="font-size: x-large;"><b>Sevilha extramuros</b></span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><h3><span style="font-family: arial; font-size: large;">Cap. 25</span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">O Arrabalde de
Triana</span><span style="font-size: 26pt;"><o:p></o:p></span></span></h3><h3><o:p><span style="font-family: arial;"> </span></o:p></h3><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Sevilla
y Triana<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">y el río
en medio:<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">así es
tan de mis gustos<o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: medium;">tu
ingrato dueño.”</span> </i></b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><b><o:p></o:p></b></span></p><p class="MsoNormal"><span style="background: white;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A ponte de Triana dava acesso ao arrabalde do mesmo nome, que
se considerava mais como bairro com uma identidade própria do que uma extensão de
Sevilha.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Diz Rodrigo Caro: </span><span style="font-size: medium; font-style: italic;">“de la otra vãda del rio está
<b>el arrabal llamadoTriana,</b> y se junta con una puente de madera sobre barcos a la
ciudad.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><b><i><span style="font-family: arial;"> </span></i></b></p><div class="separator" style="clear: both; text-align: center;"><b><i><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgnaLE5xxDWZ8qNmIecoQdJ6I5TJmpoFzdO5S4ZQ1BYBwh5W_TpLQRFGtv_LQPejvQ4DMTBxvilN_zE1gj-W4cnMkW4hy7wUYS5TtlEj_z9HCFEZGqR6OSTXnL4pDuyPrtiFLnMdU4oZGl89KZQ4S8OpVWlv5zE3lsR_CKcGIMdTBTCALwCfCtxlzgQ=s960" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="333" data-original-width="960" height="222" src="https://blogger.googleusercontent.com/img/a/AVvXsEgnaLE5xxDWZ8qNmIecoQdJ6I5TJmpoFzdO5S4ZQ1BYBwh5W_TpLQRFGtv_LQPejvQ4DMTBxvilN_zE1gj-W4cnMkW4hy7wUYS5TtlEj_z9HCFEZGqR6OSTXnL4pDuyPrtiFLnMdU4oZGl89KZQ4S8OpVWlv5zE3lsR_CKcGIMdTBTCALwCfCtxlzgQ=w640-h222" width="640" /></a></span></i></b></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><b><span style="font-size: 16pt; mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span></b><b><span style="font-size: 16pt;"><o:p></o:p></span></b></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->78<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg Braun
(1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large;">A estrutura urbana do arrabalde assentava nas ruas perpendiculares ao rio (Calle de Castilla, de Santa Catalina e de Cadenas), que entroncavam no eixo longitudinal, a Calle de Santa Ana.</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O pintor flamengo
Anton Van den Wyngaerde (c.1525-1571), nos anos 60 do século XVI desenhou, por
encomenda de Felipe II, uma série de panorâmicas de cidades espanholas. Num
desses desenhos vemos Triana vista do Arenal.</span></span></p><p class="MsoCaption" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEho1jhVw7jut1HLmUAV-QSSRnXzY9wW3Qlmq8Gjvg5tp4Nq2wqlt74dS1rDKIMDPU7TxvaEO9sdWqwpyDQxRBRhrTblpoIKZpFEzld9nceQCcKVqbMeR-Vh556WzITSBtpetCIAbHSiwf9edOCZ-3aGjQniok5vVk5ABbsBRXnNy3nROAsSKRZq9caK=s1135" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1135" height="138" src="https://blogger.googleusercontent.com/img/a/AVvXsEho1jhVw7jut1HLmUAV-QSSRnXzY9wW3Qlmq8Gjvg5tp4Nq2wqlt74dS1rDKIMDPU7TxvaEO9sdWqwpyDQxRBRhrTblpoIKZpFEzld9nceQCcKVqbMeR-Vh556WzITSBtpetCIAbHSiwf9edOCZ-3aGjQniok5vVk5ABbsBRXnNy3nROAsSKRZq9caK=w640-h138" width="640" /></a></span></div><p></p><h1 style="text-align: center;"><span style="font-family: arial;"><span style="font-weight: normal;"><span style="font-size: x-small;"><v:shape id="Imagem_x0020_163" o:spid="_x0000_i1030" style="height: 112.2pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><span class="LegendaCarter">fig. </span><!--[if supportFields]><span
class=LegendaCarter><span style='font-size:9.0pt'><span style='mso-element:
field-begin'></span><span style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span
style='mso-element:field-separator'></span></span></span><![endif]--><span class="LegendaCarter">79</span><!--[if supportFields]><span class=LegendaCarter><span
style='font-size:9.0pt'><span style='mso-element:field-end'></span></span></span><![endif]--><span class="LegendaCarter"> – Anton Van den Wyngaerde
(c.1525-1571), Triana vista do Arenal.1567 desenho 10,8 x 90 cm. Biblioteca
Nacional Viena. Austria.</span></span></span></span></h1><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhrUgFlOP626XhS3KHFrIiinTCjTTzRsWx2NZ29HQxY09IgQxkG-Ob-Hl3E3zD6n2LwlE3JlyIEkirFn_dtPB-yxaCxcfoZFsd06FuWKrToMLxwUp1RCR-1uKSczB53PfFUcMMWQ6P9_f7op6dRRDJMXc3Hmwt6xpk2RTr8Qvc6dePOwYBBj6qf4a91=s1920" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="239" data-original-width="1920" height="80" src="https://blogger.googleusercontent.com/img/a/AVvXsEhrUgFlOP626XhS3KHFrIiinTCjTTzRsWx2NZ29HQxY09IgQxkG-Ob-Hl3E3zD6n2LwlE3JlyIEkirFn_dtPB-yxaCxcfoZFsd06FuWKrToMLxwUp1RCR-1uKSczB53PfFUcMMWQ6P9_f7op6dRRDJMXc3Hmwt6xpk2RTr8Qvc6dePOwYBBj6qf4a91=w640-h80" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_164" o:spid="_x0000_i1029" style="height: 65.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si80" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->80<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O cais de Triana. Pormenor da pintura de Sanchez Coello.</span><o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Miguel de Cervantes canta as delícias de Triana:</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“O uvas albarazadas,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Qu en el pago de <b>Triana</b><o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Por la noche sois
cortadas,<o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>Y os hallais à la ma</i><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñana<o:p></o:p></span></i></span></p><p class="MsoNormal"><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Tan fresca, y aljofaradas,<o:p></o:p></span></span></i></p><p class="MsoNormal"><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Que no hay cosa mas hermosa,<o:p></o:p></span></span></i></p><p class="MsoNormal"><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Ni fruta, que à la golosa<o:p></o:p></span></span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="color: #1e1e1e;"><span style="font-size: medium; font-style: italic;">Voluntad ansi despierte!”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #1e1e1e; font-size: 14pt;">[3]</span></span><!--[endif]--></span></a></span><o:p></o:p></span></p><p class="MsoNormal"><b><span style="font-size: 16pt;"><span style="font-family: arial;"> </span></span></b></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Triana era também conhecida pelas fábricas de sabão (<i>Almonas),</i> pelas
olarias, e ainda pelo fabrico de pólvora. </span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"><b> O sabão</b></span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Essas Almonas de Triana fabricavam o sabão branco, como assinala Alonso
Morgado:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Yo me acuerdo, que de sola
la Xaboneria, que es en la Collacion de San Salvador, se sacaron compradas en
solo un dia quatrocientas y quarenta y cinco arrobas de Xabon de lo prieto, llamado
assi a diferencia de lo Blanco, que se haze en panes en la outra <b>Almona deTriana</b>. (…) Desto Blanco
provee tambien Sevilla a muchas partes de España, de las lndias y de Flandes, y
de Inglaterra.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span><!--[endif]--></span></a>
<i><o:p></o:p></i></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"><b>A louça</b></span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Como já foi afirmado, era conhecido o fabrico e venda de
louça, como assinala Agustin Rojas:</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Ra. </span></i><i><span style="font-family: arial; font-size: medium;">Por lo dixistes de <b>Triana</b>: aueys notado, la loza q a yen
ella?</span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Ri. </span></i><i><span style="font-family: arial; font-size: medium;">A propósito fray
jarro.</span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">So. </span></i><i><span style="font-family: arial; font-size: medium;">Por esso q dezis de
albarda, mi padre tiene una ratonera de golpe.</span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Ro. </span></i><span style="font-family: arial;"><i><span style="font-size: medium;">Oydo he dezir q ay mas
de sessenta tendas, dõde se haze y vende, andi vedriado como amarillo y blanco,
y aun muy buenos azulejos de diferêtes colores.”</span> </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" style="font-size: x-large;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference">[5]</span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b>A pólvora</b></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E como refere Alonso Morgado em triana também se
situavam as fábricas de pólvora.</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Y en su <b>Triana </b>ay MoIinos de Pólvora; donde se haze
tanta della, que de mas de sus Armadas puede Sevilla bastecer a muchas otras
Artillerias.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[6]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Morgado refere ainda a explosão que destruiu
um conjunto de edifícios na Segunda feira 18 de Maio de 1579, como aparece
desenhada na vista de Sevilha de <span style="background: white; color: #444444; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Georg Braun
(1542-1622) e Franz Hogenberg (1535-1590), </span><i><span style="background: white;">Hispalis, Sevilla Taraphae, celebre et
pervetustum</span></i><span style="background: white;"> <i>in
Hispania 1572</i>, publicada no Volume I </span><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">do <i>Civitates Orbis
Terrarum</i>. (ver o Apontamento 8).</span></span></span></p><p class="MsoNormal"><i><span style="font-family: arial;"> </span></i></p><p class="MsoCaption"><b><span style="font-size: large;"><i style="font-family: arial;">S. Ynquisitione</i><span style="font-family: arial;"> (Inquisição),
inscrito na imagem.</span></span></b></p><p class="MsoNormal"><b><span style="font-size: large;"><span style="font-family: arial;"> </span><span style="font-family: arial;">O Castelo de São Jorge (A)</span></span></b></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">No
arrabalde de Triana, onde as edificações chegavam quase ao rio, à entrada da ponte situava-se o Castelo de S.
Jorge ocupado até 1280 pela Ordem Militar de S. Jorge e depois abandonado até
1481, quando foi entregue à Inquisição (<i>La
S. Ynquisition)</i> <i>“</i></span><span style="font-size: medium; font-style: italic;">Bíven enel castillo deTriana
los juezes Y officiales deste sancto officio”</span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[7]</span></span><!--[endif]--></span></a><span style="font-size: 5pt;"> </span><span style="font-size: medium;">que aí se manteve até 1626 e de seguida entre
1639 e 1785.</span></span><span style="font-family: arial; text-align: center;"> </span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjTBainJGzW1qrFykfsMN5_Eb74xlOEyr-V82BY3Rhs6iHKf9SyLuWBQQAgZNpCnXXA9L1MvliTujCSCdJh0cH6Y1vG_G8l_7kdsFrawwvEzBOcSK3x4jqPRhdsTzbQ-duvX-Wndee2cgtmt1R-5u9Xbjke5GH02IORRkg5uyVkUG06mVz2N99W50t2=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1369" data-original-width="2048" height="428" src="https://blogger.googleusercontent.com/img/a/AVvXsEjTBainJGzW1qrFykfsMN5_Eb74xlOEyr-V82BY3Rhs6iHKf9SyLuWBQQAgZNpCnXXA9L1MvliTujCSCdJh0cH6Y1vG_G8l_7kdsFrawwvEzBOcSK3x4jqPRhdsTzbQ-duvX-Wndee2cgtmt1R-5u9Xbjke5GH02IORRkg5uyVkUG06mVz2N99W50t2=w640-h428" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_165" o:spid="_x0000_i1028" style="height: 349.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si81" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->81<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Castelo de São Jorge. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoCaption"><span style="font-family: arial; text-align: center;"> </span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEidf4vZX0z56YjFzSZt5lMkm_OoGl-HLS2No49gGxHfFWY-Y_8F8ZJ3ZcSNiHOEXTpmzg0QczxOBkb8aRGhx8Bc4ZpSIFkA9dnewVXRPR5F3uv3Zeh0G8nM2cTN2umbDqYcMecoy_YvSrR33QCsxxy1FGvXKho4Q0fR64b3kvcjeJ3g2CFGd04Ini7j=s550" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="550" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEidf4vZX0z56YjFzSZt5lMkm_OoGl-HLS2No49gGxHfFWY-Y_8F8ZJ3ZcSNiHOEXTpmzg0QczxOBkb8aRGhx8Bc4ZpSIFkA9dnewVXRPR5F3uv3Zeh0G8nM2cTN2umbDqYcMecoy_YvSrR33QCsxxy1FGvXKho4Q0fR64b3kvcjeJ3g2CFGd04Ini7j=w640-h426" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_166" o:spid="_x0000_i1027" style="height: 270.6pt; mso-wrap-style: square; visibility: visible; width: 406.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si82" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->82<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O Castelo de S. Jorge (19). Pormenor de Ambrosio Brambilla, vista de
Sevilla,1585. Biblioteca Nacional de <span style="background: rgb(248, 249, 250); color: #202122;">España</span>.</span><o:p></o:p></span></p><p class="MsoCaption"><span style="font-size: large;"><br /></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">A Igreja de Santa Ana (B)</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Ao centro a Igreja de Santa Ana (B) “<i>rica y de grande vecindad”,</i> ao fundo da
rua central por onde um homem com um cesto duplo ao ombro caminha em direção ao
Guadalquivir.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgSbeRJloOKUVVEBosVlY3NbNgDhfwW9ZVbg_R-NBXzfRPvD2zHHxRyxrskD1VNUQN91ZVh6-ySO8r0TESu_GHpPWVvjB5Zc3gidfRg6RuHgMWpNlpk2Yk3ftBDl188TePX0pMSkutbfMXGclo5d0tbtk36s66lQUvGFo3wANogRnfuee0_Ig5C0ho5=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1572" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgSbeRJloOKUVVEBosVlY3NbNgDhfwW9ZVbg_R-NBXzfRPvD2zHHxRyxrskD1VNUQN91ZVh6-ySO8r0TESu_GHpPWVvjB5Zc3gidfRg6RuHgMWpNlpk2Yk3ftBDl188TePX0pMSkutbfMXGclo5d0tbtk36s66lQUvGFo3wANogRnfuee0_Ig5C0ho5=w492-h640" width="492" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_167" o:spid="_x0000_i1026" style="height: 552pt; mso-wrap-style: square; visibility: visible; width: 423.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->83<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Igreja de Sant Ana. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoCaption"><br /></p><p class="MsoNormal"><span class="MsoSubtleEmphasis"><span style="font-family: arial; font-size: medium;">A Igreja de Santa Ana foi edificada na segunda
metade do século XIII, correspondendo a uma promessa de Alfonso X perante uma
doença nos olhos. Com o terramoto de 1356 teve de ser reedificada e nos séculos
XV e XVI foi aumentada a capela-mor e construídas outras capelas nas naves
laterais.</span></span></p><p class="MsoNormal"><span class="MsoSubtleEmphasis"><span style="font-family: arial; font-size: medium;">Assim o afirma Rodrigo Caro:</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><i><span style="font-size: medium;">“Es tan grande este
populoso arrabal, que en otra parte hiziera de per si una ilustre ciudad con su
<b>Parrochia de Santa Ana</b>, fundación
del Rey dõ AIonso el Sabio.” </span></i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[8]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><i><span style="font-family: arial;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Mal Lara elenca as igrejas de Triana:<span class="MsoSubtleEmphasis"><o:p></o:p></span></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“En Tríana ay una <b>yglesia de sancta Ana</b>, rica y de grande
vezindad, el </span></i><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">monasterio de la Victoria,
las Monjas de Cosolaciõ, la yglesia de sant Iorge dentro del Castillo…” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn9" name="_ftnref9" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[9]</span></span></span></a></span></p><h3><br /></h3><h3><span style="font-family: arial;"><span style="font-size: large;">O Mosteiro de Nossa Senhora da Vitória (C)</span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Na extremidade à direita o mosteiro de Nossa Senhora da
Vitória (C), que assinala Augustin Rojas na sua <i>El Viagem entretenido</i>:</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Solano. Estuvistes en el <b>monasterio de la Vitoria</b>? <o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Rojas. Es un têplo muy bueno.<o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Rios. No es temeridad los q tiene Sevilla, ansi
de frayles, como monjas.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn10" name="_ftnref10" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[</span><span style="font-size: 14pt;">10]</span></span></span></a></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhgfBwz5MrUP-tct1US97l1C0APT3JLuKZgJyO_KhizpIQjNEwvMowzbIrPJG23F2GUIaFgGfeDy_TKnfXycKDDTbmt-2hwxJd8lLNYRQu5T31x4EBza1YLzfuyj2rnvJET7Cwjyz2Z7QfsarkERz-cVdwKwgwyvuT8MM_wStW7gNrA3jJtKdzrh5xs=s2046" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2046" data-original-width="1470" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhgfBwz5MrUP-tct1US97l1C0APT3JLuKZgJyO_KhizpIQjNEwvMowzbIrPJG23F2GUIaFgGfeDy_TKnfXycKDDTbmt-2hwxJd8lLNYRQu5T31x4EBza1YLzfuyj2rnvJET7Cwjyz2Z7QfsarkERz-cVdwKwgwyvuT8MM_wStW7gNrA3jJtKdzrh5xs=w460-h640" width="460" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_168" o:spid="_x0000_i1025" style="height: 450.6pt; mso-wrap-style: square; visibility: visible; width: 323.4pt;" type="#_x0000_t75">
<v:imagedata o:title="si84" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->84<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> – Nossa Senhora da Vitória. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-family: arial;">
</span></span></p><div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Veja Carpio (1562-1635), El amante agradecido in Decimaseptima parte de Las
Comedias de Lope de Veja Carpio.En Madrid por la viuda de Alonso Martin de
Balboa, a costa de Miguel de Siles, 1618 (Acto III, pág.125). BNE.</span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 47v).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel
de Cervantes, El rufián dichoso in Ocho Comedias Y Ocho Entremeses nunca
representados compuestas por Miguel de Cervantes Saavedra. Viuda de Alonso
Martin, Madrid 1615. (pág.177).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la qual se contienen sus antiguidades, grandezas,
y cosas memorables en ella acontecidas, desde su fundacion hasta nuestros
tempos. Compuesta y ordenada por Afonso Morgado, indigno Sacerdote, natural de
la villa de Alcantara, en Estremadura. En la Imprensa de Andrea Fescioni y Iuan
de Leon Sevilla 1587. (libro segundo pág. 157).</span></span></span></p>
</div>
<div id="ftn5">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Agustin
Rojas (1572-c,1635), <i>El viagem
entretenido </i>de Agustin de Rojas, natural de Madrid. En la Empreta Real
Madrid M. DC. III. BNE. (pág. 57).</span></span><span class="MsoSubtleReference"><o:p></o:p></span></span></p>
</div>
<div id="ftn6">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la qual se contienen sus antiguidades,
grandezas, y cosas memorables en ella acontecidas, desde su fundacion hasta
nuestros tempos. Compuesta y ordenada por Afonso Morgado, indigno Sacerdote,
natural de la villa de Alcantara, en Estremadura. En la Imprensa de Andrea
Fescioni y Iuan de Leon Sevilla 1587. (pág.177)</span></span></span></p>
</div>
<div id="ftn7">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref7" name="_ftn7" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570. (pág. 33).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn8">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref8" name="_ftn8" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 47v).</span></span><span style="font-size: 9pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn9">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref9" name="_ftn9" title=""><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: normal; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></a><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> </span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570.</span></span><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> (pág.
145)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn10">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref10" name="_ftn10" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Agustin de Rojas, El viagem entretenido de
Agustin de Rojas, natural de Madrid. En la Empreta Real Madrid M. DC. III. BNE. </span></span></span><span style="font-family: arial; font-size: 9pt;">(pág.
57).</span></p><p class="MsoFootnoteText"><o:p></o:p></p>
</div>
</div><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><br /></span></span></p>
</div>
</div>
<p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><o:p><span style="font-family: arial;"> </span></o:p></span></span></p>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com1tag:blogger.com,1999:blog-3273935191454288917.post-7266556026928501332021-12-06T17:48:00.002+00:002021-12-06T17:55:06.609+00:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 4ª parte<p> </p>
<h4><span style="font-family: arial;"><span style="font-size: x-large;"><span class="TtuloCarter">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span>
<span class="TtuloCarter">1588</span></span><o:p></o:p></span></h4>
<p class="MsoNormal"><br /></p>
<h3><span style="font-family: arial; font-size: large;">Cap. 17</span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;">(18) </span><i style="mso-bidi-font-style: normal;"><span style="font-size: large;">Plaza del Duq. de Arcos</span><o:p></o:p></i></span></h3>
<p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-y2sNB9GvOnI/Ya3lS7ic_YI/AAAAAAAAyEg/QS9cXQJXovoNtDU0VVVc4k-MXunYViSxQCNcBGAsYHQ/s634/si56.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="515" data-original-width="634" height="520" src="https://1.bp.blogspot.com/-y2sNB9GvOnI/Ya3lS7ic_YI/AAAAAAAAyEg/QS9cXQJXovoNtDU0VVVc4k-MXunYViSxQCNcBGAsYHQ/w640-h520/si56.jpg" width="640" /></a></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">57</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Com o n.º 18 a Praça do Duque de Arcos. <span style="mso-no-proof: yes;">Pormenor
de </span>Sevilha 1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590).</span><o:p></o:p></span></p>
<p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoCaption"><span style="font-family: arial; font-size: medium;">O nome da praça refere Don Rodrigo Ponce de Léon (c.1490-1530) 1º Duque de Arcos que
foi <i>Alguacil mayor </i>de Sevilha.</span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Era </span>neto de Rodrigo Ponce de León (1443-1492), marquês de Cadiz e
então Conde de Arcos, que participou na conquista de Granada e jaz no convento
de Santo Agostinho em Sevilha.</span></span></p>
<h3><br /></h3>
<h3><span style="font-family: arial; font-size: large;">Cap. 18</span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;">(26) <i style="mso-bidi-font-style: normal;">Puerta de Goles.</i> A Porta de
Goles</span></span></h3>
<p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">A
ocidente, onde o Guadalquivir faz uma larga curva, situava-se na muralha, a
Porta de Goles.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">Entre
1560 e 1566 foi reformulada por Hernan Ruiz.</span><o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-kUc-LsNMokw/Ya3l68tGupI/AAAAAAAAyEo/-C_pClA4-J04eg3BXWv7URJHmR6jcGa8wCNcBGAsYHQ/s2048/si58.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1353" data-original-width="2048" height="422" src="https://1.bp.blogspot.com/-kUc-LsNMokw/Ya3l68tGupI/AAAAAAAAyEo/-C_pClA4-J04eg3BXWv7URJHmR6jcGa8wCNcBGAsYHQ/w640-h422/si58.jpg" width="640" /></a></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">58</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
<span style="mso-no-proof: yes;">– Porta de Goles. Pormenor de </span>Sevilha
1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de
</span>Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p>
<p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-family: arial; font-size: medium;"><span style="background: white; color: black;">A Porta de Goles </span>(<i style="mso-bidi-font-style: normal;">puerta
de Goles</i>), foi depois baptizada de <i style="mso-bidi-font-style: normal;">Porta
Real </i><span style="background: white; color: black;">(26)</span>, quando Felipe
II entrou em Sevilha por esta porta. <i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></i></span></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-family: arial; font-size: medium;">E nos Annales escreve Zu<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>iga citando Mal Lara:<o:p></o:p></span></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-family: arial;"><span style="font-size: medium;">“</span><span style="font-size: medium; font-style: italic;">Así fué discurriendo la triunfal entrada por entre el rio y la Torre
del Oro (por los mismos pasos que llevó San Fernando quando la primera vez
entró victorioso) hasta la puerta de Goles, ya Real, junto a la que estaba el
primer arco, y en re presentacion de diversas hermosas estatuas todos los lugares
de la tierra y jurisdiccion, cuyos letreros se hallarán en los libros de Malara,
y de Don Pablo de Espinosa…”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span><span style="font-family: arial;"> </span></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-family: arial; font-size: medium;">E prossegue Diego de Zu<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>iga:</span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“El Senado y Pueblo de Sevilla
dedicó la puerta Real á Don Felipe II, Rey de las Españas, defensor de la Fe,
por su bienaventurada venida á esta ciudad en el año de nuestro Salvador de
1570.</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="background-color: white; font-family: arial;">Segundo Mal Lara </span></span><span style="background-color: white; font-family: arial;"><span style="font-size: medium; font-style: italic;">“Era antiguamête llamada la puerta de
Hércules, o de Hercoles, y después corrõpiéndose el vocablo se llamó de Goles,
porq de unos a otros ha venido esta memoria de Hércules a Sevilla.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: black; font-size: 14pt;">[3]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="background: white; color: black;"><span style="font-family: arial;"><span style="font-size: medium;">E Juan de Mal
Lara narra a monumentalização da porta: “</span><span style="font-size: medium; font-style: italic;">hasta que vino don Francisco Chacón*, Asistête, que fue desta ciudad, y
mando con orden de Sevilla, que se edificasse y se alçasse de el suelo, y así
se alzó de piedra labrada, con su frontispicios y remates de unos grandes
globos y puntas, poniendo de la parte del río las armas de Su Majestad, y de la
parte de la ciudad, las que enella tiene en su sello, el sancto Rey dõ Fernando
y los santos Arçobispos della, sant Isidro y sant Leandro.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background: white; color: black; font-size: 14pt;">[4]</span></span></span></a></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; color: black; font-size: 12pt;"><span style="mso-spacerun: yes;"> </span>[*Don Francisco Chacon (15??-1580), quarto
Senor de Casarrubios, Cavallero de Santiago, Corregidor de Granada, y
Assistente de </span><span style="color: black; font-size: 12pt;">Sevilla em
1560.]</span></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: 12pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-g8aeqIdaE3k/Ya3nD7TKlhI/AAAAAAAAyEw/2zofSHyJQxwqd79OK9HxZkqE2sfJO8RTQCNcBGAsYHQ/s948/si59.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="948" data-original-width="613" height="640" src="https://1.bp.blogspot.com/-g8aeqIdaE3k/Ya3nD7TKlhI/AAAAAAAAyEw/2zofSHyJQxwqd79OK9HxZkqE2sfJO8RTQCNcBGAsYHQ/w414-h640/si59.jpg" width="414" /></a></span></div><p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: x-small;"><span><span style="font-family: arial;"><span style="mso-tab-count: 1;"> </span></span></span><span style="font-family: arial;">fig. </span><span style="font-family: arial;">59</span><span style="font-family: arial;">
</span><span style="font-family: arial;">– Porta de Goles. Pormenor de </span><span style="font-family: arial;">Sevilha
1588 no </span><i style="font-family: arial;">Civitates Orbis Terrarum </i><span style="font-family: arial;">de
</span><span style="font-family: arial;">Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="color: black; font-size: 12pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial; font-size: medium;">Alonso
Morgado também descreve a evolução do nome.</span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;"><span style="mso-spacerun: yes;"> </span>“La Puerta de Goles se dize, segun tradicion
de Hercules corrompido el nombre. La qual se llama Puerta Real, despues que la
Catholica Real Magestad del Rey Don </span></span></i><span style="font-family: arial; font-size: medium;"><i>Philipe nuestro se</i><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span></i></span><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">or entro por ella en
Sevilla, primero que por outra ninguna el ano de mil y quinientos y setenta.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Peraza também associa o nome de <i style="mso-bidi-font-style: normal;">Goles</i> a <i style="mso-bidi-font-style: normal;">Hércoles </i>contribuindo
para o mito da fundação de sevilha pelo herói grego.</span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium;"><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">“(…) la <span style="mso-bidi-font-style: italic;">Puerta </span></span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de Goles</span></i><i><span style="color: #656565; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">, </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">cuio </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">nombre </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">aunque </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">dicen Goles, </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">creo </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que ha </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">sido </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">por vicio del
t</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #545454; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">iempo</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">mudarse </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la <span style="mso-bidi-font-style: italic;">C </span></span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">en G </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">por </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que yo sin </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">duda </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">creo </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">se há de</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> decir de <span style="mso-bidi-font-style: italic;">Coles, </span>qu</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #545454; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">e </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">es nombre </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">propio d</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #545454; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">e </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Hércoles, que
</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #545454; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">el </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">H</span></i><i><span style="color: #545454; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">er</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> que
anteponemos </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">en este </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">nombre, </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">sobrenombre es, según</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">en </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">las <span style="mso-bidi-font-style: italic;">Questiones Annias </span>dice </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">el </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">sapientísimo Maestro Fray </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Juan </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Annio </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Viterviense y
</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">sobre
e</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">l B</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">eroso </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">también. </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">D</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">e </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">aquí re</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">su</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">lta </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ser </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">antiquísima
la antigüedad de Sevilla, </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">como </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">adelante</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">quando hablaremos de </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ven</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ida </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de Hércoles </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">en </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">E</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">spañ</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">a </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">más</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #414141; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">largamente </span></i><i style="mso-bidi-font-style: normal;"><span style="color: #595959; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">se </span></i></span><span style="color: #2b2b2b;"><span style="font-size: medium; font-style: italic;">dirá.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #2b2b2b; font-size: 14pt;">[6]</span></span><!--[endif]--></span></a></span><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="tab-stops: 46.5pt;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; text-align: center;"> </span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="color: black; letter-spacing: -0.15pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Segundo Mal Lara,</span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> no seu <i style="mso-bidi-font-style: normal;">Recibimiento</i>, na
entrada de Sevilha </span><span style="color: black; letter-spacing: -0.15pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">junto ao primeiro arco
triunfal, erguido para a visita de Felipe II, </span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">“<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">avia
un Colosso, que es figura de las que se hazian mayores, que la estatura
humana.”</i></b><i style="mso-bidi-font-style: normal;"> <o:p></o:p></i></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">O Colosso era uma representação<i style="mso-bidi-font-style: normal;"> </i>do herói grego Hércules (o mítico
fundador da cidade), uma alegoria de Felipe II, o monarca, na afirmação do
poder imperial.</span></span></p>
<p class="MsoNormal" style="line-height: 18pt; margin-right: -6.8pt; text-align: justify;"><span style="color: black; letter-spacing: -0.15pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Um dístico em latim no qual Hércules se dirige ao
Monarca:</span></span></p>
<p class="MsoNormal" style="margin-right: 56.2pt; text-align: justify;"><span style="font-family: arial; font-size: medium;"><i><span lang="EN-GB" style="color: black; letter-spacing: -0.15pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">“Hunc urbem statui,
posuit tibi moenia Iulus</span></i><span lang="EN-GB" style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span><i><span lang="ES-TRAD" style="color: black; letter-spacing: -0.15pt; mso-ansi-language: ES-TRAD; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Carolus ornauit, tu
meliora dabis.”</span></i></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span lang="ES-TRAD" style="mso-ansi-language: ES-TRAD; mso-bidi-language: AR-SA; mso-fareast-language: PT;">E que Mal Lara traduz por <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">“Yo
fundé esta ciudad. Iulio Cesar puso los muros a tu servicio. Carlos la adornó,
y tú le darás cosas mejores.”</i></b></span><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><o:p></o:p></span></b></span></p>
<p class="MsoNormal"><br /></p>
<p class="MsoNormal"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial;"><span style="font-size: medium;">Mal Lara apresenta um
desenho e descreve a estátua de Hércules remetendo para os mitológicos
trabalhos do herói grego.</span><o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-bVYvUYQB9v8/Ya3n84ERxMI/AAAAAAAAyE4/b6V8y_aVdJAPnSwU1HLxoo3Zg-aEcFaowCNcBGAsYHQ/s608/si59A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="608" data-original-width="343" height="640" src="https://1.bp.blogspot.com/-bVYvUYQB9v8/Ya3n84ERxMI/AAAAAAAAyE4/b6V8y_aVdJAPnSwU1HLxoo3Zg-aEcFaowCNcBGAsYHQ/w362-h640/si59A.jpg" width="362" /></a></span></div><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">60</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- <span class="LegendaCarter"><span style="mso-bidi-font-weight: normal;">Hercules
in</span></span><span style="mso-bidi-font-size: 14.0pt;"> </span><span class="MsoSubtleReference">Recibimiento que hizo la muy noble y muy leal ciudad
de Sevilla…1570. (pág. 56).</span></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><br /></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Hércules <i style="mso-bidi-font-style: normal;">“vestido del despojo del
Leon”, </i>(o Leão de Nemeia cuja pele era invulnerável) segura três maçãs (as
maçãs de ouro do jardim das Hespérides), que Juan de Mal Lara especifica a
simbologia: <i style="mso-bidi-font-style: normal;">“…las três mãçanas
significava las tres virtudes principales, q el Rey, o Heroe há d tener; la
una, </i><b style="mso-bidi-font-weight: normal;">Excandescentia Moderatio.</b><i style="mso-bidi-font-style: normal;"> La segunda </i><b style="mso-bidi-font-weight: normal;">Avariciae Tempera</b>.<i style="mso-bidi-font-style: normal;"> La tercera
</i><b style="mso-bidi-font-weight: normal;">Generosus Voluptatum</b> <b style="mso-bidi-font-weight: normal;">Contemptus</b></span><span style="font-size: medium; font-style: italic;">. Moderciõ, del enojo yardiente sanã. Templãça de la avarícia.
Menospreciar hidalgamente los deleytes.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[7]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">E Hercules pisa com os pés, o vencido Dragão, (a
Hidra de Lerna), o que significa <i style="mso-bidi-font-style: normal;">“tener
postrada la deleytosa blandura y amoroso regalo dela Lascivia, y apetitos
venéreos.” <o:p></o:p></i></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"><span style="font-size: medium;">Na mão esquerda o bastão de madeira de oliveira
selvagem e, para Mal Lara, </span><span style="font-size: medium; font-style: italic;">“la clava es
la razon y disciplina com que se rompen y desmallan las coraças del apetito, y
hazian la de alcorno que por ser matéria, que no se corrompe, y assi los
antíguos com este arbol senalaban Firmeza y fuerças.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[8]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p><span style="font-family: arial;"> </span></o:p></span></i></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"><span style="font-size: medium;">Seguia-se um conjunto de estátuas com poemas, <i style="mso-bidi-font-style: normal;">“Todas eran de un tamaño sobre sus pedestales, com ygual dístancía unas
de otras, que pareseían aver llegado entonces al recebimienro, y puestas por
orden, ofrescen a su Magestad graciosamente, lo q Dios fue servido de darles en
sus tierras…”</i> representando os “</span><span style="font-size: medium; font-style: italic;">Lugares
de Sevilla” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn9" name="_ftnref9" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[9]</span></span><!--[endif]--></span></a>
<span style="font-size: medium;">que Mal de Lara desenha e acompanha com uns versos em Latim e traduzidos
para castelhano.</span></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"><span style="font-size: medium;">E Mal Lara refere que, no segundo arco, estava
uma alegoria à deusa Victória (Niké) que Mal Lara descreve:</span></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-size: medium;">“(…) armada la cabeça de
una Celada y hermosas plumas, com unas armas antiguas, q eran una Coraça
moldeada, que reIuzia con oro. Los braços mostrauã unas mangas de malla. La
ropa bolante, que salia debaxo de las armas, era encarnada retocada en violado
y un Tafetan amarillo desde el ombro a la cintura, con la mano yzquierda,
presentava una corona Tríumphal de Laurel verde y com sus frutos y en medio
unas letras, DE TV RCIS.”</span></span></i><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-size: medium;"> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn10" name="_ftnref10" style="mso-footnote-id: ftn10;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[10]</span></span></span></span></a></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"><span style="font-size: medium;">Para além das vitórias de Felipe II em Lepanto e
na Flandres, a alegoria à Victoria, era, também, uma evocação do rei santo,
Fernando III (1201-1252), que tinha conquistado a cidade aos mouros.</span></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium;">E lembre-se - ainda - que <i style="mso-bidi-font-style: normal;">Victoria</i>
era o nome da nau de Fernão de Magalhães (1480-1521), a <b>“</b></span><span style="font-size: medium; font-style: italic;"><b>Nao Victoria (que dio una buelta al mundo)"</b> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn11" name="_ftnref11" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[11]</span></span><!--[endif]--></span></a>
<span style="font-size: medium;">sob o comando inicial do navegador português na sua viagem para as
Molucas e de circum-navegação que Camões evoca como <i style="mso-bidi-font-style: normal;">“<b>O Magalhães, no feito, com verdade, </b></i><b>/ </b></span><b style="font-style: italic;"><span style="font-size: medium;">Português, porém não na lealdade.”</span> </b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn12" name="_ftnref12" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[12]</span></span></span></a></span><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-9sGfsZlCxsQ/Ya3pmX87cdI/AAAAAAAAyFA/MsqIkKA1EaAoV47NfBITrjQ7Awb5VJRxQCNcBGAsYHQ/s1204/si59B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1062" data-original-width="1204" height="564" src="https://1.bp.blogspot.com/-9sGfsZlCxsQ/Ya3pmX87cdI/AAAAAAAAyFA/MsqIkKA1EaAoV47NfBITrjQ7Awb5VJRxQCNcBGAsYHQ/w640-h564/si59B.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="tab-stops: 46.5pt; text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_4" o:spid="_x0000_i1026" style="height: 347.4pt; mso-wrap-style: square; visibility: visible; width: 394.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si59B" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">61</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- </span><span class="MsoSubtleReference"><span style="font-size: x-small;">Abraham Ortelius, A nau Victotia pormenor de Maris
Pacifici de Theatrum Orbis Terrarum 1589.</span></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="background: white; color: #202122; mso-bidi-font-family: Arial;"><span style="font-family: arial; font-size: medium;">Na imagem de
Abraham Ortelius (1527-1598), a Nau Victoria sobre a qual esvoaça uma Vitória
alada, com uma legenda <i style="mso-bidi-font-style: normal;">“Prima ego
velivovis ambivi cursibus Orbem, Magellane novo te duce ducta freto. Ambivi,
meritoque vocor VICTORIA: sunt mî Vela, alæ; precium, gloria: pugna mare”</i></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="background: white; color: #202122; font-size: 12pt; mso-bidi-font-family: Arial;"><span style="font-family: arial;">[Fui a primeira a navegar à vela em volta do mundo e fui eu que te levei
Magalhães, a ser o primeiro a atravessar o estreito. Naveguei em volta do mundo
e por isso me chamo Victoria, as minhas Velas são asas, o meu prémio é a
glória, a minha luta o mar.]</span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"><span style="font-size: medium;">Magalhães havia partido em 1519 de Sevilha (mais propriamente de
Sanlucar de Barrameda na foz do Guadalquivir) e a nau Victoria após passar</span></span></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">“…………… <b style="mso-bidi-font-weight: normal;">o
Estreito que se arreia<o:p></o:p></b></span></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;">Co nome dele agora</span></i></b><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;">, o
qual caminha<o:p></o:p></span></i></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">Pera outro mar e terra que fica onde<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Com suas frias asas o Austro a esconde.”</span><span style="font-size: medium; font-style: italic;"> </span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn13" name="_ftnref13" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[13]</span></span></span></a></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial; font-size: medium;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">foi o único navio que, após a morte de Magalhães, regressou a San Lucar em
1522, comandado por Sebastian del Cano (1486-1526), completando a viagem de
circum-navegação.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">A Porta de Goles na pintura de Sanchez Coello.</span></span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Nj5I7UyXei4/Ya3qkSfRShI/AAAAAAAAyFI/yq6iB0S_NWc36WWtC8quAgedaV6wmAbAACNcBGAsYHQ/s558/si60.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="315" data-original-width="558" height="362" src="https://1.bp.blogspot.com/-Nj5I7UyXei4/Ya3qkSfRShI/AAAAAAAAyFI/yq6iB0S_NWc36WWtC8quAgedaV6wmAbAACNcBGAsYHQ/w640-h362/si60.jpg" width="640" /></a></div>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; color: black; font-size: 0pt; padding: 0cm;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></span><span style="font-family: arial; font-size: small;">fig. </span><!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="font-family: arial; font-size: small; mso-no-proof: yes;">62</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--><span style="font-family: arial; font-size: small;">
– </span><span style="font-family: arial; font-size: small; mso-spacerun: yes;"> </span><span style="font-family: arial; font-size: small;">A Porta de Goles. Pormenor da pintura
de Sanchez Coello.</span></p><div style="mso-element: footnote-list;"><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: normal; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego</span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> de
Ortiz de Zuñiga, Annales eclesiasticos, y seculares de la muy noble, y muy leal
civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas principales
memorias desde el año de 1246. En Madrid: en la Imprenta Real, por Iuan García
Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid 1677. (pág.52).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zu</span></span><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">iga, Annales eclesiasticos, y seculares de la
muy noble, y muy leal civdad de Seuilla, metropoli de la Andaluzia. Que
contiene sus mas principales memorias desde el año de 1246. En Madrid: en la Imprenta
Real, por Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros.
Madrid 1677. (pág. 53).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), <i style="mso-bidi-font-style: normal;">Recibimiento que
hizo la muy noble y muy leal ciudad de Sevilla a la C. R. M. del Rey don Felipe
N. S. </i>Con una breve descripción de la ciudad y su tierra. En casa de Alonso
Escrivano, Sevilla, 1570. (pág. 49).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn4" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570. (pág. 51).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la qual se contienen sus antiguidades,
grandezas, y cosas memorables en ella acontecidas, desde su fundacion hasta
nuestros tempos. Compuesta y ordenada por Afonso Morgado, indigno Sacerdote,
natural de la villa de Alcantara, en Estremadura. En la Imprensa de Andrea
Fescioni y Iuan de Leon Sevilla 1587. (pág.134).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn6" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" style="mso-footnote-id: ftn6;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis Peraza
La Historia de Sevilla (manuscrito) in Francisco Morales Padrón (1924-2010),
Boletin de la Real Academia Sevillana de Buenas Letras: Minervae Baeticae, nº
6, 1978 (pág. 76 a 174). (pág. 160 e 161).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn7" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref7" name="_ftn7" style="mso-footnote-id: ftn7;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570. (pág. 53v).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn8" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref8" name="_ftn8" style="mso-footnote-id: ftn8;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Idem
(pág.55).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn9" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref9" name="_ftn9" style="mso-footnote-id: ftn9;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Ibidem
(pág. 72).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn10" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref10" name="_ftn10" style="mso-footnote-id: ftn10;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570. (pág. 154 e 154v).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn11" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref11" name="_ftn11" style="mso-footnote-id: ftn11;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[11]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570. (pág. 8).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn12" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref12" name="_ftn12" style="mso-footnote-id: ftn12;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[12]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luís Vaz
de Camões (c.1524-1580), Os Lusíadas in Obras de Luís de Camões. Lello &
Irmão – Editores, Porto 1970. (Canto X, est. CXL pág. 1397).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn13" style="mso-element: footnote;">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref13" name="_ftn13" style="mso-footnote-id: ftn13;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[13]</span></span><!--[endif]--></span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Luís Vaz
de Camões (c.1524-1580), Os Lusíadas in Obras de Luís de Camões. Lello &
Irmão – Editores, Porto 1970. (Canto X, est. CXLI pág. 1397).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><br /></p><h3><span style="font-family: arial; font-size: large;">Cap. 19</span></h3><h3><span style="font-family: arial; font-size: large;">(4) <i>Casas de Colon</i>. A Casa de
Colombo</span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Junto à Porta de Goles situava-se a casa e a propriedade de Hernando Colón
(1488-1539), bibliógrafo e cosmógrafo, filho de Cristóvão Colombo (<i><span style="background: white;">Cristobal
Colòn</span></i><span style="background: white;">). <o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="background: white;">Escreveu a
biografia do seu pai editada em Veneza em 1571 em italiano com o título “</span><i>Historie de S. D. Fernando Colombo, ne/le
qua/i s'ha particolare et vera relatione dell'Ammiraglio D. Christoforo
Colombo, suo padre” </i>e posteriormente traduzida para espanhol e publicada em
1749 em Madrid.</span><span style="font-family: arial;"> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[1]</span></span></span></a></span><span style="background-color: white; font-family: arial; font-size: x-large; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"><a href="https://1.bp.blogspot.com/-vs_kqEJN_xw/Ya44nsTkYrI/AAAAAAAAyFY/5tBFKsCJcgY9mMpW0yO6cStekUIOUEVpQCNcBGAsYHQ/s1495/si61.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="771" data-original-width="1495" height="330" src="https://1.bp.blogspot.com/-vs_kqEJN_xw/Ya44nsTkYrI/AAAAAAAAyFY/5tBFKsCJcgY9mMpW0yO6cStekUIOUEVpQCNcBGAsYHQ/w640-h330/si61.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial; font-size: large;"><span style="background: white;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><span style="background: white;"><o:p></o:p></span></span></i></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->63<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Casa de Fernando Colombo. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span><span style="font-family: arial; font-size: x-large;"> </span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial; font-size: large;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"><a href="https://1.bp.blogspot.com/-jMZP5LEkbQ4/Ya444ZkNT8I/AAAAAAAAyFg/KCzrgthjFN8q4GArNk1Cshl-mO9QLy5tQCNcBGAsYHQ/s432/si62.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="422" data-original-width="432" height="626" src="https://1.bp.blogspot.com/-jMZP5LEkbQ4/Ya444ZkNT8I/AAAAAAAAyFg/KCzrgthjFN8q4GArNk1Cshl-mO9QLy5tQCNcBGAsYHQ/w640-h626/si62.png" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial; font-size: large;"><v:shape id="Imagem_x0020_144" o:spid="_x0000_i1025" style="height: 316.8pt; mso-wrap-style: square; visibility: visible; width: 324pt;" type="#_x0000_t75">
<v:imagedata o:title="si62" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.png">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->64<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- La Casa de Colon (4). Pormenor de Ambrosio Brambilla, Vista de Sevilla 1585.</span></span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: x-small;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference">[1]</span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: x-small;"> Alfonso
Ulloa (1529–1570), La Historia de D. Fernando Colón en la qual se da particular
y verdadeira relacion de la vida, y hechos de el Almirante D. Christoval Colòn
su padre, y el Descubrimiento de las Indias Occidentales, llamadas Nuevo Mundo,
que pertenece al Serenissimo Rei de España.” Que tradujo de Español en Italiano
Alonso de Ulloa. Madrid 1749.</span><span style="font-size: large;"><o:p></o:p></span></span></span></p><p class="MsoNormal"><br /></p><h3><span style="font-size: large;"><span style="font-family: arial;">Cap. 20</span></span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;">(8) <i>Calle delas Armas e </i>(16)</span></span><span style="font-family: arial; font-size: x-large;"> </span><i style="font-family: arial; font-size: x-large;">Plaza del Duq. de Medina</i></h3>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial;"><span style="font-size: medium;">A Porta de Goles dava acesso
à cidade pela <i>Calle de las Armas</i> (8)
até à praça do Duque de Medina (16).</span></span></span><span style="background-color: white; font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-XnYyPSdd7N4/Ya45xGB2imI/AAAAAAAAyFw/77Vr1XiAdIISORY7eIg9h41bTyUdG7EFgCNcBGAsYHQ/s1213/si63.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="1213" height="424" src="https://1.bp.blogspot.com/-XnYyPSdd7N4/Ya45xGB2imI/AAAAAAAAyFw/77Vr1XiAdIISORY7eIg9h41bTyUdG7EFgCNcBGAsYHQ/w640-h424/si63.jpg" width="640" /></a></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->65<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> – A Calle de las Armas. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p>
<p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoCaption"><o:p></o:p></p><h3><span style="font-family: arial; font-size: large;">(8) <i>Calle delas Armas</i></span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Como se vê na imagem,
a <i>Calle de las Armas</i> (8), está
representada como uma rua larga e quase rectilínea, a qual pelo número e qualidade das referências na literatura da época, mostra a sua importância na Sevilha de então.<o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p><span style="font-family: arial; font-size: large;">Diz Juan de Mal Lara:</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"> </span><span style="font-family: arial; font-size: medium;"><i>“Es esta puerta </i>[Goles]</span><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;"> al Poniente, tiene <b>una calle de las mas anchas de Sevilla, que
corre hasta ella, y llamase de las armas,</b> dizen, que entro por ella el Sancto
Rey Fernando, y assí estavan dos versos antiguamente puestos encima della, con
su Rey a cavallo y la espada alta…” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-size: 4.5pt;"><span style="font-family: arial;"> </span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Diego Zu<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>iga acrescenta:</span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Este fue el principio del Religioso Convento de nuestra Señora de la
Asuncion, de Monjas Mercenarias en <b>la
calle de las Armas</b>…” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="background: white; color: #292929; mso-bidi-font-family: Arial;"><span style="font-family: arial; font-size: medium;">O Convento de N. S. da Assunção, a que se refere </span></span><span style="font-family: arial; font-size: large;">Zu</span><span style="color: #1e1e1e; font-family: arial; font-size: large;">ñ</span><span style="font-family: arial; font-size: large;">iga</span><span style="font-family: arial; font-size: large;"> foi</span><span style="background-color: white; color: #292929; font-family: arial; font-size: large;"> fundado em 1547 e estava ao
cimo da </span><i style="background-color: white; color: #292929; font-family: arial; font-size: large;">Calle de las Armas</i><span style="background-color: white; color: #292929; font-family: arial; font-size: large;"> em frente
do Convento de la Merced Calzada, fundado no século XIII (hoje Museu das Belas
Artes).</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Lope
de Vega na comedia <i>La niña de plata </i>(1610/12), refere a <i>Calle de las Armas</i>, quando a sua personagem,
o Maestro de Santiago, mostrando Sevilha ao infante D. Enrique, este lhe
pergunta que rua é esta</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">“Maest.<i>Que os parece la Ciudad!</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Enriq. <i>Una octava maravilla;<o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">pero con decir Sevilla,<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>fe dice todo.</i> Maest. <i>Es verdad.</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Enriq. <b><i>Como </i></b><b><i>esta calle se llama?</i></b><b><o:p></o:p></b></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Maest. <b><i>De las
Armas</i></b><b>.</b><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Enriq. <i>Con </i><i>razon;<o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">mas pienso, que de amor son<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">con tanta bizarra Dama,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">y son las mas peligrosas;<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">si esta calle es de sus armas,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">que mas que à cien hombres de armas,<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">temo unas manos hermosas:” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial;"> <span style="font-size: medium;">Por sua vez,</span> </span><span style="font-family: arial; font-size: medium;">Luis
Vélez de Guevara (1579-1644) en <i>El diablo cojuelo</i>, publicado em
1641, já no tempo de Felipe IV, a personagem do Diabo leva o estudante Cleofás,
pelas ruas de Sevilha <i>“en la mayor parte
hijas del Laverinto de Creta”</i> até ao “<i>barrio del Duque, que es una plaza más ancha que las demás, ilustrada
de las ostentosas casas de los Duques de Sidonia,</i><i> </i>pela </span><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">"<b>calle
de las Armas</b> que se sigue luego a siniestra mano"</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E
o escritor e músico Vicente (Gomez Martinez) Espinel (1550-1624) no seu livro <i><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Vida del escudero Marcos de Obregón</span></i><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">, publicado em
Madrid em 1618, faz uma breve referência á <i>calle
de las Armas</i></span></span></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Entrè en su casa, que era
en una ccalle angosta que iba á dar á<b> la
calle de las Armas</b>, y luego me favoreció haciendo ventana: y advirtióme que
no diese muchos bordos, que ella me avisaría de lo que habia de hacer.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span><!--[endif]--></span></a><span style="color: #55371f; font-size: 9.5pt;"> <o:p></o:p></span></span></p>
<div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570. (pág. 50).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zuñiga, Annales eclesiasticos, y seculares de la muy noble, y muy
leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid: en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid
1677. Tomo IV (pág. 34)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Vega Carpio (1562-1635), <i>La niña de plata,
</i>Hallaràse esta Comedia, y otras de diferentes. Títulos, en Madrid en la
lmprenta de Antonio Sanz en la Plazuela de la calle de la Paz. Año de 1739.
(Jornada primera pág. 1). BNE.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Vélez de Guevara (1579-1644), <i>El diablo
cojuelo. </i>Imprenta Real, a costa de Alonso Pérez, Madrid 1641.</span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: PT;"><o:p></o:p></span></span></span></p>
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<div id="ftn5">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Vicente
Espinel (1550-1624), Vida del Escudero Marcos de Obregon por el maestro Vicente
Espinel ed. ilustrada por José Luis Pellicer. Biblioteca “Arte y letras”
Barcelona 1881. (Relacion Segunda Descanso III, pág. 214). [José Luis Pellicer
1842-1901].</span><o:p></o:p></span></span></p>
<p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> </span></span> </p>
<h3><span style="font-family: arial;"><span style="font-size: large;">(16) <i>Plaza del Duq. de Medina</i></span></span></h3>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Situada ao cimo da Calle delas Armas estava a Plaza del Duque de Medina.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-1Bg_OptxDe0/Ya49D8cp7sI/AAAAAAAAyF4/XG5_YukvtNQix2yLsKscUVSocQ1fi6TJgCNcBGAsYHQ/s810/si64.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="810" data-original-width="661" height="640" src="https://1.bp.blogspot.com/-1Bg_OptxDe0/Ya49D8cp7sI/AAAAAAAAyF4/XG5_YukvtNQix2yLsKscUVSocQ1fi6TJgCNcBGAsYHQ/w522-h640/si64.jpg" width="522" /></a></span></div><p></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
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– Praça Duque de Medina (16). Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Mal Lara descreve que Felipe II por aí passou:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>“Paso su Magestad adelante por
<b>la plaça del Duque de Medina</b></i>*</span><span style="font-size: medium; font-style: italic;">, y dio buelta a la calle de la Sierpe,
que es una de las largas y mas acompañadas de offícíos, y al cabo esta la
Cárcel nuevamente labrada por Seuilla siendo Assistente el Cõde de Monte agudo
Don Francisco Hurtado de Mendoça**…” </span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"> Mal Lara refere o</span><span style="font-family: arial; font-size: large;"> fundador da Casa de Medina e Sidónia, Alonso
Perez de Guzman (1256-1309), alcaide de Tarifa.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">No
século XVI o Duque de Medina era Juan Alonso Pérez de Guzmán (1502-1558), 6º
Duque de Medina e Sidonia, 8º Conde de Niebla e 3º Marquês de Caraza.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E em
1570 o Duque de Medina era Alonso Pérez de Guzman (1549-1615), 8º Duque de
Medina Sidonia, que desempenhou um importante papel na ascensão ao trono de
Portugal por Felipe II. <span style="color: #333333;"><o:p></o:p></span></span></p>
<p class="biog" style="background: white; line-height: 15.75pt; margin-bottom: 11.25pt; margin-left: 0cm; margin-right: 0cm; margin-top: 11.25pt; margin: 11.25pt 0cm; text-align: justify; vertical-align: baseline;"><span style="font-family: arial;"><span style="font-size: medium;">Mal Lara refere ainda<b> </b>Francisco Hurtado de Mendoza y Fajardo
(1532-1591), Marquês de Almazán e conde de Monteagudo, que foi Assistente de Sevilha
ente 1567 e 1570.</span><o:p></o:p></span></p>
<div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
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<div id="ftn1">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Juan de
Mal Lara (1524-1571), <i>Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. </i>En casa de Alonso Escrivano, Sevilla, 1570. (pág. 167).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span style="font-family: arial; font-size: large;">Cap. 22</span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">(22) <i>La Alameda</i>. A Alameda de
Hércules</span></span></h3><p class="MsoNormal"><b><i><span style="font-size: medium;"><span style="font-family: arial;">Ay, Alameda
mía! ¡Quién estuviera agora junto a una fuente tuya!".</span> </span></i></b></p><p class="MsoNormal" style="text-align: right;"><b><span style="font-family: arial;">Agustin Rojas </span></b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face="Arial, sans-serif" style="font-size: 14pt;">[1]</span></span></span></a></p><p align="center" class="MsoNormal" style="text-align: center;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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<p class="MsoCaption" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-vkUNW1NN6qU/Ya5C2k0huaI/AAAAAAAAyGI/7AkLIb4e324yj7b9r92DDWak3BtMhoL0QCNcBGAsYHQ/s1051/si65.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1051" height="438" src="https://1.bp.blogspot.com/-vkUNW1NN6qU/Ya5C2k0huaI/AAAAAAAAyGI/7AkLIb4e324yj7b9r92DDWak3BtMhoL0QCNcBGAsYHQ/w640-h438/si65.jpg" width="640" /></a></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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– A Alameda de Hércules. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><br /></span></p><p class="MsoCaption" style="text-align: left;"><span style="font-family: arial; font-size: x-small;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" style="font-family: "Times New Roman"; font-size: medium;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference" style="font-family: "Times New Roman"; font-size: medium;"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Agustin Rojas Villandrando (1572-c.1618) El viage entretenido En la Emprensa Real Madrid M. DC. III. (pág. 30)</span></span></span></p>
<p class="MsoNormal"><span style="background: white; color: #212529; mso-bidi-font-family: Arial;"><span style="font-family: arial; font-size: medium;">A Alameda foi construída por Francisco de Zapata y Cisneros
(1520-1594), Conde de Barajas, e Assistente da Cidade de 1573 a 1579,
aproveitando os terrenos da <i>Laguna</i>, um
pântano existente. <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white; color: #212529; mso-bidi-font-family: Arial;"><span style="font-family: arial; font-size: medium;">Foi aí criada uma alameda arborizada, com três fontes (Baco,
Neptuno e as Ninfas) e, à entrada, duas colunas romanas.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Nos <i>Annales</i> diz
Diego de Zu<span class="MsoSubtleReference">ñ</span>iga:</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">“<i>Es asimismo de este
año, </i>[1574] </span><span style="font-family: arial; font-size: medium; font-style: italic;">la hermosa y cómoda disposicion
de la <b>Alameda</b>: nombraban aquel sitio
la Laguna, porque siendo la parte mas baxa de la Ciudad, llamava assí el
concurso de sus aguas, que lo mas del año duravan en ella, y aunque por aquella
parte avia conductos vulgarmente usillos para su desague, no en todo alcançavan;
y los mesmos siendo preciso cerrarse, quando el Rio en sus avenidas crece, y
queda superior á lo mas de la Ciudad, causavan deteniendo la corriente de las
internas inundacion inexcusable; resultava de esto enfermedades en la vezindad,
exalando el agua encharcada con el calor del Sol, vapores nocivos, y enfermos
en el Verano, á que se deseava remedio, y se halló traza para darlo, añadiendo
con el hermosura á lo público…” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face="Arial, sans-serif" style="font-size: 14pt;">[1]</span></span></span></a></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E
Alonso Morgado descreve <i>La Alameda. <o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium; font-style: italic;">“En largo tiene toda
esta Alameda quinientas y sessenta varas de medir, poco mas, o menos, y ciento
y quarenta y tantas en ancho, toda elle rodeada de casas, entre las Collaciones
de San Gil, de Omnium sanctorum, de San Martin, de San Miguel, y de san Lorenço.”
</span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face="Arial, sans-serif" style="font-size: 14pt;">[2]</span></span></span></a></p>
<h3><span style="font-family: arial; font-size: medium;">As colunas da Alameda</span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado também refere as colunas:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium; font-style: italic;">“Y para ilustrar
Sevilla esta obra de su mano, hizo traer aqui com otras Herculeas fuerças dos <b>Colunas</b> de aquellas seys, que se dixo,
Libio Hercules Fundador de Sevilla aver dexado en esta ciudad en su memoria, de
piedra pardilla, rezissima como Marmol” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face="Arial, sans-serif" style="font-size: 14pt;">[3]</span></span></span></a></p>
<p class="MsoNormal"><span style="background: white; color: #212529; mso-bidi-font-family: Arial;"><span style="font-family: arial; font-size: medium;">Sobre estas colunas foram colocadas duas esculturas de Diego
de Pesquera (1530-1587), uma de Hércules, o mítico fundador de Sevilha, que se
diz representar Carlos V, e outra de Júlio César, o fundador de Hispalis e que,
do mesmo modo, se diz representar Felipe II de Espanha.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Assim o afirma Agustin Rojas:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium; font-style: italic;"> "¿No es cosa
memorable aquellas columnas que tiene? En una puesta la figura de Hércules,
primero fundador de esta gran Babilonia, y en la otra la de Julio César, que la
ilustró con los muros y cercas que la adornan y quince puertas en ellas que la
engrandecen y guardan" </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: arial; font-size: medium;">[</span><span face="Arial, sans-serif" style="font-size: 14pt;">4]</span></span></span></a></p><p class="MsoNormal" style="text-align: center;"><i></i></p><div class="separator" style="clear: both; text-align: center;"><i><a href="https://1.bp.blogspot.com/-LFuoOnxmTK4/Ya5E0FmDLdI/AAAAAAAAyGQ/vXb33KL-qWMfw7njjiHMEsoBSJedOs3_QCNcBGAsYHQ/s1920/si66B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1201" data-original-width="1920" height="360" src="https://1.bp.blogspot.com/-LFuoOnxmTK4/Ya5E0FmDLdI/AAAAAAAAyGQ/vXb33KL-qWMfw7njjiHMEsoBSJedOs3_QCNcBGAsYHQ/w400-h360/si66B.jpg" width="400" /></a></i></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="background: black; border: 1pt none black; font-family: "Times New Roman", serif; font-size: 0pt; padding: 0cm;"> </span><span style="font-family: arial; font-size: small;">fig. </span><span style="font-family: arial; font-size: small;">68</span><span style="font-family: arial; font-size: small;">
– </span><span style="color: #212529; font-family: arial; font-size: small;">Diego de Pesquera (1530-1587), estátuas de </span><span style="font-family: arial; font-size: small;">Hercules
e Júlio César na Alameda de Sevilha.</span><o:p style="font-family: arial; font-size: small;"></o:p><span style="font-family: arial; font-size: small;"> </span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><br /></p>
<p class="MsoNormal"><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;"><b>Três imagens da Alameda</b></span></span></p><p class="MsoNormal"><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Rapidamente a Alameda se tornou, com o Arenal, um
local de passeio, (a pé, a cavalo ou carruagem), preferido dos sevilhanos como
afirma Lope de Vega, na comédia <i>El amante agradecido</i>:</span></span></p>
<p class="MsoNormal"><b><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">"<i>y con la carroza sai</i><o:p></o:p></span></span></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">con pajes que cruxan seda, </span></i></b><b><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></b></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">una tarde a la Alameda</span></i></b><b><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></b></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">y otra tarde al Arenal</span></i></b><b><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">".</span></b></span><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face=""Arial",sans-serif" style="color: #222222; font-size: 14pt; mso-ansi-language: PT; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">[5]</span></span><!--[endif]--></span></a><o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-wFYOjUotf3E/Ya5GbXyCg7I/AAAAAAAAyGg/mjV1L9Gfrl8i8E9x-h4YkXiUpYbKAukVACNcBGAsYHQ/s1000/si68.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="647" data-original-width="1000" height="414" src="https://1.bp.blogspot.com/-wFYOjUotf3E/Ya5GbXyCg7I/AAAAAAAAyGg/mjV1L9Gfrl8i8E9x-h4YkXiUpYbKAukVACNcBGAsYHQ/w640-h414/si68.jpg" width="640" /></a></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><v:shape id="Imagem_x0020_19" o:spid="_x0000_i1027" style="height: 338.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si68" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape></b><span style="background: white; color: #212529; mso-bidi-font-family: Arial;"><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->69<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Autor desconhecido, Alameda de Hercules. 1647, óleo s/tela e madeira 106 x
162,5 cm. The Hispanic Society of America, N. Y.</span><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Lope de Vega, na comédia <i>La
Octava Maravilla,</i></span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Tu
famosa alameda,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">de las
colunas de Hercules honrada,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">mas no
es razon, que exceda,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">pudiéndote
alabar de patria amada,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">de
aquella en quien adoro,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Alcazar,
rio, templo, naves, y oro.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>No
alabo, Espa</i></b><span class="MsoSubtleReference"><i>ñ</i></span><b><i>a bella,<o:p></o:p></i></b></span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">tu
patria hermosa, tu ínclita Sevilla, <o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">sino esta
clara estrella,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">mas
unica, que tu octava maravilla,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">por
cuya causa vivo,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>el alma
esclamava, el coraçon cautivo.</i></b> “ </span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face=""Arial",sans-serif" style="font-size: 14pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></a> </p>
<p class="MsoNormal"><o:p> </o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-1GfhX0p88SQ/Ya5Hfa29WEI/AAAAAAAAyGo/_qTskTxM4NojMBKrNti-_IUhlXoIdkKzACNcBGAsYHQ/s1600/si67.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1042" data-original-width="1600" height="416" src="https://1.bp.blogspot.com/-1GfhX0p88SQ/Ya5Hfa29WEI/AAAAAAAAyGo/_qTskTxM4NojMBKrNti-_IUhlXoIdkKzACNcBGAsYHQ/w640-h416/si67.jpg" width="640" /></a></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-size: x-small;"><span style="background: white; color: #212529; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_20" o:spid="_x0000_i1026" style="height: 340.8pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si67" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape></span><b><o:p></o:p></b></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">f</span><span style="font-family: arial;"><span style="font-size: x-small;">ig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->70<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Autor desconhecido, Vista de la Alameda de Hércules, 1650. Colección Juan Abelló.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">No
primeiro plano onde se exercitam na luta e na espada dois pares de jovens,
junto à fonte e as colunas. Na alameda arborizada circulam coches e cavaleiros
e grupos de damas e cavalheiros que se passeiam.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Toda
a composição é fantasiosa pelas proporções e pelo desenho dos diversos
elementos.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">No século XVII,
Cristóbal de Monroy y Silva (1612-1649), no início da sua comédia intitulada<i> La Alameda de Sevilla y recato en el amor</i>,
apresenta um diálogo entre as personagens Don Fernando que conduz e descreve a
Alameda a Don Juan, e Gracioso Barahunda:</span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“(…)la Alameda, verde
esquadra<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">de mil alamos frondosos,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">que con ayrosa
batalla<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">pone entredicho al Agosto,
<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">defendiendo ardientes
llamas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">del mas lúziente Planeta<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">palpitantes esmeraldas.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">En dos calles
dividida,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">los arboles por tres
bandas,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">y con três fuentes de
marmol,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">que com raidosa
pujança.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">::::::::::::::::::::::::::::::::::::::::::::::<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Hercules, y Julio Cesar<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">en dos columnas tan altas.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">dán principio á frescura,<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>que dudo, que aya en Espa</i><span class="MsoSubtleReference"><i>ñ</i></span><i>a<o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">dos semejantes, tan gruessas,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">tan lisas, y tan gallardas.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">En este, pues sitio ameno,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">En esta frondosa estancia,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">tardes de Verano, y noches,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">los CavalIeros, y Damas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">hazen alarde vistoso<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">de hermosuras, y de galas.</span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">::::::::::::::::::::::::::::::::::::::::::::::</span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Aqui Carrozas, y Coches,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">siendolo de Auroras tantas,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">con dilatado passeo,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">con espaciosa arrogancia,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">torpes báxeles navegan<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">en esta selva de Thesalia.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Aqui Andaluzes cavallos,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">que al Betis pazieron
malvas,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">com alboroto festivo<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium; font-style: italic;">rayos, corren, ventos paran.”
</span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face="Arial, sans-serif" style="font-size: 14pt;">[7]</span></span><!--[endif]--></span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="font-family: Courier; font-size: 3.5pt; mso-bidi-font-family: Courier; mso-bidi-language: AR-SA;"> </span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E quando chegam à
Alameda prossegue o diálogo:</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">“d.Fer. <o:p></o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Esta es, Don Iuan, la Alameda.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">d.Jua. <o:p></o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Su amenidad maravilla,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">con su frescura regala,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>si con fu fragrancia alivia.</i></b><b><o:p></o:p></b></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Bar. <o:p></o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Alas me da la Alameda,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">para que bolando diga,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">nueva fama, aunque barbada,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">la ostentacion que publica</span></i></b><span style="font-family: arial; font-size: medium; font-style: italic;">.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span face="Arial, sans-serif" style="font-size: 14pt;">[8]</span></span></span></a></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Uma outra pintura anónima da Alameda parece ilustrar os versos da
comédia de Christóval de Monroy y Silva.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-otk-h7Txemg/Ya5I-vRTcpI/AAAAAAAAyGw/MIHoF8rwePg5WPVW-yauTeDILdG-Si0hgCNcBGAsYHQ/s1280/si69.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="889" data-original-width="1280" height="444" src="https://1.bp.blogspot.com/-otk-h7Txemg/Ya5I-vRTcpI/AAAAAAAAyGw/MIHoF8rwePg5WPVW-yauTeDILdG-Si0hgCNcBGAsYHQ/w640-h444/si69.jpg" width="640" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-family: arial;"><v:shape id="Imagem_x0020_152" o:spid="_x0000_i1025" style="height: 363.6pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si69" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></b></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->71<!--[if supportFields]><span
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- Autor desconhecido La Alameda de Hercules de Sevilla, óleo s/tela, 72 x 107
cm. Real Colegio de san Albano,
Valladolid.</span></p><p></p><div><div id="ftn1"><p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zuniga, Annales eclesiasticos, y seculares de la muy noble, y muy
leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid: en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid
1677. (Libro XV, pág. 542).<o:p></o:p></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la qual se contienen sus antiguidades,
grandezas, y cosas memorables en ella acontecidas, desde su fundacion hasta
nuestros tempos. Compuesta y ordenada por Afonso Morgado, indigno Sacerdote,
natural de la villa de Alcantara, en Estremadura. En la Imprensa de Andrea
Fescioni y Iuan de Leon Sevilla 1587. (pág.146).<o:p></o:p></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> idem<o:p></o:p></span></span></p>
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<div id="ftn4">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Agustin
Rojas Villandrando (1572-c.1618) El viage entretenido En la Emprensa Real
Madrid M. DC. III. (pág. 30)<o:p></o:p></span></span></p>
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<div id="ftn5">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Vega, Comedia famosa del Amante Agradecido Acto terceiro in Decima parte de las
Comedias de Lope de Veja Carpio, Familiar del Santo Oficio. Sacadas de sus
originales. Com privilegio Por Diego Flamennco Madrid Ano 1621. (pág. 103a)</span></span></p>
</div>
<div id="ftn6">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Veja, La octava maravilla Decima parte de las comedias de Lope de Vega Carpio
... : sacadas de sus originales, En Madrid : por la viuda de Alonso Martin
de Balboa, a costa de Miguel de Siles ..., 1618 (En Madrid): por Iuan de la
Cuesta, h. 151v-176v. Biblioteca Nacional España. (pág. 164).<o:p></o:p></span></span></p>
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<div id="ftn7">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref7" name="_ftn7" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Christóval
de Monroy y Silva (1612-1649), La Alameda de Sevilla y Recato en el amor. En
Sevilla por Francisco de Leefdael, en la casa del Correo Viejo, [entre
1701-1733]. Biblioteca Universitária de Sevilla. (pág. 2 e 3).</span></span></p><p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref8" name="_ftn8" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Christóval
de Monroy y Silva (1612-1649), La Alameda de Sevilla y Recato en el amor. En
Sevilla por Francisco de Leefdael, en la casa del Correo Viejo, [entre
1701-1733]. Biblioteca Universitária de Sevilla. (pág. 6).</span></span><span style="font-size: 9pt; text-align: center;"><span style="font-family: arial;"> </span></span></p></div></div><p class="MsoNormal" style="text-align: center;"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><br /></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-53716782906378950852021-12-03T16:30:00.004+00:002021-12-03T16:30:50.720+00:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 3ª parte<p> </p>
<p class="MsoTitle"><span class="TtuloCarter"><o:p><span style="font-family: arial; font-size: x-large;"><b> </b></span></o:p></span><b style="font-family: arial;"><span style="font-size: x-large;"><span class="TtuloCarter">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span>
1588</span></b></p>
<h3><span style="font-family: arial; font-size: small; font-weight: normal;">[Todos os sublinhados <i>bold </i>são da minha autoria.]</span></h3>
<h3><span style="font-family: arial; font-size: large;"><o:p> </o:p>Cap. 14</span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;">A Lonja</span></span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Junto à Catedral estavam as <i style="mso-bidi-font-style: normal;">Gradas</i> o lugar onde se juntavam os mercadores para os seus
negócios, como relata Pedro de Medina:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;">“Iunto
a la yglesia mayor, de aquesta Ciudad, estan las gradas, que dizen: aqui es la
lonxa, o lugar, donde concurren los mercaderes, que </span></i></b><b style="mso-bidi-font-weight: normal;"><i><span style="mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-font-family: TimesNewRomanPS-ItalicMT;">ay</span></i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;"> en esta Ciudad, los
quales son </span></i></b><b><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-font-family: TimesNewRomanPS-BoldMT;">mu</span></i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;">chos, muy ricos, y de muy grandes tratos.</span></i></b></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>Es
tanto el concurso, y son tantos los negocios, que en </i></b><b><i>este </i></b><b><i>lugar ay, que lo
tengo por uno de los mayores del mundo.”</i></b></span><span style="font-family: arial; font-size: medium; font-style: italic;"> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial; mso-bidi-language: AR-SA;"><o:p><span style="font-family: arial;"> </span></o:p></span></i></p>
<p class="MsoNormal"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">No
século XVI, por volta de 1583, e com Juan Hurtado de Mendoza, 3º Conde de
Orgaz, como Assistente de Sevilha, inicia-se o edifício da <i style="mso-bidi-font-style: normal;">Lonja </i>com um projecto de Juan de Herrera.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;">Com
a morte de Juan Herrera em 1587, sucedem-lhe Juan Minjares (</span>c.1520-1599)
e Alonso de Vandelvira (1544-1626).</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O novo edifício apenas foi concluído no início do século
XVII e, por isso, não figura na Vista de Sevilha do Civitates.</span></p>
<p class="MsoNormal"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Roberto
Caro encontra nos gregos a origem da palavra <i style="mso-bidi-font-style: normal;">Lonja</i>, e refere o edifício construído no tempo de Felipe II por Juan
de Herrera.</span></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">“Lonja de Mercaderes<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Por la comodidade, que
Sevilla tiene de la cercania del Oceano, y uso del rio Guadalquivir, há havido
en ella sienpre lonja de Mercaderes: asi lo afirma Estrabon de aquellos antiquissimos
siglos, llamandole en su lengua Griega Emporio; y aun pienso que la voz Lonja,
de que o en la nuestra usamos, tabien tiene <b style="mso-bidi-font-weight: normal;">origen Griego,</b> porque assi llaman en aquella lengua las lanças, o
hastas y pude ser, que por las almonedas, que antiguamente se hazian, secan
debaxo de una hasta, de donde <b style="mso-bidi-font-weight: normal;">Rey don
Felipe Segundo</b> (cuyos documentos de piedad, y prudencia Christiana seran
exemplares vivos de los siglos futuros) dio licencia a los mercaderos desta
ciudad, para que echando medio real por ciento en las mercadorias que a ella
vienen de fuera destos Reynos, edificassen lugar para la assistência de sus
tratos; y assi se començò, y tratò la obra en el lugar que oy la vemos, que es
entre la santa Iglesia mayor, y el Alcaçar, dando la traça el famoso <b style="mso-bidi-font-weight: normal;">Arquitecto Iuan de Herrera</b> Maestro
mayor del Escurial.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><o:p><span style="font-family: arial;"> </span></o:p></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Alonso de Morgado aponta a construção do novo edifício da <i style="mso-bidi-font-style: normal;">Lonja</i>: <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">"La nueva lonja de
mercaderes que también se va labrando a toda priessa se començo por el año mil
y quinientos y ochenta y tres. Será assi mismo despues de acabada, uno de los
heroycos y famosos edificios de todo el Orbe. El sitio, que costó sesenta y
cinco mil ducados, se le dio en la más cómoda parte de toda Sevilla, alli cerca
de Gradas que han servido y sirven de Lonja, en cuanto se acaba esta otra"</i></b></span><span style="font-size: medium; font-style: italic;"> </span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><o:p><span style="font-family: arial;"> </span></o:p></i></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> <span style="font-size: medium;">Finalmente<i> </i></span></span></o:p><span style="font-size: medium;"><span style="font-family: arial;">Diego de Zu</span><span style="color: #1e1e1e; font-family: arial;">ñ</span><span style="font-family: arial;">iga refere
a inscrição que assinala a construção da Lonja.</span></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><o:p><span style="font-family: arial;"> </span></o:p></i></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">EL MVT CATOLICO, Y MVY ALTO, Y MVY<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">PODEROSO REY DON FELIPE SEGVNDO, REY<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">DE LAS ESPAÑAS, MANDO HAZER ESTA<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">LONJA, ACOSTA DE LA VNIVERSIDAD DE<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">LOS MERCADERES, DE LA QUAL HIZO AD<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">MINISTRADORES PERPETVOS AL PRIOR, Y<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">CONSVLES DE LA DICHA VNIVERSIDAD,<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="mso-layout-grid-align: none; text-align: center; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">COMENZOSE A NEGOCIAR EN ELLA EN 14<o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">DIAS DEL MES DE AGOSTO DE 1598, <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span><!--[endif]--></span></span></a><o:p></o:p></span></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Para se ter uma ideia deste novo e grandioso edifício <span style="mso-bidi-language: AR-SA;">socorremo-nos de uma gravura posterior (1617), </span>do
tempo de Felipe III,<span style="mso-bidi-language: AR-SA;"> que analisaremos num
próximo Apontamento.</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="mso-bidi-language: AR-SA;"><o:p><span style="font-family: arial; font-size: medium;"></span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://1.bp.blogspot.com/-Cb1ejfxnpAw/Yao3etCr2iI/AAAAAAAAyDY/a4ZyuuOoOhQYFzxOb2DSJCVrBF2Xx-zwACNcBGAsYHQ/s276/si47.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="185" data-original-width="276" height="268" src="https://1.bp.blogspot.com/-Cb1ejfxnpAw/Yao3etCr2iI/AAAAAAAAyDY/a4ZyuuOoOhQYFzxOb2DSJCVrBF2Xx-zwACNcBGAsYHQ/w400-h268/si47.jpg" width="400" /></a></span></div><p></p>
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">48</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A <i>Lonja.</i> Pormenor da gravura de </span><span class="MsoSubtleReference"><span style="font-size: x-small;">Johannes
Janssonius (1588-1664), Panorama de Sevilla 1617. Aguaforte 292 x 842 cm.<span style="mso-spacerun: yes;"> </span>Col.<span style="mso-spacerun: yes;">
</span>Magnus Gabriel De la Gardie. Biblioteca Nacional da Suécia.</span></span></span></p>
<p class="MsoNormal"><span class="LegendaCarter"><span style="color: #1a1a1a; font-size: 9.0pt; mso-bidi-language: AR-SA; mso-fareast-language: EN-US;"><o:p><span style="font-family: arial;"> </span></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span class="LegendaCarter"><span style="color: #1a1a1a; mso-ansi-font-size: 14.0pt; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-language: EN-US;">E, </span></span><span style="mso-fareast-language: PT;">na voz de Luis de Gongora (</span><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">1561-1627), as <i style="mso-bidi-font-style: normal;">Gradas </i>e agora a <i style="mso-bidi-font-style: normal;">Lonja</i> lembradas pela personagem Galeazo, um velho mercador de
Sevilha</span><span style="mso-bidi-font-size: 14.0pt; mso-fareast-language: PT;">:</span></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">“No pisó un tiempo las Gradas<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">ni ahora pisa la Lonja,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Mercader de más caudal,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">Ciudadano de más honra<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: medium;">Que Galeazo en Sevilla…”</span> </i></b><span style="font-weight: bold;"> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span></p><div style="mso-element: footnote-list;"><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Pedro
de Medina (1493 – Sevilha, 1567), Libro de grandezas y cosas memorables de
España. Agora nuevo fecho y recopilado por el Maestro Pedro de Medina vezino de
Sevilla, Sevilla, Dominico de Robertis, 1548. (Libro segundo pág. 129).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteTextCxSpLast"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 60).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoNormalCxSpFirst"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.57).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn4" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zuñiga, Annales eclesiasticos, y seculares de la muy noble, y muy
leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid: en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid
1677. (pág.592).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5" style="mso-element: footnote;">
<h1 align="left" style="text-align: left;"><span style="font-weight: normal;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; letter-spacing: .25pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: PT; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Luis de
Gongora y Argote (1561-1627), Las firmezas de Isabela in Todas las obras en
varios poemas, recogidos por Gonzalo de Hozes y Cordona. En Sevilla, por
Nicolas Rodriguez, en calle Geno</span>a, en este ano de 1648. (pág. 194v).</span></span></span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></span></h1><div><span style="font-weight: normal;"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt; mso-bidi-theme-font: minor-bidi;"><br /></span></span></span></div><div><span style="font-weight: normal;"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 16.0pt; mso-bidi-theme-font: minor-bidi;"><br /></span></span></span></div><div><h3><span style="font-family: arial; font-size: large;">Cap. 15</span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;">(15) <i>Plaza de S. Francisco</i>. A
Praça de São Francisco</span></span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Porta de Triana dava acesso à praça de <span style="background: white;">S. Francisco (15), onde se encontrava o Convento de San
Francisco que dava o nome à praça.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">A praça foi adquirindo a tipologia
e conformação própria das praças renascentistas e barrocas, as quais incluiam o
edifício religioso (convento ou igreja), o edifício civil (Palácio ou
Administração) e sobretudo a fonte monumental, com funções utilitárias, mas
também decorativas e ambientais.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Assim a Praça de S. Francisco
tornou-se o centro administrativo de Sevilha com a construção do <i>Ayuntamento </i>em 1563 e mais tarde, em
1595, da <i>Cadeia Real</i>.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Na praça ainda a Fonte de
1578. (junto ao n.º 15 na imagem).</span></span><o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><i> </i></p><div class="separator" style="clear: both; text-align: center;"><i><a href="https://1.bp.blogspot.com/-Idfuln4D_0g/Yao50wh5QUI/AAAAAAAAyDg/2C1h3luL5LAzxMYFWx4xOwYtk3-16NNiACNcBGAsYHQ/s842/si48.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="616" data-original-width="842" height="468" src="https://1.bp.blogspot.com/-Idfuln4D_0g/Yao50wh5QUI/AAAAAAAAyDg/2C1h3luL5LAzxMYFWx4xOwYtk3-16NNiACNcBGAsYHQ/w640-h468/si48.jpg" width="640" /></a></i></div><i><br /></i><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="background: black; border: 1pt none black; font-family: "Times New Roman", serif; font-size: 0pt; padding: 0cm;"> </span><span style="font-family: arial; font-size: small;">fig. </span><span style="font-family: arial; font-size: small;">49</span><span style="font-family: arial; font-size: small;">
– A Praça de São Francisco. </span><span style="font-family: arial; font-size: small;">Pormenor de </span><span style="font-family: arial; font-size: small;">Sevilha
1588 no </span><i style="font-family: arial; font-size: small;">Civitates Orbis Terrarum </i><span style="font-family: arial; font-size: small;">de
</span><span style="font-family: arial; font-size: small;">Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p>
<p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Luis Peraza descreve a
envolvente da Praça de S. Francisco.</span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Van a parar a tan real
plaza estas calles a la redonda: <b>la Calle de Génova</b>, la Calle de Castro, la Calle
deTintares, la Calle de Catalanes, la Calle de la Sierpe, la<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>Calle de la Joyería </i><i>donde está la cárcel del Concejo, la Ropavieja, la Calle de
los Tundidores y la de Lino, que
es de los Batiojas, que son
ocho. Luego está la Plaza de S.
Salvador</i> <i>donde están los cordoneros y cereros o candeleros.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[1]</span></span></a></span></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">O Convento de São Francisco</span></span></h3>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Junto
da praça, e a ela dando o nome, o Convento de S. Francisco que Rodrigo Caro não
hesita em descrever como <b><i>“tan grande, tan sumptuoso, tan lleno de
memorias de la riqueza Sevillana, y la piedad Christiana, que poe excelência se
llama la Casa grande, com justo titulo, pues demas de la mucha grandiosidade
del Templo, Altar mayor, y Coro…” </i></b></span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[2]</span></span><!--[endif]--></span></a><b><i><o:p></o:p></i></b></span></p>
<p class="MsoNormal"><i><span style="font-family: arial;"> </span></i><span style="font-family: arial; font-size: large;">E
Luis Peraza associa o Convento de São Francisco à Praça do mesmo nome:</span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Hay otra plaza que dicen de S. Francisco, por un celebratísimo
monesterio desta orden, que está en ella; es esta plaza la más principal que
hay en toda la ciudad; </span></i></b><span style="font-family: arial; font-size: medium; font-style: italic;">será de
longura de dos tiros de ballesta y de un tiro de naranja de anchor; en ella se
hacen las fiestas más principales de reyes, duques, o grandes señores que hacen
en Sevilla. Es toda aportalada con mui altos y buenos portales a la redonda;
hay munchas puertas, y munchas y mui buenas ventanas y miradores y azoteas, de
donde suelen mirar.</span><b style="font-style: italic;"><span style="font-family: arial; font-size: medium;"> Está en medio della
la Imperial Casa de Cavildo, que de cantería solemnísimamente edificó la ciudad
de Sevilla, a cuia excelencia no se si edificio en toda España se osaría
igualar. Está allí más la Audiencia Real, que llaman los Grados de Sevilla, y
junto a esta casa está la Casa de la Justicia, que comúnmente llaman la Quadra.
Ay al un lado de esta plaza un grande y mui hermoso pilar de agua que sale por
dos caños, y él es mui grande donde todos pueden ir a beber.”</span> </b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: Arial, sans-serif; font-size: 14pt;">[3]</span></span></span></a><i style="text-align: center;"> </i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Alonso
Morgado também refere o Convento e a Praça:<o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p><span style="font-family: arial; font-size: large;"><i>“(…) gran </i><b style="font-style: italic;">Convento de San Francisco</b><i>,
que da nombre a la muy famosa </i><b style="font-style: italic;">Plaça de
San Francisco,</b><i> por estar fundado en ella, a la Collación de la Sancta
Iglesia Mayor.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference">[4]</span></span></a></span></p>
<h3><span style="font-family: arial;"><span style="font-size: large;"><i>Cabildo de Sevilla</i></span></span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>“Iunto com el Convento de san Francisco está el Cabildo de la ciudad.” </i></b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[5]</span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O <i>Cabildo </i>era o edifício da Administração
da cidade, inicialmente junto à Catedral, mas após a visita de Carlos V em
1526, foi construído um edifício na Praça de S. Francisco, segundo a traça de
Diego <span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Riaño (149_-1534) e após a sua morte ter-se-ocupado
da construção do edifício primeiro Juan Sanchez e finalmente Hernan Ruiz.</span></span></p>
<p class="MsoNormal"><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">Uma estampa muito posterior, de 1738, mostra o
Cabildo de Sevilha no século XVIII.</span><o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="color: #222222; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-3LfHrEkBVwM/Yao7b26frsI/AAAAAAAAyDo/zUvhtxx21HQrTDIQM6-5bKwgh4bmCyJGACNcBGAsYHQ/s1006/si49.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="1006" height="291" src="https://1.bp.blogspot.com/-3LfHrEkBVwM/Yao7b26frsI/AAAAAAAAyDo/zUvhtxx21HQrTDIQM6-5bKwgh4bmCyJGACNcBGAsYHQ/w400-h291/si49.jpg" width="400" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_132" o:spid="_x0000_i1028" style="height: 380.4pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si49" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->50<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pedro Tortolero (c.1700-1766). Vista y perspectiva de las casas de Cavildo de
Sevilla y celebre procesion del corpus 1738. Gravura 35,0 x 48,5
cm. British Museum.</span><o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial;"> </span></i><i><span style="font-family: arial;"> </span></i></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">Audiência Real</span><o:p></o:p></span></h3>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; font-size: large;">Na praça de S. Francisco situava-se ainda a </span><i style="font-family: arial; font-size: large;">Real Audiência</i><span style="font-family: arial; font-size: large;"> num edifício mandado
construir por Felipe II entre 1595 e 1597, e concluído já no reinado de Felipe
III, por volta de 1606</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Afirma Luis Peraza</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>“Está allí más la </i><b>Audiencia
Real</b><i>, </i><i>que llaman </i>los Grados<i>
</i><i>de Sevilla, y junto a esta
casa está </i>la Casa de la Justicia<i>,
</i><i>que comúnmente llaman </i>la Quadra<i>.”
</i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[6]</span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Rodrigo Caro<b><i> “En
la misma, fronteiro de las casas de Cabido, està la Real Audiencia, que tambien
es publico, y solene edifício, segun las se</i></b><b><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñas, que algunos
autores nos dexaron escritas.” </span></i></b></span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn7" name="_ftnref7" title=""><span class="MsoFootnoteReference"><span style="color: #1e1e1e;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[7]</span></span><!--[endif]--></span></span></a><b><i><o:p></o:p></i></b></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">A Fonte da praça de S. Francisco</span><o:p></o:p></span></h3>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="background-color: white; font-family: arial; font-size: large;">Em 1526 existiu um projecto
de reformulação da praça que incluía a instalação de uma fonte, que apenas foi
construída em 1539.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="background: white;">Mas, só em 1576, Asencio de
Maeda </span>(1547-1607)<span style="background: white;"> e Diego de Pesquera </span>(1530-1587)<span style="background: white;">,
concretizaram a renascentista<i> <b>fonte de Mercúrio</b></i>, colocada em frente do novo
edifício do <i>Ayuntamento</i>.</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="background: white;"><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-qfnb7vQYEuc/Yao9CzKBWAI/AAAAAAAAyDw/Fbw-yj1ZYtEnGtxoIMYKytDqcDzaQZgjQCNcBGAsYHQ/s842/si50.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="616" data-original-width="842" height="468" src="https://1.bp.blogspot.com/-qfnb7vQYEuc/Yao9CzKBWAI/AAAAAAAAyDw/Fbw-yj1ZYtEnGtxoIMYKytDqcDzaQZgjQCNcBGAsYHQ/w640-h468/si50.jpg" width="640" /></a></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span></span><span style="font-family: arial; font-size: small;">fig. </span><span style="font-family: arial; font-size: small;">51</span><span style="font-family: arial; font-size: small;">
– A Fonte da praça de San Francisco. </span><span style="font-family: arial; font-size: small;">Pormenor de
</span><span style="font-family: arial; font-size: small;">Sevilha 1588 no </span><i style="font-family: arial; font-size: small;">Civitates Orbis Terrarum </i><span style="font-family: arial; font-size: small;">de </span><span style="font-family: arial; font-size: small;">Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial; font-size: small;"><br /></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso
Morgado na sua <i>Historia de Sevilla</i> de 1587 faz uma descrição da fonte:</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>“Como es
la gran Fuente de la Plaça de San Francisco. Insigne por su altura, y galano
Remate en una muy vistosa Figura de Bronze, sobre un globo de lo mismo, que por
todas partes brota de si tanta agua, y com tanta fúria, que cayendo sobre una
Pila de Iaspe, y luego sobre outra tambien de Iaspe muy mayor de muchos Ca</i></b><b><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span></i></b><b><i>os, se travierten com agradable ruydo al limpio suelo
rodeado de Piedras de Marmol labradas de altor conveniente.”</i></b><i> </i> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn8" name="_ftnref8" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[8]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal"><span style="background: white; color: #222222;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> </span></i><span style="font-family: arial; font-size: large;">Para
ter uma ideia da Praça de São Francisco socorremo-nos de uma gravura, também muito
posterior, de 1745</span><span style="background: white; color: #222222; font-family: arial; font-size: large;">.</span></p>
<p class="MsoNormal"><span style="background: white; color: #222222; mso-bidi-font-family: Arial;"><span style="font-family: arial;"><span style="font-size: medium;">De notar que a fonte do Mercúrio, após ter sido restaurada em
1655 por Pedro Sanchez Falconete (1587-1666), foi totalmente reconstruída por Juan
Fernandez Iglesias (? -?), com a colocação de uma cópia da escultura original. </span><o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-KFWPzKXJ5fY/Yao92oEh8YI/AAAAAAAAyD4/2tJb9zcudA4BZ43Lp49hX6RVNAViDjgRQCNcBGAsYHQ/s1059/si51.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="856" data-original-width="1059" height="324" src="https://1.bp.blogspot.com/-KFWPzKXJ5fY/Yao92oEh8YI/AAAAAAAAyD4/2tJb9zcudA4BZ43Lp49hX6RVNAViDjgRQCNcBGAsYHQ/w400-h324/si51.jpg" width="400" /></a></span></div><span style="font-family: arial;"><br /></span><p></p>
<p class="MsoCaption"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><v:shape id="Imagem_x0020_15" o:spid="_x0000_i1026" style="height: 308.4pt; mso-wrap-style: square; visibility: visible; width: 381pt;" type="#_x0000_t75">
<v:imagedata o:title="si51" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->52<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Veduta del Monisterio e della Piazza de S. Francisco a Siviglia gravura em
cobre 1 x 20 cm. in Thomas Salmon (1679-1767), Lo Sato Presente de Tutti i
Paesi, E Popoli Del Mondo Naturale, Politico…, Venecia 1745.</span></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">As Touradas na Praça de São Francisco</span></span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Praça de S. Francisco, para além de centro administrativo,
era o local de Sevilha onde se desenrolavam as principais cerimónias civis e
religiosas, e as diversas festividades entre as quais as touradas, para o que
se cobria o pavimento de terra.</span></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Um plano posterior, do século XVIII, mostra como se
organizava a praça para nela se correrem touros.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-aLcsLHus7wk/Yao-gtx8VeI/AAAAAAAAyEA/M2CS_Trinr8wmMyjcNdBorSHJYTeTXiOgCNcBGAsYHQ/s910/si52A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="910" height="299" src="https://1.bp.blogspot.com/-aLcsLHus7wk/Yao-gtx8VeI/AAAAAAAAyEA/M2CS_Trinr8wmMyjcNdBorSHJYTeTXiOgCNcBGAsYHQ/w400-h299/si52A.jpg" width="400" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial;"><v:shape id="Imagem_x0020_135" o:spid="_x0000_i1025" style="height: 391.2pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si52A" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></i></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->53<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Plano de la Plaza de San Francisco preparada com tribunas para una corrida de
toros 1729 Archivo Municipal </span><o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial;"> </span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Miguel de Cervantes refere uma tourada em 25 de Maio de
1534:</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>“A</i><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>o de mil
y quinientos<o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">y treinta y quatro
corria,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">à veinte y cinco de
Mayo,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Martes, aciago dia,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Sucediò un caso
notables<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">En la Ciudade de
Sevilla,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Digno que ciegos le
canten,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Y que Poetas le
ecrivan.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Và la vuelta de <b>la plaza<o:p></o:p></b></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>de San Francisco</i></b><i>, <b>bendita,<o:p></o:p></b></i></span></p>
<p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">que corren toros en ella<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>por Santa Justa, y Rufina</i></b><i>;<o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">y apenas entrò en la
plaza,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">quando se lleva la
vista<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">tras de sì de todos
los ojos,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">que fu bueno donayre
miran.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Saliò en esto un toro
hosco:<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Valasme Santa
Maria!” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn9" name="_ftnref9" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[9]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p class="MsoNormal"><i><span style="font-family: arial;"> </span></i><i style="text-align: center;"><span style="font-family: arial;"> </span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Francisco de Ariño, num extenso poema, refere
que a primeira coisa que viu em Sevilha foi uma <i>fiesta de toros</i> na praça de S. Francisco em 5 de Julho de 1592.</span></span></p>
<p class="MsoNormal"><i><span style="font-family: arial;">“En la plaza de Sevilla<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Un miércoles en la tarde<o:p></o:p></span></i></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Ante la audiencia y cabildo<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Solenes fiestas se hacen.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Las paredes se divisan<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que arrastran por el aire<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Brocados de seda y oro,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Damascos y tafetanes.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Publícalas la ciudad,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Porque en ocasiones tales<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Quiere que la fama vuele<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De sus hechos inmortales.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Ventanas y miradores<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Daban vista tan suave,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que sus libreas parecen<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Arcos del cielo triunfales.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Muchas damas se veian<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Por los balcones mas
grandes,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">En quien beldad y nobleza<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Se ajuntan con otras partes. <o:p></o:p></span></i></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Los tablados están llenos<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">De gente que mas no cabe<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Y mas de mil quitasoles<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Defienden al sol que arde.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Las tres son dadas y viene,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><i><span style="font-family: arial;">El asistente que trae<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Tan grande acompañamiento<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Cual nunca se vio mas
grave.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Cincuenta Alabarderos<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Lleva de guardia adelante,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Después muchos alguaciles<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y ú él acompañan alcaldes.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">La vista del pueblo lleva<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">En su aparato tan grande<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que en ver tan soberbia
pompa<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Nadie hay que no se
espante.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Luego en este punto asoman<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">En caballos alazanes<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Dos embozados que á todos<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Suspenden para miralles.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Veinte lacayos robustos<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Con ellos delante salen<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Morado y blanco el vestido<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Espadas doradas traen.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De ser Don Ñuño y Medina<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Dan muestra y claras
señales<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que, aunque vienen
embozados,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">No pueden disimularse.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Morado y tela de plata<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Es su librea que aplace<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Capas y sayos baqueros<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Acuchilladas las haces.</span></i></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Pasada mas de una hora<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Los toros al coso salen<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Donde mostrando su fuerza<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Bien cara venden su sangre.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Cuando se corre el tercero<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Suenan trompas y atabales<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Y tocaron chirimias<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Que rompen los claros aires.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Los que han de jugar las
cañas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Aguardan fuera en la calle;<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">La ciudad cuando lo supo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Manda que los toros paren.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Sosegada ya la gente<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Las puertas luego les abren<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y corriendo las parejas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">La vistosa entrada hacen<b> </b><o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">En estas cuadrillas vienen<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Los caballeros Guzmanes<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que asombran elmundo todo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Con su valentía y sangre.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Vienen Ponces de Leon,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Enriques y Portugales,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Vicentelos, Saavedras,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Los Zúñigas y Duartes.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Lleva la primer cuadrilla<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De caballeros diez pares<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Tan iguales en esfuerzo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Cuanto en la destreza
iguales.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De amarillo es la librea<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Marlotas y capellares,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Plumas pajizas y rojas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que les sirven de
almaizares.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Despues la segunda viene<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Con sombreros muy galanes,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Encarnadas las marlotas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y blancos los capellares.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">La tercera muy bien muestra<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Cuanto en bizarría vale <o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De azul viene y amarillo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y bonetes por turbantes.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Lleva la cuarta cuadrilla<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Ricas perlas y plumages,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">La librea es toda azul<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y enlazados los turbantes.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">La postrera es pardo y
blanco<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Por trabajo y luz lo traen,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que del trabajo les sigue<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Fama y luz á su linaje.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Las adargas esculpidas</span><o:p></o:p></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De cifras, motes,
disfraces,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Con letras y con divisas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De plata y oro el esmalte.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Todos en comun vienen<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Tan biçarros y galanes<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Que no hay diferencia entre
ellos<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Cual mejor divisa saque.<o:p></o:p></span></i></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Un toro sacan al coso<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">De gran esfuerzo su talle<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Y sus cuernos parecian<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span style="font-family: arial;">Como puntas de diamante.<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Don Fernando Ponce y Leon<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Derecho al toro se parte,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">El rejon enarbolado<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Dando muestra cuanto vale.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Muchas suertes habia hecho<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Sin que otro se señale,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Como quien lee la cartilla<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Para que aprendan y callen.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Don Juan Vicentelo el corzo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Echó despues tan buen
lance,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Quel hierro y dél hasta un
palmo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Le dejó al toro en la
carne.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Ya las cañas se aperciben,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Ya se dividen en partes,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y aseguran las adargas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Con gentileza y donaire.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Suben boordos al cielo<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Tan altos que, cuando caen,<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Parecen ser diferentes<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">De lo que mostraban de
antes.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Acabadas ya las cañas<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Se juntan como en alarde<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-family: arial;">Y haciendo un caracol<o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><i>A las fiestas dan remate.</i><span class="MsoFootnoteReference"> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn10" name="_ftnref10" title=""><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[10]</span></span><!--[endif]--></a></span><i><o:p></o:p></i></span></p>
<div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (pág. 167 e 168).</span></span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 61v)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (pág. 167).</span></span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla, en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprensa de
Andrea Fescioni y Iuan de Leon Sevilla 1587. (pág.406).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 61v)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn6">
<p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (pág. 167).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></span></p>
</div>
<div id="ftn7">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref7" name="_ftn7" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág.62v)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn8">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref8" name="_ftn8" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la qual se contienen sus antiguidades,
grandezas, y cosas memorables en ella acontecidas, desde su fundacion hasta
nuestros tempos. Compuesta y ordenada por Afonso Morgado, indigno Sacerdote,
natural de la villa de Alcantara, en Estremadura. En la Imprensa de Andrea
Fescioni y Iuan de Leon Sevilla 1587. (pág.151).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn9">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref9" name="_ftn9" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel
de Cervantes Saavedra, <i>El rufian dichoso</i>,
publicado en 1615. (pág.6)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn10">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref10" name="_ftn10" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">
Francisco de Ariño, <i>Sucessos de Sevilla
de 1592 a 1604,</i> redigidos por Francisco de Ariño, Imprenta de D. R. Tarascó
y Lassa. Sevilla 1873. (pág. 4).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span style="font-family: arial; font-size: large;">Cap. 16</span></h3><h4><span style="font-family: arial;"><span style="font-size: large;">(17) <i>Plaza de Don Pedro Ponce</i></span></span></h4><p class="MsoNormal"><span style="font-family: arial;"><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold;"><span style="font-size: medium;">O nome da praça
refere-se a D. Pedro Ponce de Cabrera</span></span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-size: medium;"> (morto
entre 1248 e 1254), que participou com o rei D. Fernando III (1201-1252) nas
lutas pela reconquista da Andaluzia (Córdova 1236 e Sevilha 1248).</span><o:p></o:p></span></span></p><p class="MsoNormal"><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-IsJxLdPttHk/YapB5Bqcr0I/AAAAAAAAyEI/ifbk79b8Qr83IIYu9FhMAWLVkuceeGUjwCNcBGAsYHQ/s1479/si53.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1479" data-original-width="865" height="640" src="https://1.bp.blogspot.com/-IsJxLdPttHk/YapB5Bqcr0I/AAAAAAAAyEI/ifbk79b8Qr83IIYu9FhMAWLVkuceeGUjwCNcBGAsYHQ/w374-h640/si53.jpg" width="374" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->54<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Com o nº. 17 a <i>Plaza de Don Pedro Ponce. </i>Pormenor
de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoCaption"><br /></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Do lado do Arenal a praça era rematada pela igreja da
Madalena e pelo convento de São Paulo.</span></span></p><h4><span style="font-family: arial;"><span style="font-size: large;">(21) <i>La Madalena</i></span><o:p></o:p></span></h4><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-lAnvBjLSXuc/YapCh92glRI/AAAAAAAAyEQ/UnSlVzwv5pEQcm3w7w4ov1LKDrcufzEpACNcBGAsYHQ/s612/si54.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="612" height="564" src="https://1.bp.blogspot.com/-lAnvBjLSXuc/YapCh92glRI/AAAAAAAAyEQ/UnSlVzwv5pEQcm3w7w4ov1LKDrcufzEpACNcBGAsYHQ/w640-h564/si54.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_137" o:spid="_x0000_i1026" style="height: 302.4pt; mso-wrap-style: square; visibility: visible; width: 342.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->55<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Com o n.º 21 a Igreja da Madalena. Pormenor de
Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><h4><span style="font-family: arial;"><span style="font-size: large;">(14) <i>Monasterio de S. Pablo</i></span></span></h4><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O Real Convento de San Pablo del Orden de Santo
Domingo que </span></span><span style="font-family: arial; font-size: large;">Alonso Morgado refere como:</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“EL Sacro <b>Convento de San Pablo</b>, que es de la
Orden de los Predicadores, en la Collación de la Magdalena, promete en esta
ciudad tanta antiguedad, como el </span></i><span style="font-family: arial;"><span style="font-size: medium;"><i>q mas, como parece por este
Previlegio de merced tambiê del mismo Rey Don Alonso del principio de su
Reynado, que denota averse otorgado despues de su fundacion.” </i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-6gQMh82Lx2g/YapDbYeM5XI/AAAAAAAAyEY/_kH5v1kydHIE1B1Q3EEDCtjg4oIJ13auwCNcBGAsYHQ/s1023/si55.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="597" data-original-width="1023" height="374" src="https://1.bp.blogspot.com/-6gQMh82Lx2g/YapDbYeM5XI/AAAAAAAAyEY/_kH5v1kydHIE1B1Q3EEDCtjg4oIJ13auwCNcBGAsYHQ/w640-h374/si55.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_138" o:spid="_x0000_i1025" style="height: 305.4pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->56<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Mosteiro de S. Pablo. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-family: arial;">
</span></span></p><div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Alonso
Morgado, Historia de Sevilla en la qual se contienen sus antiguidades,
grandezas, y cosas memorables en ella acontecidas, desde su fundacion hasta
nuestros tempos. Compuesta y ordenada por Afonso Morgado, indigno Sacerdote,
natural de la villa de Alcantara, en Estremadura. En la Imprensa de Andrea
Fescioni y Iuan de Leon Sevilla 1587. (Libro Quinto pág.396).</span><o:p></o:p></span></span></p>
<p class="MsoFootnoteText"><o:p> </o:p></p>
</div>
</div><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p>
</div>
</div></div>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-9073587293573505042021-11-30T16:01:00.000+00:002021-11-30T16:01:17.182+00:00Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 2ª parte <p> </p><p class="MsoTitle"><br /></p>
<p class="MsoTitle"><span style="font-family: arial;"><span style="font-size: x-large;"><b><span class="TtuloCarter">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span>
1588</b></span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="background: white; color: #202122; font-size: 12pt; mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">Cap. 7</span></span></h3>
<h3><span style="font-family: arial;"><span style="font-size: large;"><i style="mso-bidi-font-style: normal;">Postigo del Carbon</i> (inscrito na
imagem)</span><o:p></o:p></span></h3>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-4Zurxq5Xuu0/YaYDPSPFgwI/AAAAAAAAyA0/nQtbjcihlAYuK5aU_JIbxeLbhj1R6srfgCLcBGAsYHQ/s678/si31.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="678" height="442" src="https://1.bp.blogspot.com/-4Zurxq5Xuu0/YaYDPSPFgwI/AAAAAAAAyA0/nQtbjcihlAYuK5aU_JIbxeLbhj1R6srfgCLcBGAsYHQ/w640-h442/si31.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Postigo del Carbon. <span style="mso-no-proof: yes;">Pormenor de </span>Sevilha
1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de
</span>Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p>
<p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; text-align: center;"> </span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Os postigos do <i style="mso-bidi-font-style: normal;">Carbón</i>
(escrito à direita na imagem), e o do <i style="mso-bidi-font-style: normal;">Aceite</i>,
eram as portas funcionais da muralha.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-font-style: italic; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">O <i>Postigo del
Carbón </i>era de início uma simples abertura na muralha construída no
tempo </span><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">de Alfonso X o Sábio </span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold;">(1221-1284)</span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">, rei de Castela e Leão de 1252 até 1284.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">O arquitecto Hernán Ruiz (</span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">c. 1514-1569) reformulou o Postigo em 1566 e foi então
colocada uma lápide comemorativa. </span><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">Em 1573 efectuou-se nova
intervenção com a colocação de um novo brasão com as Armas Reais. Foi chamado
ainda de <i style="mso-bidi-font-style: normal;">Postigo del Oro.</i></span></span></p>
<p class="MsoNormal"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Na
pintura atribuída a Sanchez Coello a <i>Puerta del Carbon</i> é destacada em branco na
sua nova forma.</span></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-4h7xreWPjwQ/YaYDhgpQz4I/AAAAAAAAyA8/0nUpEaoq1mgt337GXHLaZxoYsZhaEJb1ACLcBGAsYHQ/s248/si32.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="202" data-original-width="248" height="326" src="https://1.bp.blogspot.com/-4h7xreWPjwQ/YaYDhgpQz4I/AAAAAAAAyA8/0nUpEaoq1mgt337GXHLaZxoYsZhaEJb1ACLcBGAsYHQ/w400-h326/si32.jpg" width="400" /></a></span></div><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_91" o:spid="_x0000_i1025" style="height: 202.2pt; mso-wrap-style: square; visibility: visible; width: 247.8pt;" type="#_x0000_t75">
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<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">31</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- <span style="mso-bidi-language: AR-SA; mso-no-proof: yes;"><span style="mso-spacerun: yes;"> </span>A porta del Carbon. </span>Pormenor do quadro
atribuído a Alonso Sanchez Coello (1531-1588), óleo s/ tela, 146 x 295 cm.
Museu do Prado/Museu das Américas</span><span style="mso-bidi-language: AR-SA;"><o:p></o:p></span></span></p>
<h2><span style="mso-fareast-language: PT;"><o:p><span style="font-family: arial;"> </span></o:p></span></h2>
<h3><span style="border: 1pt none windowtext; mso-border-alt: none windowtext 0cm; padding: 0cm;"><span style="font-family: arial;"><span style="font-size: large;">Postigo do Azeite </span></span></span></h3>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT;">Também
conhecido como <i style="mso-bidi-font-style: normal;">“</i></span><i style="mso-bidi-font-style: normal;"><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">puerta de los Barcos”</span></i><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">
no século XII, já que os almoádes tinham junto a ela construído as primeiras <i style="mso-bidi-font-style: normal;">atarazanas</i>.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">O</span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"> bresciano </span><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">Benvenuto
Tortelli (1533-1594), com o nome convertido para espanhol de Benvenuto Tortelo,
foi, </span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">entre 1569 e 1571, </span><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;">nomeado
<i style="mso-bidi-font-style: normal;">Maestro Mayor de las Obras de la Ciudad</i>,
e, entre outras obras, encarregado de projectar a reforma desta entrada, que
consistiu na união das duas primitivas torres, obra que terminou em 1573, data essa
que se encontra na lápide.</span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Pelo Postigo do Azeite entrava o azeite proveniente dos
olivais dos arredores de Sevilha, sendo sobretudo conhecidos e apreciados,
aqueles provenientes de Aljarafe (em árabe = outeiro), uma zona nos arredores
de Sevilha e rica em olivais. <o:p></o:p></span></p>
<p class="MsoNormal"><br /></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado refere a abundância de Azeite em Sevilha:</span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Provee Sevilla de Azeyte a
todo el Reyno, y a todas las Indias, si puede assi dezirse, por lo qual no
tengo para que tratar de su inmensa abundancia.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> <o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Do mesmo modo, Agustin Rojas refere o Azeite, no diálogo
entre as personagens Rios e Ramirez, na sua comédia, já aqui citada, <i style="mso-bidi-font-style: normal;">El viagen entretenido:</i></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">“Rios<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">Sin esto, <b style="mso-bidi-font-weight: normal;">provea
Sevilla de azeyte a todo el reyno, ya las Indias?</b> <o:p></o:p></span></span></i></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">Ramirez<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">Yo he oydo dezir, que muchos dias se registran
en la Aduana, mas de<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">diez mil arrobas: y que su diezmo y alcavalas,
pasa de quarenta mil ducados, y veynto mil arrobas de azeyte.<o:p></o:p></span></span></i></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: arial;"><span style="font-size: medium;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-language: AR-SA;">Y que en espacio de dos horas, se</span></i></b><b style="mso-bidi-font-weight: normal;"> </b><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-language: AR-SA;">vende
<i style="mso-bidi-font-style: normal;">a su puerta todo de contado</i></span></b></span><span style="font-size: medium; font-style: italic;">.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><b><span style="font-size: 14pt;">[2]</span></b></span><!--[endif]--></span></a><span style="font-size: 8pt;"><o:p></o:p></span></span></p>
<div style="mso-element: footnote-list;"><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla Historia de Sevilla en la cual se contienen sus
antigüedades, grandezas y cosas memorables en ella acontecidas desde su
fundación hasta nuestros tiempos, Compuesta y ordenada por Afonso Morgado,
indigno Sacerdote, natural de la villa de Alcantara, en Estremadura. En la
Imprenta de Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.156).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Agustin
Rojas (1572-c,1635), <i style="mso-bidi-font-style: normal;">El viagem
entretenido </i>de Agustin de Rojas, natural de Madrid. En la Empreta Real
Madrid M. DC. III. (pág. 22 e 23). BNE.</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">Cap. 8</span></span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">(40) <i>Las Ataraçanas.</i> (Atarazanas)</span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">No Arenal, entre o
Postigo del Carbon e do Aceite e a Torre de la Plata e a Torre del Oro,
encontravam-se as Atarazanas (40). <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="background: white;">Construções árabes do século
XII, sobre as quais, em 1</span>252 Alfonso X constrói as <i>Reales Atarazanas</i>,<span style="background: white;"> e que no século
XVI foram modificadas com a construção em 1587 da Aduana (</span>Alfândega).</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-vRJZyqQHYNY/YaYEupdFivI/AAAAAAAAyBE/lUwOCsMBQjEfO6Ww8waR6x-TiOr24jzzgCLcBGAsYHQ/s1481/si33.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="498" data-original-width="1481" height="216" src="https://1.bp.blogspot.com/-vRJZyqQHYNY/YaYEupdFivI/AAAAAAAAyBE/lUwOCsMBQjEfO6Ww8waR6x-TiOr24jzzgCLcBGAsYHQ/w640-h216/si33.jpg" width="640" /></a><br /></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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– As Atarazanas. Pormenor de Sevilha 1588
no <i>Civitates Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).<o:p></o:p></span></p><p class="MsoCaption"><o:p><span style="font-family: arial; font-size: x-small;"> </span></o:p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><v:shape id="Imagem_x0020_93" o:spid="_x0000_i1027" style="height: 202.2pt; mso-wrap-style: square; visibility: visible; width: 247.8pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-oyEASf8_DY8/YaYFCwPJ5TI/AAAAAAAAyBM/Xm9DScWXNMU7zCEcw_FcxwJNRD1-f0xcgCLcBGAsYHQ/s248/si32.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="202" data-original-width="248" height="326" src="https://1.bp.blogspot.com/-oyEASf8_DY8/YaYFCwPJ5TI/AAAAAAAAyBM/Xm9DScWXNMU7zCEcw_FcxwJNRD1-f0xcgCLcBGAsYHQ/w400-h326/si32.jpg" width="400" /></a></div><span style="font-family: arial;"><div style="text-align: center;"><span style="font-size: small;">fig. </span><!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="font-size: small;">33</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--><span style="font-size: small;">
- Pormenor do quadro atribuído a Alonso Sanchez Coello (1531-1588), óleo s/
tela, 146 x 295 cm. Museu do Prado/Museu das Américas.</span></div><o:p></o:p></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><h3><span style="font-family: arial;"><span style="font-size: large;"><i>La Aduana</i> (Alfândega)</span><o:p></o:p></span></h3><p class="MsoNormal"><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><span style="font-family: arial;"> </span></span></p><p class="MsoNormal"><span style="border: 1pt none windowtext; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><span style="font-family: arial; font-size: medium;">Entre 1585 e 1587 é construída a nova Alfândega.<o:p></o:p></span></span></p><p class="MsoNormal"><span style="border: 1pt none windowtext; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><span style="font-family: arial; font-size: medium;">Alonso Morgado na
sua <i>Historia de Sevilla</i> indica a data de 1586 para a nova Alfândega.<o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">“Como es la nueva <b>Casa de
Aduana</b>, de que se usa desde este año de mil y quinientos y ochenta y seys, la
mas sumptuosa y magnifica, que outra ninguna del Reyno</span><i>.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E segundo Diego de Zu<span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span>iga no ano de 1587, foi colocada sobre a porta da Alfândega uma placa com a
seguinte inscrição:</span></p><p class="MsoNormal"><span style="font-family: arial;"><i><span style="font-size: medium;">“Reynando en España el
Católico y muy alto, y poderoso Rey Don Felipe segundo, y siendo asistente en
esta ciudad el conde de Orgaz*, Sevilla mandó hacer esta Aduana para servir á su
magestad, teniendo á su cargo los almoxarifazgos, año de </span></i><span style="font-size: medium; font-style: italic;">1587.”</span><i> </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial;">[*<span style="font-size: 12pt; mso-bidi-font-size: 10.0pt;">Juan Hurtado de Mendoza Guzmán y Rojas (1536-1606), 3º Conde de Orgaz, foi
Assistente de Sevilha e responsável pela edificação da Aduana (Alfândega), da
Casa da Moeda e da Lonja.]</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="mso-bidi-font-size: 10.0pt;">Referir
o Conde de Orgaz remete-nos, de imediato, para o célebre quadro de El Greco </span><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt;">(<span style="background: white;">Doménikos Theotokópoulos 1541-1614)</span></span><span style="background: white;"> </span><span style="background: white;">denominado </span><i><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt;">O enterro do conde de Orgaz</span></i><span style="mso-bidi-font-family: Arial; mso-bidi-font-size: 10.0pt;">
de 1586</span></span><span style="mso-bidi-font-size: 10.0pt;"><span style="font-size: medium;">, que
representa o funeral de Gonzalo Ruiz de Toledo (12__-1323), 4º Senhor da Vila
de Orgaz.</span><o:p style="font-size: 12pt;"></o:p></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-koRIvXqJexM/YaYFt44tvNI/AAAAAAAAyBU/G_hY7MMB7n4PMsXApWaH_FR6Q-Z1fqZIgCLcBGAsYHQ/s950/si32A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="950" data-original-width="778" height="640" src="https://1.bp.blogspot.com/-koRIvXqJexM/YaYFt44tvNI/AAAAAAAAyBU/G_hY7MMB7n4PMsXApWaH_FR6Q-Z1fqZIgCLcBGAsYHQ/w525-h640/si32A.jpg" width="525" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: 16pt; mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_6" o:spid="_x0000_i1026" style="height: 305.4pt; mso-wrap-style: square; visibility: visible; width: 250.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><span style="font-size: 16pt; mso-bidi-language: AR-SA; mso-fareast-language: PT;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->34<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– El Greco, Enterro do Conde de Orgaz 1586, óleo obre tela, 460 x 360 cm. Igreja de São Tomé, Toledo, Espanha.</span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></p><p class="MsoCaption" style="text-align: justify;"><span style="font-size: medium;"><span style="font-family: arial; text-align: left;">E, segundo alguns autores, a p</span><span style="font-family: arial; text-align: left;">ersonagem no centro da
pintura com a Cruz de Santiago, entre as figuras de Santo Estevão</span><span style="font-family: arial; text-align: left;"> </span><span style="background: white; font-family: arial; text-align: left;">(morto no ano de 35) </span><span style="font-family: arial; text-align: left;">e de </span><span style="background: white; font-family: arial; text-align: left;">Santo Agostinho (354-430</span><span style="background: white; font-family: arial; text-align: left;">) </span><span style="font-family: arial; text-align: left;">seria o retrato anacrónico de Juan Hurtado de Mendonza o 3º Conde de Orgaz.</span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-OEz_LuFh3pk/YaYGZ4NGIpI/AAAAAAAAyBc/OrzLvtcHeucvT2iQloyfF65P5Nz-GkP6QCLcBGAsYHQ/s604/si32B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="604" data-original-width="596" height="640" src="https://1.bp.blogspot.com/-OEz_LuFh3pk/YaYGZ4NGIpI/AAAAAAAAyBc/OrzLvtcHeucvT2iQloyfF65P5Nz-GkP6QCLcBGAsYHQ/w632-h640/si32B.jpg" width="632" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_14" o:spid="_x0000_i1025" style="height: 174pt; mso-wrap-style: square; visibility: visible; width: 171.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->35<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- O 3º Conde de Orgaz? Pormenor do quadro de El Greco de 1586.</span><o:p></o:p></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Ainda sobre a Aduana, Rodrigo Caro na sua <i>Antiguidades y principado de la Ilustrissima
Ciudad de Sevilla</i> escreve: <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><b style="font-size: large;"><i>“Una de las cosas màs celebres, que tiene Sevilla (y si dixera toda
Espa</i></b><b><i><span style="color: #4d4d4d; font-size: large;">ñ</span><span style="font-size: medium;">a,
no me enganaré) es el Aduana, edificada en el sítio de las Ataraçanas, y q
ocupa buena parte dellas. Su fabrica es muy ancha, y alta; la mayor parte de
canteria, y ladrillo, edificada a modo de un templo com su Cruzero, toda de
bobeda. Aqui vienen a parar todas quantas mercaderias, y cosas, que se vienen a
vender a Sevilla, y asi está sempre llena de fardos, caxones, tércios, y otros
géneros de carga, que apenas se puede andar por ella, estado las mercaderias
unas sobre otras, haziendo grandes, y altos cúmulos dellas. </span><span style="font-size: large;">Tiene jurisdicion
esta Aduana sobre todas las del Reyno de Castilla, y Portugal…</span><span style="font-size: medium;">”</span></i></b> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3]</span></span><!--[endif]--></span></a> <i><o:p></o:p></i></span></p><p class="MsoNormal"><span style="font-size: 16pt; mso-bidi-language: AR-SA; mso-fareast-language: PT;"><span style="font-family: arial;"> </span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">La Real Casa de la Moneda</span><o:p></o:p></span></h3><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">Pedro
de Medina</span><span style="font-family: arial;"> </span><span class="MsoSubtleReference" style="font-family: arial;">(1493-1567),</span><span class="MsoSubtleReference" style="font-family: arial;"> </span><span style="font-family: arial;">refere a antiga Casa da
Moeda:</span></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Ay en Sevilla, una casa de moneda, que ami parecer es
la mexor del mundo, y de onde mas moneda se labra. Porque ordinariamente andan
labrando, y batiendo la moneda, ciento, y ochenta hombres: de mañera, que cada
día se labran, setecientos marcos de oro, y plata.<o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><b><i>Haze admiración ver los montones de moneda, que en
ella ay.</i></b><b> <i>De esta Casa salen continuas
recuas cargadas de oro y plata amonedadas, como si fuesse otra mercaduría,
común.”</i></b></span><i> </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[4]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Mas
a nova <i>Real Casa de la Moneda,</i> não desenhada ou assinalada na imagem, foi
construída entre 1585 e 1587, também, no tempo do Assistente Juan Hurtado
Mendonza, Conde de Orgaz, por Juan Minjares (c.1520-1599), e estava
situada entre a <i>Torre de la Plata</i> e a
<i>Torre del Oro</i>, à entrada da cidade.</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado na sua Historia de Sevilla refere:</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"><b>“(…) la Casa Real de la
Moneda, donde se haze mas Moneda que en otra de todo el mundo, porque casi a la
contina la baten, y labran en ella mas de dozientos hombres. Y assi es cosa de
admiraciõ, ver alli los grandes montones, y las recuas, </b></span></i><span style="font-family: arial; font-size: medium;"><i><b>q salen della cargadas de
la tal Moneda labrada de Plata, y Oro, como si fuera otra qualquiera
Mercaderia.”</b></i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">E Rodrigo Caro aponta já a nova Casa da Moeda.</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: medium;">“…arrimada al muro del Alcázar, está la casa de la
moneda, que es una de las cosas que adornam y engrandecen a Sevilla, assi por
la grandeza del edifício, como por lo que admira, y entretiene ver
fundir, labrar y acuñar en ella el oro y la plata para llenar de riqueza a todo
el mundo.”</span></i></b><span style="font-size: medium; font-style: italic;"> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[6]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.171).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Diego
de Ortiz de Zuñiga, Annales eclesiasticos, y seculares de la muy noble, y muy
leal civdad de Seuilla, metropoli de la Andaluzia. Que contiene sus mas
principales memorias desde el año de 1246. En Madrid: en la Imprenta Real, por
Iuan García Infançon. Acosta de Florian Anisson, Mercader de Libros. Madrid
1677. (pág. 564.)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro Antiguidades y principado de la ilustrissima Sevilla Y Chorographia de su
Convento Iuridico, o antigua Chancilleria. En Sevilla, por Andreas Grande
Impressor de libros.Sevilla 1634. (pág. 60)<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Pedro
de Medina (1493-1567), Libro de grandezas y cosas memorables de España.
Agora nuevo fecho y recopilado por el Maestro Pedro de Medina vezino de
Sevilla, Sevilla, Dominico de Robertis, 1548. (Libro segundo pág. 128).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla Historia de Sevilla en la cual se contienen sus
antigüedades, grandezas y cosas memorables en ella acontecidas desde su fundación
hasta nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.171).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn6">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 60).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h4><span style="font-family: arial;"><span style="font-size: large;">Cap. 9</span></span></h4><h3><span style="font-family: arial;"><span style="font-size: large;">(20) <i>Plazio del Rey</i>. O Alcazar</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O postigo <i>del Carbon </i>(depois chamado de postigo <i>del’Oro</i>) abria para a cidade através de
uma via que dava acesso à Catedral e ao <span class="MsoSubtleReference"><i>Alcázar</i></span><span class="MsoSubtleReference">, o Palácio Real (20) conhecido
pelos seus notáveis jardins.</span></span><i><span style="background: white;"><o:p></o:p></span></i></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://1.bp.blogspot.com/-E9rJ7wChJwQ/YaY3xEPItzI/AAAAAAAAyBk/V-yk6iagPrEOByiGFuRNgyDutumQPMX5QCLcBGAsYHQ/s1000/si35.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="535" data-original-width="1000" height="342" src="https://1.bp.blogspot.com/-E9rJ7wChJwQ/YaY3xEPItzI/AAAAAAAAyBk/V-yk6iagPrEOByiGFuRNgyDutumQPMX5QCLcBGAsYHQ/w640-h342/si35.jpg" width="640" /></a></span></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><span class="LegendaCarter"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><span class="LegendaCarter">fig. </span><!--[if supportFields]><span class=LegendaCarter><span
style='mso-bidi-font-weight:normal'><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span></span></span><![endif]--><span class="LegendaCarter">36</span><!--[if supportFields]><span
class=LegendaCarter><span style='mso-bidi-font-weight:normal'><span
style='mso-element:field-end'></span></span></span><![endif]--><span class="LegendaCarter"> - A Catedral (13) e o Palácio Real (20) </span>1588.
Pormenor da Vista de Sevilha no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Escreve Rodrigo Caro:</span></p><p class="MsoNormal"><span style="font-family: arial;"><i><span style="background: white;"><span style="font-size: medium;">“A la parte del medio dia, frõtero a la
santa Iglesia Metropolitana, està la casa Real, y Palacio antíguo de los Reyes
de Espa</span></span></i><span style="color: #1e1e1e;"><span style="font-size: medium; font-style: italic;">ña, llamado
vulgar, y comunmemnte <b>Alcaçar</b>, voz
Arabe, q se le quedó de la habitaciõ de los Reies Moros, quãdo posseyerõ esta
ciudad. Cercãlo por la parte de fuera la muralla, y torres de su fuerte cerca,
y por la parte de dentro outra muralla, que se junta en la Torre del oro, a la
qual se puede desde el Alcaçar por cima della…” </span>
<a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #1e1e1e; font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></span></p><p class="MsoNormal"><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"> </span></span></i></p><p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Quando Carlos V
aí se casou com Isabel de Portugal, efectuaram-se obras de restauro e
construi-se o pavilhão Carlos V segundo projecto de Juan Fernandez.</span></span></p><p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Os jardins foram
tratados e embelezados nos reinados de FelipeII e III, pelo arquitecto Vermondo
Resta (c.1555-1625).</span></span></p><p class="MsoNormal"><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">Já Andea Navagero indicava que </span><span style="font-size: medium; font-style: italic;">“Há un spatio pieno de Naranzi, & Limoni bellissimi, & da
dietro piu giardini bellissimi, & tra quelli un bosco bellissimo di
Naranzi, che non ammette il Sole, & invero non vi è forse il piu dilettevol
loco in Spagna.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #1e1e1e; font-size: 14pt;">[2]</span></span></span></a></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="color: #1e1e1e; font-size: 11.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">[Há um espaço
cheio de Naranjas e Limões belíssimo, e por trás mais belíssimos jardins e
ainda um belo bosque de Naranjos, que não permite o Sol e contudo não existe um
lugar tão aprazível em Espanha.]</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-size: medium;">E para Mal Lara o Alcazar “</span></span><span style="background: white;"><span style="font-size: medium; font-style: italic;">es
de grande sitio, y de mucha frescura, y como assiento para que los Reyes no se
desdeñen de bivir en ella, porque aunque sea obra antigua, y se hayan mudado
muchas partes, que están a lo moderno.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: black; font-size: 14pt;">[3]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></span></p><p class="MsoNormal"><br /></p><h3><span style="font-family: arial; font-size: large;">Cap. 10</span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">(19) <i>Plaza de Palazio</i></span><o:p></o:p></span></h3><p class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial;"> </span></i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-0rG-G5uEf8c/YaY4sjH4MTI/AAAAAAAAyBs/UTHV7WOWXcof0s0AXlioTcNAafQbUvqGwCLcBGAsYHQ/s668/si36.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="668" data-original-width="545" height="400" src="https://1.bp.blogspot.com/-0rG-G5uEf8c/YaY4sjH4MTI/AAAAAAAAyBs/UTHV7WOWXcof0s0AXlioTcNAafQbUvqGwCLcBGAsYHQ/w326-h400/si36.jpg" width="326" /></a></span></i></div><i><span style="font-family: arial;"><br /></span></i><p></p><p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-family: arial;"><span style="background: white;"><v:shape id="Imagem_x0020_95" o:spid="_x0000_i1025" style="height: 446.4pt; mso-wrap-style: square; visibility: visible; width: 364.2pt;" type="#_x0000_t75">
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style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->37<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A Praça do Palácio (19). Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun e Franz Hogenberg.</span></span></p><p class="MsoNormal"><b><span style="font-family: arial;"> </span></b></p><h3><span style="font-family: arial;"><span style="font-size: large;"><i>La Casa de la Contratacion de las Indias</i></span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Criada
pelos Reis Católicos em 1503, dava a Sevilha o exclusivo dos produtos das
Índias Ocidentais. <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Instalada
inicialmente junto ao Guadalquivir rapidamente se transferiu para um edifício
no <i>Alcazar,</i> que sujeito a várias
transformações se consolidou em 1539<span style="background: white;">.</span></span></p><p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial; font-size: medium;">O professor Francisco
Morales Padrón (1924-2010), publicou em 1978 um artigo sobre a <i>Historia de Sevilla</i> de Luis Peraza,
ordenando e possibilitando a leitura do manuscrito de Luis Peraza.</span></p><p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial; font-size: medium;">Peraza ao referir a razão do
nome de <i>Postigo del Oro </i><i>“</i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">por la gran multitud dello que para</span></i><i> </i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la <b>Casa
de la Contratación </b>que </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">sus </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Magestades </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">en </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Se</span></i><i><span style="color: #5e5e5e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">v</span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">illa ti</span></i><i><span style="color: #5e5e5e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">e</span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">nen,</span></i><i> </i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">cada día meten por él. Sin la </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">gran </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">abundancia
del oro</span></i><i> </i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">cada </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">día por </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">allí suele
entrar </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de la
isla Española, de Puerto</span></i><i> </i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Rico, de </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Cuba, </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Niqueragua </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">(sic), </span></i><i><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de </span></i><i><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Tierra Firme,
de la</span> </i></span><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Nueva </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">España, de
Guatimala </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de Yucatán, </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">entró este el año </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">d</span></i><i style="font-family: arial; font-size: large;"><span style="color: #5e5e5e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">e </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">1536 tanta munchedumbre
de oro de la provincia nuevamente</span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">descubierta del Pirú, que </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">aún </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">a </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">los que </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">lo</span></i><i style="font-family: arial; font-size: large;"><span style="color: #5e5e5e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">s </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">vimos, </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">se nos </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">hace
dificultoso </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">viéndolo </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">poderlo cr</span></i><i style="font-family: arial; font-size: large;"><span style="color: #5e5e5e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">eer, </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">las naos </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">cargadas </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de</span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> oro, </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">cuio lastre
era plata sin entremeter otro metal; todos los</span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">pasageros </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">traían </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">quasi a
veinte o </span></i><i style="font-family: arial; font-size: large;"><span style="color: #141414; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">t</span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">reinta mil ducados, </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y anda</span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ban</span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">veinte </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">siete </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">carretas </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">juntas, </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">unas </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">entrando y otras saliendo en cajas </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">mui grandes
metían </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">el </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">oro </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">a <b>la </b></span></i><b><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Casa </span></i><i style="font-family: arial; font-size: large;"><span style="color: #4b4b4b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de </span></i><i style="font-family: arial; font-size: large;"><span style="color: #363636; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la </span></i></b><span style="font-family: arial;"><span style="color: #363636;"><span style="font-size: medium;"><i><b>Contratación</b>.”</i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="color: #363636; font-size: 14pt;">[4]</span></span></span></a></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Afirma
Rodrigo Caro:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><b><i>“La casa Real de la Contratacion de Indias es parte
del Alcaçar, y quarto antíguo della: tuve su principio luego que se descubriò
aquel mundo nuevo, aunque la forma total no la tuvo hasta el a</i></b><b><i><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">ñ</span></i></b><b><i>o de 1539.”</i></b></span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><b><span style="font-family: arial;"> </span></b></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág.56).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea Navagero
(1483-1529), <i>Il Viaggio fatto in Spagna,
et in Francia</i>, dal Magnifico M. Andrea Navagiero, fu oratore
dell’Ilustrissimo Senato Veneto, alla Cesarea Maesta di Carlo V. Com la
descrittione particolare delli luochi, & costumi delli popoli di quele
Provincie. In Vinegia apresso Domenico Farri. 1563. (pág. 13).<o:p></o:p></span></span></span></p>
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<div id="ftn3">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570. (pág. 176).</span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (cap.V.
pág. 159).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
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<div id="ftn5">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres Grande. Impressor de Libros. Sevilla Año 1634. (pág.58 v.).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span style="font-family: arial; font-size: large;">Cap. 11</span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">(24) <i>A Puerta del Arenal</i></span><o:p></o:p></span></h3><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Entre as <i>Atrarazanas</i> e os bairros da <i>Cesteria</i> e da <i>Carreteria</i>
situava-se a Porta do Arenal (24) que ligava o <i>Arenal</i> à Catedral por uma rua
ladeada por lojas e escritórios, constituindo um lugar de encontros e negócios.
Era, por isso, a porta principal e a entrada simbólica da cidade. (ver
Apontamento 8).</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Luís de Peraza descreve a importância da Porta do Arenal, e refere
a Carreteria onde os tanoeiros fabricam as pipas e o areal junto à porta.</span></p><p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: medium;">“(...)Puerta famosísima por las grandes mercaderías de
diversas cosas, que para cargar
en las Naos, que van a las Indias, por ella comúnmente suelen sacar. Tiene esta
puerta a un lado el grande arrabal de la Carretería, donde se hacen las pipas y
va madera para llevar vino, vinagre, aceite y otras cosas a las-sijas de
Indias, por el cual tracto los vecinos de allí son ricos y de muy buen caudal.
A mano derecha, saliendo de esta puerta, están las tabernas o casas de trato en
abundancia(...) Llaman del Arenal a esta puerta, por una gran plaza de arena,
muy llena, que tiene delante de sí, donde hay muchedumbre de cordoneros que
hacen maromas, sogas, cabestrantes, etc., cosas necesarias para los que navegan
desde Sevilla como para llevarlas al </span><span style="font-size: large;">Reino de Portogal</span><span style="font-size: medium;">”.</span></i></b><i style="font-size: large;"> </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><b><i><o:p></o:p></i></b></span></p><p class="MsoNormal"><b><span style="background: white; color: #202122; font-size: 10.5pt; mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></b></p><p class="MsoNormal" style="text-align: center;"><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-H0m_mwPxzkg/YaY6neSQT-I/AAAAAAAAyB0/5fRr_ztfJgoOt_sW9EA3o_jeHnYG96L2gCLcBGAsYHQ/s788/si37.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="788" data-original-width="478" height="640" src="https://1.bp.blogspot.com/-H0m_mwPxzkg/YaY6neSQT-I/AAAAAAAAyB0/5fRr_ztfJgoOt_sW9EA3o_jeHnYG96L2gCLcBGAsYHQ/w388-h640/si37.jpg" width="388" /></a> </span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->38<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A via que ligava a Porta do Arenal com a Catedral. Pormenor de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun e Franz Hogenberg.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="border: none windowtext 1.0pt; mso-bidi-font-size: 14.0pt; mso-bidi-font-style: italic; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><span style="font-family: arial; font-size: medium;">A Porta do Arenal, era
inicialmente uma abertura na muralha moura, mas entre 1560 e 1567 foi
monumentalizada por Hérman Ruiz (1514-1569), no estilo renascentista, com um
arco ladeado por duas pilastras toscanas onde no entablamento se erguia um
frontão. </span></span><span style="font-family: arial; font-size: large;">Foi então colocada, na fachada exterior, uma lápide em honra de Felipe
II, e uma outra no interior com a data das obras.</span></p><p class="MsoNormal" style="text-align: center;"><span style="border: none windowtext 1.0pt; mso-bidi-font-size: 14.0pt; mso-bidi-font-style: italic; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><span style="font-family: arial; font-size: medium;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://1.bp.blogspot.com/-hw7L0qbjAmw/YaY7PoHBxKI/AAAAAAAAyB8/j2lkB3vzz18t5KZ8Hu4yroQ9VHIzHko7wCLcBGAsYHQ/s794/si38.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="794" height="590" src="https://1.bp.blogspot.com/-hw7L0qbjAmw/YaY7PoHBxKI/AAAAAAAAyB8/j2lkB3vzz18t5KZ8Hu4yroQ9VHIzHko7wCLcBGAsYHQ/w640-h590/si38.jpg" width="640" /></a></span></div><span style="font-family: arial; font-size: medium;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span></span><span style="font-family: arial; font-size: small;">fig. </span><span style="font-family: arial; font-size: small;">39</span><span style="font-family: arial; font-size: small;">
</span><span class="MsoSubtleReference" style="font-family: arial; font-size: small;">– A Porta do Arenal. Pormenor de Sevilha 1588 no
Civitates Orbis Terrarum de Georg Braun (1542-1622) e Franz Hogenberg
(1535-1590).</span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="background: white; mso-bidi-language: AR-SA; mso-fareast-language: PT;">Na pintura de Sanchez Coello, podemos ver </span>uma rua ladeada por lojas e escritórios,
constituindo o lugar de encontros.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-UokF_UDQYyA/YaY7paz6-YI/AAAAAAAAyCE/vKl4cH4wQlUhNZO0ocxUS2dJD1IskBDWwCLcBGAsYHQ/s545/si39.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="466" data-original-width="545" height="548" src="https://1.bp.blogspot.com/-UokF_UDQYyA/YaY7paz6-YI/AAAAAAAAyCE/vKl4cH4wQlUhNZO0ocxUS2dJD1IskBDWwCLcBGAsYHQ/w640-h548/si39.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="border: none windowtext 1.0pt; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; mso-no-proof: yes; padding: 0cm;"><v:shape id="Imagem_x0020_8" o:spid="_x0000_i1027" style="height: 349.8pt; mso-wrap-style: square; visibility: visible; width: 408.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><span style="border: none windowtext 1.0pt; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->40<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Porta do Arenal. Pormenor da pintura de Sanchez Coello.</span><span style="border: none windowtext 1.0pt; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; padding: 0cm;"><o:p></o:p></span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><h3><span style="font-family: arial;"><span style="font-size: large;">A Carreteria e a Cesteria</span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Entre as portas de Triana (B) e do Arenal (C) os bairros <i>de la Cestería</i>, e <i>de la Carretería.</i></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O bairro <i>Carreteria</i>,
era assim chamado pelo número de carros que aí circulavam ligados ao transporte
de matérias primas para a construção naval e de mercadorias ligadas á
navegação.</span></p><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: arial;">E Luis Peraza acrescenta</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">“Tiene </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">esta </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">puerta </span></i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">[do Arenal]<i> al
un lado el </i></span><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">grande </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Arrabal
de </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Carretería, </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">donde </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">se hacen</span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> las pipas </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">vasijas de
madera para ll</span></i><i><span style="color: #545454; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ev</span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ar </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">vinos, vinagres, </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">aceites, </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">otras </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">cosas </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">a las Indias, por </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">el </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">qual trato
los vecinos de allí </span></i><i><span style="color: #3d3d3d; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">son </span></i><i><span style="color: #2b2b2b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ricos, y de mui gran </span></i></span><span style="color: #3d3d3d;"><span style="font-size: medium; font-style: italic;">caudal.”</span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #3d3d3d; font-size: 14pt;">[2]</span></span></span></a></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O bairro da <i>Cesteria </i>(1485),
como o nome indica era onde se fabricavam cestos e outros objectos de junco, e
o da <i>Carreteria</i>, assim chamado pelo
número de carros que aí circulavam ligados ao transporte de matérias primas
para a construção naval e de mercadorias ligadas á navegação.<o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial; font-size: medium;"> </span></i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial; font-size: medium;"><a href="https://1.bp.blogspot.com/-ZbjAUCrZEVE/YaY8Y4QNrfI/AAAAAAAAyCM/4mbPPpjC3kwx4l9d14ah23-9Ar3cyqxFQCLcBGAsYHQ/s3075/si40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="729" data-original-width="3075" height="152" src="https://1.bp.blogspot.com/-ZbjAUCrZEVE/YaY8Y4QNrfI/AAAAAAAAyCM/4mbPPpjC3kwx4l9d14ah23-9Ar3cyqxFQCLcBGAsYHQ/w640-h152/si40.jpg" width="640" /></a></span></i></div><i><span style="font-family: arial; font-size: medium;"><br /></span></i><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_99" o:spid="_x0000_i1026" style="height: 124.2pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si40" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->41<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A Cesteria e a Carreteria. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: 12pt;"><span style="font-family: arial;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-sVYpfbXo-pQ/YaY8odvIMRI/AAAAAAAAyCU/UJMDGN4nz-MlYF58ED7TSZ_OupkShWC9ACLcBGAsYHQ/s402/si41.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="166" data-original-width="402" height="264" src="https://1.bp.blogspot.com/-sVYpfbXo-pQ/YaY8odvIMRI/AAAAAAAAyCU/UJMDGN4nz-MlYF58ED7TSZ_OupkShWC9ACLcBGAsYHQ/w640-h264/si41.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_10" o:spid="_x0000_i1025" style="height: 207.6pt; mso-wrap-style: square; visibility: visible; width: 502.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si41" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->42<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Pormenor da pintura de Sanchez Coello.</span><o:p></o:p></span></p><p class="MsoNormal"><br /></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (cap.V.
pág. 160).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 10pt;">[2]</span></span><!--[endif]--></span></a> <span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (pág.160).</span></span></span><o:p></o:p></p>
</div>
</div><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span style="font-family: arial; font-size: large;">Cap. 12</span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">(13) <i>Iglesia Maior</i>. A Catedral e
a Giralda</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Dominando
a cidade destaca-se a Catedral (13), como c<span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 10.5pt;">anta Rodrigo
Caro:</span></span></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Oh, Sevilla! <o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Tienes un templo de gran maravilla <o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Entierro de reyes y gran clerecía, <o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Que en letras y fee y gran armonía <o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial;"><b><i><span style="font-size: medium;">hace veamos ser Roma Sevilla</span></i></b><span style="font-size: medium; font-style: italic;">.”</span>
<a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a> <i><o:p></o:p></i></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal" style="text-align: center;"><o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Crgl0L8bci4/YaY-dTHpfII/AAAAAAAAyCc/vr4hAgNyl9Mxxtqd2Ll7nKJ8TwpwCXqawCLcBGAsYHQ/s1000/si42.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="588" data-original-width="1000" height="376" src="https://1.bp.blogspot.com/-Crgl0L8bci4/YaY-dTHpfII/AAAAAAAAyCc/vr4hAgNyl9Mxxtqd2Ll7nKJ8TwpwCXqawCLcBGAsYHQ/w640-h376/si42.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: white; color: #202122; font-size: 10.5pt; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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– A Catedral. Pormenor de Sevilha 1588 no
<i>Civitates Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">Na imagem rodeando a Catedral (13):<o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">a Porta do Carvão; <o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">a Praça do Palácio (19); <o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">a Porta do Arenal (24); <o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">Praça de S. Francisco (15);<o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">e a Praça Duque de Arcos (18).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A
Catedral (13), estava praticamente acabada em 1506, mas o <span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 10.5pt;">cruzeiro, após ter ruído, só foi terminado em 1517 </span><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 10.5pt;">por
Juan Gil de Honta</span>ñon (1480-1526) então chamado para o reconstruir.</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Luis
Perazo sobre a Iglesia Mayor cita os versos de Bartolomé de Torres
Naharro<span style="background: white; color: #202122;"> </span>(c. 1485- c.1530):<o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“Salve os Dios la gran Sevilla victoriosa<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Quatro cosas por hazaña,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">de verdad,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Que no las tiene ciudad,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Teneis vos con que loaras<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Y de que podeis preciaros<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"><b>En toda la cristiandad:<o:p></o:p></b></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"><b>Un templo de magestad,<o:p></o:p></b></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"><b>sin segundo,</b><o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Un Guadalquivir jocundo<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Y un gran Campo de Tablada<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Y unas Gradas, que una grada<o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Vale más que algo del mundo.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[</span><span style="font-size: 14pt;">2]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 10.5pt;">E Andrea Navagero destaca de entre as
igrejas, a Igreja Maior, pela sua beleza e dimensão.</span><o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;"><b>“Há alquante belle
chiesie, & massime la Maggiore, che è bellissima, e maggior di quella di
Toledo, ma non tanto ornata, ne si ricca.</b>”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[3</span></span></span></a></span></p><p class="MsoNormal"><span style="font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"><span style="font-family: arial;">[Existem
umas quantas belas igrejas, mas a Igreja maior, é belíssima e maior que a de
Toledo, não tão ornamentada, mas tão rica.]</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;">Sobre a catedral refere Juan de Mal Lara<span style="color: #202122;"> “</span></span><b><i><span style="background: white;">la
Yglesia Mayor, aquel suntuoso edificio, que es todo de piedra, alta y
soberbiamente levantado, sin aver en todo él un madero que lo sustente, ni una
teja que lo cubra, por ser todo de piedra, con anchos pilares cuadrados puestos
por esquina, tiene cinco naves, siendo la de en medio, que corre de Poniente a
Oriente, más alta, y con sus andenes de piedra por donde se puede ver toda.”</span></i></b></span><i><span style="background: white;"> </span></i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><span style="background: white; color: black;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 14pt;">[4]</span></span><!--[endif]--></span></span></a><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">Por seu lado, Luis Peraza indica as duas ruas que ladeiam a
Catedral destacando a rua de Génova.</span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">“A </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la mano
derecha desta Santa </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Iglesia </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de Sevilla </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">está </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la <b>Call</b></span></i><b><i><span style="color: #505050; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">e </span></i></b><b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de</span></i></b><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> Placentines</span></i></b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">, </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y a </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">mano izquierda <b>la
Calle </b></span></i><b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de Génova</span></i></b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">, </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">por </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que</span></i><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i></b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">a los </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Placencia </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">fueron en tomar
</span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">a </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">Sevilla </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">les </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">dieron<b> </b>allí aquella </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">calle para
los </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">aquella </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">tierra, </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y a </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">los </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ginoveses</span></i><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i></b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">les </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">dieron </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">aquí, en la </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">qual </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">calle, aunque </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">al </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">presente
vivan libre</span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ros<b> </b>y los
que hacen jubones que llaman jubeteros, </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y gran multitude</span></i><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i></b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de calceteros </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">que llegan hasta la Pla</span></i><i><span style="color: #505050; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">za </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">de </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">San Francisco,</span></i><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"> </span></i></b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">no por </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">eso se </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ha dejado
llamar la Calle de Génova, de </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">qual<b> tienen antiguos </b></span></i><b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">y </span></i></b><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">mui </span></i></b><b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">grandes </span></i></b><b><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">previlegios
los </span></i></b><b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">ginoveses</span></i></b><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">, </span></i><i><span style="color: #292929; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">la </span></i><i><span style="color: #3a3a3a; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">qual </span></i>se
<span style="color: #292929;">llama </span>así.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[5]</span></span></span></a></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">Compreende-se que uma das principais ruas de
Sevilha tenha o nome da cidade de Génova, já que a relação entre as duas
cidades, fortificou-se durante os séculos XVI e XVII, sobretudo pelo trânsito
financeiro entre Sevilha e os banqueiros genoveses, que dele se aproveitavam</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Por
isso, mais tarde, Francisco Quevedo (1580-1645), refere este circuito
financeiro entre as duas cidades, onde o dinheiro:</span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><b><i>“Nace en las
Indias honrado,</i></b><b><i><br />
</i></b><b><i>Donde el mundo le
acompaña;</i></b><b><i><br />
</i></b><b><i>Viene a morir en
España,</i></b><b><i><br />
</i></b><b><i>Y es en Génova
enterrado.</i></b></span><span style="border: 1pt none windowtext; padding: 0cm;"><span style="font-size: medium;"> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="border: 1pt none windowtext; font-size: 14pt; padding: 0cm;">[6]</span></span><!--[endif]--></span></a></span><span style="border: none windowtext 1.0pt; mso-bidi-language: AR-SA; mso-border-alt: none windowtext 0cm; mso-fareast-language: PT; padding: 0cm;"><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-family: arial;">
</span></span></p><div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por Andres
grande. Impressor de Libros. Sevilla Año 1634. (pág. ).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (pág.103).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea Navagero
(1483-1529), <i>Il Viaggio fatto in Spagna,
et in Francia</i>, dal Magnifico M. Andrea Navagiero, fu oratore
dell’Ilustrissimo Senato Veneto, alla Cesarea Maesta di Carlo V. Com la
descrittione particolare delli luochi, & costumi delli popoli di quele
Provincie. In Vinegia apresso Domenico Farri. 1563. (pág. 13).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570. (pág. 168 e
169).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5">
<p class="MsoNormal" style="vertical-align: baseline;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luis
Peraza La Historia de Sevilla (manuscrito) in Francisco Morales Padrón
(1924-2010), Boletin de la Real Academia Sevillana de Buenas Letras: Minervae
Baeticae, nº 6, 1978 (pág. 76 a 174). (cap. V, pág. 164).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn6">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">
Francisco Gomez de Quevedo y Santibñez Villegas (1580-1645), Letrilla Poderoso
Caballero / Es don Dinero. In Biblioteca de Autores Espanoles. Desde la
formacion del languaje hasta nuestros dias. Tomo sexagésimonoveno. Obras de Don
Francisco de Quevedo Villegas. Poesias. Coleccion Ordenada y corregida por Don
Florencio Janer. Tomo terceiro. M Rivadeneyra Editor. Madrid 1877. (pág. 93).</span><o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span class="MsoSubtleReference"><span style="font-family: arial; font-size: large;">Cap. 13</span></span> </h3><h3><span style="font-family: arial; font-size: large;">A Giralda</span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Junto à catedral a Giralda (1560/68), a torre que se tornou o ex-libris de Sevilh</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A
antiga torre moura, transformada em campanário, por Herman Ruiz, foi depois
chamado de Giralda, quando foi encimada peloconhecido <i>Giraldillo</i> em 1568, escultura (cata-vento) realizada por Juan
Bautista Vasquez (1510-1588) e executada em bronze por Bartolomé Morel </span><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">(1504-1579), que na verdade representava
o Triunfo da Fé.</span></span></p><p class="MsoNormal"><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Por este movimento giratório, Agustin de
Rojas em <i>El Viagem Entrtenido </i>a
personagem Rios pergunta:</span></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Y a
Giralda, qué le falta, si com cada viento se muda?”</span> </i></b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: Arial, sans-serif; font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><o:p></o:p></p><p class="MsoNormal" style="background: white;"><span style="font-family: "Times New Roman",serif; font-size: 5.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> </span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Andrea Navagero refere a Giralda
(1560/68), a torre que marcava o perfil de Sevilha, comparando-a com o campanile de São Marcos.</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> “Giunto alla Chiesa vi è un campanile, che è
bellissima, & altissima torre, fornita di bellissime campane, & grande,
se vi monta per una scala molto piana, & senza gradi, come quella di
Venetia, del campanile di san Marco, ma piu commoda, & piu chiara.”</span></i> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "Arial",sans-serif; font-size: 14.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></a><o:p></o:p></p><p class="MsoNormal"><span style="font-family: arial;">[Junto à Igreja está uma torre sineira, belíssimo e
muito alto, com belos e grandes sinos, a que se sobe por uma escada muito suave
e sem grades como a de Veneza da torre de São Marcos, mas mais comoda e mais
iluminada.]</span><span style="font-size: 11pt;"><o:p></o:p></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Diz
Rodrigo Caro:<o:p></o:p></span></p><p class="MsoNormal"><span style="background: white; color: #202122;"><span style="font-family: arial; font-size: medium;"><i style="font-weight: bold;">“Una hermosa Cupula: sobre la qual está una
urna de bronze de cinco pies de alto sobredorada, y encima della un Colosso,
que representa la Fè vencedora, todo de bronze dorado; tiene de altura quatro
varasy media, y pesa veinte y ocho quintales, y un ramo como de palma en la
mano derecha, tambien de bronze, que pesa dos quintales. En la mano izquierda
una vela, com que la mueve el viento…” </i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #202122; font-family: Arial, sans-serif; font-size: 14pt;">[3]</span></span><!--[endif]--></span></a></span><b><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p></o:p></span></b></p><p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Miguel de Cervantes refere a Giralda quando o <span style="background: white; mso-bidi-font-family: Arial;">Cavaleiro do Bosque conta a
D. Quixote que a sua apaixonada:</span><span style="background: #E8F8FC;"><o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">“</span><span style="font-family: arial; font-size: medium; font-style: italic;">Una vez me mandô, que
fuesse a desafiar à <b>aquella famosa
giganta de Sevilla llamada la Giralda,</b> q es tan valiête y fuerte, como
hecha de bronze, y sin mudarse de un lugar es la mas movile, y voltaria muger
del mundo.”</span> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: Arial, sans-serif; font-size: 14pt;">[4]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></p><p class="MsoNormal"><i> </i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Lope de Vega na sua comédia <span class="MsoSubtleReference"><i>La niña de plata, </i></span><span class="MsoSubtleReference">é
Dorotea, a personagem principal que exclama</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">“</span></i><b><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: HiddenHorzOCR;">Fam</span></i></b><b><i><span style="color: #36332b; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: HiddenHorzOCR;">os</span></i></b><b><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: HiddenHorzOCR;">a </span></i></b><b><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">es la Giralda
de Sevilla,</span></i></b><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></i></span></p><p class="MsoNormal"><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">la del Escudo,
el Caliz, y la Palma,<o:p></o:p></span></span></i></p><p class="MsoNormal"><i><span style="color: #1a1a18; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial; font-size: medium;">por la fama
pudiera, y la grandeza<o:p></o:p></span></span></i></p><p class="MsoNormal"><span style="color: #1a1a18;"><span style="font-family: arial; font-size: medium; font-style: italic;">su Alteza enamorarse de su Alteza.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #1a1a18; font-family: Arial, sans-serif; font-size: 14pt;">[5]</span></span><!--[endif]--></span></a></span><o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Sanchez Coello destaca na sua pintura a Giralda dando-lhe
uma luminosidade que contrasta com os tons carregados do céu.</span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: #E8F8FC; mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><span style="background: #E8F8FC;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-PXgz_WMiS-k/YaZFTo5EyqI/AAAAAAAAyCk/nPeR_YXPU8Qm8RC3DNJE7oeWagd86GlNgCLcBGAsYHQ/s481/si43.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="481" data-original-width="404" height="640" src="https://1.bp.blogspot.com/-PXgz_WMiS-k/YaZFTo5EyqI/AAAAAAAAyCk/nPeR_YXPU8Qm8RC3DNJE7oeWagd86GlNgCLcBGAsYHQ/w538-h640/si43.jpg" width="538" /></a></span></div><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->44<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A Catedral com a Giralda. Pormenor da pintura de Sanchez Coello.</span></span></p><p class="MsoNormal"><span style="background: rgb(232, 248, 252); color: #676767; font-size: 10.5pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><h3><span style="font-family: arial; font-size: large;">A Giralda entre Santa Justa e Santa Rufina<o:p></o:p></span></h3><p class="MsoNormal"><span style="background-color: white; font-family: arial; font-size: large;">Associadas à Giralda estão as
irmãs Santa Justa e Santa Rufina, padroeiras de Sevilha, que terão protegido a
torre no terramoto de 1504.</span></p><p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: medium;">Luís de Vargas
(1502/06-1567), pintou entre 1563 e 1568, um fresco das Santas, segurando a
Giralda, que, contudo, foi destruído. <o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="background: white;">Conhece-se, porém, uma tela
de Miguel de Esquivel,</span><span style="background: white; color: #202122; mso-bidi-font-family: Arial;"> (</span><span style="background: white; mso-bidi-font-family: Arial;">c.<span style="color: #202122;">1595-1621), que
reproduziu esse fresco e que consagrará a representação da intervenção das
Santas em pinturas posteriores.</span></span></span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="background: white;"><o:p><span style="font-family: arial;"></span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-l8wxxm1oEgI/YaZF2Vki3rI/AAAAAAAAyCs/5a4A3AYVtZA82bnLTqIXPG6cXhfjyfbUgCLcBGAsYHQ/s704/si44.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="704" data-original-width="481" height="640" src="https://1.bp.blogspot.com/-l8wxxm1oEgI/YaZF2Vki3rI/AAAAAAAAyCs/5a4A3AYVtZA82bnLTqIXPG6cXhfjyfbUgCLcBGAsYHQ/w438-h640/si44.jpg" width="438" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span><span style="background: white; font-size: 10.5pt; letter-spacing: 0.15pt;"><v:shape id="Imagem_x0020_11" o:spid="_x0000_i1027" style="height: 357.6pt; mso-wrap-style: square; visibility: visible; width: 244.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape></span><span style="background: white; font-size: 10.5pt; letter-spacing: 0.15pt;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Miguel de Esquivel, (c.1595-1621), <i>Santas Justa y Rufina</i> 1620, óleo
s/tela 246 x 180 cm. Catedral de Sevilha.</span><o:p></o:p></span></p><p class="MsoNormal"><span style="background: white;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><p class="MsoNormal"><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Uma das mais conhecidas destas
representações é a de Esteban Murillo (1617-1682), datada de 1666.</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="background: white; color: #202122; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"></span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-yNc-5fpbUI0/YaZGQgBevvI/AAAAAAAAyC0/V0k7OmK17_w2Se2vsvO-K1K5aN7ucJa3ACLcBGAsYHQ/s1127/si45.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1127" data-original-width="1000" height="640" src="https://1.bp.blogspot.com/-yNc-5fpbUI0/YaZGQgBevvI/AAAAAAAAyC0/V0k7OmK17_w2Se2vsvO-K1K5aN7ucJa3ACLcBGAsYHQ/w568-h640/si45.jpg" width="568" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span></span><span style="font-family: arial; font-size: small;">fig. 46
- Bartolomé Esteban Murillo (1617-1682), Santa Justa e Santa Rufina 1666, </span><span style="font-family: arial; font-size: small;">óleo s/ tela 200 x 176 cm. Museu de Belas Artes de Sevilha.</span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Murillo não esquece os barros e cerâmicas de Triana às quais
as santas estavam ligadas pela sua actividade da olaria.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-I3KbkvVip0U/YaZGzESAGvI/AAAAAAAAyC8/xt2KbEc4Ca8qIxtHlr-V9GdQHOgcM9HhgCLcBGAsYHQ/s699/si46.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="242" data-original-width="699" height="222" src="https://1.bp.blogspot.com/-I3KbkvVip0U/YaZGzESAGvI/AAAAAAAAyC8/xt2KbEc4Ca8qIxtHlr-V9GdQHOgcM9HhgCLcBGAsYHQ/w640-h222/si46.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span></span><span style="font-family: arial; font-size: small;">fig. 47
- Bartolomé Esteban Murillo (1617-1682), Pormenor de Santa Justa e Santa Rufina
1666, </span><span style="font-family: arial; font-size: small;">óleo s/ tela 200 x 176 cm. Museu de Belas Artes de Sevilha.</span></p><p class="MsoCaption"><o:p></o:p></p><p class="MsoNormal"><br /></p><div>
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<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Agustin
Rojas (1572-c,1635), <i>El viagem
entretenido</i> de Agustin de Rojas, natural de la villa de Madrid. En la
Empreta Real Madrid M. DC. III. (pág. 7). BNE.<o:p></o:p></span></span></span></p>
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<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea
Navagero (1483-1529), Il Viaggio fatto in Spagna, et in Francia, dal Magnifico
M. Andrea Navagiero, fu oratore dell’Ilustrissimo Senato Veneto, alla Cesarea
Maesta di Carlo V. Com la descrittione particolare delli luochi, & costumi
delli popoli di quele Provincie. In Vinegia apresso Domenico Farri. 1563. (pág.
13).<o:p></o:p></span></span></span></p>
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<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguidades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 29 e 39).<o:p></o:p></span></span></span></p>
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<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel de Cervantes, Segunda Parte del
Ingenioso Cavallero Don Quixote de La Mancha, Cap. XIIII. En Madrid por Iuan de
Cuesta. Ano 1615. (pág. 74v).</span></span> <o:p></o:p></span></p>
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<div id="ftn5">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Lope de
Vega Carpio (1562-1635), <i>La niña de plata,
</i>Hallaràse esta Comedia, y otras de diferentes. Títulos, en Madrid en la
lmprenta de Antonio Sanz en la Plazuela de la calle de la Paz. Año de 1739.
(Jornada primera pág. 5). BNE.</span><o:p></o:p></span></span></p>
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</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-74111973139020523992021-11-24T14:37:00.000+00:002021-11-24T14:37:36.929+00:00 Apontamentos sobre a Lisboa e Sevilha nos séculos XVI e XVII (10) 1ª parte<p> </p>
<p class="MsoTitle"><span class="TtuloCarter"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<p class="MsoTitle"><span style="font-family: arial;"><b><span style="font-size: large;"><span class="TtuloCarter">Apontamento
10 - Descrição de Sevilha a partir da imagem de Braun e Hogenberg</span>
1588</span></b><o:p></o:p></span></p>
<h1><o:p><span style="font-family: arial; font-size: large;"> cap. 1</span></o:p></h1><h1><span style="font-size: small;"><i style="font-family: arial;"><span style="color: #261b0d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">L</span></i><i style="font-family: arial;">eonido a Riselo</i></span></h1>
<p class="MsoNormal"><span style="font-family: arial;"><i><span style="mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">A </span></i><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;">q<span style="color: #4f422d;">ue b</span>ueno es, Riselo;<span style="color: #4f422d;"> </span>l<span style="color: #4f422d;">a venida,<o:p></o:p></span></span></i></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="color: #4f422d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">truxoos
a caso la opinion famosa<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: #4f422d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">desta insigne ciudad, mapa del mundo?<o:p></o:p></span></span></i></b></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="color: #4f422d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">teneis
algunas barras de las Indias<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="color: #4f422d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;">en la
contratacion? O aveis venido<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><span style="font-family: arial;"><span style="color: #4f422d;"><i>a la
voz de sus ricos casamentos? </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #4f422d; font-size: 14pt;">[1]</span></span><!--[endif]--></span></a></span><span style="color: #4f422d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="color: #4f422d; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA;"><o:p><span style="font-family: arial;"> </span></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Em 1588,
no tempo de Felipe II de Espanha (e primeiro de Portugal), é publicada no
volume IV do <i style="mso-bidi-font-style: normal;">Civitates Orbis Terrarum</i>
uma vista de Sevilha, realizada a partir de uma semelhante, desenhada em 1585
por Ambrosio Brambilla (activo 1579–1599) e publicada por Pietro de Nobili
(15??-15??).<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><br /></span></p><p class="MsoNormal" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-nG0Tkgj6HwU/YZ4T4JbMGCI/AAAAAAAAx9M/1WeQRDEql-MEMGJxqhp7nXjPYyYU77jbgCLcBGAsYHQ/s1294/si1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="955" data-original-width="1294" height="472" src="https://1.bp.blogspot.com/-nG0Tkgj6HwU/YZ4T4JbMGCI/AAAAAAAAx9M/1WeQRDEql-MEMGJxqhp7nXjPYyYU77jbgCLcBGAsYHQ/w640-h472/si1.jpg" width="640" /></a></div><p></p>
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<v:imagedata o:title="si1" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image001.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">1</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Sevilha 1588 no <i>Civitates Orbis Terrarum </i><span style="mso-bidi-font-style: italic;">de </span>Georg Braun (1542-1622) e Franz Hogenberg (1535-1590),</span><o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNoSpacing" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-ucNg-BaMMg4/YZ4UPC_wWRI/AAAAAAAAx9U/ONxtTJnaGsIr_jRJ9MYp2ALoR3hXK1yyACLcBGAsYHQ/s1280/si2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="821" data-original-width="1280" height="410" src="https://1.bp.blogspot.com/-ucNg-BaMMg4/YZ4UPC_wWRI/AAAAAAAAx9U/ONxtTJnaGsIr_jRJ9MYp2ALoR3hXK1yyACLcBGAsYHQ/w640-h410/si2.jpg" width="640" /></a></span></div><span style="font-family: arial; font-size: small; text-align: center;"><div style="text-align: center;">fig. 2
- Ambrosio Brambilla, vista de Sevilla,1585. Biblioteca Nacional de <span style="background: rgb(248, 249, 250); color: #202122;">España</span>.</div></span><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #444444;">A imagem de Sevilha,<span class="MsoSubtleReference"><span style="color: #444444; mso-ansi-font-size: 13.5pt;"> </span></span>tem na
parte superior, da esquerda para a direita, as armas da cidade de Sevilha; ao
centro as armas do rei Felipe II (1527-1598), junto ao título; e, à direita, o
escudo dos condes de Olivares (Enrique de Guzman (</span><span style="background: white; color: #202122;">1540–1607</span></span><span style="color: #444444;"><span style="font-size: medium;">), 2º Conde Duque de Olivares, que foi conselheiro de Felipe II<a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="color: #444444;">[2]</span></span><!--[endif]--></span></span></a>).</span><span style="font-size: 13.5pt;"><o:p></o:p></span></span></span></p>
<p align="center" class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: center;"><span style="font-family: arial;"><span style="color: #444444; font-size: 13.5pt; mso-bidi-font-family: Arial;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-oeJr3rb8x-E/YZ4UqUgHmnI/AAAAAAAAx9c/TdzeAkNFYDwflqw55n1I6RN3KQcCg8MzQCLcBGAsYHQ/s640/si3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="95" data-original-width="640" height="96" src="https://1.bp.blogspot.com/-oeJr3rb8x-E/YZ4UqUgHmnI/AAAAAAAAx9c/TdzeAkNFYDwflqw55n1I6RN3KQcCg8MzQCLcBGAsYHQ/w640-h96/si3.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><span style="background-color: transparent; font-family: arial; font-size: small; text-align: left;">fig. </span><span style="background-color: transparent; font-family: arial; font-size: small; text-align: left;">3</span><span style="background-color: transparent; font-family: arial; font-size: small; text-align: left;"> –
Pormenor da parte superior da imagem Sevilla do Civitates Orbis Terrarum 1588.</span><p></p>
<p align="center" class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: center;"><span style="font-family: arial;"><span style="color: #444444; font-size: 13.5pt; mso-bidi-font-family: Arial;"> </span><span style="color: #444444; font-size: 10pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: arial;"><span style="color: #444444;"><span style="font-size: medium;">Na parte inferior tem uma legenda com os edifícios e os espaços
públicos numerados (1 a 40).</span></span><span style="color: #444444; font-size: 10pt;"><o:p></o:p></span></span></p><p class="MsoNormal" style="background: white; text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-l2dmK6bXQWg/YZ4U-GOZdGI/AAAAAAAAx9k/7NzUg5yFMDQ-wQ2D2cLDQWi8MXzGPVA8wCLcBGAsYHQ/s625/si4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="34" data-original-width="625" height="34" src="https://1.bp.blogspot.com/-l2dmK6bXQWg/YZ4U-GOZdGI/AAAAAAAAx9k/7NzUg5yFMDQ-wQ2D2cLDQWi8MXzGPVA8wCLcBGAsYHQ/w640-h34/si4.jpg" width="640" /></a></span></div><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">4</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor da parte inferior da imagem Sevilla do Civitates Orbis Terrarum
1588.</span><o:p></o:p></span></p>
<h4 style="background: white; margin-top: 0cm;"><br /></h4><h4 style="background: white; margin-top: 0cm;"><span style="font-family: arial; font-size: medium; font-weight: normal;">Estas imagens, apresentadas em vista de pássaro (<i style="background-color: transparent;">a</i><span style="background-color: transparent;"> </span><i style="background-color: transparent;">vol
d’oiseau</i><span style="background-color: transparent;">), mostram já a conformação urbana da Sevilha do século XVI, na
transição da cidade medieval para a cidade renascentista e barroca.</span></span></h4>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Nestas imagens, a cidade de Sevilha, orientada no sentido
nascente-poente, ainda apresenta uma conformação medieval, dominada pela Catedral
e cinturada pela muralha, com 15 portas, entre as quais as ruas estruturam o
tecido urbano e abrem para o Guadalquivir e para os campos e as povoações nos
arrabaldes extramuros, pontuados pelos mosteiros e hospitais. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">E – como Lisboa -</span><span style="font-family: arial;"> </span><span style="font-family: arial;">a
Sevilha de Felipe II, inicia então as transformações urbanas, sobretudo nesta
sua relação com o Guadalquivir, potenciando a frente fluvial e gerando novas
actividades ligadas à navegação e à importação das riquezas das Índias
Ocidentais, de que detêm a exclusividade.</span></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><br /></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Sevilha era já uma cidade com uma grande e diversificada
população, fruto do enriquecimento das navegações, e Miguel de Cervantes, que
entre 1600 e 1604 residiu em Sevilha, escreve no D. Quixote que “…<span style="background: white;"> <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">le rogaron se viniese con ellos a Sevilla,
por ser lugar tan acomodado a hallar aventuras, que en cada calle y tras cada esquina
se ofrecen más que en otro alguno.</i></b><i>”
</i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background: white;">[3]</span></span><!--[endif]--></span></a><o:p></o:p></span></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="background: white;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E em <i style="mso-bidi-font-style: normal;">Rinconete y
Cortadillo</i>, Cervantes lembra a sua impressão de Sevilha<b style="mso-bidi-font-weight: normal;">: <i style="mso-bidi-font-style: normal;">“…se fueron a ver la ciudad, y
admiróles la grandeza y sumptuosidad de su mayor Yglesia, el grã cõcurso de
gente del río, porque era en tiempo de cargazón de flota y avía en él seys
galeras, cuya vista les hizo suspirar y aun temer el día que sus culpas les
avían de traer a morar en ellas de por vida...”</i></b> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></span></a><i style="mso-bidi-font-style: normal;"><span style="background: white;"><o:p></o:p></span></i></span></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="background: white;"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="background: white;">Mas, </span>embora populosa
(cerca de 100 000 habitante), na imagem do <i style="mso-bidi-font-style: normal;">Civitates </i>apenas surgem, em primeiro plano, desenhadas algumas
personagens, e umas quantas apontadas no areal junto da muralha da cidade,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Os autores, pretendem sobretudo mostrar a cidade física, uma
urbe bem organizada e limpa, com a sua estrutura urbana (a arquitectura da cidade),
bem limitada pela muralha, e com os seus espaços públicos e os seus conjuntos
edificados onde de erguem os seus principais e marcantes edifícios (as
arquitecturas da cidade).</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Destaca-se o rio Guadalquivir (antigo Bétis), com inúmeras
embarcações fundeadas.<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">Em 1543, Andrea Navagero (1483-1529), o embaixador da
República de Veneza, que nessa qualidade se deslocou a Sevilha em 1526, para
assistir ao casamento de Carlos V com Isabel de Portugal, e que posteriormente </span><span style="font-family: arial;">escreveu um livro intitulado<span class="MsoSubtleReference"><i> Il Viaggio fatto in Spagna, et in Francia, </i></span><span class="MsoSubtleReference">onde descreve a sua estadia
em Espanha, </span></span><span style="font-family: arial;">notava já que </span><b style="font-family: arial;"><i>“Sevilla è città posta tutta in
piano, alla ripa sinistra del Baetis, che dicono hora Guadalchibir, può
circondar de quattro in cinque miglia, assimiglia molto alle cittá de Italia,
che altra città di Spagna, há l estrade larghe & belle, ma le case il piu
de loro non molto buone…” </i></b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" style="font-family: arial;" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference">[5]</span></span></a></span></p>
<p class="MsoNormal"><span style="font-family: arial;">[Sevilha
é uma cidade numa zona plana, na margem esquerda do Bétis, a que chamam agora
de Guadalquivir, com um perímetro de quatro a cinco milhas, mais semelhante às
cidades de Itália, que outras cidades de Espanha, e tem ruas largas e belas,
mas as casas na maior parte dos casos não são muito boas…]<span style="font-size: 12pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-size: 10.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p>
<h3><span style="font-family: arial;"><span style="font-size: large;">A vista de Sevilha atribuída a Alonso Sanchez Coello</span><o:p></o:p></span></h3>
<p class="MsoNormal"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">Atribuída a Alonso
Sanchez Coello (1531-1588), que foi pintor na corte de Felipe II, existe uma
pintura, </span><i style="font-family: arial;">Vista de Sevilha</i><span style="font-family: arial;">, que
mostra, mais realisticamente, a cidade tal como se apresentava nos finais do
século XVI.</span></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-rEA5g2BvCbA/YZ4V9jiliNI/AAAAAAAAx9s/KxZD-DtHMgszPod2KzGaVor29DwPmBDWACLcBGAsYHQ/s1599/si5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="1599" height="318" src="https://1.bp.blogspot.com/-rEA5g2BvCbA/YZ4V9jiliNI/AAAAAAAAx9s/KxZD-DtHMgszPod2KzGaVor29DwPmBDWACLcBGAsYHQ/w640-h318/si5.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="mso-bidi-language: AR-SA; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_42" o:spid="_x0000_i1025" style="height: 232.8pt; mso-wrap-style: square; visibility: visible; width: 467.4pt;" type="#_x0000_t75">
<v:imagedata o:title="si5" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p>
<p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]--><span style="mso-no-proof: yes;">5</span><!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- (Atribuído) Alonso Sanchez Coello (1531-1588), óleo s/ tela, 146 x 295 cm.
Museu do Prado e Museu da América.</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial; text-align: left;"><br /></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: arial; text-align: left;"><span style="font-size: medium;">Sob um céu de
pesadas nuvens, que um encoberto sol poente, cria dinâmicas diagonais
anunciando tempestades e dramatizando o ambiente, Sanchez Coello pinta uma
panorâmica de Sevilha, abrangendo e destacando as margens do Gualdalquivir.</span></span></p>
<p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">“…Y de su hermoso Arenal<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">sólo se precia Sevilla,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial; font-size: medium;">que es otava maravilla,<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">y una plaça universal.”</i></b><span class="MsoFootnoteReference"> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn6" name="_ftnref6" style="mso-footnote-id: ftn6;" title=""><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[6]</span><!--[endif]--></span></a></span>, <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial;">afirma o poeta e dramaturgo Lope de Vega Carpio (1562-1635),
numa comédia intitulada, precisamente, </span><i style="font-family: arial;">El
Arenal de Sevilla</i><span style="font-family: arial;">, e na panorâmica </span><span style="font-family: arial;">destaca-se
a intensa actividade entre o rio e a muralha da cidade onde existem os bairros
dos toneleiros e dos cesteiros.</span></span></p>
<p class="MsoNormal"><span style="mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Na outra margem, em
primeiro plano, os cais do arrabalde de Triana.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><span style="mso-bidi-font-size: 14.0pt;"><o:p><span style="font-family: arial;"> </span></o:p></span><span style="font-family: arial;">Ao longo deste
texto, iremos utilizar esta pintura para melhor ilustrar e detalhar alguns
aspectos da Sevilha do tempo de Felipe II (1527-1598).</span></span></p>
<div style="mso-element: footnote-list;"><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Vega Carpio, (1562-1635), <i style="mso-bidi-font-style: normal;">Comedia Famosa
del testigo contra si</i> in Sexta parte de sus comedias. En Madrid, Por la
viuda de Alonso Martin, A costa de Miguel de Siles librero, vendese en su casa.
Madrid 1615. (Acto I Pág. 234) BNE.</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> O Conde
de Olivares que se tornou mais conhecido foi o filho Gaspar de Guzman
(1587-1645), o Conde–Duque de Olivares, ministro de Felipe IV.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel
de Cervantes, <i style="mso-bidi-font-style: normal;">El Ingenioso Hidalgo Don
Quixote de la Mancha</i>. Compuesto por Miguel de Cervantes Saavedra. Por Iuan
de la Cuesta Madrid Ano 1605. (Cap. XIIII pág.58).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4" style="mso-element: footnote;">
<h3><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; font-weight: normal;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="background: white; font-size: 9pt; letter-spacing: 0.25pt;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; font-weight: normal;"> </span><span style="font-size: 9pt; font-weight: normal; mso-bidi-font-size: 12.0pt;">Miguel de Cervantes, </span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; font-weight: normal;"><i>Riconete y Cortadillo </i></span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; font-weight: normal; mso-bidi-font-size: 12.0pt;">in</span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; font-style: normal; font-weight: normal; mso-bidi-font-size: 12.0pt;"> </span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; font-weight: normal; mso-bidi-font-size: 12.0pt;">Novelas Exemplares de
Miguel de Cervantes Saavedra. En Madrid por Iuan de Cuesta Año 1613. Madrid,
1613 (pág.69). BNE.</span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></span></span></h3>
</div>
<div id="ftn5" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Andrea
Navagero (1483-1529), <i style="mso-bidi-font-style: normal;">Il Viaggio fatto in
Spagna, et in Francia</i>, dal Magnifico M. Andrea Navagiero, fu oratore
dell’Ilustrissimo Senato Veneto, alla Cesarea Maesta di Carlo V. Com la
descrittione particolare delli luochi, & costumi delli popoli di quele
Provincie. In Vinegia apresso Domenico Farri. 1563. (pág. 13).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn6" style="mso-element: footnote;">
<p class="MsoNormal"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref6" name="_ftn6" style="mso-footnote-id: ftn6;" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Lope de
Vega Carpio (1562-1635), <i>El Arenal de Sevilla..</i>. sacadas de sus originales
...onzena parte, En Barcelona: por S</span>ebastian de Cormellas, y à su costa,
Barcelona 1618. Biblioteca Virtual Miguel Cervantes. (fol. 223).<span style="mso-spacerun: yes;"> </span>(Acto I, pág. 226).<o:p></o:p></span></span></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><br /></span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">Cap. 2</span></span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">O Arenal de Sevilha</span><o:p></o:p></span></h3><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNoSpacing"><i><span style="font-family: arial; font-size: medium;">“…Y de su hermoso Arenal<b><o:p></o:p></b></span></i></p><p class="MsoNoSpacing"><i><span style="font-family: arial; font-size: medium;">sólo se precia Sevilla,<b><o:p></o:p></b></span></i></p><p class="MsoNoSpacing"><i><span style="font-family: arial; font-size: medium;">que es otava maravilla,<b><o:p></o:p></b></span></i></p><p class="MsoNoSpacing"><span style="font-family: arial;"><span style="font-size: medium;"><i>y una plaça universal.”</i><span class="MsoFootnoteReference"> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[1]</span><!--[endif]--></a></span> </span><span style="font-size: 14pt;"><o:p></o:p></span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-cMi6V9aMPS8/YZ4ZNjYJRBI/AAAAAAAAx90/cVUlVFthCdsXKAJ_5EGuohEN2hrG-zckgCLcBGAsYHQ/s3060/si6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="881" data-original-width="3060" height="184" src="https://1.bp.blogspot.com/-cMi6V9aMPS8/YZ4ZNjYJRBI/AAAAAAAAx90/cVUlVFthCdsXKAJ_5EGuohEN2hrG-zckgCLcBGAsYHQ/w640-h184/si6.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->6<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O Arenal. Pormenor de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun (1542-1622) e Franz
Hogenberg (1535-1590). Foi realçada a vermelho a numeração correspondente à
margem do Guadalquivir.</span><o:p></o:p></span></p><p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A imagem do Civitates, junto ao Guadalquivir, salienta o <i>Arenal,</i> o centro da vida e das
actividades da cidade, onde Lope de Vega põe na boca da personagem D. Lope
Cavallero:<o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“<b>Sembrando en tu Arenal mis esperanças,<o:p></o:p></b></span></i></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">O Sevilla que fruto serà el mío,<o:p></o:p></span></i></b></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">que ni del llanto,
bastará el rozio,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">ni del ligero tiempo
las mudanças.<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">O tu que del Ocaso al
Norte alcanças,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">pensamiento menor que
el desvario,<o:p></o:p></span></i></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">si en el arena siembras de este rio,<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">tu cosecha será desconfianças. <o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>Si comparas tu arena con mis males,</i></b><i><o:p></o:p></i></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">tú ni la Libia de
montañas llena,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">teneys bastante copia
de Arenales.<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">O principio terrible
de mi pena,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Si en él son las
arenas desiguales,<o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>qué fin espero de
sembrar tu arena?”</i> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[2]</span><!--[endif]--></span></a> </span><span style="background: white;"><o:p></o:p></span></span></p><p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">O <i>Arenal</i> era a
zona portuária, uma extensa faixa com aproximadamente 650 metros, entre o rio e
a muralha desde a Ponte Triana (39) - uma ponte de barcas, que ligava as duas
margens do rio Guadalquivir (antigo Bétis), em frente da Porta do mesmo nome
(25) – até à Torre del Oro (36) e ao cais onde se descarregavam os navios (38).
<o:p></o:p></span></p><p class="MsoNormal" style="background: white; margin-bottom: 12.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; margin: 12pt 0cm;"><span style="font-family: arial; font-size: medium;">Na imagem vemos as embarcações
fundeadas ou atracadas ao longo da margem do Guadalquivir, de um modo geral
fundeadas na perpendicular à margem, para permitir um melhor aproveitamento do
espaço dos cais e atracar um maior número de navios.</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Os navios mais pesados, como dificilmente podiam subir o
Guadalquivir, atracavam em San Lucar (ou Sanlucar) de Barrameda e as suas
cargas eram transportadas para Sevilha em embarcações de menor dimensão. (ver
Apontamento 9).</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Mas, apesar da quantidade de navios atracados, não se
mostram as muitas actividades e as inúmeras pessoas que certamente, se
aglomeravam nesta frente ribeirinha.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">De facto, Lope de Vega Carpio, inicia a sua, já aqui citada,
comédia intitulada <i>El Arenal de Sevilla, </i>com
um diálogo entre as suas personagens “<i>D.
Laura y D. Urbana su tia com mantos” - </i>que bem podiam ser as personagens
representadas na parte inferior da imagem de Braun – salientando essas
actividades.<o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-BXd67zQBVOI/YZ4ZwQLauxI/AAAAAAAAx98/FJ6B7Ml__zQLzyJ6ecJL-d3adi9OCwTKwCLcBGAsYHQ/s629/si7.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="419" data-original-width="629" height="426" src="https://1.bp.blogspot.com/-BXd67zQBVOI/YZ4ZwQLauxI/AAAAAAAAx98/FJ6B7Ml__zQLzyJ6ecJL-d3adi9OCwTKwCLcBGAsYHQ/w640-h426/si7.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /> <v:shape id="Imagem_x0020_52" o:spid="_x0000_i1026" style="height: 109.8pt; mso-wrap-style: square; visibility: visible; width: 165pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span><p></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->7<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590),</span><o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Dizem estas personagens:</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">“Laura<i>. <o:p></o:p></i></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>Famoso està el Arenal.</i>
<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Urbana <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>Cuando lo dexò de ser?</i>
<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Laura. <o:p></o:p></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">No tiene a mi parecer <o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">todo el mundo, vista igual,<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Tanta Galera y Navio,<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">mucho al Betis engrandece. <o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Urbana <o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"><b>Otra Sevilla parece, <o:p></o:p></b></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"><b>que està fundada en el
rio. </b><o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Laura. <o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Como llegan a Triana <o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">pudieran servir de
puentes<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle" style="background: white; text-align: justify;"><span style="font-family: arial; font-size: medium;">Urbana
<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="background: white; text-align: justify;"><span style="font-family: arial;"><span style="font-size: medium;"><b><i>No le
he visto con mas gente</i>.”</b> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[3]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="background: white; text-align: justify;"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="background: white; text-align: justify;"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="background: white; text-align: justify;"><span style="font-family: arial; font-size: medium;">Por
contraste, na pintura de Sanchez Coello pode observar-se o que seria, de facto,
a febril actividade portuária no Arenal e os diversos tipos de embarcação, as
quais, à direita da imagem, mostram as salvas de canhão que saudavam a chegada
dos navios das Índias.</span></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Ou
como refere Lope de Vega.</span></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Pues aguardad una flota,<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">y veréis toda esta arena<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">de carros de plata llena, <o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><b><i>que imaginarlo alborota”</i></b><i> </i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[4]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="background: white; text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-xN58Utg6KW4/YZ4aVyzpW6I/AAAAAAAAx-E/hOPdVdLNzBAMPb0pHF7aoIXAL8PukXIJgCLcBGAsYHQ/s3624/si8.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="858" data-original-width="3624" height="152" src="https://1.bp.blogspot.com/-xN58Utg6KW4/YZ4aVyzpW6I/AAAAAAAAx-E/hOPdVdLNzBAMPb0pHF7aoIXAL8PukXIJgCLcBGAsYHQ/w640-h152/si8.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormalCxSpLast" style="background: white; text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_68" o:spid="_x0000_i1025" style="height: 124.2pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si8" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->8<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– O Arenal. Pormenor de Alonso Sanchez Coello (1531-1588), óleo s/ tela, 146 x
295 cm. Museu do Prado/Museu das Américas</span></span></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Vega Carpio (1562-1635), El Arenal de Sevilla... sacadas de sus originales
...onzena parte, En Barcelona: por Sebastian de Cormellas, y à su costa,
Barcelona 1618. Biblioteca Virtual Miguel Cervantes. (fol. 223). (Acto I, pág. 226).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Veja Carpio (1562-1635), Comedia Famosa del Arenal de Sevilla (1603) de Lope de
Vega Carpio. In Doze comedias de Lope de Vega Carpio ... sacadas de sus
originales ...onzena parte, En Barcelona: por Sebastian de Cormellas, y à
su costa, Barcelona 1618. Biblioteca Virtual Miguel Cervantes. (fol. 223). (Acto I, pág. 229).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Veja Carpio (1562-1635), Comedia Famosa del Arenal de Sevilla de Lope de Vega in
Doze comedias de Lope de Vega Carpio ... sacadas de sus originales ...onzena
parte, En Barcelona: por Sebastian de Cormellas, y à su costa, 1618
Biblioteca Virtual Miguel Cervantes. (fol. 223). [Sebastian de Cormellas
(1593-1667)].<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> Lope de
Veja Carpio (1562-1635), Comedia Famosa del Arenal de Sevilla de Lope de
Veja.,in Doze comedias de Lope de Vega Carpio ... sacadas de sus originales
...onzena parte, En Barcelona: por Sebastian de Cormellas, y à su costa,
1618 Biblioteca Virtual Miguel Cervantes. (pág. 226).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><p class="MsoFootnoteText"><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">Cap. 3</span></span></h3><h3><span style="font-family: arial;"><span style="font-size: large;">O Cais </span><o:p></o:p></span></h3><p class="MsoNormalCxSpFirst" style="background: white; text-align: justify;"><span style="font-size: medium;"><o:p><span style="font-family: arial;"> N</span></o:p><span style="background-color: transparent; font-family: arial; text-align: left;">a extremidade do </span><i style="background-color: transparent; font-family: arial; text-align: left;">Arenal</i><span style="background-color: transparent; font-family: arial; text-align: left;">,
onde o Guadalquivir encontra o rio Tagarete, seu afluente, situava-se o cais
com a </span><i style="background-color: transparent; font-family: arial; text-align: left;">Torre dellas Mueles</i><span style="background-color: transparent; font-family: arial; text-align: left;"> e a sua
grua ou </span><i style="background-color: transparent; font-family: arial; text-align: left;">ingenio</i><span style="background-color: transparent; font-family: arial; text-align: left;"> (38), e junto ao
cais, na muralha, a </span><i style="background-color: transparent; font-family: arial; text-align: left;">Torre del Oro </i><span style="background-color: transparent; font-family: arial; text-align: left;">(36)
e a </span><i style="background-color: transparent; font-family: arial; text-align: left;">Torre della Plata</i><span style="background-color: transparent; font-family: arial; text-align: left;"> (37).</span><span style="background-color: transparent; font-family: arial; text-align: left;"> </span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-0fj9Q2QHc_s/YZ4bbU5xevI/AAAAAAAAx-M/UoTbXtsiKvkxFtF0reWtquu7YMirkrbHQCLcBGAsYHQ/s1307/si9.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="1307" height="340" src="https://1.bp.blogspot.com/-0fj9Q2QHc_s/YZ4bbU5xevI/AAAAAAAAx-M/UoTbXtsiKvkxFtF0reWtquu7YMirkrbHQCLcBGAsYHQ/w640-h340/si9.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; padding: 0cm;"> </span></span><span style="font-family: arial;">fig. </span><span style="font-family: arial;">9</span><span style="font-family: arial;">
</span><span style="font-family: arial;">– O Cais. Pormenor de </span><span style="font-family: arial;">Sevilha 1588 no </span><i style="font-family: arial;">Civitates
Orbis Terrarum </i><span style="font-family: arial;">de </span><span style="font-family: arial;">Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><h3><span style="font-family: arial;"><span style="font-size: large;">(38) <i>El Muelle. </i>A grua ou <i>“ingienio”</i> do porto</span></span></h3><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado (c.1520-d.1589) na sua His<i>toria de Sevilla</i>, refere:<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">“<i>Y como toda esta Riqueza venga
por Guadalquivir, puede bien contarse por </i></span><span style="font-family: arial; font-size: medium;"><i>una de sus excelencias. Y
entre ellas su alto, y fuerte </i><b style="font-style: italic;">Muelle de
dos Ruedas, que de tiempo inmemorial</b> <b style="font-style: italic;">sirve
junto ala Torre del Oro, para el servicio de su gran Puerto</b><i>.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference">[1]</span></span></a></span></p><p class="MsoNormal"><i><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;"> </span></span></i><span style="font-size: medium;"><span style="color: #333333; font-family: arial;">No
local do desembarque dos metais preciosos é representada a grua ou “</span><i style="color: #333333; font-family: arial;">engenho</i><span style="color: #333333; font-family: arial;">”
do porto (38).</span></span></p><p class="MsoNormal" style="text-align: center;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: medium;"><a href="https://1.bp.blogspot.com/-tLPIykKiQak/YZ4cUsYO3pI/AAAAAAAAx-U/IjoSfiWlp6EgwGhhFlzmzPZFVzzyYUuLACLcBGAsYHQ/s818/si10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="818" height="432" src="https://1.bp.blogspot.com/-tLPIykKiQak/YZ4cUsYO3pI/AAAAAAAAx-U/IjoSfiWlp6EgwGhhFlzmzPZFVzzyYUuLACLcBGAsYHQ/w640-h432/si10.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_70" o:spid="_x0000_i1033" style="height: 352.8pt; mso-wrap-style: square; visibility: visible; width: 523.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si10" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape></span><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->10<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A Grua do porto. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">A
grua surge, parcialmente representada, na extremidade direita da pintura de
Sanchez Coello.</span></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-GNj8BVLPvg4/YZ4ctDNyvYI/AAAAAAAAx-c/Oq_FkhFkG0IT8qNLTZLtXRQ5yE7EjYDowCLcBGAsYHQ/s441/si11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="393" data-original-width="441" height="570" src="https://1.bp.blogspot.com/-GNj8BVLPvg4/YZ4ctDNyvYI/AAAAAAAAx-c/Oq_FkhFkG0IT8qNLTZLtXRQ5yE7EjYDowCLcBGAsYHQ/w640-h570/si11.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT; mso-no-proof: yes;"><v:shape id="Imagem_x0020_71" o:spid="_x0000_i1032" style="height: 393pt; mso-wrap-style: square; visibility: visible; width: 441pt;" type="#_x0000_t75">
<v:imagedata o:title="si11" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape></span><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->11<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- A grua parcialmente representada na
extremidade da pintura de Sanchez Coello.</span><span style="color: #333333; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></span></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"> </span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">U</span>tilizadas desde a Idade Média para içar
grandes pesos, sobretudo na construção de grandes edificações como as
catedrais, e conhecidas por “<i>gaiolas de
esquilo</i>” eram movimentadas por um ou mais homens que caminhavam no interior
das grandes rodas laterais. </span><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><o:p></o:p></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: 13.5pt;"><span style="font-family: arial;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-4Qiqx1Rm-Vg/YZ4dEkA6WTI/AAAAAAAAx-k/vF1DVgBYros_1MWVfZJRQDunnX7yvJG9ACLcBGAsYHQ/s801/si12.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="479" height="640" src="https://1.bp.blogspot.com/-4Qiqx1Rm-Vg/YZ4dEkA6WTI/AAAAAAAAx-k/vF1DVgBYros_1MWVfZJRQDunnX7yvJG9ACLcBGAsYHQ/w382-h640/si12.jpg" width="382" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: 13.5pt;"><v:shape id="Imagem_x0020_72" o:spid="_x0000_i1031" style="height: 600.6pt; mso-wrap-style: square; visibility: visible; width: 359.4pt;" type="#_x0000_t75">
<v:imagedata o:title="si12" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg">
</v:imagedata></v:shape></span><span style="font-size: 13.5pt;"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->12<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Histoire ancienne jusqu'à
César 1260-1270, 274 folhas , miniatura em pergaminho 37 x 23,5 cm.
Bibliothèque municipale de Dijon Bourgogne France.</span><o:p></o:p></span></p><p class="MsoNormal"><span style="font-size: 13.5pt;"><span style="font-family: arial;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-y0C8PrUXCHI/YZ4dXKb8P0I/AAAAAAAAx-s/CGDcq5bc_vkfDcC_BwPz_uSw1Dr9LMWyACLcBGAsYHQ/s821/si13.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="738" data-original-width="821" height="576" src="https://1.bp.blogspot.com/-y0C8PrUXCHI/YZ4dXKb8P0I/AAAAAAAAx-s/CGDcq5bc_vkfDcC_BwPz_uSw1Dr9LMWyACLcBGAsYHQ/w640-h576/si13.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p class="MsoCaption"><span style="font-family: arial;"><v:shape id="Imagem_x0020_73" o:spid="_x0000_i1030" style="height: 241.8pt; mso-wrap-style: square; visibility: visible; width: 268.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si13" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image005.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->13<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- <span style="color: #111111;">Diebold Schilling </span><span style="color: #202122;">(c.
1445–1485), </span><span style="color: #111111;">Spiezer Chronik 1480/89 </span><span style="background: rgb(247, 246, 242); color: #333333; letter-spacing: 0.1pt;">Paper · 806 pp. ·
37 x 26 cm</span><span style="color: #111111;"> Bern </span><span style="color: #1a1a1a;">Virtual Manuscript Library of Switzerland (</span><span style="color: #111111;">pág. 81). </span><a href="https://www.e-codices.unifr.ch/de/bbb/Mss-hh-I0016/81/0/Sequence-50">https://www.e-codices.unifr.ch/de/bbb/Mss-hh-I0016/81/0/Sequence-50</a></span><span style="color: #111111;"><o:p></o:p></span></span></p><p align="center" class="MsoNormal" style="background: white; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: center;"><span class="LegendaCarter"><span style="color: #1a1a1a; font-size: 9pt; mso-bidi-language: AR-SA;"><span style="font-family: arial;"> </span></span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span class="LegendaCarter"><span style="font-size: 9pt;"><span style="font-family: arial;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-tYP4Rn1lb3U/YZ4dnx0LORI/AAAAAAAAx-0/kt7rf5NYmPMd2xW9c-auWTGt6w058PSBQCLcBGAsYHQ/s725/si14.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="725" data-original-width="527" height="640" src="https://1.bp.blogspot.com/-tYP4Rn1lb3U/YZ4dnx0LORI/AAAAAAAAx-0/kt7rf5NYmPMd2xW9c-auWTGt6w058PSBQCLcBGAsYHQ/w466-h640/si14.jpg" width="466" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="background: white; text-align: center;"><span style="font-family: arial;"><span class="LegendaCarter"><span style="font-size: 9pt; mso-bidi-font-weight: normal; mso-bidi-language: AR-SA; mso-no-proof: yes;"><v:shape id="Imagem_x0020_74" o:spid="_x0000_i1029" style="height: 237pt; mso-wrap-style: square; visibility: visible; width: 172.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si14" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg">
</v:imagedata></v:shape></span></span><span class="LegendaCarter"><span style="font-size: 9pt;"><o:p></o:p></span></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->14<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--><b> </b>-
Jean Ballesdens, Speculum humanae salvationis. 1301-1500, manuscrito em latim
c/iluminuras, em pergaminho. <b> BnF. </b>Bibliothèque nationale de
France. Département des Manuscrits. <a href="https://gallica.bnf.fr/ark:/12148/btv1b6000434v" target="_blank"><span style="color: #333333;">ark:/12148/btv1b6000434v</span></a>
<b> </b></span> <o:p></o:p></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span class="LegendaCarter"><span style="font-size: 9pt;"><span style="font-family: arial;"> </span></span></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">A partir do
século XVI, tornam-se frequentes nos cais fluviais e marítimos. </span><span style="font-size: 13.5pt;"><o:p></o:p></span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span class="LegendaCarter"><span style="font-size: 9pt;"><span style="font-family: arial;"> </span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-_YnGNRKOgQU/YZ4d-cRMf1I/AAAAAAAAx-8/2CnsTq-2-gA3Py6fDzbubQa4O9x0PiV6gCLcBGAsYHQ/s676/si15.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="438" height="640" src="https://1.bp.blogspot.com/-_YnGNRKOgQU/YZ4d-cRMf1I/AAAAAAAAx-8/2CnsTq-2-gA3Py6fDzbubQa4O9x0PiV6gCLcBGAsYHQ/w414-h640/si15.jpg" width="414" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span class="LegendaCarter"><span style="font-size: 9pt; mso-bidi-font-weight: normal; mso-bidi-language: AR-SA; mso-no-proof: yes;"><v:shape id="Imagem_x0020_75" o:spid="_x0000_i1028" style="height: 676.2pt; mso-wrap-style: square; visibility: visible; width: 438pt;" type="#_x0000_t75">
<v:imagedata o:title="si15" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape></span></span><span class="LegendaCarter"><span style="font-size: 9pt;"><o:p></o:p></span></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->15<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- <span class="LegendaCarter">Simon
Bening (c. 1483-1561) Le port de Bruges Calendário 66páginas </span>pergaminho
14 × 10, cm. Oktober, Kalendarium eines flämischen Stundenbuches (Brügge)</span><span class="LegendaCarter"><span style="font-size: x-small;"> Bayerisches
Stadtbibliotheck Munich </span><o:p></o:p></span></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span class="LegendaCarter"><span style="font-size: 9pt;"><span style="font-family: arial;"> </span></span></span></p><p class="MsoNormal"><span class="LegendaCarter"><span style="font-family: arial; font-size: medium;">A
grua “<i>gaiola de esquilo</i>” está
representada no célebre quadro de Pieter Brueghel o velho (c.1525/30-1569), <i>A Torre de Babel</i> de 1563, mostrando como
desde a Idade Média se utilizavam para içar as grandes pedras e outros
materiais na construção de grandes edifícios.<o:p></o:p></span></span></p><p class="MsoNormal"><br /></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-CehdvnSH6X0/YZ4eTBsY1tI/AAAAAAAAx_E/jrsxHeCBGyMstPRvThLNEPEeXKtJH9aOgCLcBGAsYHQ/s1061/si16.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1061" height="482" src="https://1.bp.blogspot.com/-CehdvnSH6X0/YZ4eTBsY1tI/AAAAAAAAx_E/jrsxHeCBGyMstPRvThLNEPEeXKtJH9aOgCLcBGAsYHQ/w640-h482/si16.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span class="LegendaCarter"><span style="font-size: 9pt; mso-bidi-font-weight: normal; mso-bidi-language: AR-SA; mso-no-proof: yes;"><v:shape id="Imagem_x0020_76" o:spid="_x0000_i1027" style="height: 253.2pt; mso-wrap-style: square; visibility: visible; width: 335.4pt;" type="#_x0000_t75">
<v:imagedata o:title="si16" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image008.jpg">
</v:imagedata></v:shape></span></span><span class="LegendaCarter"><span style="font-size: 9pt;"><o:p></o:p></span></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->16<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pieter Bruegel ou Brueghel o velho (c. 1525/30-1569). Torre de Babel
1563, óleo s/ madeira, 115 x 114 cm. Kunsthistorisches Museum, Vienn.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-YUc3N6z6wZ4/YZ4eliyekmI/AAAAAAAAx_M/TwiP_UHHZEoJFnJ_TaXCGoHivQPunLVewCLcBGAsYHQ/s990/si17.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="981" data-original-width="990" height="634" src="https://1.bp.blogspot.com/-YUc3N6z6wZ4/YZ4eliyekmI/AAAAAAAAx_M/TwiP_UHHZEoJFnJ_TaXCGoHivQPunLVewCLcBGAsYHQ/w640-h634/si17.jpg" width="640" /></a></span></div><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->17<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Torre de Babel 1563, óleo s/ madeira, 115 x 114 cm. Kunsthistorisches
Museum, Vienn.<o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial; font-size: x-small;"> </span></o:p></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial; font-size: x-small;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: x-small;"><a href="https://1.bp.blogspot.com/-HQ7eno-HDE4/YZ4evzNvkZI/AAAAAAAAx_Q/qOCa3dE93DweUsxc6qjiNqDfg6_77c7VACLcBGAsYHQ/s796/si18.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="656" height="640" src="https://1.bp.blogspot.com/-HQ7eno-HDE4/YZ4evzNvkZI/AAAAAAAAx_Q/qOCa3dE93DweUsxc6qjiNqDfg6_77c7VACLcBGAsYHQ/w528-h640/si18.jpg" width="528" /></a></span></div><span style="font-family: arial; font-size: x-small;"><br /></span><p></p><p class="MsoNormal" style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><span class="LegendaCarter"><v:shape id="Imagem_x0020_78" o:spid="_x0000_i1025" style="height: 162pt; mso-wrap-style: square; visibility: visible; width: 133.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si18" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image010.jpg">
</v:imagedata></v:shape></span><span class="LegendaCarter"><o:p></o:p></span></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->18<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Pormenor de Torre de Babel 1563, óleo s/ madeira, 115 x 114 cm. Kunsthistorisches
Museum, Vienn.</span></span></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">A
grua do porto de Sevilha era propriedade da Catedral e foi inicialmente
utilizada para desembarcar os materiais para a sua construção. <o:p></o:p></span></span></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Permaneceu
no porto para carregar e descarregar as mercadorias que ali chegavam, sobretudo
a prata e o ouro das Américas que ali eram desembarcados.</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Como afirma Alonso Morgado ali eram descarregados “(…) <i>asaber de Agua, de </i><o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic;">Vino, Azeyte, Leche, Miel, Açucar,
y los otros dos de Oro, y Plata por los Millones, que delas Provicias del Piru,
y de la nueva España, le entran todos los años.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[2]</span></span></span></a></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Lope de Vega, numa outra das suas comédias, intitulada <i>Servir a </i><i>señor discreto, </i>coloca
duas personagens, Dom Pedro e Girón, a
falar de Sevilha e dos “<i>barcos de Plata”</i>
carregados de ouro e prata<i>, </i>ou seja,
as naus que chegavam das Américas, trazendo, sobretudo, a prata vinda das minas
de Potosi na actual Bolívia.</span></p><p class="MsoNormal"><i><span style="background: white;"><span style="font-family: arial; font-size: medium;">“Sale don Pedro, y Giron.<o:p></o:p></span></span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Pedro<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><i>Para alabar a Sevilla</i><o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Dexa su contratacion,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Y quanto enciera
Giron,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">De Gualdalquivir la
orilla.<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Dexa <b>la Torre del Oro,<o:p></o:p></b></span></i></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">y aquellos Barcos de Plata<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">en que el Indio mar desata<o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>su màs precioso tesoro</i></b><i>.” <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><sup><!--[if !supportFootnotes]--><b><sup>[3]</sup></b><!--[endif]--></sup></a><o:p></o:p></i></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Lope de Vega numa comédia significativamente intitulada <i>El Nuevo Mundo descubierto por Christoval
Colon</i>, (onde uma das personagens é o Rei de Portugal), a sua personagem
<i>Idolatria</i>, exclama:</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“No permitas
Providencia<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">hazerme esta
sinjusticia, <o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">pues los lleva la
codicia <o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">a hazer esta
diligencia. <o:p></o:p></span></i></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Socolor de Religión, <o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">van a buscar plata y oro <o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>del encubierto tesoro</i></b><i>.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> </span></i></p><div><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (libro segundo pág.174).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso
Morgado, Historia de Sevilla en la cual se contienen sus antigüedades,
grandezas y cosas memorables en ella acontecidas desde su fundación hasta
nuestros tiempos, Compuesta y ordenada por Afonso Morgado, indigno
Sacerdote, natural de la villa de Alcantara, en Estremadura. En la Imprenta de
Andrea Perscioni y Ioan de Leon Sevilla 1587. (Libro segundo pág. 165).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Veja Carpio (1562-1635), Servir a señor discreto in Doze comedias de Lope de
Vega Carpio ... sacadas de sus originales ...onzena parte, En Barcelona:
por Sebastian de Cormellas, y à su costa, 1618. Biblioteca Virtual Miguel
Cervantes. (fol.97).</span></span><span style="font-size: 9pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: normal; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Vega Carpio, El Nuevo Mundo descubierto por Christoval Colon. in Doce Comedias
sacadas de sus originales. Miguel Serrano de Vargas, Madrid, </span></span><span class="MsoSubtleReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;">Año</span></span></span><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"> 1614.
(pág. 35).</span><o:p></o:p></span></span></p><p class="MsoFootnoteText"><span class="MsoIntenseReference"><span style="font-size: 9pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;"><br /></span></span></span></p><p class="MsoFootnoteText"><span class="MsoIntenseReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial; font-size: large;"><b>Cap. 4</b></span></span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">Sevilha numa pintura do século XVI</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Uma imagem existente na igreja de Santa Ana, atribuída ao
Mestre de Moguer, entre Santa Justa e Santa Rufina, as duas santas patronas de
Sevilha, surge, ao centro, uma reduzida e simplificada representação de
Sevilha.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-mv22MepehVE/YZ5BMpWYXpI/AAAAAAAAx_c/3zAZpnlH7HozN_IOFbmQ3lt1-lqAM4ZAACLcBGAsYHQ/s2048/si19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1845" data-original-width="2048" height="576" src="https://1.bp.blogspot.com/-mv22MepehVE/YZ5BMpWYXpI/AAAAAAAAx_c/3zAZpnlH7HozN_IOFbmQ3lt1-lqAM4ZAACLcBGAsYHQ/w640-h576/si19.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape></span><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->19<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Maestro de Moguer (14__-15__), Santa Justa e Santa Rufina, c. 1515. Óleo
s/madeira. Igreja de Santa Ana, Sevilha.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Entre
as duas Santas reconhece-se a torre (o antigo minarete) da Catedral, ainda sem
as intervenções renascentistas que lhe darão o nome de Giralda, e destaca-se o <i>Arenal </i>onde uma âncora simboliza o
porto, com o <i>“ingienio”</i> (a grua). </span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p><span style="font-family: arial; text-align: center;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-lSr8ofG8LzU/YZ5B-bQgSSI/AAAAAAAAx_k/0F5npF-_20Y81YSGQi9Phj0zKX-c6noEACLcBGAsYHQ/s1392/si20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1392" data-original-width="941" height="640" src="https://1.bp.blogspot.com/-lSr8ofG8LzU/YZ5B-bQgSSI/AAAAAAAAx_k/0F5npF-_20Y81YSGQi9Phj0zKX-c6noEACLcBGAsYHQ/w432-h640/si20.jpg" width="432" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_80" o:spid="_x0000_i1032" style="height: 334.2pt; mso-wrap-style: square; visibility: visible; width: 225.6pt;" type="#_x0000_t75">
<v:imagedata o:title="si20" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->20<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Maestro de Moguer (14__-15__), Pormenor de Santa Justa e Santa Rufina, c.
1515. </span><span style="font-family: arial; font-size: small;">Óleo s/madeira. Igreja de Santa Ana, Sevilha.</span></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Na
outra margem do Guadalquivir, atravessando a ponte de barcas de Triana, o
arrabalde do mesmo nome, com o Castelo de São Jorge (sede da Inquisição) e a
igreja de Santa Ana onde, aliás, o quadro se encontra.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-eePFVHjUHs4/YZ5CboixAZI/AAAAAAAAx_s/aI14q2xGjx8m1k0cT330VtBawPHv25rkwCLcBGAsYHQ/s625/si21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="462" data-original-width="625" height="474" src="https://1.bp.blogspot.com/-eePFVHjUHs4/YZ5CboixAZI/AAAAAAAAx_s/aI14q2xGjx8m1k0cT330VtBawPHv25rkwCLcBGAsYHQ/w640-h474/si21.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_81" o:spid="_x0000_i1031" style="height: 111pt; mso-wrap-style: square; visibility: visible; width: 150pt;" type="#_x0000_t75">
<v:imagedata o:title="si21" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image003.jpg">
</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->21<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Maestro de Moguer (14__-15__), Pormenor de Santa Justa e Santa Rufina, c.
1515. </span><span style="font-family: arial; font-size: small;">Óleo s/madeira. Igreja de Santa Ana, Sevilha.</span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Na
parte inferior da pintura, três peças de barro, indicando que as duas santas se
dedicaram à olaria, aliás a produção tradicional de Triana.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-NJzJ-4WfNB0/YZ5Cufd2VRI/AAAAAAAAx_0/dYcqLM1wjdwWZ67fAPP7lN8PgA6kGBRTwCLcBGAsYHQ/s941/si22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="273" data-original-width="941" height="186" src="https://1.bp.blogspot.com/-NJzJ-4WfNB0/YZ5Cufd2VRI/AAAAAAAAx_0/dYcqLM1wjdwWZ67fAPP7lN8PgA6kGBRTwCLcBGAsYHQ/w640-h186/si22.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shape id="Imagem_x0020_82" o:spid="_x0000_i1030" style="height: 65.4pt; mso-wrap-style: square; visibility: visible; width: 225.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial; font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->22<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Maestro de Moguer (14__-15__), Pormenor de Santa Justa e Santa Rufina, c.
1515. </span><span style="font-family: arial; font-size: small;">Óleo s/madeira. Igreja de Santa Ana, Sevilha.</span></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Agustin de Rojas Villandrando (1572-c.1635), o autor da
Comedia <i>El viagem entretenido</i>
publicada em 1603, numa cena entre quatro das suas personagens, Ramirez, Rios,
Solano e Rojas, aponta as olarias de Triana e o fabrico artesanal dos azulejos.</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>“</i></b>Ramirez<i>.<b> <o:p></o:p></b></i></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Por lo que dixistes de Triana:
aveys notado, la loza q a yen ella? <o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Rios<b><i>. <o:p></o:p></i></b></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">A propósito fray jarro.<o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Solano<b><i>. <o:p></o:p></i></b></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Por esso q dezis de albarda, mi
padre tiene una ratonera de golpe.<o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Rojas.<i> <o:p></o:p></i></span></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium; font-style: italic; font-weight: bold;">Oydo he dezir q ay mas de
sesenta tendas, dõde se haze y vende, ansi vedriado como amarillo y blanco, y
aun muy buenos azulejos de diferêtes colores.” </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[1]</span></span><!--[endif]--></span></a><i style="font-weight: bold;"><o:p></o:p></i></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><o:p><span style="font-family: arial;"><b> <span style="font-size: large;">Cap. 5</span></b></span></o:p></p><h3><span style="font-family: arial;"><span style="font-size: large;">A <i>Torre del Oro </i>(36)</span><o:p></o:p></span></h3><p class="MsoNoSpacing"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial;"><span style="font-size: medium;">Á
direita da imagem do <i>Civitates</i>, a <i>Torre del Oro</i> (36), que
defendia o acesso ao porto.</span></span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-6kYpQb09Vdo/YZ5EX8WuH0I/AAAAAAAAx_8/tUmePiaMoF0M5hrqZGie9gPLiTp7cmNKQCLcBGAsYHQ/s2048/si23.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1087" data-original-width="2048" height="340" src="https://1.bp.blogspot.com/-6kYpQb09Vdo/YZ5EX8WuH0I/AAAAAAAAx_8/tUmePiaMoF0M5hrqZGie9gPLiTp7cmNKQCLcBGAsYHQ/w640-h340/si23.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span></span><span style="font-family: arial; font-size: small;">fig. </span><span style="font-family: arial; font-size: small;">23</span><span style="font-family: arial; font-size: small;"> – Pormenor de Sevilha 1588 no </span><i style="font-family: arial; font-size: small;">Civitates
Orbis Terrarum </i><span style="font-family: arial; font-size: small;">de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></p><p align="center" class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial; font-size: x-small;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-njJYmbhukGc/YZ5Ep1qngsI/AAAAAAAAyAE/bwoJMKQvE5YdQzy7MdG8oaT2YJcGACtpgCLcBGAsYHQ/s1296/si24.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1296" data-original-width="1271" height="640" src="https://1.bp.blogspot.com/-njJYmbhukGc/YZ5Ep1qngsI/AAAAAAAAyAE/bwoJMKQvE5YdQzy7MdG8oaT2YJcGACtpgCLcBGAsYHQ/w628-h640/si24.jpg" width="628" /></a></div><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->24<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]--> – Pormenor de Sevilha 1588 no <i>Civitates
Orbis Terrarum </i>de Georg
Braun (1542-1622) e Franz Hogenberg (1535-1590).</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span class="MsoSubtleReference"><span style="font-family: arial; font-size: medium;">Em 1570 Felipe II faz uma entrada triunfal em
Sevilha.</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-language: PT;">Desta
visita </span>existe um relato de <span class="MsoSubtleReference">Juan de Mal Lara (1524-1571)
– que, aliás, participou na organização da recepção ao monarca - com o título de
<i>Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la C. R. M.
del Rey don Felipe N. S. Con una breve descripción de la ciudad y su tierra.</i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[2]</span><!--[endif]--></span></a><span class="MsoSubtleReference"><i><o:p></o:p></i></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><span class="MsoSubtleReference">Nessa publicação e como o título indica, Mal
Lara para além de descrever essa entrada triunfal, acrescenta alguns elementos
da Sevilha do século XVI.</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Refere Juan Mal
Lara:</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b>A <i>Torre del Oro</i> <i>“…que es grande y alta, dozavada com doze Garitas, que salen una en
cada ángulo, hazíendo proporción hermorsíssíma para desde alli defender a</i></b><b><i> </i></b><b><i>los que quisieren picar lo torre</i></b><i>.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[3]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E Lope de Vega escreve no <i>Arenal de Sevilla</i>:</span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Mejor será que lleguemos<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">hasta la Torre del Oro<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">y todo ese gran tesoro<o:p></o:p></span></i></b></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b><i>que va a las Indias veremos</i></b><i>.”
</i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">A Torre del Oro na pintura de Sanchez Coello.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial;"> </span></i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-Ybx-7-oVCn4/YZ5FF59DblI/AAAAAAAAyAM/lSMyOOMlcFA2ki43KF-sOcYXq4Tb4nYugCLcBGAsYHQ/s999/si25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="480" height="640" src="https://1.bp.blogspot.com/-Ybx-7-oVCn4/YZ5FF59DblI/AAAAAAAAyAM/lSMyOOMlcFA2ki43KF-sOcYXq4Tb4nYugCLcBGAsYHQ/w308-h640/si25.jpg" width="308" /></a></span></i></div><i><span style="font-family: arial;"><br /></span></i><p></p><p align="center" class="MsoNormal" style="text-align: center;"><i><span style="font-family: arial;"><v:shape id="Imagem_x0020_85" o:spid="_x0000_i1027" style="height: 709.2pt; mso-wrap-style: square; visibility: visible; width: 340.8pt;" type="#_x0000_t75">
<v:imagedata o:title="si25" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape><o:p></o:p></span></i></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->25<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– A Torre del Oro na pintura de Sanchez Coello.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">Entre a porta <i>del
Carbón</i> e a <i>Torre</i> <i>del Oro</i>, está representada a importância
do trabalho da madeira na época. As tábuas espalhadas no solo indicam a actividade
da construção naval e da arte dos tanoeiros.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-9c62L7cybe4/YZ5FdBoOsSI/AAAAAAAAyAU/TzJ5aT4p0qAhMwlOnYjcjPxirUF8-x8_QCLcBGAsYHQ/s742/si26.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="733" data-original-width="742" height="632" src="https://1.bp.blogspot.com/-9c62L7cybe4/YZ5FdBoOsSI/AAAAAAAAyAU/TzJ5aT4p0qAhMwlOnYjcjPxirUF8-x8_QCLcBGAsYHQ/w640-h632/si26.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><h4><span style="font-family: arial;"><v:shape id="Imagem_x0020_86" o:spid="_x0000_i1026" style="height: 516.6pt; mso-wrap-style: square; visibility: visible; width: 523.2pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></h4><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->26<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
– Entre a Catedral e a Torre del Oro. Pormenor do quadro atribuído a Alonso
Sanchez Coello (1531-1588), óleo s/ tela, 146 x 295 cm. Museu do Prado/Museu
das Américas</span><o:p></o:p></span></p><h4 align="left"><br /></h4><h3><span style="font-family: arial;"><span style="font-size: large;">(37) A <i>Torre dela Plata</i></span></span></h3><p class="MsoNormal"><span style="background: white;"><span style="font-family: arial;"><span style="font-size: medium;">Como já apontamos, (no
Apontamento 8), a Torre da Prata estava inserida na muralha e era, como o nome
indica, o local de armazenamento da prata descarregada dos navios vindos da
América, sobretudo das minas de Potosi na actual Bolívia.</span><o:p></o:p></span></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-zYnxokHLQTQ/YZ5F1atl0MI/AAAAAAAAyAc/G6gdzHnlms0dwtq8v_JRQXzqmz20BvNbACLcBGAsYHQ/s496/si27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="496" data-original-width="415" height="640" src="https://1.bp.blogspot.com/-zYnxokHLQTQ/YZ5F1atl0MI/AAAAAAAAyAc/G6gdzHnlms0dwtq8v_JRQXzqmz20BvNbACLcBGAsYHQ/w536-h640/si27.jpg" width="536" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p class="MsoCaption"><span style="font-family: arial;"><v:shape id="Imagem_x0020_87" o:spid="_x0000_i1025" style="height: 162.6pt; mso-wrap-style: square; visibility: visible; width: 135.6pt;" type="#_x0000_t75">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
field-separator'></span><![endif]-->27<!--[if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]-->
- Torre dela Plata. Pormenor de Sevilha 1588 no <i>Civitates Orbis Terrarum </i>de Georg Braun e Franz Hogenberg.</span><o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Depois
de desembarcados, a prata e o ouro, eram conduzidos em carros de bois para as
respectivas torres e daí para a Casa da Contratação.</span></span><span style="font-family: arial; font-size: large; text-align: center;"> </span></p><p class="MsoNormal"><span style="color: #333333; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-family: arial; font-size: medium;">Escreve
Alonso Morgado:<o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;"><b>“<i>Cosa es de admiracion y no vista en outro Puerto alguno, las Carretas
de a quatro bueyes, que en tiempo de Flota acarrean la suma riqueza de Oro y
Plata en Barras desde Guadalquivir hasta la Real Casa de la Contratacion de la
Indias.” </i></b><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[5]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoFootnoteText"><span class="MsoIntenseReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial; font-size: medium;">
</span></span></span></p><div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Agustin
Rojas (1572-c,1635), El viagem entretenido de Agustin de Rojas, natural de
Madrid. En la Empreta Real Madrid M. DC. III. (pág. 56 e 57). BNE.</span></span><o:p></o:p></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal" style="background: white; text-align: justify;"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara, Recibimiento que hizo la muy noble y muy leal ciudad de Sevilla a la
C. R. M. del Rey don Felipe N. S. Con una breve descripción de la ciudad y su
tierra, impreso en Sevilla, en casa de Alonso Escrivano, en la calle de la
Sierpe. Acabóse a veinte y nueve días del mes de Agosto. Sevilla Año de mil y
quinientos y setenta. Sevilla 1570.<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Juan de
Mal Lara (1524-1571), Recibimiento que hizo la muy noble y muy leal ciudad de
Sevilla a la C. R. M. del Rey don Felipe N. S. Con una breve descripción de la
ciudad y su tierra. En casa de Alonso Escrivano, Sevilla, 1570. (pág. 40).</span></span><o:p></o:p></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Lope de
Veja Carpio (1562-1635), El Arenal de Sevilla in Doze comedias de Lope de Vega
Carpio... sacadas de sus originales... onzena parte, por Sebastian de
Cormellas, y a su costa, Barcelona 1618. (pág. 223a).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn5">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso Morgado,
Historia de Sevilla en la cual se contienen sus antigüedades, grandezas y cosas
memorables en ella acontecidas desde su fundación hasta nuestros tiempos, Compuesta
y ordenada por Afonso Morgado, indigno Sacerdote, natural de la villa de
Alcantara, en Estremadura. En la Imprensa de Andrea Fescioni y Iuan de Leon
Sevilla 1587. (libro segundo pág. 166).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
</div><p class="MsoFootnoteText"><span class="MsoIntenseReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial; font-size: large;"><b><br /></b></span></span></span></p><p class="MsoFootnoteText"><span class="MsoIntenseReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial; font-size: large;"><b>Cap. 6</b></span></span></span></p><h3><span style="font-family: arial;"><span style="font-size: large;">As portas do Arenal</span></span></h3><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;">O <i>Arenal</i>
comunicava com a cidade através de um conjunto de Portas e Postigos que com as
outras portas da muralha davam acesso às vias que estruturavam a cidade.</span><o:p></o:p></span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"> </span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-1hvndFeoWQI/YZ5IJR8u10I/AAAAAAAAyAk/JwhObQMYl7gvRR7FUez-oyEg82e1NNRewCLcBGAsYHQ/s1598/si28.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="1598" height="186" src="https://1.bp.blogspot.com/-1hvndFeoWQI/YZ5IJR8u10I/AAAAAAAAyAk/JwhObQMYl7gvRR7FUez-oyEg82e1NNRewCLcBGAsYHQ/w640-h186/si28.jpg" width="640" /></a></span></div><span style="font-family: arial;"><br /></span><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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</v:imagedata></v:shape><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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– As portas do Arenal. Pormenor de Sevilha
1588 no <i>Civitates Orbis Terrarum </i>de
Georg Braun (1542-1622) e Franz Hogenberg (1535-1590).</span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Da direita para a esquerda: <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Do lado do Tagarete, a Porta de Gerez (Xerez ou Jerez) (35);
<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Porta ou Postigo do Carbon (escrito na própria imagem), entre
a <i>Torre della Plata</i> e as <i>Atarazanas</i>; <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Porta do Arenal (24); <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A Porta de Triana (25). <o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Ainda na continuidade do Arenal e para além da ponte de
Triana (39), estava a <i>Puerta de Goles </i>(26).<o:p></o:p></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormal"><o:p><span style="font-family: arial;"><b> <span style="font-size: large;">Cap. 7</span></b></span></o:p></p><h3><span style="font-family: arial;"><span style="font-size: large;">(35) <i>Puerta de Gerez</i> (Porta de Jerez ou Xerez<span class="Cabealho2Carter"><span style="font-weight: normal; letter-spacing: 0pt;">)</span></span></span>
<o:p></o:p></span></h3><p class="MsoNormal"><span style="font-family: arial; text-align: center;"> </span></p><p class="MsoNormal" style="text-align: center;"><o:p><span style="font-family: arial;"></span></o:p></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-MPRHZEPUR9k/YZ5JRqn9nhI/AAAAAAAAyAs/F5gldUJs3w4yROpxb7PT8ffcYBa6-NMCwCLcBGAsYHQ/s978/si30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="978" height="418" src="https://1.bp.blogspot.com/-MPRHZEPUR9k/YZ5JRqn9nhI/AAAAAAAAyAs/F5gldUJs3w4yROpxb7PT8ffcYBa6-NMCwCLcBGAsYHQ/w640-h418/si30.jpg" width="640" /></a></span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: arial;"><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"> </span><span style="background: black; border: 1pt none black; font-size: 0pt; padding: 0cm;"><v:shape id="Imagem_x0020_89" o:spid="_x0000_i1025" style="height: 291pt; mso-wrap-style: square; visibility: visible; width: 445.2pt;" type="#_x0000_t75">
<v:imagedata o:title="si30" src="file:///C:/Users/ricardo/AppData/Local/Temp/msohtmlclip1/01/clip_image002.jpg">
</v:imagedata></v:shape></span><o:p></o:p></span></p><p class="MsoCaption" style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;">fig. <!--[if supportFields]><span style='mso-element:field-begin'></span><span
style='mso-spacerun:yes'> </span>SEQ fig. \* ARABIC <span style='mso-element:
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- Puerta de Jerez (33). Pormenor de Sevilha 1588 no <i>Civitates Orbis
Terrarum </i>de Georg Braun e
Franz Hogenberg.</span><o:p></o:p></span></p><p class="MsoCaption"><o:p><span style="font-family: arial;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">A
Porta de Jerez, como aparece na imagem, abria para uma prquena ponte que
transpunha o Tagarete, o afluente do Guadalquivir, que corria junto à muralha.</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Segundo Rodrigo Caro (?-?), na sua <span class="MsoSubtleReference"> </span><i>Antiguedades y Principiado de la Ilustrissima Ciudad de Sevilla, </i>publicada
já em 1634, na porta de Xerez, em 1578, e<i>
“en una tabla de marmol blanco se vem estas letras”:</i></span></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">“Hercules me edificò<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Iulio Cesar me cercò<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">De muros y torres altas,<o:p></o:p></span></i></b></p><p class="MsoNormal"><b><i><span style="font-family: arial;"><span style="font-size: medium;">Y el Rey Santo* me ganò</span><o:p></o:p></span></i></b></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: arial;"><b><i>Com Garcia Perez de Vargas**</i></b><i>.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-size: 12.0pt;"><span style="font-family: arial;">[*O Rei Santo era Fernando
III (1201-1252) que conquistou a cidade aos mouros.<o:p></o:p></span></span></p><p class="MsoNormal"><span style="background: white; color: #202122; font-size: 12.0pt; mso-bidi-font-family: Arial;"><span style="font-family: arial;">**Garcia Pérez de Vargas foi um dos 24
cavaleiros que acompanhou Fernando III na sua campanha da Reconquista em
Andaluzia.] <o:p></o:p></span></span></p><p class="MsoNormal"><span style="background: white; color: #202122; font-size: 12.0pt; mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></p><p class="MsoNormal"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt;"><span style="font-family: arial; font-size: medium;">Sevilha, tradicionalmente fundada por Hércules e
povoada por Júlio César, já era cantada por Alfonso Villasandino no século XIV.</span></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“<b>Hércoles que hedificó</b><o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">La cibdat muy poderosa,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Su alma ssea gozossa<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Que tal cibdat ordenó.<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Por Sevilla demostró<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">En su muy alto ssaber<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Que se avie de noblezer<o:p></o:p></span></i></p><p class="MsoNormal"><b><i><span style="font-family: arial; font-size: medium;">Por Julio que la pobló.<o:p></o:p></span></i></b></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Con ssaber é poderío<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Estos dos la ordenaron,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">E los que en ella poblaron<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Fué proeza é muy grant brío,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Vigío é prez é amoryo,<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Lealtanca é lindo amor:<o:p></o:p></span></i></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">Syenpre byve syn pavor<o:p></o:p></span></i></p><p class="MsoNormal"><span style="font-family: arial;"><span style="font-size: medium;"><i>Bryberas del su grant rryo.” </i> </span><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: medium;">[2]</span></span><!--[endif]--></span></a><o:p></o:p></span></p><p class="MsoNormal"><i><span style="font-family: arial;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Alonso Morgado refere
que nas <i>Gradas</i> na direção da Porta de
Xerez se comerciavam, para além do ouro e da prata, muitas outras mercadorias,
e também os escravos</span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;">“A cerca de lo qual se puede
notar por grandeza de Sevilla, la continua, perpetüa, y grãde abundancia de
prendas de grã valor, que allí se rematan, assi de Oro, y Plata labrada, como
de grandes Possessiones, Ropas costossissimas, Tapicerias riquíssimas y
muchissimos Esclavos, con toda suerte de Armas, y quantas riquezas </span></i><span style="font-family: arial; font-size: large;"><i>puedan imaginarse.” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><span class="MsoFootnoteReference">[3]</span></span></a></span></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">E
Miguel Cervantes nas <i>Novelas Exemplares</i>
refere a <b>Puerta de Jerez </b>quer em <i>Coloquio de perros:</i> <i>“Un
día acometió en la <b>puerta de Jerez</b>
él solo á seis famosos rufianes, sin que yo le pudiese ayudar en nada, porque
llevaba con un freno de cordel impedida la boca; que así me traía de día, y de
noche me le quitaba.”</i> <a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoNormal"><i><span style="font-family: arial; font-size: medium;"> </span></i></p><p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Quer na novela:<i> La espanola Inglesa: “…jamás visito el río,
ni pasó á Triana, ni vió el común regocijo en el campo de Tablada y </i><b style="font-style: italic;">puerta de Jerez</b><i>, el día, si le hace
claro, de San Sebastián, celebrado de tanta gente, que apenas se puede reducir
á número;” </i><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[5]</span><!--[endif]--></span></a><i><o:p></o:p></i></span></p><p class="MsoFootnoteText"><span class="MsoIntenseReference"><span style="mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial; font-size: medium;">
</span></span></span></p><div><!--[if !supportFootnotes]--><span style="font-family: arial;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref1" name="_ftn1" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Rodrigo
Caro, Antiguedades y Principiado de la Ilustrissima Ciudad de Sevilla. Y
Chorographia de su Convento Iuridico, o antigua Chancilleria. En Sevilla, por
Andres grande. Impressor de Libros. Sevilla Año 1634. (pág. 6).</span></span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt;"><o:p></o:p></span></span></p>
</div>
<div id="ftn2">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref2" name="_ftn2" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alfonso
Alvares de Villasandino (c.1345- c. 1424) in antologia de poetas líricos
castelhanos, ordenada por D. Marcelino Menendez Pelayo [1856-1912] Madrid 1890.
(pág. 94).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref3" name="_ftn3" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Alonso Morgado, Historia de Sevilla Historia
de Sevilla en la cual se contienen sus antigüedades, grandezas y cosas
memorables en ella acontecidas desde su fundación hasta nuestros tiempos, Compuesta
y ordenada por Afonso Morgado, indigno Sacerdote, natural de la villa de
Alcantara, en Estremadura. En la Imprenta de Andrea Perscioni y Ioan de Leon
Sevilla 1587. (libro segundo pág. 169).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn4">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref4" name="_ftn4" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel
de Cervantes <i>Coloquio de perros</i> in Novelas exemplares. Tomo II. Imp. Y Lib. De
Jorge Montero, Valladolid 1905 (pág. 202).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn5">
<p class="MsoFootnoteText"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/s%C3%A9culos%20XVI%20e%20XVII.docx#_ftnref5" name="_ftn5" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: EN-US; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Miguel
de Cervantes, <i>La espa</i></span></span><span style="color: #1e1e1e; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><span style="font-size: x-small;"><i>ñ</i></span></span><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><i>ola
inglesa</i> in Novelas exemplares Tomo I. Imp. Y Lib. De Jorge Montero, Valladolid
1905 (pág. 231).</span></span></span><o:p></o:p></p>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0tag:blogger.com,1999:blog-3273935191454288917.post-48424040740757232852021-11-23T09:32:00.000+00:002021-11-23T09:32:27.662+00:00Labirintos da memória (1)<p><br /></p>
<p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p align="right" class="MsoNormal" style="text-align: right;"><span style="font-family: arial;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial;">“Mas só aquele tempo que é
passado</span></i><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></i></span></p>
<p align="right" class="MsoNormalCxSpMiddle" style="text-align: right;"><span style="font-family: arial;"><i>Co'
tempo se não faz tempo presente.” </i><a href="file:///C:/Users/ricardo/Desktop/a%20promessa/H%C3%A1%2064%20anos.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[1]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p align="right" class="MsoNormalCxSpMiddle" style="text-align: right;"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial;"><span style="font-family: arial;">Camões<o:p></o:p></span></span></i></p>
<p class="MsoNormalCxSpMiddle"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></i></p>
<p class="MsoNormalCxSpLast"><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Arial;"><o:p><span style="font-family: arial;"> </span></o:p></span></i></p>
<h1 style="text-align: left;"><span style="font-family: arial;">A Promessa de Bernardo Santareno</span></h1>
<p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p align="right" class="MsoNormalCxSpMiddle" style="background: white; text-align: right;"><span style="font-family: arial;">“… <i style="mso-bidi-font-style: normal;"><span style="mso-spacerun: yes;"> </span>tudo quanto olhei, fiquei em parte.<o:p></o:p></i></span></p>
<p align="right" class="MsoNormalCxSpMiddle" style="background: white; text-align: right;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial;">Com tudo quanto vi, se passa,
passo,<o:p></o:p></span></i></p>
<p align="right" class="MsoNormalCxSpMiddle" style="background: white; text-align: right;"><i style="mso-bidi-font-style: normal;"><span style="font-family: arial;">Nem distingue a memória<o:p></o:p></span></i></p>
<p align="right" class="MsoNormalCxSpMiddle" style="background: white; text-align: right;"><span style="font-family: arial;"><i>Do que vi do que fui.” </i><a href="file:///C:/Users/ricardo/Desktop/a%20promessa/H%C3%A1%2064%20anos.docx#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 14pt;">[2]</span></span><!--[endif]--></span></a><i><o:p></o:p></i></span></p>
<p align="right" class="MsoNormalCxSpMiddle" style="text-align: right;"><span style="font-family: arial;">Ricardo Reis<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpLast"><o:p><span style="font-family: arial;"> </span></o:p></p>
<h2><o:p><span style="font-family: arial;"> </span></o:p></h2>
<p class="MsoNormalCxSpFirst"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;">Ao Júlio Gago com um abraço<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Há 64 anos, no Sábado 23 de Novembro de 1957, o
Jornal de Notícias publica um anúncio do Círculo de Cultura Teatral, subsidiado
pela (então recente) Fundação Gulbenkian, publicitando a estreia no Teatro Sá
da Bandeira da peça <i style="mso-bidi-font-style: normal;">“A Promessa”</i> de
Bernardo Santareno <span style="mso-fareast-language: PT;">(</span>António
Martinho do Rosário 1920-1980), pela companhia do Teatro Experimental do Porto
dirigida por </span><span style="mso-fareast-language: PT;"><span style="font-size: medium;">António Pedro (1909—1966).</span><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://1.bp.blogspot.com/-V_r18clmN_s/YZyvlLqNTmI/AAAAAAAAx8s/HeGcFy0mTwUHsc1_LjW1_do8RLSFZ9V_gCLcBGAsYHQ/s540/foto1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="459" data-original-width="540" height="340" src="https://1.bp.blogspot.com/-V_r18clmN_s/YZyvlLqNTmI/AAAAAAAAx8s/HeGcFy0mTwUHsc1_LjW1_do8RLSFZ9V_gCLcBGAsYHQ/w400-h340/foto1.jpg" width="400" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpFirst" style="text-align: center;"><span style="font-family: arial;">Jornal de
Notícias, Sábado, 23 de Novembro de 1957.<o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"></div><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"><br /></span></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;">Na anterior Quinta feira dia 14, António Pedro
havia já anunciado, em entrevista ao Primeiro de Janeiro a realização de <i>“um original português, “A Promessa” da
autoria de Bernardo Santareno”, </i>que António Pedro considerava, com
exagerado entusiasmo, <i>“o maior dramaturgo
português”.<o:p></o:p></i></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial; font-size: medium;"></span></p><div>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Entretanto
na capital, o Diário de Lisboa apenas faz uma seca referência.<i> “No Teatro Sá da Bandeira, do Porto,
inauguram-se hoje as actividades do grupo cénico do teatro Experimental (secção
profissional). Sob à cena, em estreia, um novo original português “A Promessa”
de Bernardo Santareno, que faz também a sua estreia em teatro.” </i>E nos dias
seguintes apenas a referência à continuidade da representação.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Talvez
porque, em Lisboa precisamente neste dia 23, estreia no teatro Nacional D.
Maria <i>“As Bruxas de Salém”</i> de Arthur
Miller (1915-2005), na versão portuguesa de António Quadros (1923- 1993), pela
companhia Rey Colaço-Robles Monteiro.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"><b>A estreia </b></span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial;"><span style="font-size: medium;">Na estreia
da peça é distribuído um Programa com um texto de António Pedro, e uma ficha
técnica de duas páginas, onde se refere a encenação de António Pedro; os figurinos
e cenários de Augusto Gomes (1910-1976) e António Pedro.</span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Refere-se
ainda a distribuição dos papéis, <i>por
ordem de entrada em cena</i>, elencando as personagens e os respectivos actores
e actrizes, bem como os figurantes, e os diversos colaboradores na montagem da
peça, cujas fotografias são de Fernando Aroso (1921-2018).<o:p></o:p></span></p></div><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://lh3.googleusercontent.com/-NAZ-1rd7e5s/YZywZVCJV0I/AAAAAAAAx80/FEH0_ji36s8QmaeearHReS9azcvAy_D1wCLcBGAsYHQ/foto2.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="448" data-original-width="346" height="400" src="https://lh3.googleusercontent.com/-NAZ-1rd7e5s/YZywZVCJV0I/AAAAAAAAx80/FEH0_ji36s8QmaeearHReS9azcvAy_D1wCLcBGAsYHQ/w308-h400/foto2.jpg" width="308" /></a></span></div><p></p><p align="center" class="MsoNormalCxSpFirst" style="text-align: center;"><span style="background: #F7F7F7; color: #555454; font-size: 8.5pt; mso-bidi-font-family: Arial;"><span style="font-family: arial;">Programa da peça "A Promessa"/ Teatro Experimental do Porto
(TEP) / Teatro Sá da Bandeira. 1957.</span></span><o:p></o:p></p><div class="separator" style="clear: both; text-align: center;">
<p class="MsoNormalCxSpMiddle"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"><o:p> </o:p></span></p></div><p class="MsoNormalCxSpFirst"><span style="font-size: medium;"><span style="font-family: arial;">Uma das fotografias de
Fernando Aroso (1921-2018), mostra uma cena de <i>A Promessa,</i> onde se destacam, entre outros, os que conheci ou
convivi: João Guedes (1921-1983) no papel de <i>José,</i> Vasco de Lima Couto (1923-1980) no papel de <i>Padre</i>, Dalila Rocha (1920-2009)
encarnando a <i>Maria do Mar</i> e Alda
Rodrigues (1939-1988) que fazia de<i> Maria
da Avó</i>. E o cenário de Augusto Gomes que representa</span> <i><span style="font-family: Arial, sans-serif;">“uma aldeia de pescadores portugueses (…) sem nenhuma
intenção folclórica ou de rigorismo social.” </span></i></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="font-family: arial;"><span style="mso-fareast-language: PT;"><br /></span></span></p>
<div style="mso-element: footnote-list;"><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Y81Kbg2PDpg/YZyxL4mRhcI/AAAAAAAAx88/swq09aRmwOoAAoZCrDZB8nwD-Lf2O9sZwCLcBGAsYHQ/s400/foto3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="256" data-original-width="400" height="410" src="https://1.bp.blogspot.com/-Y81Kbg2PDpg/YZyxL4mRhcI/AAAAAAAAx88/swq09aRmwOoAAoZCrDZB8nwD-Lf2O9sZwCLcBGAsYHQ/w640-h410/foto3.jpg" width="640" /></a></div><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">Fernando Aroso, Cena de <i>A Promessa</i>, pela Companhia do TEP 1957.</span></span></div><div style="text-align: center;"><span style="font-family: Arial, sans-serif; font-size: x-small;"><br /></span></div><div style="text-align: center;"><div style="text-align: left;"><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;">No dia
seguinte <i>A Promessa</i> é referida no Jornal
de Notícias: <i>Noites de estreia – Sá da
Bandeira: “A Promessa” – peça em três actos de Bernardo Santareno</i> por António Ramos de Almeida (1912-1961),
um velho amigo de meus pais, e ainda no Primeiro de Janeiro do mesmo dia, na
rubrica <i>Primeiras representações.</i><o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Esse acontecimento, pelo tema, provocou larga
polémica na elite cultural da cidade,
sobretudo por uma leitura superficial da peça, (veja-se os nomes das
personagens), motivando a reacção na comunicação social de sectores da igreja católica,
e por isso, das camadas mais conservadores da sociedade portuense e do próprio
regime salazarista.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">A sua
exibição, antes da sua proibição (?), prolongou-se até ao final do mês e ao 1º
de Dezembro.<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Os meus
pais, que assistiram à estreia da peça, pertenciam a um grupo de amigos e
conhecidos <i>“</i><i>da parte mais culta e mais civilizada da
nossa cidade”</i> como Ramos de Almeida
escreve, “<i>composta, na sua
maioria, por escritores, artistas, jornalistas, professores, médicos,
advogados, engenheiros, estudantes, isto é, todo um escol intelectual
insatisfeito e ansioso.”</i> <o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Em 1951
tinham estado ligados à fundação do Circulo de Cultura Teatral-TEP e em 1953 quando
o TEP apresentou o seu primeiro espectáculo, o meu pai pertencia com João
Meneres de Campos (1912-1988) à Direcção
presidida por Alexandre Babo (1916-2007) e a minha mãe era membro do Conselho
de Leitura, com Ramos de Almeida e Eugénio de Andrade (1923-2005).<o:p></o:p></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">A polémica estendeu-se aos debates, anunciados no Programa
então apresentado, e que se iniciaram no dia
29 no <b><i>Teatro de Algibeira do CCT. <o:p></o:p></i></b></span></p>
<p class="MsoNormalCxSpMiddle"><o:p><span style="font-family: arial; font-size: medium;"> </span></o:p></p>
<p class="MsoNormalCxSpMiddle"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"><span style="font-family: arial; font-size: medium;">O “<b>Teatro de
Algibeira</b> (ou de Bolso)” havia já sido inaugurado no ano anterior
(Terça-feira 8 de Maio de 1956), na Rua do Ateneu Comercial do Porto, segundo
um projecto do arquitecto Luís Praça.<o:p></o:p></span></span></p>
<p class="MsoNormalCxSpMiddle"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"><span style="font-family: arial; font-size: medium;">Como a lotação era muito reduzida, apenas 134 lugares, <i>A Promessa</i> foi exibida no Teatro Sá da
Bandeira. O Teatro de Algibeira foi infelizmente demolido em 1980.</span><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-ZPj9G3C8_Z0/YZyy0RtLOSI/AAAAAAAAx9E/fmMS8lRTu8srGzAPu937EBkEpM0BdNhgACLcBGAsYHQ/s800/foto4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="542" data-original-width="800" height="271" src="https://1.bp.blogspot.com/-ZPj9G3C8_Z0/YZyy0RtLOSI/AAAAAAAAx9E/fmMS8lRTu8srGzAPu937EBkEpM0BdNhgACLcBGAsYHQ/w400-h271/foto4.jpg" width="400" /></a></div><span style="font-family: Arial, sans-serif;"><span style="font-size: x-small;">A sala de
espectáculos do Teatro de Algibeira.</span></span><p></p>
<p class="MsoNormalCxSpMiddle"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"><o:p> </o:p></span></p><p class="MsoNormalCxSpFirst"><span style="font-family: arial; font-size: medium;">Adolescente e no início do meu 5º ano liceal, e
porque na altura havia já sido instituída a classificação de espectáculos, não
pude obviamente assistir, mas tive eco
pelos meus pais do “escândalo” que a peça então gerou.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Pude,
contudo, ler o exemplar da peça existente na casa paterna, e dez anos depois
assistir à sua nova encenação embora com cortes da Censura.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">Toda a
polémica gerada em torno das escassas 8 ou 9 iniciais representações contribuiu,
contudo, na época, para a afirmação do autor Bernardo Santareno, e sobretudo do
jovem Teatro Experimental do Porto e de todo o seu elenco, na sua luta pela
renovação do Teatro. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><span style="font-family: arial; font-size: medium;">António
Pedro termina o seu pequeno texto do Programa escrevendo:<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle"><b><i><span style="font-family: arial; font-size: medium;">“Para
isso lutaremos. E o muito que já se conseguiu, ajuda-nos a regar de esperança
um canteiro de sonho onde as ervas ruins, que sempre nascem, morram à falta de
ar pela abundância das flores.”</span><o:p></o:p></i></b></p><p class="MsoNormalCxSpMiddle"><span style="background: white; mso-bidi-font-family: Arial; mso-bidi-font-size: 9.0pt;"><o:p>
</o:p></span></p><p class="MsoNormalCxSpMiddle"><i> </i></p></div></div><!--[if !supportFootnotes]--><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoFootnoteTextCxSpFirst"><span style="font-family: arial;"><a href="file:///C:/Users/ricardo/Desktop/a%20promessa/H%C3%A1%2064%20anos.docx#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"> Luís de
Camões, (c.1524-1580), Soneto CCCXLVI in Obras de Luís de Camões. Lello &
Irmão – Editores, Porto 1970. (pág.180).<o:p></o:p></span></span></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteTextCxSpLast"><a href="file:///C:/Users/ricardo/Desktop/a%20promessa/H%C3%A1%2064%20anos.docx#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="mso-special-character: footnote;"><span style="font-family: arial;"><!--[if !supportFootnotes]--><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></span></a><span class="MsoSubtleReference"><span style="font-size: 9.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-theme-font: minor-bidi;"><span style="font-family: arial;">
Fernando Pessoa (-1935), Odes de Ricardo Reis, poema de 7 de Junho de1928 in
Obra Poética,. Companhia Aguilar Editôra, Rio de Janeiro 1965. (pág.282).</span><o:p></o:p></span></span></p>
</div>
</div>ricardo figueiredohttp://www.blogger.com/profile/14328464506277617876noreply@blogger.com0